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Sound quality
Without data reduction, digital audio signals typically consist of 16 bit samples recorded at a sampling rate more than twice the actual audio bandwidth (e.g. 44.1 kHz for Compact Disks). So you end up with more than 1.400 kbit to represent just one second of stereo music in CD quality. By using MPEG audio coding, you may shrink down the original sound data from a CD by a factor of 12, without losing sound quality. Factors of 24 and even more still maintain a sound quality that is significantly better than what you get by just reducing the sampling rate and the resolution of your samples. Basically, this is realized by perceptual coding techniques addressing the perception of sound waves by the human ear.
Using MPEG audio, one may achieve a typical data reduction of
1:4
by Layer 1 (corresponds with 384 kbps for a stereo signal),
1:6...1:8
by Layer 2 (corresponds with 256..192 kbps for a stereo signal),
1:10...1:12
by Layer-3 (corresponds with 128..112 kbps for a stereo signal),
still maintaining the original CD sound quality.
Some typical performance data of MPEG Layer-3 are:
sound quality
bandwidth
mode
bitrate
reduction ratio
telephone sound
2.5 kHz
mono
8 kbps *
96:1
better than shortwave
4.5 kHz
16 kbps
48:1
better than AM radio
7.5 kHz
32 kbps
24:1
similar to FM radio
11 kHz
stero
56...64 kbps
26...24:1
near-CD
15 kHz
stereo
96 kbps
16:1
CD
>15 kHz
112..128kbps
14..12:1
*) Fraunhofer uses a non-ISO extension of MPEG Layer-3 for enhanced performance ("MPEG 2.5")
In all international listening tests, MPEG Layer-3 impressively proved its superior performance, maintaining the original sound quality at a data reduction of 1:12 (around 64 kbit/s per audio channel). If applications may tolerate a limited bandwidth of around 10 kHz, a reasonable sound quality for stereo signals can be achieved even at a reduction of 1:24. For the use of low bit-rate audio coding schemes in broadcast applications at bitrates of 60 kbit/s per audio channel, the ITU-R recommends MPEG Layer-3. (ITU-R doc. BS.1115) .
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