A key to unlock the mystery on

Uzebekistan Rock Painting.

T.L.Subash Chandira Bose and Jack Andrews

Introduction:

A mysterious rock drawing at Fergana (Uzbekistan) found by Dr. Vyacheslav and he was the first person who brought to the notice of the world. Later Eric Von Daniken reproduced the same in his books “The Chariots of the God?” “The Gold of the Gods” and in “In Search of Ancient Gods”.

We are forced to take up the study and research on this rock drawing because, “We are not only responsible for what we are doing and also for the undone”, which is our Goal.

As soon as we saw the below note in the "Perceptions" web site, we immediately communicated to the editor and also got the positive response with the encouraging word, to publish our study and research article by emphasizing the importance of this particular rock art to the world humanity. He also referred the currently published web site http://www.spazioufo.com/frergana.htm, having the pictures in its original color. We wish to convey our sincere thanks to Shree. Ray Dickenson, Editor of "Perceptions” http://www.perceptions.couk.com.

The essence of the scholar’s opinion published in the "Perceptions” web site: with heading “Haar” which as follows: Rock drawing at Fergana (Uzbekistan) Label it "shaman, scientist, astronaut or alien" - Why? Logical alternatives suggested by facts:

Scenarios,
Shaman - wearing ritual outfit, carrying impedimenta of sorcery.
Scientist - wearing necessary / symbolic gear, carrying tools, calculators.
Astronaut - wearing space-gear, carrying shielding or memory software.
Alien - ditto for space-gear, ditto for tools or software.

Symbolism:

A symbol is a sign or identifying mark. The original Greek work Symbolon means a sign by which one knows or infers a thing. It typifies, represent or recalls ‘something by possession of analogous qualities or by association in fact or thought’. Symbols are signs for expressing the invisible by means of visible or sensuous representation.

All our contact with the world outside is based on symbols. Our language is nothing but symbols. The scripts are still more so. Our art, our poetry, in fact every aspect of life is based on symbols. “We think in symbols, we act in symbols, we live in symbols, we learn in symbols”. –“Hindu Symbology and other Essays”, by Swami Swahananda.

As Carlyle’s professor in Sartor Resartus puts it, “The universe is but one vast symbol but a symbol of God”; nay if thou with have it, what is man himself but a symbol of God”.

Some authors have made special studies of symbols in different countries. In symbolism of the East and West by H.Murray-Aynsley, similarities in sun, fire and other worships, use of sacred stones, sacred trees to typify a new birth of the soul, etc., have been noted.

We begin our study with a keynote of Dr. Mees, who has made a searching study of symbols. He says: “It is now recognized that dreams form the mythology of the individual as much as mythology represents the dream-life of a race…Symbols, and in particular religious symbols, are not mere objective pictures, but are highly subjective, in that they form the most sacred and intimate part of our being.

Observation:

The human figure having wing (Wings), wearing a typical dress suitable to the cold climate and the head covered with turban. In addition, the circular shape ray or light around the head and similar like fire rays projecting out from the entire face. The face is with beard and thick mustache. The human figure also wearing ornaments such as the Ear wear (ear rings) and the neckwear along with a metal plate inscribed with seven concentric circuits.

The tip of right hand’s index finger touch the tip of the thumb finger, with the little finger in the shape like “L” and the other two fingers are slightly bent. The left hand touching the metal plate with the middle three fingers and the index finger is very close to the center of seven concentric circles. The stone land, similar like rising “Sun” with (possibly Sixteen) rays just above the ground in a dark atmosphere.

The land surface with lot of stones and two hills, one of the hills (mountain) is higher than other one. There are few trees just behind the mountains. A bright circular shaped light without rays, which could possibly the center of the universe visible just close to the highest hill or mountain.

Many thanks to: http://www.spazioufo.com/frergana.htm

Something likes a vision, which has pictorially indicated in a bright color as if it has projected from the entire human face having the eyes wide open. In the bright color or light, a bigger size star with its rays and some thing like clouds at the center has shown. At the center of cloud formation, a flying object having windows at the bottom has shown and something like the exhaust ejecting down wards from the bottom of the flying object.

On the top of the ground, a standing human figure wearing a helmet with two projected rods and the full space travel suit. His left hand is pointing to the two high mountains also possibly towards the circular shaped bright light. The right hand touches a like neckwear plate on which concentric circuits are also inscribed. It appears the right hand’s middle three fingers and the index is very close to the center of seven concentric circles

Study:

Wings: The human figure with wings is the symbolic representation of the human soul, living in this material world. The headwear turban, the dress and the ornaments also confirm the same meaning. The JivaAthman (human soul) and Paramatham (Supreme soul) also symbolically indicated in human form with wings in many ancient pictures, symbols and seals.

Neckwear metal plate: The neckwear metal plate with a point (Bindu) at the center and seven concentric circuits indicates evolve and dissolve concept of cosmos and the seven reigns in this universe. We shall observe this sacred meaning in the temples constructed with seven circuits (Courts); as an example we shall refer the “Vishnu” temple called “Sriranganathaswami temple” with seven courts, at Tiruchirapalli, Tamil Nadu, India.

Mudras: The location of the metal plate is very close to the human heart center and the hand with its middle three fingers touching the seven circuit is symbolically indicate the meaning “Myself is an Athmam and not the body” is called “Hirudaiyamudra” or “Hirudaiyaniyasam”. In this case, the left hand fingers are touching the metal plate, because the raised right hands fingers are showing “Chinmudra”. However, the human figure with the space suit wearing similar metal plate touches the metal plate with his right hand fingers, which is the symbolic indication of “Hirudaiyamudra”. The “Chinmudra” with the raised hands is symbolically indicates the highest level of “Wisdom” in attaining the feet the “Parabraham”, that what the circular rays around the head of earthly human figure is shown.

We can interpret the meaning of the rock art in different angle. However, the fact we have to learn from the rock art that the concept of alien, flying object and the contact etc., etc., well known to our ancestors. We must also understand that the aliens also knew the importance of the spiritual path to attain the feet of the “Parabraham”.

We assume the conversation between the alien from other orbit and the human being in this earth as follows.

Alien: Hello, look my dear friend, this is the center of the universe and where the Supreme Soul remains. Come, I will take you by means of the mode of travel, the flying object (Vahana) with our advanced scientific technology.

Human: Thank you, my dear beloved friend, I will reach there and the feet of the Supreme Soul with my own wisdom power by the spiritual path.

Alien: Explain.

Human: My dear beloved friend, we cannot attain immortality to reach the feet of Supreme Soul with his physical body, only our soul alone can attain. For which we have to get wisdom power through the spiritual path.

Alien: Oh, thank you. Teach me please.

The earthly human, teaches the spiritual path to attain the wisdom power which will ultimately lead to reach the feet of The Supreme Soul” to the Alien.

Conclusion:

The both the earthly human and the alien are wearing the metal discs with seven concentric circuits in their neck and touching the metal plate with the middle three fingers of left and right hand respectively. This is “Hirudaiyamudra”.

There is a divine light only around the head of earthly human and “Chinmudra with his raised right hand, showing the highest level of his wisdom.

Based on the above study we shall conclude that the level of wisdom power of earthly human is on higher level comparing the alien from other orbit in this universe.

The people of Tamil Nadu, India used to say, “ Living in this earth is a surprise and dieing in this earth is certain. The surprise is the beginning of understanding the mystery on birth and death. The mystery can be unfolded only with the wisdom power, following the spiritual path especially in our mother earth (material world).

Based on the color, clarity and the way the drawing was drawn, we shall assume this rock drawing would have drawn with in three thousand years. Further study is essential to decode the exact period of this rock drawing.

We have already unlocked the hidden mystery on the Nazca GGF marking and Bolivia’s rock symbols. We will continue to search out and bring public, as yet undiscovered sites that will push forward our goal, which is “The World Peace”.

Ó T.L.Subash Chandira Bose 2003, please contact with your comments: lscbose@eth.net