Copyright & Fair Use Issues
The technologies ushered in by the Internet also introduced many problems
and pitfalls that an educator must be wary of. Using only a mouse to give
the "cut/copy and paste" one can plagiarize somebody else's work with a
few clicks. If you are concerned that your students are turning in homework
and term papers that are liberally copied from the Web, read From Now
On: The Educational Technology Journal featured article by editorJamie
Mackenzie called:
The
New Plagiarism: Seven Antidotes to Prevent Highway Robbery in an Electronic
Age (May 1998).
Now in the Web you will notice flagrant copyright violations by individuals
or groups using famous cartoon characters, trademark logos of consumer
brands, and popular songs in their sites. In most of these cases the permission
of the copyright owners were not sought. The threat of lawsuits have many
colleges and universities educating its teachers, students, and faculty
on proprietary rights issues in the use of multimedia materials in instruction.
This includes a teacher posting articles, essays, charts, and pictures
of other people in a class website. A lot of unsuspecting educators do
not realize the legal implications when works published in a different
format are converted in digital form, such as photos and articles in newsletters
that are made available on the Web without the consent of the sources.
In certain cases, fair use exemptions such as educational purposes and
the "not for profit" defense are tenuous as many schools have found out.
There are several university sites, for example, offering tutorials on
writing research papers using the APA style, when in fact, the American
Psychological Association that publishes the manuals is the copyright owner.
One unrepentant individual describes his site as "one of several unauthorized
copies ... which remain on the internet, years after the APA forced me
to remove the original from Psych Web."
Why is it a big deal?
Copyright not only gives the owner exclusive rights to copy or reproduce
the work, but also to publicly perform, distribute, display, and make derivative
works from the original. None of the other media such as print, radio,
TV, visual and performing arts, ever had the capabilities that the Internet
or Web has to infringe on all exclusive rights all at once.
"When material is posted on a digital network,
it is almost certainly being simultaneously copied, distributed, adapted,
publicly performed, and publicly displayed."
Dan L. Burks, Ownership Issues in Online
Use of Institutional Materials, Cause/Effect
The debate on copyright and fair use focuses on how controls on intellectual
properties could either stifle or stimulate innovation and creativity.
One side believes that unlimited access and reproduction via the Internet
will eventually bring down the value of intellectual properties in the
marketplace. Software companies and the recording industry face this dilemma
everyday with many warez and MP3 songs freely available in the Web.
The time and money they invested are negated when they have no control
over the distribution of these products. Artists and authors also feel
cheated when their works are not even credited to them. The other side
believes that people need access to other works to inspire them. In the
1980s IBM allowed the development of "open architecture" for the personal
computer that fostered an environment of constant innovation and creativity.
This explains why there are many "IBM-compatible" PCs and hardware today.
Tim Berners-Lee justifies his reasons for not patenting the hypertext code
that built the Web on similar lines:
It was simply that had the technology been proprietary,
and in my total control, it would probably not have taken off. The
decision to make the Web an open system was necessary for it to be universal
... If I, and CERN, hadn't had that attitude, there probably wouldn't be
a web now.
For now while the arguments rage between protecting intellectual property
rights and serving the public interest, it is wise to heed this advice:
"In the absence of the physical and conceptual
boundaries of the law on the Internet, the professor should apply human
behavior, institutional ethics, and professionalism guided by explicit
regulations (law) constrained by inexplicit rules (social norms), and self-confirmed
by one's conscience or religion, without the limitation of time and space."
Jiang (Joan) Lan and Dave Bagley, Teaching
via the Internet: A Brief Review of Copyright Law and Legal Issues,
Educational
Technology Review
In other words, when in doubt, ask permission. To be on the safe side check
the copyright guidelines of the Web sites for instructions. Commercial
sites are predictably protective of the contents in their site, while several
will offer freebies like screensavers and beta versions of a new software.
Private sites are generally free though some are quiet explicit whether
permission is required or not to link to their site, and to copy materials
like text, pictures, etc. The good news is a lot of educational websites
are free. Many such sites, like askERIC, offer free lesson plans while
encouraging teachers to post theirs as well. Government sites, such as
the US Library of Congress and NASA, also offer many materials that are
in the public domain and are copyright-free.
Recommended reading
"The
Electronic Challenge for Copyright Law" by Georgia Harper, Office of General
Counsel, University of Texas
(Or any site or article from):
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