Now and Them (Them album)
Original release on Tower Records (USA) -- ST 5104. 1967
Rereleased on Zap! Records (Zap 6) in 1988
Rereleased on Rev-Ola (CRREV29) in 2003
- Witch Doctor
- What's The Matter Baby
- Truth Machine
- Square Room
- You're Just What I Was
- Looking For Today
- Dirty Old Man (At The Age Of Sixteen)
- Nobody Loves You When You're Down And Out
- Walking In The Queen's Garden
- I Happen To Love You
- Come To Me
- Square Room *
- But It's Alright *
- Walking In The Queen's Garden *
- I Happen To Love You *
Note that there is no Van content on this album.
* - Bonus tracks, mixes from the 7" singles
Note:
There is a suggestion/rumor - unprovable, I suspect - that the song "Walking in The Queen's
Garden may (or may not) have been written by Van...
Liner notes, from the Rev-Ola reissue:
There can't be anyone out there who has never heard of 1960's Belfast legends and hitmakers,
Them. From the Maritime to Van Morrison's mainstream rock fame, it's a pretty well known
tale... but like most things Irish, there are always a couple of.... left turns... which
are well worth a look... one of those is the Kim Fowley sponsored Belfast Gypsies, with
half the original Them... the other half took on Belfast powerhouse vocalist and old mate
Kenny McDowell, and headed back to the scene of the happiest dates on their bizarre U.S.
tour...
California... where with the aid of producer Ray Ruff they signed to Capitol susiduary
Tower, home of The Standells and The Chocolate Watchband, as a full on Psychedelic Punk
band.... Shadows Of Knight?.... Pah! We'll show 'em how it's done!....two, overlooked
classic albums resulted, of which this was the First.... together with the attendant
single mixes, a picture of a forgotten period for a world-famous band.. Them. This album
has never before been released on CD and comes complete with the rare single mixes, all
from original masters. The sleeve notes contain the full story of Them in California making
this a must for Psych Punk fans, Van Morrison completists, and all fans of Them!
Liner notes, from the Zap! Records reissue (Zap 6):
(thanks to the David Chance for the transcription)
They're a group with five distinct but not disjointed personalities.
This is Them as I know them.
There's Kenny McDowell, who worried about stepping into Van
Morrison's place as the group's vocalist. He's a worker on stage,
shouting and whispering everything from blues to Indian ragas. Blues
is his game and he plays it well. Off stage he's shy, but getting
over it. Charming in that delightful Irish way, he blushes when
complimented and calls every girl "Luv." You just can't help but
love Kenny.
Towering over him on stage is Kim Armstrong, lead guitar player
extraordinaire. A year ago Jim looked like a cross between Chad
Stuart and Peter Asher; now he just looks tall. New Shankar albums
to blow his mind, but then so do songs like "They're Coming To Take
Me Away," so how can you win? He's basically an uncomplicated guy
who likes to like and is easy to like. Keep your eye on this man;
he's going to develop himself into one of our top guitarists. But
it won't hang him up, 'cause things just don't hang Jim up.
And there's Alan, who resembles an iceberg in that only about ten
percent of him is above the surface. He keeps a lot of him inside.
What's on the outside looks a lot like Omar Sharif. It's a little
difficult to earn Alan's respect, as it is with all of Them, but
once you get it you have a loyal friend. But cross him once and
you'll never have a chance to do it again. He's one heck of a bass
player, but if you ask him he'll tell you Jim is the group's best
guitarist. He can seem a bit rough at times, but he's learning the
meaning of gentleness. Just don't let Alan frighten you.
Ray Elliott plays sax, organ, flute, etc., and is the world's
largest living leprechaun, not necessarily in captivity. He's easy
to love but impossible to understand. He calls his sax a typewriter
and is capable of talking for hours without making sense to anyone
other than himself, but that's Ray. And you'll just have to take
him as he is, 'cause there's no way he's ever going to change. But
why should he; he's enjoying himself. Ray doesn't trust people, but
maybe he has a reason. We'll probably never know.
Move slowly around Dave Harvey and he may be able to keep up with
you. Them's drummer, he's a low keyed Englishman who looks Spanish
when his moustache gets too long. He once wore a watch that said
five o'clock for three months, but in Dave's world it might have
been five o'clock for three months. Jazz is his bag, photography
his latest interest and girls his full time interest. He doesn't
stand out in a crowd, but he's glad of that since crowds bother him.
Dave's simply quiet, easy going and slow, at everything.
These are Them now and now is Them. They've been through some
changes, bad times and good times and learned from all of it. It's
going to happen for Them now. I think you'll like Them.
Carol Deck, West Coast Editor FLIP Magazine
"Now And Them" would never have been possible if not for one of
"Them's" favorite people, Carol Deck. Carol was the only person in
America that "Them" had any faith in what-so-ever.
The boys had a very rough time with their first American experience
and were not about to get themselves into a similar situation again.
They wrote Carol and asked her to take time to find a
Producer-Manager combination. When Carol contacted me, at first, I
refused, but after receiving a letter from Alan Henderson I knew
that "Them" definitely meant business this time.
I sent the tickets and contracts to Alan and brought "Them" to
America. Without Carol Deck's faith in the group, "Them" would not
have a "Now And Them" album for anyone to enjoy, and the great
talent of "Them" would probably have been wasted in Europe.
So, thank you Carol Deck from all of us and "Them".
Ray Ruff, Manager of "Them"
Album Produced by Ray Ruff
Walking in the Queen's Garden and I Happen to Love You co-produced
by Marty Cooper & Ray Ruff
Nobody Knows You When You're Down and Out and Square Room
co-produced by "Them" & Ray Ruff
Arrangements: Al Capp, John Bahler
Cover Art by Bob Zoell
Part of the van-the-man.info unofficial website
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