Banana Bending: Asian-Australian and Asian-Canadian Literatures

CULTURE, IDENTITY, COMMODITY:
DIASPORIC CHINESE LITERATURES IN ENGLISH
Edited by Tseen Khoo and Kam Louie

ORDERING INFORMATION | TABLE OF CONTENTS

Culture, Identity, Commodity is a pioneering work focused on diasporic Chinese literary production in English. It provides broad-ranging, critically-engaged textual analyses that address the dynamic area of diasporic Chinese literary studies from American, Australian, and Canadian perspectives.

The innovative research in this collection comes from established and emerging scholars who draw on threads of transnational, postcolonial, globalization, and racialization theories to engage with a broad range of texts including novels, autobiographies, plays and Chinese cooking shows. In so doing, the authors examine issues of cultural and racial identity, the politics of Chinese-ness and the commodification of race/ethnicity, and negotiations of belonging in contemporary Western society.

The breadth and depth of the volume's twelve chapters and critical introduction encapsulate vital components of this active research field. The book is a handy reference and critical work for researchers and students and others interested in diasporic Chinese literatures in English, contextualizing national conditions and interrogating the thematics of diasporic and transnational experiences.

The volume will be of interest to those researching in diasporic Asian studies, Chinese and English literatures, Australian, Canadian or American literary studies, as well as lay readers interested in intercultural creative and cultural issues.

EDITORS' BIOGS:

TSEEN KHOO is a Monash University Research Fellow, Melbourne, Australia. She has published on Asian-Australian cultural production and politics, multicultural/race issues in Australia, and Asian-Canadian literature. She is the author of Banana Bending: Asian-Australian and Asian-Canadian Literatures (2003), and co-editor of Diaspora: Negotiating Asian Australia (2000). Her current research interests include formations of Asian diasporic literary studies, and critically locating narratives of Asian-Australian public history. She created, and currently manages, the Asian-Australian academic discussion list.

KAM LOUIE is Chair Professor of Chinese Studies and Head of the China and Korea Centre at the Australian National University. He has published over ten books and fifty book chapters and articles on Chinese culture. Recent books include Chinese Literature in the Twentieth Century (with Bonnie McDougall; 1997), The Politics of Chinese Language and Culture (with Bob Hodge; 1998), and Theorising Chinese Masculinity (2002). He had also co-edited Asian Masculinities (with Morris Low; 2003). He is chief editor of the Asian Studies Review, Fellow of the Australian Academy of the Humanities and a member of the Australia-China Council.

JACKET BLURBS:

"This collection forms an important foundation for overdue and much-needed comparative work in diasporic Chinese literatures in English."
Sneja Gunew, Professor of English and Women's Studies and Director of the Centre for Research in Women's Studies and Gender Relations, University of British Columbia, Canada

"This is a bold and thought-provoking collection with the great merit of questioning orthodoxies. It offers a much-needed discussion of emerging Chinese diasporic writing. It will be an important resource for all those researching and teaching in the fields of comparative literature, ethnic studies, as well as Australian, Canadian and American studies."
David Parker, Department of Sociology and Social Policy, University of Nottingham, UK

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ORDERING DETAILS:

You can order online at the official HKUP site for Culture, Identity, Commodity.

Or at the McGill-Queens University Press site: Culture, Identity, Commodity.

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