COIN GIRL: a slave girl who, with a coinbox and triangular flat bell chained around her neck, is sent out in the streets of a city to earn money from Masters in return for her sexual use

DISPLAY SLAVE: a slave girl whose primary purpose is for the display of her beauty to reflect the affluence of her Master; often chained in coffle with other display slaves behind the palanquin or other transport of her Master

KETTLE-AND-MAT GIRL: a slave girl whose function is divided between household tasks and sexual servitude

LUCK GIRL: a slave girl who acts as mascot onboard ship; her use is usually reserved for the captain of the ship, but she may be shared with the crew, usually as a disciplinary measure

PASSION/EXOTIC SLAVE: a slave girl who has been bred, rather than captured; specifically, one that has been bred for a particular trait, such as beauty or slave heat or the shape of her lips

PIERCED-EAR GIRL: a slave girl whose ears have been pierced; as piercing a girl's ears is consider the ultimate degradation, it virtually guarantees that the girl will never be freed; the practice first became popular in Turia, but is gaining acceptance in the northern cities, especially Ar

PLEASURE SLAVE: a slave girl whose main function is sexual servitude to her master; traditionally, she kneels with her knees spread wide, and her hands either resting on her thighs or, in some cities, crossed behind her, ready for binding

POT GIRL: a slave girl whose main function is cooking and other menial tasks; used disparagingly

SILK GIRL: term used by those of Torvaldsland to denote a slave girl from the southern cities; often used disparagingly

SILK SLAVE: a male pleasure slave; usually in attendance of a free woman

TOWER SLAVE: astate slave girl in any of the cities of Gor; her duties in the apartment cylinders are largely domestic; traditionally, she kneels with her knees together and with her wrists crossed in front of her, as if for binding .

The slave lays down on her belly, with forehead pressed to the floor. Crossing her ankles and taking her crossed wrists, she places them to the small of her back. The legs are held straight and her head slightly to the left. The slave remains motionless as it waits to be bound.

"Bara," said Mincon to Tula. "Bara," said I to Feiqa. Both slaves went immediately to their bellies, their heads to the left, their wrists crossed behind their backs, their ankles also crossed. It is a common binding position. We did not bother to bind them, however. It was enough that they lay there in this position.

- Mercenaries of Gor, Pg. 145

"Bara, Kajira!" he said. She rolled quickly to her stomach, placing her wrists behind her, crossed, and crossing her ankles, ready to be bound.

-Explorers of Gor, pg. 77

Belly:
The slave lays to its belly, parting the legs shoulder width apart. Pressing its forehead to the ground and laying its hands palm up at its sides. If not before the Master when command of belly is called slave must crawl to Masters feet while in belly position.

"Belly," I said to Feiqa. Immediately Feiqa, trembling, went to her belly on the stained, sooted stones near the fire.
Mercenaries of Gor, Pg. 19

Blanketing:
This, while not technically a command, is still an action the slave should remember. If something is thrown over her head she must remain silent and motionless until freed from it.
"I then threw the second blanket, the top blanket over her, covering her completely. When a blanket or cloak is thrown over a slave like this she may not speak or rise. She must remain as she is, silent, until the Master or some Free Man lifts the covering away." Explorers of Gor g. 94.

Bracelets:
The slave kneels beautifully with thighs spread wide, its back arched, extending its arms behind itself with wrists crossed in a delicate manner to await binding. The head is held high and the eyes lowered to submission. It is at the Masters request that a slave may also place its arms to the back with wrists crossed. This may be referred to in some spots of gor as "bracelets Kneeling"

She would wear the linked ankle rings, the three-linked slave bracelets of a Gorean master. - Raiders of Gor, Pg. 55

Bracelets," he snapped. She put her head in the air and placed her hands behind her back." --Hunters of Gor Pg. 146.

Display:

A slave stands with feet shoulder width apart, hipes turned slightly in a beautiful presentation. Shoulders, back straight and head high. Belly is in and fingers lace behind ones head under the hair at the neck.

"Stand as a slave," he said. I stood beautifully, back straight, head high, belly sucked in, hip turned. No woman can stand more beautifully than as a Gorean slave girl. "Excellent," said Ladletender, smacking his lips. "Master is pleased," I said. "Yes," he said. "The slave too, is then pleased," I said. Slave girl of Gor, pg. 249

Gorean Bow:

The slave kneels in nadu form, spreading the thighs wide. It leans backwards until her head just touches the floor. Then using the muscles a slave must pull upwards, contorting its body in a sedcutive manner where in its breasts thrust outwards, arching that lovely back. Exposed totally for the pleasure of the One seeking the slave.

Over her iron collar she wore a heavy leather Kur collar, high, heavily sewn, with its large ring. He thrust her two wrists before her body, into the ring he had cut from the Kur. He then tied them inside, and to, the ring. He then, from his belt, tool a long length of binding fiber and, doubling it, looped it, securing it, as its center to the ring, leaving two long ends. He then threw her, on her back, over the body, head down, of the fallen Kur. He took the two loose ends of the binding fiber and, taking them under the body of the fallen Kur, dragged her wrists, elbows bent, over and above her head; he then, bending her knees, tied one of the loose ends about her left ankle, and the other about her right. This was the Gorean Love Bow. -Marauders of Gor, pg. 261

Hair:
The slave remains in whatever position it is in but gently gathers its hair, offering it to the Master.
"I held my left hand open, at my waist. She stiffened, and looked at me angrilly. I opened and closed my hand once. I saw her training in Gorean customs had been thorough. But she never thought that such a gesture would be used to her. She came beside me and a bit behind, and crouching put her head down, deeply. I fastened my hand in her hair. She winced. Women are helpless in this position. Beasts of Gor Pg. 409

Har ta:

If given this command it means the slave should "HURRY"

Heel:

A slave kneels just behind the Master's left boot. As He moves, it must also move always to be right behind, yet never in touching contact.
"The forkbeard turned about and, one arm about Pudding, the other about Gunnhild, started from the dock. Hilda followed him, to his left. "She heels nicely," said Ottar. The men and bond mailds laughed. The Forkbeard stopped. Hilda's face burned red with fury, but she kept her head high. Pet sleen are taught to heel, so, too, sometimes are bondmaids. Marauders of Gor Pg 123.

High Harness
This command indicates to the slave that the Master wants it to expose its throat to Him. Lift the head is as high as it can possibly lift up, exposing the neck.

"Lift your head, " he said. "Higher. Higher!" She looked up at him, her head far back, the leash on her throat.."You need not now keep your head in high-harness position,", he said to the girl. She moved her head. Mercenaries of Gor, pg. 308 - 309

Kneeling Whipping position:

A slave kneels, thighs together, head to the floor. the slaves face is turned to the left, with arms crossed across the chest, with the fingers resting upon the shoulders. The hair is pulled over the left shoulder to expose the back for punishment.

I went to Targo, trembling, and knelt at his feet.. I crossed my wrists beneath me and touched my head to the floor, exposing the bow of my back. It is the submissive posture of a slave girl who is to be punished. It is called Kneeling to the Whip." Captive of Gor pg 200.

Leading Position:

The slave approaches the Master's side, bending at the waist. The hair is gathered and presented to the Master to lead the slave as He so wishes. In a moment I had left the building, pulling the captive behind me, her head down at my waist, in leading position. Mercenaries of Gor, Pg. 399 - 400

Leasha:

The slave stands with its back to the Master, legs parted, back erect, wrists crossed at the small of the back for binding. The shoulders are held straight,head held high and turned to the left. Eyes lowered in submission as it awaits His leash.

"Lesha," snapped the second officer to the blond girl. She spun from facing him, and lifted her chin, turning her head to the left, placing her wrists behind her, as though for snapping them into slave bracelets. Explorers of Gor, pg. 76

Nadu:

Gorean translation is literally "to kneel" Nadu has been taught to many as arching ones back slightly, however in true to gorean form it is with back STRAIGHT, the thighs spread wide to show the slave heat to the One a slave is serving, breasts/chest thrust forward in a seductive manner, belly taut, hands on thighs, palms up as to show open fires, and the head held high as the eyes lower in submission.

Nadu!" he snapped. She swiftly turned, facing him, and dropped to her knees. She knelt back on her heels, her back straight, her hands on her thighs, her head up, her knees wide. It was the position of the pleasure slave. Explorers of Gor, Pg. 77

"Does she not even know how to kneel?" he asked. Quickly I instructed the girl into The Position of the Pleasure Slave, kneeling back on heels, back straight, head high, hands on thighs, and knees wide. Slave girl of Gor, Pg. 4OO

nestle:

"Nestle," I told her. "Yes Master." she said. She nestled obediently in the crook of my left arm. Explorers of Gor Pg 279.

Obediance:

A slave lays on her belly and places her chin at her Master's feet. As the men came to breakfast we extended them obeisance and served them. Slave girl of Gor, Pg. 74

Obeisance:

"There are many ways to perform obeisance," I said. "I am a Free woman," she said. "I know none of them." "I shall instruct you briefly in three," I said. "First, kneel before me, back on your heels, yes, with your knees wide, wider, your hands on your thighs, back straight and breasts out. Good, your belly in, good, and now lower your head in deference, in submission." "Now that," I said, "may not be exactly a performance of obeisance, for authorities do not all agree, but for our purposes we shall count it as one. It is, at any rate, a beautiful position, and it is, certainly, a common position of slave submission. Now," I said. "and this is clearly a form of obeisance, bend forwards and put your head to the mat, the palms of your hands on the mat. Good, now lift your head a little and come forward, substantially keeping the position. Forward a little more. Yes," I said. "Good. Now put your head down and lick and kiss my feet." Mercenaries of Gor Pg 409-10.

Prostrate:

This is usually done upon awaiting entry to a room or awaiting His command. The slave kneels, touching the forehead to the floor, stretching the arms out before it palms down with fingers spalyed wide.

At his entrance Susan put the palms of her hands on the floor and lowered her head to the tiles, assuming a position of slave obeisance common with her in the presence of her master. I wondered if Ligurious's slave master required this position of all of his women. I supposed so. Kajira of Gor, Pg. 157

She-Quadraped:

She quad or she-quadrupled (also referred to as she-sleen) The slave lowers itself to elbows and knees. Lowering the upper torso forward, clasping the hands over its head,the derriere is raised as the thighs part to be taken as the animal it is. Abuse it, view it, enjoy it as it is the Masters wish.

Melina, now a naked slave in sleen collar, was ordered forth on her hands and knees. A sleen leash was attached to her collar and she was marched, as a she-sleen, crawling, abused, to the rape-rack. Slave girl of Gor, Pg. 238

Slave Lips:

The slave turns its head up to the Master, pursing the lips in kissing position. The slave awaits moitionless until given the command to be released from position.

Similarly, I was not required to respond to certain sorts of commands, for example, to make "slave lips," pursing my lips for kissing, or to writhe slowly before my viewers. Kajira of Gor, pg. 224

Submission:

A slave kneels, bending at the waist and placing the cheek of the slaves face to the floor, then gingerly taking the boot of the Master's right foot, places it to the neck of the slave. The arms are then brought to the slaves back with the wrists crossed. This position is to show complete submission, offering the life of the slave to the Master. Done when either a Master is displeased or to show complete love.

Submit:
She is yours," he said. He took his strap off her throat and unbound her hands. "Submit," I told her. She knelt before me, back on her heels, arms extended, head down between her arms, wrists crossed as though for binding. "I submit to you, Master." she said. I tied her hands together she then lowered her bound wrists; I pulled up her head. I held, "Can you read?" I asked her. "No, Master," she said. "It says," I said, "I am the girl of Tarl of Teletus." I then ko'lared her. Explorers of Gor Pg 74.

Sula:

A slave lies flat to its back the thighs spread shoulder width apart. The arms are to be placed at ones side with palms up, unless the Master requires extending the arms above the head, with the wrists are crossed. Eyes remain lowered as the slave awaits Master's use.

"Sula, Kajira!" he said. She slid her legs from under her and lay on her back, her hands at her sides, palms up, her legs open. Explorers of Gor, Pg. 77

The slave lies flat to the floor, face upward, hands laid to sides with palms open and up. The legs are spread wide and the hips are slowly lifted from the floor in preparation of Master;s pleasures with ONLY His wishes evident. This is a common disciplinary position and certainly not meant to give a girl pleasure. It is used to remind a slave of her place and purpose. In this position the Master uses the slave for the sole purpose of His own relief, habitually violently and with little time wasted.

I went to the side of the room and picked up my sea bag. I threw it to the center of the room. She looked down at it puzzled. It was of heavy blue material, canvas, and tied with a white rope. "Lie down upon it," I told her, "on your back, your head to the floor." She did so. "No, please," she said, "not like this." It is a common position for a disciplinary slave rape. In it the woman feels very vulnerable, very helpless. I then took her. Explorers of Gor, pg. 202

Tower:

A slave kneels with the thighs modestly together, back held straight,eyes lowered and palms resting downwards upon the thighs, or resting in lap with the wrists crossed for binding. This position is used most when serving Mistress or when a slave is of white silks.

Come now, my pretty slaves, said Ginger, kneel straight. Back straight, heads up. Back on your heels there! Spread those pretty knees. Yes, that is the way men like it. Put your hands, palms down, on your thighs. Good. Good. Excellent! The girls now knelt in the coffle as pleasure slaves. ---Savages of Gor, p 155 Dancer of Gor, Pg. 114

The position of the Tower slave, in which Vika knelt, differs from that of a Free Woman only in the position of the wrists which are held before her, and when not occupied, crossed as though for binding. Priest kings of Gor Pg 46.

Whipping Position:

The slave drops to its knees and raises the hips, placing the head to the floor and crossing the arms across the belly. If the slave has long hair it is to pulled to the side exposing the back and posterior for the taste of the WHIP.

Whips Caress:

He knelt me there. "Put your head down, to the floor," he said. "Clasp your hands, firmly, behind the back of your neck." "Yes Master," I moaned. He was then behind me. He put his hands, under my arms, on my breasts, sweetly and firmly. then he moved his hands back, carressing my flanks. My head was down. My fingers were together, behind the back o fmy neck. I was in his collar. It was steel, I could not remove it. I belonged to him. My body hurt, from his whip, that of my Master. My head hurt, from my hair, where I had been conducted, uncerimoniously, to this location. "Please Master," I sobbed. "Not like this! Not you, please." "The slave is pretty," he remarked. "Oh!" I cried. "Oh." "You have a lovely ass," he said. "Ohhh!" I said. "You may thank me," he said. Kajira of Gor Pg. 434

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