The Television Transcript Project
The Larry Sanders Show
Written by: Peter Tolan & Garry Shandling
Flip



This was the series finale: eleventh episode in the sixth season, episode #89. It originally aired on 31 May 1998.

Directed by: Todd Holland

There is a Cast list in epguides.com.

CAROL = BURNETT = CAROL
CLINT = BLACK = CLINT

Notes: When I printed this, it took 48 pages.

Made via Closed Captioning, microcassette, and VCR tape. (Closed captioning by HBO)


[A TV set: black and white picture. It's Jack Paar saying farewell. It's clearly a significant moment. He is comfortable on a high stool.]

PAAR
[relaxed, serious, appreciative] There are great opportunities for new talent in television.
I know from my own beginnings in radio how important that first break can be. And I've tried to offer such a beginning to new performers on this program.
In a sense, that's what I'm doing now, too, having run out of fresh, exciting, new ideas to bring you myself, I feel I should give somebody else a turn. At any rate, this, is in no sense a valedictory, in fact.. if anything, it's more of a Valentine to a network, and a profession that have been very good to me. I hope I have given them a good run for their money. And, who knows, some day I may re-enter the lists with a new saber, neither broken or bent, and plow up the field all over again.
So now thank you. Goodbye, goodnight..

[PAAR gets up and calls to his dog who is waiting in a seat in the empty audience seats. MUSIC rises. Watching the TV are LARRY and ARTIE, thoughtful. LARRY's taking a few notes.]

PAAR
[friendly to dog] Come on, {Lankin}.. I want to go home.
[the dog comes up him] Come on.. Come on..

[PAAR is leaving, stops, happily grabs his tall stool, and leaves with his dog.]

LARRY
You think I should mention god?

ARTIE
[pause] Wha' do you mean?

LARRY
You know, in the closing.. goodbye. "God bless you," something in that, uh, vein or..

ARTIE
[affably] Well, hell, they've plugged everybody else on the planet! Let's give the Deity his Due.


[HANK is serious, rehearsing his goodbye to LARRY. LARRY's substitute is the coke machine because on the machine is a giant Tarzan Larry grinning, hanging onto a rope, hugging a giant coke bottle. The atmosphere is serious and awkward as HANK rehearses and his assistant, BRIAN, looks on.]

HANK
Well, I just want to say a heartfelt and deeply sincere, thank you, for the uh, opportunity you, you've given me..
The last, ten years have been your glorious gift, to the people of this country, but they have also been a gift, to a man by the name of Hank Kingsley.

BRIAN
[quiet, impressed] Oh, wow.
Uh!

HANK
Okay?

BRIAN
Oh, yeah.

HANK
Okay.
[moved nearly to crying] Here's all the cards.


[BEVERLY is crying at her desk and ARTIE is consoling her.]

ARTIE
Please, sweetheart.

BRIAN
[quiet, to MARYLOU] I thought she stopped.

MARYLOU
Yeah, for about two seconds. I think the hormones from the baby..

BRIAN
[approaching] Beverly? Come on. You're gonna get me started an', believe me, nobody needs to see that.
[sad remembering] You should have seen me at the end of "Titanic". You think those people in the water were wailing!

BEVERLY
Oh god! [sobs]

[BRIAN grabs a tissue, too.]

ARTIE
Oh, pleeeease people, come ooon! Larry doesn't want to have any display of emotion. He wants to stay Focused on, the Show.
[big smile] Just: suck it up!
Thank you.

[ARTIE strolls away, the noble cheerleader/example to them. As he strolls down the hall, he takes a notice off a bill board in passing. Farther down the hall, he throws it out as he passes a trash can. He continues on, walking through the stage to wardrobe, back behind the suits, and takes a short, scheduled, helpless cry. The cry is very short.]

ARTIE
[recovering] Ah-- fuck, a bunch o' bullshit. Uh! Uh! [upset, wipes his eyes on a handy suit sleeve]


[LARRY is at his set's desk. PHIL pleasantly approaches him.]

PHIL
Hey, Larry.

LARRY
[casual] Hey. Hey Phil, how's it goin'?

PHIL
Good. Um, hey -- listen -- I was wondering. Um, you know the, letters over by the band that spell "Larry"?

LARRY
Um-hn.

PHIL
I was wonderin' if I could, um, if I could take those.

LARRY
[pointing at them] The letters?

PHIL
Yeah. Yeah -- uh -- no, I mean, no, not all of them or anything. See -- I have this -- I have this buddy Ray, his name's Ray. An' I figured, I could take the letters from.. that just spell his name. And then I could, put them on the lawn of his house tonight and then when he opens up the blinds tomorrow and sees it tomor', it's like: "Ray." You know--

LARRY
Yeah. Well, you know, I think that those letters are owned by the uh, network, but if it was up to me, seriously, you would Not Get them.

PHIL
[more quiet] Come on, I mean they don't get give a shit. They're gonna be in a dumpster a half hour a' the show.

LARRY
You know tomorrow night after the show?

PHIL
Yeah?

LARRY
[calm] You're fired. But for the last time, so celebrate!

PHIL
[nodding, unamused] Funny. [leaves]

LARRY
[looking at HANK] Don't ask me for the couch.

HANK
[friendly, serious] Uh, what -- at what point are you gonna thank me, uh, tomorrow night on the show?
Because, here's the deal -- uh -- I -- I think, uh, m -- mm -- my "thank you" should not come directly after yours, 'cause that would sound, tit-for-tat. Now. I think, I should say my "thank you," uh, in the second half hour and yours, of course, should come, as close to the end as possible. And please give me a separate "thank you"? Don't lump me in with those fuckin' craft service retards. An' also I need, um, well.. An exact script of what you're goin' to say because I think our thank yous should compliment each other.

LARRY
[has been "uh-huh"ing and "okay"ing] Like wedding vows.

HANK
Uh--Wuh!

LARRY
I think you should wear a Veil! I think we should come down the aisle together, maybe in White.

BEVERLY
[hurrying in] Excuse me, uh, Larry? Artie and Norman are waiting for you.


[ARTIE and LARRY are meeting with NORMAN in LARRY's office, which is full of flowers, gift bags, and gift baskets. LARRY isn't too happy with NORMAN's expounding the line up for the final show. LARRY seems sure it'll be awful.]

NORMAN
Well, I -- I think we've done, very well, Larry. I mean the people that we have for tomorrow night's show, I -- you know what: I think it's a testament, to, to how respected, and admired and well loved you are, in the business!

LARRY
[has been making wry looks] Mmm..
Who.

NORMAN
The emotional moment?

LARRY
Yeah?

NORMAN
The lump, in the throat? Carol Burnett.

ARTIE
[loud whisper to LARRY] Hey!

LARRY
You think she'll cry?

NORMAN
[anxious to please] Well, um, I didn't go so far as to make the request, but that call can be made!

LARRY
Okay. Good.
Who do we have to sing to me?

NORMAN
We have Clint Black, Locked.

LARRY
[amused panicking] That.. is a man, that's a fucking man. I don't want a fucking man singing to me!

ARTIE
It's Clint! You don't have to worry about the homoerotic underpinning! He's a country music singer!

LARRY
But a man, nonetheless. And I think -- by the way -- we're a superstar short. Did we have any luck on Jim Carrey?

ARTIE
Well that's iffy because we never let him plug "Ace Ventura".

LARRY
Come on, everyone thought he was.. too Broad, who knew he was gonna be so--

NORMAN
[pointing out the window] Hey. Hey guys, I think that's Warren Beatty in the parking lot. He must still be putting the finishing touches on "Bullworth".

ARTIE
That's already out.

NORMAN
Well, the man is never satisfied.

LARRY
[rushing out] Excuse me.

[LARRY runs down the hall into the elevator just as it's closing! Outside, BEATTY is heading for his open convertible. LARRY's a bit out of breath as he runs, calling to him.]

LARRY
[calls] Hey, Warren?

BEATTY
[distracted] Hey, Larry.

LARRY
[comes over] Hey.
Uh.. Listen, how would you uh.. like to come on my show tomorrow night an' just say a little goodbye to me? 'Cause, you know, it's the end of the whole.. thing tomorrow night.

BEATTY
Like, I could say goodbye to you now. [starts car]

LARRY
Yeah, well it's -- ha ha! Ah! There are no cameras or anything here. Tomorrow night, millions of people. We got a fantastic show!

BEATTY
Yeah? Who do you got?

LARRY
We have Carol Burnett. We have uh, Greg Kinnear, Sean Penn, Tom Petty, Clint Black.

BEATTY
[stops] Who?

LARRY
Clint Black, he's a country music singer. He's gonna sing uh, goodbye to me. It's gonna be fantastic.

BEATTY
[pause, disappointed, rather cold] Goodbye. [slowly backs out]

LARRY
[chasing, calling] Hey. Maybe like, a pre-tape. Let's uh, let's think about it. [stop chasing (BEATTY is driving off)]


[LARRY, ARTIE, and NORMAN continue the discussion over lunch in the writers' conference room. ARTIE is eating something with chopsticks.]

NORMAN
What about David Duchovny?

LARRY
He's a, little too needy. That would be distracting for me.

ARTIE
[awkward, quiet] Uh, we, believe that, David's, in love with Larry.

NORMAN
What?

LARRY
Please.

NORMAN
Uh -- he's married.

LARRY
Huh? So was Rock Hudson. Okay?

ARTIE
Oh, that wasn't real, it was arranged by the studios.

NORMAN
I didn't know that, really?

LARRY
Fellas.. please. Who else?

NORMAN
Look, we need, David Duchovny. You know, he's Very Big. And you know, we lost Kevin Costner. He slipped on some ice making his new movie. The whole thing, it was all, on ice or somethin', I don't know..

[LARRY pauses, resignedly starts dialing a number. We can hear the dial tone: the phone is on speaker phone.]

LARRY
[to their looks] I know his number by heart, because he's a good friend of mine. [finishes dialing and there's one ring]

DAVID
[on phone] Hello?

LARRY
David, it's Larry.

DAVID
Ha-huh!
[suddenly whispers] Uh, Larry, how you doing? Uh, I'm glad you called. Uh, I've been thinking about ya.

LARRY
Is this a bad connection?

DAVID
No, it's just that uh, Tea is here.
Hold on, let me go into the other room -- hold on.
[louder] Hey, shut, shut, shut the door. It's my mother. My mother.
[regular voice] Okay. Hey. How you doin'?

LARRY
How's Tea?

DAVID
Tea is great. You datin' anyone?

LARRY
I'm dating Illeana Douglas as a matter of fact. She's fantastic. It's just a wonderful male/female relationship and, I am so happy.
[pause] Hello?
[waits] Hello?

DAVID
Uh-huh.

LARRY
Can I.. can I ask you something?

DAVID
Huh! Look why -- why don't we have lunch tomorrow and talk about it? I'll be in town.

LARRY
[long pause as ARTIE and NORMAN indicate he agree to it] Well, okay.

DAVID
Oh -- oh great, so why don't you just meet--
[suddenly whispering desperately] meet me -- no. Meet me at the Bel Air hotel around noon--

LARRY
The where?
[whispering louder] Bel Air hotel. Noon.
[fast whispering] I'll talk to you. Look -- I'll see you tomorrow. Goodbye.

[The dial tone is sounding. LARRY had repeatedly got a pained look through the conversation.]

LARRY
[question on face, whispering] I am not meeting him at the Bel Air. I am not meeting him.


[A room at the Bel Air hotel, DAVID is in a bathrobe, sighs, gets up to answer a knock at the door.]

DAVID
There he is.

LARRY
Hey.

DAVID
Hey, how you doin'? Come on in.

LARRY
Good to see ya.

DAVID
Good to see you too.
[pause, it's not very awkward, more like an unexplained phenomenon going on with him]
God you look, you look great.

LARRY
Thank you.

DAVID
[shuts door] Your hair looks great.

LARRY
[sits on chair] Tea here?

DAVID
--The whole thing-- Tea? Oh, went golfing. [[sits]

LARRY
Really?

DAVID
Yeah.

LARRY
Well, that's fantastic.. [sits]

DAVID
[sits, quiet] Yeah.

LARRY
You look great.

DAVID
Thanks, so do you, I mean--

LARRY
--'preciate it--

DAVID
--whatever you're doin'. You workin' out?

> LARRY
[oh please] A little bit..

DAVID
[pause] What's up?

LARRY
[sighs] You're not gonna believe this. See, we have this big, you know, final show tonight, and Kevin Costner drops out.

DAVID
Oh, shit.

LARRY
And you know, it's the last night of the show so.. would it be imposing.. uh, to ask you if you would do the show?

DAVID
You know, I've -- I've actually been, wanting to be on the last show. Very much an' I'm, I'm Glad, that uh, you finally asked me..

LARRY
Thank you.

DAVID
You're welcome.
Hey, I heard you got rid of Stevie Grant. [uncrosses his legs (we see he is wearing white briefs)]

LARRY
Did?

DAVID
Yeah.

LARRY
[uncomfortably amused] His behavior was so detesticle.

DAVID
Is that a word?

LARRY
What'd I say?

DAVID
You said his behavior was detesticle.

LARRY
Oh -- ha ha! Did I? Ha ha!
I meant despicable.

DAVID
Yeah.

LARRY
Hey. Uh, can I have some fruit?

DAVID
[pause, looking around behind] Yeah..

LARRY
Appreciate it.

[While DAVID gets up, LARRY makes an amazed, flabbergasted look.]


[STEVIE GRANT and JON STEWART are meeting for lunch on a restaurant's patio. STEVIE is wearing his expensive suit, JON, his long, black, leather jacket. STEVIE is excited, JON is cautious, amazed.]

STEVIE
Monday night, can you believe it?

JON
Yeah. No. Man, I'm scared to death.

STEVIE
Hey. I'm not blowin' smoke up your ass. Larry did the show for ten years. You're gonna do it for twice as long. This isn't fucking Jean Dixon talking here. This is reality, man.

JON
[getting excited] You think?

STEVIE
Yeah! [slaps his back]
Ah -- ha, ha ha!

JON
[urgent] I gotta talk to Larry though, you know, I haven't had a chance--

STEVIE
[getting tense] Ah, don't worry about Larry, okay? Larry's a thing of the past. Okay? The guy's the eight track, all right? He's the fuckin' horse and buggy, that guy. [J: "All right."] This is Darwinism, don't fight it, you'll fucking lose.


[JON ducks into to the make-up room, where LARRY's in a chair, getting made up. JON peeks in. He's sincere and anxious.]

JON
Hey, Larry. Beverly told me you were in uh.. in make-up here.

LARRY
Bruce, excuse us a second.

JON
[comes in as BRUCE leaves] Hey, all right. Look, I, I know this weird--

LARRY
--How you doin'?

JON
[sits in a make-up chair] Good, how are you?

LARRY
Good.

JON
I just wanted to tell ya I'll be Thanking you at the top of the show on Monday, First thing--

LARRY
No need to do that.

JON
No. I'm gonna tell everyone how much I've appreciated your support. Just.. what an honor, and a huge challenge it's gonna be, to even try an' follow--

LARRY
Look, I would skip "challenge." Leave out "challenge," do "honor."

JON
But. That's a good note. An' I'll--

LARRY
Tighten it up, get to the jokes.

JON
[sincere] I'll say it twice. [sudden: needs to know] Did Stevie Grant, tell you that he was signing me, beforehand?

LARRY
[pause, serious, wry] No. No, he didn't.

JON
Ga.. I didn't know that.

LARRY
[oh well] Well. [nods]

ARTIE
[comes in, affable] Well, well! Hello, Jon!

JON
[gets up, shakes hands with ARTIE] Hey, Arthur.

ARTIE
Monday already? Ha-ha ha ha!

JON
[ready to leave, to LARRY] Listen, have a great show.

LARRY
You as well.

JON
Thanks.

ARTIE
Excuse us, thank you. [pats JON on the back]

JON
Yeah. [leaves]

ARTIE
Let's go, buddy. Let's do this show one more time.

[ARTIE heads out, LARRY follows. At the door, he pauses to look back at the make up room, then joins ARTIE. They head down the halls. LARRY is a awkward, the big hour. Past the swinging doors -- back stage -- is a sparse row of people informally waiting.]

LARRY
[stops] Who are these people?

ARTIE
[low voice] Faces from the past. They always show up for a "wrap" gift.

LARRY
Darlene, my goodness. What a delight, I thought you were in India.

DARLENE
I was. Larry, I'm so glad you're changing your life and leaving all of this behind. And creating a new Universe for yourself. [whispers] It's just a big trap.

LARRY
Thank you, thank you so much.

DARLENE
Uh! See, he's changing already. If I had said that to you before, you would have thought I was crazy.

ARTIE
Pleeease. You must let go of Larry's hand. [pulls her hand off LARRY's and kisses her hand]

[JERRY is next, a wry, big grin on his face, arms crossed.]

LARRY
Jerry, right?

JERRY
Yeah, yeah!

LARRY
Gosh, I fired you what, four fuckin' years ago!

JERRY
Four years, yeah.

LARRY
I'll be damned..

JERRY
[grinning] Yeah, well I just wanted to see ya after ya fired me and fucked up my life, if you'd stand there and smile at me like we were old buddies.

LARRY
[big smile] Uh! Ha. Well, now you know.

JERRY
[grinning] Yeah.

LARRY
Huh?

JERRY
Uh. Nice.

[ARTIE's yucking it up, glad that didn't explode. He jovially pats LARRY's back as they move to the next people.]

LARRY
Good to see ya. Good to see ya. Good to see ya.

TALL GUY
[stops LARRY, serious, determined] Hey, hey Larry.
You don't remember me, do you?

LARRY
Uh.. yes, I do, yes, I do. Absolutely. Of course I do. I'm happy you're here. Thank you for--

TALL GUY
The lighting guy.

LARRY
I know, I know, the lighting guy. I understand--

TALL GUY
The sound guy.

ARTIE
This is Mark, the sound guy you fired after he hit you in the head with a boom.

LARRY
[dry] That's right. Three days in a row, still a record.

[ARTIE chuckles.]

TALL GUY (MARK)
[calm, bitter] Screw you, Larry.

ARTIE
Yeah, screw you. Heh heh.

LARRY
[quiet to ARTIE] Sid's brother? [moves on]

ARTIE
[to S's brother] Hi.

LARRY
[sigh] There are no more people from the past out there, are there?

ARTIE
No, but I got a, present for you.. The great Jim Carrey is in the house.

[ARTIE is chuckling, proud and happy at LARRY's realizing this. They shake hands with regard for each other.]

STAGE MANAGER
Five, four, three, two, one...

[The "Larry" theme music starts as the program introduction rolls: the letters L A R R Y roll pass in different directions as clips from the show pass in different directions as well (up, down, left right, big small). During the intro, HANK is announcing the guests.]

HANK
Liiiive on tape from Hollywood, "The Larry Sanders Show"! Tonight, join Larry and his guests: Jim Carrey, Tim Allen, Tom Petty, Sean Penn, Carol Burnett, David Duchovny, Greg Kinnear, Clint Black, Bruno Kirby, and me -- "Hey now!" -- Hank Kingsley. And now, because this is the last time I'm going to say it, Larryyyyyyy Sanders!

[The AUDIENCE enthusiastically applauds and cheers as LARRY comes out welcoming them. The views during this and the monologue are from: the floor up at the audience, from ARTIE's position just off stage (by a monitor), and from the audience. ARTIE seriously does a thumbs up and waves to the AUDIENCE, agreeing.]

LARRY
Thank you. [applause continues]
[understated, appreciative, a little amused] Honestly. You'll have nothing left for the end when I finally do say goodbye. [AUDIENCE chuckles]
Blow it all now, I couldn't be -- What a delightful response -- honestly -- I'm just -- uh, thrilled. Thank you so much. Of course, this is our.. uh, last show. Can you guys hear me all okay?

[GUY shouts, "Yeah!" AUDIENCE echoes, "Yeah!"]

LARRY
It's so important because we just installed the sound system today. [AUDIENCE laughs]
I didn't realize it was the end of the show 'til Last Night. I was lying in bed with a woman and I said, "Seriously, we're gonna have you on soon."
[shrugs and AUDIENCE laughs]
Boy. Now I'm in trouble..
Because this show -- oddly -- this show oddly is like my sex life in that it lasts about an hour, there's applause and I'm usually interrupted by Hank.. [AUDIENCE laughs]
[to HANK] Why -- What will you do when the show's over, by the way? You have any plans?

HANK
[serious] I uh, I um, I don't know, a lot of driving..

LARRY
Excuse me. Have you been there every night, right there? [HANK guffaws and AUDIENCE chuckles]
[continuing to AUDIENCE] Oddly enough, this show has survived three, Presidential Administrations, and, oddly enough, Clinton is our first -- uh -- two intern president! [AUDIENCE chuckles]
[continuing] Do you realize when we started this show, ten years ago, Michael Jackson still looked like Michael Jackson.


[Meanwhile in the green room, BRUNO KIRBY and GREG KINNEAR are standing waiting and are casually watching the show on a monitor. Their conversation is everyday.]

BRUNO
How's your talk show going?

GREG
[pause] I'm acting now..

BRUNO
Really?

GREG
[pause] Yeah, I uh, I, I got an Academy Award nomination. So..

BRUNO
[pause] You're acting?

GREG
[a little surprised, remembering] Yeah, I mean it's.. It's a snap. One minute I'm talkin' to, Tempestt Bledsoe at one thirty-five in the morning about her dogs or somethin', next thing you know I got a nomination. It's like, "Uh"..

BRUNO
God bless ya. [feels like Rip Van Winkle]


[Meanwhile, LARRY's monologue has continued.]

LARRY
This Monica Lewinsky scandal, my Goodness, who would we have ever thought we'd end up back here with Monica Lewinsky? I remembered when this show first started, it was just enough that Reagan had brought the Soviet Union to its knees!
[AUDIENCE laughs and applauds]
Bob, is that all we have on the cards?
After all these years, we're out of cards! So we'll be right back, we have some sensational guests. Thank you for joining us. We'll be right back, no flipping.

[The AUDIENCE stands applauding as the BAND plays going to commercial.]


[Next, LARRY's behind his desk. It's after the break: the AUDIENCE is loudly applauding, the BAND finishing up.]

LARRY
Welcome back.
This is, of course, a fantastic night for, uh, us and a fantastic night for, you. Because, we are starting off our show with Mr. Jim Carrey! Jim Carrey!

[The AUDIENCE enthusiastically yells and applauds as CARREY comes slinking out as the BAND plays. He gestures the curtain closed as it closes behind him. He is wearing a maroon shirt and black suit. He's in a good mood, big smile, hugs LARRY. He hugs HANK, too, and stops to make a suave smile at the AUDIENCE, and sits.]

LARRY
[about the ongoing applause] Ah! You'd think it was your last night!

CARREY
Wow, man--

LARRY
--This is my last night--

CARREY
--this is incredible, what energy in this place.

LARRY
Welcome! Welcome to the show.

[AUDIENCE cheers loud.]

LARRY
This is--

CARREY
[about his LARRY mug] Wow, look at this, that's fantastic.

LARRY
Isn't that something?

CARREY
[kissing it] Mm-mm-mm-m.

LARRY
Oh, please. I cannot thank you enough for being here tonight. You know that I'm a gigantic fan and really appreciate you coming here tonight.

CARREY
[getting serious, dramatic] Oh, well, it's, it's an honor for me to be here on this--

LARRY
--That is so sweet of you--

CARREY
--historic night, really, truly. I mean, whaat a legacy he's left, hasn't he?!

[The AUDIENCE is cheering in agreement.]

CARREY
It's just fantastic. I mean, it's -- it's.. to go out when you're at the very Tip-Top o' your Game. That's fantastic.

LARRY
Well..

CARREY
You're the Cream o' the Crop, [L: "Thank you"] King o' the hill, Cock of the Walk.

[AUDIENCE laughs, some "Woo!"s and a "Yeah!".]

LARRY
That is so kind. I know, I know walk is certainly correct. But that one-- [AUDIENCE is laughing]

CARREY
Well.

LARRY
That is really nice. Thank you. Thank you so much.

CARREY
Yeah. Yeah, well, you know, it's great. Yey -- d'you ever see the last episode of -- uh -- "Newhart"?

LARRY
Yes, I did.

CARREY
[getting nervous] --Oh, that's so funny--

LARRY
--Fantastic. Fantastic.

> CARREY
When -- when ah, when ah, Bob goes Back, and has the dream, and he's, suddenly in his own show--

LARRY
--Right--

CARREY
-- his -- his -- his old show, it'ss just, it just--

LARRY
--That's right..

CARREY
[tongue tied, getting overly nervous] Um.. It.. They do kind of a.. ah.. Ummmmm.. It -- you know, it's almost like they're ah.. [sigh] Just, right in the, umm..
[upset] I'm sorry, I can't do this. I can't do comedy right now..

LARRY
[awkward] What is, uh, what is it?

CARREY
[looks up] What is it?

LARRY
[calm] What is it?

CARREY
[tense] What isn't it.
You're leaving, Larry.
Just, when I thought everything was Solid in my life. You decide to go. [sigh]
You know, I can't get it up?

Ever since the announcement I've been flaccid. [EVERYONE laughs!]
I'm sure everybody in this audience feels the same way.
[loud to AUDIENCE] We need us a "Larry", right guys?

[determined, angry motivational speaker weirdo] If you're as upset, about Larry leavin' this show as I am: say "No Way!"

AUDIENCE
[loud] No! Way!

CARREY
If you feel the same way I do like Larry owes you, for all the years you've devoted to him, say no way!

AUDIENCE
No! Way!

CARREY
No way!

AUDIENCE
No! Way!

CARREY
No way!

AUDIENCE
No! Way!

CARREY
No!

AUDIENCE
No!

CARREY
Way!

AUDIENCE
Way!

CARREY
No way way!

AUDIENCE
[laughing, too] No way way!

CARREY
No-no, way-way!

AUDIENCE
[laughing] No-no, way-way!

CARREY
[very frustrated] Nmmmm!

AUDIENCE
[imitating] Nmmmm!

CARREY
Oooooh!

AUDIENCE
Ooooooohh!

CARREY
Whuh!

AUDIENCE
Whuh!

CARREY
Ay!

AUDIENCE
Ay!

[ARTIE, standing by his monitor, loves it, has been joining in, gesturing agreement to the AUDIENCE! CARREY gets a kazoo and microphone from behind his chair. HANK is amused. CARREY stops to blow a note, then sings overly enthusiastically but nicely to LARRY! The BAND was prepared and backs his song with MUSIC.]

CARREY
"No, no, no, no way.
No, no, no, noooo way, we're livin' without you.. [leaning toward LARRY with a big grin -- AUDIENCE: "woo!"s]
We're not llliving without ya!
Mmmm, there's just no way, no waa-aaaaay. [gets up, puts his face up to the camera] Throw down the mountains, yell, scream and shout, you can say what you want without walkin' out. [heads up into the AUDIENCE]
Don't need no Leno, Coooonan, or Dave!
Want you some Larry! Let's give him a wa-aaaaaave!" [does a wave: hand from floor to over his head!]
[to AUDIENCE] Whoooooo!
Come on!

AUDIENCE
Whoooooo!

CARREY
[has run down to HANK] "Aaaaaaand. [HANK briefly joins] Iiiii, am telling you,
[continues alone] You're not go-in', you're not go-in'!
(Ah ha-ha!) 'Cause you're the Best Host I've eeeeever known!
[stands on chair] There's just no way you can, Leave this, Leave this, leave the show -- no, no, no, nooooo way,
Larry, there's nooo way we're, livin' without you..
[steps up on the desk!] We're not, livin' without ya, not living without ya! [AUDIENCE is screaming by now]
We don't wanna be freeeeee!
[pointing down to LARRY, who is feigning being freaked out!] And you, yourself, your seh-eeeelf!
And you, and you, and you: you're gonna love meeeee..
[AUDIENCE starts "woo!"ing]
Yeah, yeah! You're gonna love me!
Yeah, yeah!
[falls to his knees on the desk, things fall off the desk, he's turning scary!] You're gonna, love me, love me, love me!
[steps to the floor, scary!] Laaaaa-aaaaa--aaaaa-- La-arryyyyyyyy-yyyyyy!!" [smiles]
[collapses crying in to LARRY's arms!]

[LARRY comforts CARREY, amused, and the AUDIENCE is cheering and applauding! CARREY is sobbing and incoherently begging!]

LARRY
It's Jim Carrey!

CARREY
[desperate] No! I won't let you go! I'll take anything!

LARRY
We'll be right back!

[AUDIENCE enthusiastically cheers to commercial! CARREY is wet with sweat from his effort and sits in his chair. His hair is wet. LARRY is earnestly very taken aback, appreciative.]

LARRY
Thank you so much. You know, I don't know real -- I don't know how to thank you, that was so fantastic.

CARREY
[serious, upset, but kind of bored] Let's just Cut the Crap, Larry, okay?
You never liked my work.

LARRY
Huh?

CARREY
Not until I got hugely famous. [waves at someone in the crowd, nice smile]

LARRY
That is not.. true. I happen to.. I followed you--

CARREY
What are you gonna do now. Movies?
I'll crush you.

LARRY
I.. Are you doing a bit? Now?

CARREY
[leaning toward him, whispering] Larry. We're off the air..
This is real life now.
Can I be honest with you?

LARRY
Yeah.

CARREY
I'm here for three good reasons:
Last show, big ratings, movie comin' out. Bim. Bam. Boom. Woo. Otherwise I'd be sittin' home watchin' "Nightline." [to HANK] As usual.


[Meanwhile, several people are in the green room.]

TOM PETTY
[calm] There's too many singers Artie, there's three people here already that think they're singing, goodbye to Larry.

ARTIE
Yeah?

CLINT BLACK
[approaches] Hey, I don't know what you're tellin' him but you told me, that I was doing the goodbye song.

TOM PETTY
Quiet down cowpoke, I'm talkin' to Artie--

CLINT BLACK
--Hey, those were your exact words---

ARTIE
[calm, admitting] Well, that's right, I guess I didn't--

TOM PETTY
Look, I thought I was your Bette Midler. This is bullshit.

GREG KINNEAR
Hey you guys, let's -- let's not forget why we're here, all right? It's Larry's final show.

TOM PETTY
Was I talking to you?

GREG KINNEAR
Well, you are now..

CLINT BLACK
Hey look, this guy's nominated for an Oscar, all right?

TOM PETTY
For what, "Talk Soup"?

[KINNEAR grabs PETTY's lapel! BRUNO, ARTIE, and CLINT get in and separate them.]

BRUNO KIRBY
--Hey! Wait! Take it easy! Greg! Coome on.--

ARTIE
--Whoa! Hey! Guys, hey! Whoa! Boy! Oh!--
> [separated] Boy. I haven't seen such a rumble since {Stalls played Altimont}..

TOM PETTY
Well, then you don't need me.

ARTIE
Aw, come on, Tom.

TOM PETTY
[leaving] You already got Roy Rogers.

CLINT BLACK
[grabbing him] Hey, man, wait! Come here! Come here a sec!

[ARTIE, BRUNO, and KINNEAR dive in to break it up!]

ARTIE
Whoa! Whoa! Whoa! Whoa!

KINNEAR
Kick his ass!

ARTIE
Watch the hat!

BRUNO KIRBY
Crap! It's like a rodeo in here!


[Meanwhile, the show is just back from commercial: the AUDIENCE is cheering and applauding! (Things are back on LARRY's desk now.)]

LARRY
Welcome back, my goodness. This is a really fantastic night.
My, uh.. [the AUDIENCE is still cheering]
next guest, I have to tell you folks, uh, honestly,
[cheering is subsiding] when I -- uh -- knew that I was goin' to be doing this last -- uh -- farewell show, uh the First Person, that I asked for is this, uh, next guest who, is, in my opinion, if I may say, the uh, First lady of American, comedy, Miss Carol Burnett. Carol Burnett!

[BAND plays as CAROL BURNETT comes out, AUDIENCE happily applauds. She is wearing a red jacket, black skirt, high heels. They hug, grinning and sit. They lean forward talking at the beginning.]

LARRY
I, I, I.. The -- w -- The audience loves you, I love you. What an honor to have you here on uh, my, my last uh, night.

BURNETT
[has been saying "thank you" and "Aw"] Thank you. Thank you.

LARRY
Thank you.

BURNETT
An' thank you for that, that beautiful introduction.

LARRY
Oh, well, I meant it. Honestly, from,

BURNETT
--Yeah--

LARRY
from my heart, it's--

BURNETT
--So, I--

LARRY
You were the first person that I called to, have on the show. Thank you for, for being here.

BURNETT
[disbelieving, flattered] What do you -- I -- I really was the First Person you called--

LARRY
You were the literally, the first -- honestly -- the first person that I called when I said, "Ya know what--

BURNETT
Really?

LARRY
--I think it's over--

BURNETT
--Uh-huh--

LARRY
--I want, Carol Burnett."

BURNETT
And I was the--
[AUDIENCE laughs]
To be on the show?

LARRY
To be--

BURNETT
Yeah.

LARRY
There was that, too.

BURNETT
There was that, too. But you know, uh!

LARRY
The first.

BURNETT
I. I don't, I don't believe you.

LARRY
You should believe me.

BURNETT
I, I -- no, ah -- I don't believe you because I know, I was not, the first person you called.

LARRY
[sigh] You were the first.. Wasn't she the first person we called?

HANK
You're -- you're -- you -- no, he's speaking the truth.

BURNETT
-- No. No. No, no no. No, no no.--
I know I wa -- uh.
[looking off stage, calling over] Ellen.
Ellen?

[ELLEN DEGENERES comes out from off stage to surprised, enthusiastic applause! She's wearing a gray pants suit. HANK and LARRY are amused, ELLEN and CAROL hug and HANK moves over so ELLEN can sit next to CAROL.]

LARRY
What a nice surprise..

ELLEN
[a little awkward] Yeah.

CAROL
Ellen? Uh.. When, did, he call you?

ELLEN
Umm, Tuesday morning..

LARRY
Ohhh..

CAROL
[to LARRY, you're busted] You called me on Wednesday..

LARRY
[pause, headache] Don't do this to me.. I called you.. [clears throat]

CAROL
Wednesday.

LARRY
But did -- I called you..

CAROL
Her, Tuesday.

ELLEN
[echoing] Tuesday.

LARRY
Please, this is my last night.

ELLEN
[amused, to CAROL] Speakin' of last shows, your show--

CAROL
-- {That was} I saw your, I saw your last shhow.

ELLEN
Well. Yeah, let's just talk about you first, because I am [C:"Okay."] just such a huge fan, an' I just, your last show, was just so moving, and so touching.

CAROL
Well, I loved, I loved what you did on yours. I had no idea. I, I -- I mean, I love your work, but I had no idea that you were that, versatile.

ELLEN
Yeah!

CAROL
But I mean with the -- all the stuff that you did on it.

ELLEN
A lot o' people don't know I started out as a plate spinner, but it -- it -- it's just the stuff that uh--
[HANK and CAROL are laughing] It -- people will catch up eventually.

CAROL
You know what I wish?
I wish, that, I still had my show, so that we could, work together and we could do, sketches, and {the whole nine yards}--

ELLEN
I wish that -- we -- that would be so great to work with you, because I just think you're the most brilliant.

CAROL
Well, maybe we should do it.

[AUDIENCE applauds enthusiastically!]

ELLEN
[during applause] Wow.. They want us to do it.. I, I, I wish that I still had my show so I could have you on. Actually, so--

LARRY
[a little put out] This is my, this is my last night..

[AUDIENCE laughs. CAROL and ELLEN just pleasantly, briefly, look at him and return to their conversation. AUDIENCE laughs at his look at being left out.]

BURNETT
I understand that sometimes you do questions and answers on your show.

ELLEN
--Yeah! I--

BURNETT
--That you, that you talk to the audience, aan' you--

ELLEN
I used to talk to the audience every night before the show.

BURNETT
That is so much fun.

ELLEN
Yeah, I love that, I miss that. That's what I'm gonna miss.

BURNETT
Yeah, you know what I'm doing now. I go out, I go out on--

LARRY
You know, this is my last night. And it would really mean a lot to me if you guys could, just -- I'm over there.

ELLEN
[nonplused] Well, what, what's a Shame is that you would, go out like this as a Liar. But anyway, so you -- you --

[AUDIENCE reacts with "Oooo!"s.]

LARRY
[to camera] Why don't we take a little break? An' let me try to figure this out.

ELLEN
Sure. But anyway, I -- the -- but you do the question an' answer thing now--

BURNETT
I go out on tour--

ELLEN
--Right?--

BURNETT
--and I go -- Yeah, I go on tour annd I do "Q & A"s and it's wonderful 'cause you -- like fly by the seat of the pants -- it's not written like some of this stuff.

ELLEN
Yeah. Some of this, stuff--

LARRY
[to camera] We'll be right back, no flipping.

[AUDIENCE applauds to commercial.]


[ARTIE's waving the AUDIENCE on from in front of his monitor as they return from the break. LARRY's behind his desk again. (CAROL BURNETT and ELLEN DEGENERES have left.)]

LARRY
Our next guest. You're not gonna believe it. We've, dreamed of having him on.. He's probably, never dreamed of being here but we have him tonight, it's a rare occasion, one of the finest actors alive, ladies and gentlemen, I couldn't be a bigger fan. Mr. Sean Penn. Mr. Sean Penn!

[AUDIENCE applauds long as SEAN comes out! He wears a casual jacket, open shirt.]

LARRY
[while applause goes on] You know, first of all.. look at this. Huh?
Now let me ask you this. You live, you do not live in L.A. Am I correct?

SEAN
No, I live up in -- uh -- Northern California.

LARRY
Well, thank you for coming.

SEAN
Sure.

[AUDIENCE applauds and whistles in appreciation.]

LARRY
[during applause] Well, let's not.. I wanna -- let's not make a big deal about it. It's not that long a flight. I mean, everyone's like "Wow, he flew all the way from Northern California!"

SEAN
Oh, it can be a long flight. It can -- I had a, a stewardess, tell me as we were landing -- I had a script I was looking at.

LARRY
Right.

SEAN
She said uh, that I had to put it away, for landing. This was a script.

LARRY
A script.

SEAN
Yeah. And I, y -- y -- you know -- you have a magazine on your lap, they don't say anyth'n'. [L: "Right."] But I think she -- she ah-ah-ah -- had it in for me.
[AUDIENCE laughs]
And, and I could see she had that nasty, thing coming up an' I just decided "No." And I said -- d-you, "No."
[AUDIENCE laughs]
She said, "You're gonna have to, give me that script, sir" -- an' I -- I said, "No." It (she called it a script).
And uh. So she goes, an' talks to the pilot, she comes back and says, "Sir, I have to tell you that you are in violation of a F.A.R."

LARRY
Of afar.

SEAN
Which I figure is Federal aviation regulations.

LARRY
That you're not allowed to have a script.

SEAN
Right. So why don't they-- marshals could come in here right now 'cause I violated a F.A.R.

LARRY
[amused] Was the script that Bad?

[SEAN is amused, AUDIENCE is laughing.]

LARRY
Well. What was the script, if I may ask? What was the story line of the script?

SEAN
Uh. I didn't get that far because I wasn't really reading it, I was just wanting to try an' annoy her.

LARRY
Just trying to annoy the stewardess--

[AUDIENCE is applauding.]

LARRY
Well, you did the job. Let me ask you this, what, what is coming up next?

SEAN
Uhh, well, I just finished a movie called -- uh -- "Hurlyburly."

LARRY
Ah! That's was a -- uh -- that was a play, wasn't it?

SEAN
Right. David Rabe.

LARRY
David Rabe. Yes.

SEAN
Right. Yeah, an' great cast. So..

LARRY
Who's in the cast.

SEAN
Uh, Kevin Spacey. Anna Paquin. My wife, Robin, Garry Shandling.

LARRY
Wow!

SEAN
Chazz Palminteri.. an'..

LARRY
What a fantastic cast, huh?

SEAN
Yeah, good, good group.

LARRY
Fantastic cast.

SEAN
Yeah, sort of the, the spectrum of acting ability. Huh! Ha ha.

[AUDIENCE laughs.]

LARRY
Who's on the low end of the uh, ability there?

[AUDIENCE laughs.]

SEAN
Oh the low, I'm not gonna go, you know, There. Ha ha.

[LARRY laughs nervously with him as AUDIENCE laughs.]

SEAN
But we made a great movie I think.

LARRY
Well, good luck with it. Why don't we take a break and we'll come right back. No flipping! We'll be right back.

[As the AUDIENCE applauds to commercial and the BAND plays, LARRY quietly thanks him.]

FLOOR DIRECTOR
[off camera] Clear!

LARRY
That was fantastic.

SEAN
Oh, thanks.
[bored, gossipy, leans to him, quiet] I'll tell you who. It was Shandling.

LARRY
Really.

SEAN
This guy, unbelievable. The most insecure man I ever met in my life. Had no focus at all..
He, before our director, Tony Drazan, would even say "cut," he'd look at me an' say, "How was I?"

LARRY
Really?

SEAN
Relentless.

LARRY
Wow.

SEAN
[is getting a cigarette] Yeah, an' it didn't stop there. You know, then -- I don't know, if he knew, that my wife an' I were together or.. [lights cigarette] or what it was, but, he was um, constantly after her trying to get in her trailer.. And then he's got like 200, Acting coaches around. An' I got on the set the first day an' I thought they were extras! You know, it's, it's..

LARRY
Wow.


[Later in the show, LARRY is back from break. We're watching the show via a TV set.]

LARRY
You know him from his, hugely successful television show, and from his many, movies, please welcome: Tim Allen! Tim Allen!

[The AUDIENCE cheers loudly as TIM ALLEN comes out, waving at them. He passes LARRY, does a double take and shakes LARRY's hand.]

[We see that the TV set we're watching is in the agency conference room with the marble table. STEVIE is sitting watching the show, but is more focused on the two lines of cocaine on the table in front of him. Another AGENT comes in.]

STEVIE
Hey! Close the fuckin' door!

AGENT
I heard the news about Jon Stewart. What, he's leaving the Agency?

STEVIE
[stands, distraught] Yeah! You know why? He says he caught me in a lie. [sniff] Right. "Oh my god, I told a fuckin' lie!" Yeah, I told him his fuckin' show would run for twenty years! He didn't seem to mind that lie!

AGENT
Look, can I be honest with you? He's got Nothing. Now, I'm telling you. I took a shit this morning with more talent.

STEVIE
Fuckin' Artists. They're all Crazy, neurotic.. babies!
[snorts a line]
You want? Uh!

AGENT
[taking the straw] Where'd you get it?

STEVIE
Jimmy Fedderson. [(AGENT is snorting the line)] He gave it to me at the Simon Weisenthal dinner. [sniff] Uuuh! God damm it -- fuck! I can't tell you how easy our job would be if we didn't have to deal with Talent.

[They both watch the show. LARRY is interviewing TIM ALLEN.]

TIM
--but none of us are happy.

LARRY
You--

TIM
Ten years.

LARRY
Yes, ten years.

TIM
Ten years -- a big deal.

LARRY
Well, I appreciate it.

TIM
Everybody in the business is gonna Miss you so much.

LARRY
That's so kind of you.

TIM
No, no, I'm -- that's serious.

[STEVIE and the other AGENT are at the door, leaving.]

STEVIE
[looking back at the TV show] Fuckin' celebrity circle jerks!

[The show continues. The AUDIENCE is applauding the sentiment.]

LARRY
I have some free time, well let's get together. I look forward to that. An' I mean it. You got me.

TIM
[agrees] Mmm. Ten years, can I say it: ten years.

[AUDIENCE cheers and applauds.]

LARRY
We'll be right back. No flipping. We'll be right back.

[AUDIENCE is cheering and applauding to commercial as the BAND plays. LARRY leans to TIM to speak confidentially.]

LARRY
That was fantastic, thank you.

TIM
You're welcome.

LARRY
You want to get together next week, maybe, an' do something?

TIM
My kids are coming to see me.

LARRY
--Your kids.--

TIM
[getting up] Anyway, I gotta, split. Uh.. I got stuff to do-- [stands]

LARRY
Well, thanks for coming by.

TIM
--Ten years--

LARRY
You want my home number?--

TIM
[backing away] --I got your home number. It's been great -- fabulous stuff, fabulous stuff. [is leaving]

HANK
[quietly calling] Hey, Tim, Tim.
[(TIM stops)] "Jungle to Jungle"?
[two thumbs up, in all seriousness] Underrated.


[The AUDIENCE cheers for the return from commercial.]

LARRY
[during applause] We're back, and.. Welcome back, now, before..
[applause settles] Uh, weee, uh.. bring out our next guest, I guess this is where we're goin' to take a moment to, uh, hear from uh, Hank. I understand you've got something you would like to..

HANK
A little something I'd like to say.

LARRY
--to say.

HANK
Thank you. I -- I've been waiting, uh, for this. Uh, I uh, I just want to say, in a very heartfelt an', an' deeply sincere, way -- ah -- for the--

LARRY
[looking up, heard a small noise] Oh my god, Jerry Seinfeld! Jerry Seinfeld! [stands to greet him]

[AUDIENCE cheers, whistles, and applauds! JERRY is grinning, nicely dressed, and calm. HANK gets up, shakes his hand, and motions he's giving him his seat. JERRY and LARRY shake hands and briefly hug across the desk. During this, LARRY's saying: "Very Nice. Let Jerry sit here, let Jerry sit here. Oh my god, thanks for coming by."]

[JERRY sits, the AUDIENCE is still whistling and cheering!]

LARRY
[about the applause] My god..
What a..
[as applause dies down] What an unexpected.. what a pleasant surprise for you to come by!

JERRY
Well, Larry, I just wanted to come by, and let you know that.. we're gonna miss you and to say goodbye, an', I think you're really doing the right thing.

[AUDIENCE laughs.]

LARRY
Thank you, that means so much to me, thank you so much.

JERRY
[calmly to HANK] And that was very touching, by the way, what you were saying.

[AUDIENCE laughs.]

HANK
Thank you. Uh -- that was just the first part. I wasn't, I wasn't finished.

JERRY
Oh. Well. If that was jus' the first part, then it was fantastic.

[AUDIENCE and LARRY laugh as JERRY nonchalantly turns back to LARRY, an inside joke at HANK's expense.]

JERRY
But uh. Anyway, Larry, uh, we're certainly gonna enjoy, watching you in syndication.

LARRY
--Oh. No--

JERRY
--After this.

LARRY
This show isn't gonna be syndicated, but--

JERRY
Oh, that's right, that's me. [AUDIENCE chuckles]

LARRY
That's.. That is you. You're thinking of you.

HANK
[stressed out, serious, to camera] The last ten Years,
[(J and L stop and look)] have been your gift to the people of this country. But they've also been a gift to, a man who goes by the name of Hank Kingsley.

[JERRY has been holding back from saying anything.]

JERRY
[quiet, to LARRY] Every night?

LARRY
[quiet] Every night.

JERRY
[quiet] Well, you're definitely doing the right thing.

[The AUDIENCE and HANK can hear. HANK is stoic, the AUDIENCE awkwardly laughs.]

LARRY
[amused] Why don't we take a break? No flipping, we'll be right back.

[The BAND plays and the AUDIENCE is applauding as they go to commercial. ARTIE is waving the AUDIENCE on.]


[Back from the break.]

LARRY
My next guest uh, is -- an' we're so lucky to have him. He's a fantastic singer. He's a friend and he's uh, been on the show many times over the years. We're lucky to have him, Clint Black! Clint Black, ladies and gentlemen!

[The AUDIENCE enthusiastically applauds as BLACK comes out and shakes hands with and hugs LARRY. BLACK and HANK shake hands. They all sit.]

LARRY
Well. This is a, a terrific crowd. Thank you for participating in this, in this evening.

BLACK
An' this is a night, night to be on. They said if I, did real well you'd, have me back, again. [AUDIENCE laughs]

LARRY
[encouraging] Let's see, let's see how it goes.

BLACK
You know, I had a surprise for you.

LARRY
What would that be?

BLACK
It was a surprise for me an' they forgot to tell me what it was, so..

LARRY
So it's a surprise for everybody.

BLACK
For both of us.

LARRY
[indicating behind BLACK's chair] Now I see that there was a, if I may say..

BLACK
Can you say?

LARRY
A guitar back there.

[AUDIENCE chuckles, then enthusiastically applauds as BLACK pulls it out and plugs it in.]

LARRY
[grinning during applause] What is that? Oh my goodness.

BLACK
See, I was hopin' they would say that.

LARRY
I think that we would all love to hear you, sing. What are you goin' to, what--

BLACK
Well, I'm such a huge fan. We all, I -- I think I can, speak for everybody, not just here in the audience, but at home, that we hate to see you go. An' we uh--

LARRY
[appreciative] Thank you very much.

[AUDIENCE applauds in agreement.]

BLACK
[while casually strumming] So I uh, I wanted to think of something that would be uh, appropriate, that I might sing to uh, kind of maybe embody what we all feel an' uh, an' maybe a little of what, you feel, although, without talking to your shrink--

LARRY
Play the damn song.

[AUDIENCE laughs.]

BLACK
I'm not sure..
Anyway, this is uh, this is a song that uh, I think will, really say it all--

LARRY
[terse] Thank you.

[AUDIENCE laughs.]

BLACK
[grinning in amusement] But uh..
Now I have to get sentimental. [AUDIENCE laughs.]

[CLINT strums to set the tone, a sad mellow tune.]

CLINT
[sings] "I've been bound, to leeeeave you.. We'd been on that foo-oor a while.. I'm sure it's somethinnn' I can't do, if I can't, leave you wiiiith a smile.. I don't know how far.. I'll have to go 'til I'm sure those eyes wooon't cry. And in my mind I've left eeee-nough to know that I can't leave you.. With a bad goodbye. Goodbye. Easier said--"

[Off stage, BRIAN and MARYLOU are looking on, disappointed, sadly musing about life as CLINT sings.]

MARYLOU
[quiet aside to BRIAN] I got another job.

BRIAN
[interested] Oh! Great, tell me.

MARYLOU
[resentful] It sucks. I'm gonna be the contestant coordinator for "Jeopardy".

BRIAN
[being nice] Oh! I like, l like that show!

MARYLOU
[bitter] Yeah, right. I get to spend all day asking a bunch of fucking eggheads if they know anything about the Monroe doctrine!

BRIAN
Huh! Well, get this. Hank offered me, a job. 300 dollars a week with no benefits.

MARYLOU
[regretful] I'm sorry..

BRIAN
I'm thinkin' of takin' it.

[CLINT's song has gone on, an ironic accompaniment for them.]

CLINT
"I'm still bound.. to leeeeave you.. I surely don't know how.. My heart won't let meeee puu-uut you through--"

[Elsewhere off stage, BRUNO KIRBY approaches ARTIE at his post.]

BRUNO
[quiet] Artie.

ARTIE
[ready to shake hands] Hey Bruno! How you doin'?

BRUNO
[hands up, quiet] Whoa, whoa, whoa, whoa. You're bumping me?

ARTIE
What?

BRUNO
[quiet] The man is singing, the fucking goodbye song. I can't believe this shit!

ARTIE
[looking at his monitor] We'll, have you on another time..

BRUNO
Did you just hear what you said? There is no, "another time." The party is over, this is it!

ARTIE
[subdued, quiet] Excuse me. Thank you.

[BRUNO waits, is watching CLINT sing.]

CLINT
"But a man just makes it all too clear, I can't leeeeave you--"

BRUNO
[to self] A man singing to a man.. How fucking sick is that? [leaves]


[ARTIE calmly left and stops behind a metal tower (a locker, perhaps) and punches it. He cries a second, gets handkerchief out and blows his nose. Head up, he returns to his post.]
[As CLINT continues singing, PHIL is watching with his arms crossed just about off stage by the BAND. He tests the "Y" (the letter nearest off stage). He quietly drags it away.]

CLINT
[is still singing] "..goodbye, gooooodbye. Easier saiiid than done.. Goodbye.. There's no goooood when you're the one whose goodbyyyyye you swoooorrree would never come, an' myyyy.. goodbye you're finding how can I be, so far between where we are and one moooore try. And any wayyyy I look, I've oo-oonly seen, that I can't leave you, with a bad.. goodbye.."
[to LARRY, as AUDIENCE applauds] Goodbye Larry, we'll miss you.

[They shake hands.]

LARRY
[quiet, to CLINT, pats his back] Thank you, Clint.
[to AUDIENCE] We'll be right back. No flipping, we'll be right back.

[AUDIENCE applauds appreciatively as BAND plays to commercial.]


[Applause greets the return from commercial. LARRY is out on stage, sitting on a high stool, out in front of the AUDIENCE. He's serious and anxious due to the moment having come, his arms are crossed.]

LARRY
[during applause] Well, welcome back.
I'm uh, thrilled to have had the people on tonight that have come here, to uh, say goodnight. You know, television is a uh, risky business. And uh.. you uh, you want to entertain, you want to try and do something new every night. Wanna say something fresh. Uh, nine times out of ten you end up with "The Ropers."
[AUDIENCE chuckles] But.. hopefully.. uh occasionally, uh, there are nights, when we're not.. uh, one of those Nine. And, I have many, many, many talented people to thank for, uh, making this show, uh Work, the way it does every night. Artie, who uh, of course uh, the most talented television producer uh, around and -- uh -- without whom I could not have done, the last ten years. It's an honor, sir, thank you so much.
[pointed at ARTIE and saluted him -- ARTIE salutes back, more nobly, and nods, waves, acknowledging the loud applause] And..
Of course, Hank Kingsley, who.. I joke about every night, but.. besides the fact that he is Such a talented man, he's a good Friend, and I, thank you.
[HANK understatedly appreciates LARRY and the applause from his chair]
And, my assistant, uh.. my assistant Beverly, who I could not do the show -- uh -- without, and, all of the writers and staff and crew, thank you so much. And, uh -- to you at home, thank you so much..
[stops, looks over toward the desk, sad, touched]
For letting Us be in your, house every night to entertain you. It's an honor and, uh -- to tell you the truth? I don't know exactly what I'm going to do without you. Thank you so much.
God bless you, and you may now flip. [restrainedly upset]

[The AUDIENCE cheers and applauds loudly, "Wooooo!"s. Long standing ovation! ARTIE is enthusiastically gesturing to AUDIENCE in agreement: big mouth open, arm up waving them on. Then, still during the applause, ARTIE comes over to LARRY, still on the high stool. (Note: the 'Y' is back.)]

ARTIE
[touched, happy] Well, Buddy, you did it. It was great. It was a great show.

LARRY
Really?

ARTIE
Yeah.. {Absolutely} Heh heh!

[LARRY's upset, ARTIE hugs him, patting his back. The applause is ending as the AUDIENCE quickly is heading out. ARTIE's patting LARRY on the back in congratulation when LARRY looks up at him.]

LARRY
[quiet, sort of desperate] I can't get off o' the stool..

[ARTIE thinks he's joking, thinks that's great, chuckles.]

LARRY
[whispering] I can't move my legs. [ARTIE still thinks it's a joke]
[more normal voice, very serious] I can't get off the stool.

ARTIE
What?

LARRY
[earnest, quiet] I can't get off the stool.

ARTIE
Yeah? [looks down at the stool]
[sees he's serious] Well, here, let me help you. [arm around him, helps him off, the applause renews]
[an arm around LARRY, walks him to the curtain] Yeah..

[Behind the curtain (ARTIE still supporting him) BEVERLY, who's already upset without this, grabs LARRY's free arm.]

ARTIE
Larry sprained his ankle.

[LARRY's trying to be dignified, looks quietly desperate.]

LARRY
I should have waited another six months.

BEVERLY
[weepy, reassuring] --Oh, no. No Larry, it's all over--

LARRY
--I should have dragged it out a liittle bit--

BEVERLY
--You did good, you did good--

[The rest of the staff (PHIL, on a cell phone, and BRIAN, and MARYLOU) is there applauding as they pass.]

LARRY
[starts moaning] Oh god. Ooooh, god.
[aside] I hope we beat Leno.
[as the three go into his office] Oo-ooooh, God.


[Much later on, LARRY strolls back onto the sparse stage and casually looks around. The set furniture is in a half organized pile. By the band area, only the 'L' and an 'R' are left of his name. Up in the red audience chairs, a lot of which have white sheets stretched across them, is ARTIE, drinking out of a red mug. He's getting drunk.]

ARTIE
Hello, Stranger!

LARRY
Well, well, well..
What are you doin' here?

ARTIE
I want to be in a.. Just bein' a sad and pathetic shithead, like you -- Huh! Sit down.

LARRY
[mellowly amused] Really.
[sitting on a step by him, sighs]
You know, now that I see the desk like that..
I don't know why we didn't try it before..

ARTIE
Oh hell, if we'd.. done it that way, we'd probably still be on the air. Listen, I'm not gonna get all uh.. Gooey kiddo, but.. I'm sure as hell gonna miss ya. You're a very clever man.. an' in spite of all the daily.. "this an' that," the -- your constant, whining about the size of your ass, all the shit I -- you made me clean up because o' you were too much of a pussy to do it yourself, uh.. Anytime I came down here, I always forgot all that because.. you made me laugh.. And that's what I'm gonna miss.. Oh oh! I'm gonna miss those laughs!

LARRY
[pause, looks up] An' the part about the, whining about my ass, you're gonna miss that a little bit, aren't you?

ARTIE
Ah Ha!

LARRY
[leaning to him, quietly teasing] 'Cause who else is gonna whine about their ass if it wasn't for me? Come on!

ARTIE
[tickled] --Hee hee hee hee-hee! Ooooh! He knows me all too well!
[hailing HANK] Hey! Here we are, the happy trio! What -- havin', a last look-see, Hank? Before, it all goes the way of: television.

HANK
[loud irony, a bit drunk] Thank you! [heading up to them]
Thank you, for not letting, me say my Thank You. I mean I knew you guys were pieces of shit, but I, you know. I had no idea.

ARTIE
[regarding him as a fool] Ha ha. Weeeell, try not to be such an asshole, will ya?

HANK
[quickly approaches, testy] Hey, don't tell me what to do, okay? You're not my Boss anymore. That is, Over.

LARRY
What is your problem?

HANK
[testy, about to grab LARRY] What is my problem!

ARTIE
[stands] Hey!

HANK
[righteous rage and irony] What is my problem?! I spent the last ten years, being the butt of your jokes, the little, the little, little fucking dog at the end -- at the end of the couch? [suddenly self-loathing, less upset] But, you know -- huh-uh -- it's My fault because I smiled and I let it happen, I -- because this face was being seen by, Millions of People every, every, every night, and there was lots o' money, and there was lots o' pussy--

[LARRY and ARTIE have sat back down.]

LARRY
Well. More.. money than pussy..

[HANK rushes at LARRY, who stands, alarmed, but ARTIE quickly intervenes!]

ARTIE
[roars] Grrrr! Oooo-oooo-oooohh..

LARRY
--What is wrong with you?--

HANK
[testy rage] No more, no more! I swear to god no more! One more -- one more remark an' I -- I -- I -- I swear, I -- I -- I'll fuckin' choke you, with my hands!
[breathing heavy, sees they've stopped laughing at him yet are apparently pointless to talk to, he is walking away] I'm sorry, muh -- I'm just sorry.
[turning to them] I mean -- uh but -- there is a -- There Is A Book Called "Hank,
[indignantly gestures up and down his body] Kingsley." But there's a new Chapter, and you! sir, are not In it. And you! Sir. Are Not In it. [turns completely around once, stops]
An' all I gotta say, is, "Fuck You."
Fuck you. Fuck You for the way you've, for the way you treated me, and the Joke, the Joke you made me out to be.
[calm, waves index finger 'no'] Fuck you. [dignified, calm, walks away]

[ARTIE had been silently big mouth laughing at him but got serious faced on the "Joke" part. He and LARRY smile.]

ARTIE
He's such a goddamn idiot but I truly love him. Ha ha ha. Well.. [sitting] this is a nice, way ta.. bring down the Curtain on a long career..

LARRY
[seated] You retiring?

ARTIE
Absolutely. Shit yeah. I'm just sssick an' tired of all the bullshit.. Scraping an', Bowing.. fuckin'.. executives who think that.. creativity is nothing but a.. a counting problem.. So, I'm, had it, an'.. that's it for me, and I ain't never comin' back.. [serious]

LARRY
[pause] I thought you uh, took the job on "Roseanne"..

ARTIE
Oh, that's just a consulting gig! You know. That doe'n't count.. Rosie wants to come back, nice this time so, she wants to have me come around one day a week to scare the, shit out of her staff.. Money's good, so I couldn't turn it down..
[There's banging noise in the distance.]
What the hell was that?

[It was HANK, now returning, oddly still somewhat dignified as he comes back in, helplessly about to cry, shaking his hands as if they're wet and as if he is symbolically ridding himself of what he'd said: picture of regret.]

ARTIE
What is it.
[sympathetic] Oh ho ho ho.

HANK
[still crying, into their hug] I'm sorry.. I'm sorry, I..

ARTIE
Ha ha-ha ha-ha ha-ha-ha.. Ah, come on.. Ah ha-uh!

HANK
[helpless crying into their hug] Oh, it's such a bad day.. Could you..

LARRY
[pause, ever the funny man] You can have the couch.

HANK
[calms, still helpless, on verge of crying again] Ah, great, oh, great, great.. Could you give me a hand? I thought I had the car in reverse an', I ran into the fucking dump-ster.. it's, it's Hooked on my bump-er!

ARTIE
[amused, sympathetic] Ha! Come on, Lawrence, let's help our brother here. He's aaall, hooked up on the dumpster.. [arm in arm with HANK]

HANK
Ohhh. Yes..
[lighter, turning to them] Hey, what are you guys do -- uh -- doin' tomorrow? You want to -- you wanna like -- get together..

LARRY
[hands up, false regret] I've got a date with Illeana Douglas..

ARTIE
Oh, good for you.. I guess it's us!

HANK
[to HANK] I love you--

ARTIE
[amused] --Oh -- Ha ha ha ha!--

HANK
[turning to LARRY, going to kiss him] --I Love you, I love you, mmm..

LARRY
[leaning back] -- No, don't -- don't, don't, don't..

[HANK kisses LARRY's cheek and turns to ARTIE.]

ARTIE
Oh--ho -- please! Ha -- {sa,} will ya--

HANK
--I'm such a--

ARTIE
[affable, arm in arm with HANK] Let's -- Hank -- let's go, let's -- let's, let's go to the smokehousse an' uh, we'll think this over first.

HANK
[upset, self-loathing] I'm such a prick.. Uh!

[ARTIE gleefully chuckles as he leaves with HANK, arm around him. LARRY stops at the "STAGE 11" podium off stage, looks back, then follows them out with his hand up in the air.]


[During the final credits, Shawn Colvin sings off camera.]

SHAWN COLVIN
"Tonight you're mine,
completely
you give your love,
so sweetly..
Tonight, the liiiight of love is in your eyes..
But will you Love me tomorrowwwww?
Will you still Love me,
tomoooorrowwwww.."

 
 
 
[The End - time: 54:10]


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Last Updated: 10 Jan 2002

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