Willis R. Whitney said, "Some men have thousands of reasons why they cannot
do what they want to, when all they need is one reason why they can."  If
there is any one person who can definitely identify with that statement, it
is Tiffany Laing.  In putting together her new project, The Naked Truth, she
didn't have a huge, moneymaking machine like a major record label, nor did
she have a six-figure publicity or marketing budget.  Rather than focusing on
what she didn't have, she zeroed in on what she did have--mustard seed
faith--in God, her husband Lew, and in her own blessed abilities.

The triumvirate created their own label, Twelve Tribes Musical Empire, and
recorded the entire project in their garage-turned-studio at their home in
Fontana, California--a community about an hour east of Los Angeles.

It took a bold walk of faith for this talented, Bridgeton, New Jersey native
to forgo a career as a lead background singer for R&B star Eric Benet, to
launch her own solo career as a gospel artist.  "It's something I've wanted
to do for a long time and I felt the time had finally come.  It's where my
heart is."

When it came to finding a producer, she didn't have to look beyond her own
bedroom, in the form of her multi-talented producer-husband.  "Tiff is very
professional in every since," beamed Lew, who also serves as his bride's
music director and writer.  "It was absolutely awesome working with her.  You
play a song and she just blesses it!  She's so awesome it's ridiculous! I'm
just blessed to know her, work with her and love her as her husband."

The two have put together what could easily be one of the year's best
contemporary gospel projects.  If you like Whitney Houston, Toni Braxton,
Anita Baker, Sade, Regina Belle and Jill Scott, then picture all six of those
sistahs wrapped up in one enchanted, anointed, angelic enchilada:  You'd have
the seventh sistah, and God's perfect number in Tiffany.  She's a charming,
warm, fun-loving, free-spirited vocalist with a stage presence that some
seasoned superstars would envy.  And she is determined to take a large bite
out of Satan's kingdom with songs of love and hope for those who are hurting
and lost.

The Naked Truth is the Laing's first project together.  "We call this our
first child," says Tiffany with a giddy, proud mother's love. "We just got
together, prayed and let the Lord speak and use us, and a phenomenal project
came about with a phenomenal message that really delivered us first."

The project definitely delivers with quality and style that some major labels
should envy.  There are a variety of sounds and textures on the project,
beginning with "Revelations (Better Than B4)", a gospel groove that makes you
wanna move kinda smooth.  Musically it has a Sade-like vibe and it's vocally
reminiscent of Regina Belle's style.  Then there's "Something More," which
has a Whitney Houston-esq "I'll Always Love You" sound oozing from it.

"Send Me" has a deep, spiritual anointing that will bring tears to your eyes
when you think about all that the Lord has done for you. It has flashes of
Anita Baker's greatness. And when Tiffany performs it live, the anointing
takes over and breaks the yoke.  "New Wine," which encourages you to throw
away the old and bring on the new, will likely remind you of Jill Scott's "A
Long Walk."  "Chajah," which means I shall live and not die, has a Caribbean
twist that's sure to make you forget about your troubles.  "I Cut My Hair" is
Tiffany's poetry set to music about getting rid of weaves and wigs, and going
with a more au naturel sister-lock look.  Even the couple's infant son Malik
has a track, displaying that the apple hasn't fallen too far from the tree as
he makes his cute, musical debut. And the title track, "The Naked Truth" is
an invitation for the unsaved to come to the Lord for forgiveness of sins,
repentance and salvation.  Why that title? "Because there's a difference
between the truth and the naked truth," Tiffany explains with a smile. "We
want you to have the naked truth. Uncensored! Uncut!"

Her project is so deep and hot, she debuted at number three behind Angie
Winans and Howard Hewett on the Smooth Jazz 98.1/KIFM "Jazzspel" play list.
And less than two weeks after debuting on the program, she headlined the
gospel stage at the August 18, 2001 Encanto Street Fair in San Diego.  She
was in great company, as the event, which drew more than 20,000 people of
different races and cultures, also featured saxophonists Gerald Albright and
Pamela Williams, and jazz bands Euge Groove and Fattburger.

"The Jazzspel," hosted by Eric J. Chambers, is the only gospel program on a
Smooth Jazz station in the nation.  KIFM is the reigning Gavin Awards "Smooth
Jazz Station of the Year Award."  "When I first heard Tiffany's music, it was
at her CD release concert," says Chambers, who produces and programs his
show. "I was not prepared for what I saw and heard at that concert.  She slew
me from the first note and I've been hooked like a faithful fiend ever since.
And more importantly, you can't find a sweeter lady nor a more adorable
couple--in or out of the music industry-- than she and Lew."

Tiffany began singing professionally 10 years ago and recorded her first solo
project in 1992.  While singing in concert with Benet, she performed duets
with him on such smash hits as "Spend My Life With You" and "Georgy Porgy."
In addition, she has performed on the same lineups with such celebrated
artists as Frankie Beverly & Maze, Erica Badu and D'Angelo to name a few.

Her entertainment career began as a four-year-old singer/model in New Jersey.
She later became the first African-American to win the Miss Greater
Bridgeton Pageant, placing her in the state's history books.  She is also
very athletic after running track in high school.  Now she is threatening to
run all the way up the music charts with a fresh, new, anointed sound that's
sure to capture the nation and the world by storm!

So, get ready for a sweet breeze to kiss your ears and a wind to vibrate your
soul from this phenomenal new project from Tiffany Laing.  Now that's The
Naked Truth!
ARTICLE
written by:  Eric Chambers
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