| It believes that continuously exploring various styles, media and disciplines is central to artistic evolution. Unity between form and content propels its search for images to articulate the realities of the periphery. UGATLahi probes concepts that enable more distinct, contemporary, and non-alienating approaches to socio-political themes. While familiar symbols such as barbed wires, “Inang Bayan”, and Uncle Sam are associated with the Marcos dictatorship, for instance, the incumbent ruling clique continuously churns out new methods for ideological assault – which must be contradicted with equal ingenuity and vigor. |
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