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Bridge of Songs was an artwork to connect with the week of work and with
restoration of Stari Most foundation work was taking place toward rebuilding
Stari Most as the artwork was prepared and put in place. The project represented
the need to maintain the bridges we build between one another, including
Stari Most, whose restoration is the inheritance of all young people in
Mostar. We are reminded of the two European catastrophic events from the
last century with every conflict that takes place in Europe, and the choice
we made from 1947 forward, to begin a process of drawing closer together
in mutual understanding; an important thing to tell all of our children.
An exhibition with famed pieces presented a photographic record taken
over 7 years, since 1994.
The Special School played host to young people from there and from primary
school classes in Donja Mahala. About 80 people in all played with the
models and lanterns prepared in Limerick and Mostar. People played with
great gusto for 2 hours or more. One gained an understanding of the reason
for the existence of toys.
A
book in several languages is being prepared which will relate concisely
the journeys made to Mostar.
This is a very concise presentation of what I plan for the first week
of August, I believe that the language elements, along with connected
aspects are in line for support. It is to be seen in the context of an
European wide initiative. But I can see that it is important from the
point of view of locating and activating Irish as a language in use amongst
other languages. Droichead na nAmhrán - Bridge of
Songs is valuable for connecting people and cultures in a place
needing that its people connect with other cultures in a process of healing.
Foras na Gaeilge gave funds in 2000 to help the work. The Arts Council
are providing advice. Shannon Development assisted. The Hunt Museum assisted
. John Hunt gave help.I attended a meeting at the German Embassy Sarajevo
. The City Administration in Berlin was sympathetic. It Prime Minister
gave advice. An professor in London and another in Vienna provided support.
I have discussed the project with a Reuters correspondent. Support was
provided by the Chancellery of Mostar and a presentation was made for
the work done. The EU office in Mostar lent support. I met administrators
in the 'Stari Grad' administration in Mostar who support the idea. Their
head of assembly kindly gave permission so that an interpretation of Star
Bridge could be seen at the site of Stari Most in August 2001. The Director
of The Centre for Culture in Mostar has lent some help to the project.
Personnel working at RTV Mostar and at The Pavorotti Music Therapy Centre
provided help. I met an ECMM representative and The Administrative Officer
of OHR Mostar. Customs officials and individuals working in transport
companies in: Ireland, Austria, Slovenia, Croatia and Bosnia Hercegovina
provided help.
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