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Amy Ward
Critique #1
The Waiting Room
By Lisa Loomer
Spirit Square, Charlotte, NC
2-6-2003 7:30 p.m.
(2.75 pages)


                    I work at the YMCA in Hendersonville, NC and our Active Older Adults group was going to

            Charlotte to enjoy a play for one of their Travel Club trips.  So I asked the director in charge if I

            could tag along (at the retail price) and she agreed.  That’s how I ended up going so far to see a

            play.  Having looked at the flyer provided, which sported a picture of Freud and three women all

            smoking cigars, I wasn’t so sure this was going to be a good play for “older adults” to see, even if

            they were active.  I wasn’t even sure if it was going to be good for me, although it would be a great

            opportunity to get in a critique.  Reason for my misgiving was given again as I read my ticket stub,

            which said, “Adult content and language”.  I was glad my grandmother wasn’t going.

                    When we arrived, I sketched out the opening set in my A&I journal while we waited for the play

            to start, then during intermission I sketched out the large panels hanging over the set.  Each one

            represented one of the three women who were the main characters.  It was really neat the way they

            did scene changes in the play.  The stagehands were all dressed in medical scrubs, so they, too, were

            an active part of the play itself – silent actors.

                    The play was set in “The Past, and the Present, and often both at once” of “New York City,

            England, and China” and dealt with the perception of beauty for women.  The playwrite was trying

            to show us how culture and society have such a huge impact on what is perceived as being beautiful,

            even if it’s detrimental to the health of the women of that cuilture.  The interaction between these three

            women of different times and cultures, all going to the same surgeon to have phsyical changes made to

            make them more desirable to the men in their lives, was truly touching, as was the personal struggle the

            doctor himself had to endure.  Ms. Loomer chose a Chinese woman suffering from the damage of foot

            binding, an English lady confined to the ideas, not only of a small and corsetted waist, but also of an un-

            educated mind, and a Modern Day woman dealing with multiple plastic surgeries and now breast cancer.

                    There was a bonding created among the women as they each began to understand the other’s story. 

            It was almost as if the characters and the audience got to know each individual together, and the characters

            were able to offer the support that we, as the audience, wanted so much to give.   There was a moment

            just before intermission when all four women (the fourth being the receptionist/secretary of the office)

            found themselves together in the park after dark.  Something was mentioned about the stars and how they

            bring hope, and as they all looked up at the sky, four starts were illuminated over them, among the 3 images

            of the women.  To me it was a sign of hope and of connection.  I felt that even the stars had been there for

            hundreds of years, and the stars women today look at are the same ones that women in the past wished on. 

            Yet, it was still sad.  I had forgotten there was an intermission and I thought the play had ended.  It could

            have ended, but you would have known there was more.  

                    As we waited, and stretched our legs, the director of the trip and I interacted quietly about the play so far. 

            She was apprehensive about what the members would say about it and asked if I liked it.  No, not really –

            but I could see the benefits of it.  I don’t think that most of the people with us were interested in being

            benefited in such a way.  By that time of their life, they’re either going to enjoy something like that or they

            wont – they’re not going to be up for learning something new.  Most of the women probably wouldn’t

            even be worried about what society thinks is beautiful, since most fashion magazines don’t feature white

            haired old ladies on the covers.

                    As the second Act played through, the story was rounded out and fulfilled, helping me gain satisfaction

            with the experience.  It wasn’t an easy story line or one that caused you to dance out of the theatre hall, but

            it did give you a sense of completion and satisfaction in knowing the issues raised are real and quiet, but yet

            other people know of them.  I think that the playwrite was successful in bringing a poingant message to her

            audience, the key is how receptive it was to her message.  I’m not sure if all the older adults on our trip were

            very open to hearing it, but perhaps it will give them things to think about when they have their grandchildren

            around.  Will there be a generation that doesn’t force ideals of beauty on their women when it’s painful and

            unhealthy?  Are the women to blame or are the men?  It’s a big question and this play did a wonderful job of

            portraying the struggles on many sides.  I think it would be a great play to take a college class to – be it arts,

            theatre, history, humanities, psychology or any number of subjects.