| A selection of some of the other composites we did on the show. |
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| The bunker sequence, above, done for the DVD, was especially difficult. The sequence was shot by hand-held Stedicam, and the actors kept obscuring the few tracking points available. Al Magliochetti did an amazing job of locking the scenery into the window in the moving shots. |
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| Tony Alderson dicusses a shot with Visual Effects Supervisor Ernest Farino and Editor Harry Miller in our office. |