BLOOD BOX The Iron Dream (Eibon) Cometh the hour. Cometh the man. Drowning in a sea of black ambient music that's slowly pulling me under and filling my lungs with the bad taste of apathy I need saving. How and why did it get to this? Black ambient music was my first true love and yet over time I got to know all her curves and caresses off by heart and suddenly lost my appetite for her seductive wares. She no longer thrilled or appealed to me as she once did. No matter how well she tried to change her appearance by dressing up in different outfits she still remained the same at heart. Now I'm lost and adrift in a meaningless relationship whose lustre faded years ago seeking release from my torment. ~ auralpressure.com Blood Box is a project of Michael Hensley whose work in
the terrorist ambient ensemble Yen Pox we have praised before. On his own,
Hensley strikes a more menacing pose; where Yen Pox conjures a narcotic
numbness laced with the imagery of fear, death, and horror, Blood Box
places you directly in the midst of a tragic aural nightmare. Snarling
beasts and whispering demons haunt the nether regions of bleak
reverberating dronescapes, giving way to majestic swells of minor key
orchestral fragments. Later on, claustrobophia from The Iron Dream's sonic
catacombs open into expansive forests, ominously crackling and creaking in
the wind. At the same time, subtle musical gestures punctuate the wash and
din, offering a hint of optimism to this otherwise oppressive album. On
the Iron Dream, Hensley brings together the shadowy ambience found on
Burzum's Filosofem, the soul-crushing depression of Anenzephalia, the
darkly shimmered elegance of Maeror Tri, and subterranean terror of
Lustmord. Morose, creepy, and gorgeously frightening. ~Aquarius Records
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