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PARLOUR MEDLEY
48 Count - Four Wall C.C. W. Line Dance Choreographer - Jenifer Reaume - Dance Vibrations Vancouver, BC, Canada (604) 669-9504 e-mail: jenifer_reaume@telus.net web site: www.oocities.org/vibration_2000/ |
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Level: Adv.
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| (A) |
STOMP,
SCUFF, HEEL, STOMP, STOMP, STOMP, SCUFF, HEEL
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| 1-2 | Stomp slightly forward on R., Scuff L. beside R. |
| 3-4 | Lift R. heel, Stomp L. slightly forward |
| 5-6 | Stomp R. slightly forward, Stomp L. slightly forward |
| 7-8 | Scuff R. beside L., Lift L. heel (R. leg is still up, ready for next move) |
| (B) |
APPLE
JACK, APPLE JACK
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| 1 | Place R. slightly forward with R. heel facing in as you place L. toe out facing L. |
| 2 | Swivel on balls of both feet, as you bring to center |
| 3 | Swivel on ball of L. as you place L. heel in, swivel on R. heel as you place R. toe out |
| 4 | Swivel on balls of both feet, as you bring to center |
| 5-8 | Repeat counts (1-4) |
| (C) |
STEP, TOGETHER, STEP, HITCH, STEP,
TOGETHER, STEP, HITCH
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| 1-2 | Step R. side on R., Step L. beside R. |
| 3-4 | Step R. side on R., Hitch L. knee |
| 5-6 | Step L, side on L., Step R. beside L. |
| 7-8 | Step L. side on L., Hitch R. knee |
| (D) |
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| 1-2 | Step back on R., Hitch L. knee |
| 3-4 | Turn ½ L. on L., Hitch R. knee |
| 5-6 | Step back on R., Hitch L. knee |
| 7-8 | Turn ¼ L. on L., Hitch R knee |
| (E) |
WALK FORWARD, HITCH, WALK FORWARD,
HITCH
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| 1-4 | Step forward R., L. R., Hitch L. knee |
| 5-8 | Step forward L., R. L., Hitch R. knee |
| (F) |
1/4 TURN, 1/4 TURN, STEP, TOUCH, STEP,
BRUSH
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| 1-2 | 1/4 Turn L. onto R., Touch L. beside R. |
| 3-4 | 1/4 Turn L. onto L., Brush R. beside L. |
| 5-6 | Step forward R., Brush L. beside R. |
| 7-8 | Step forward L., Brush R. beside L. |
| Note: Take small steps throughout the dance. Have fun! |
| Song | Artist | CD Title | BPM | Choice |
| I Still Carry You Around | Steve Earle | El Corazon | 124 | **** |
| Parlour Medley | Rankins | Uprooted | 116 | **** |
| Rockin' This Xmas | Tractors | Xmas CD | Xmas | |
| This signed step description may be freely copied without any alterations except with the permission of the choreographer. Thank you. | ||||