Greetings from Amazon.com Delivers Gay Studies

FEATURED IN THIS E-MAIL:
* "Firebird," by Mark Doty
* "Eminent Maricones," by Jaime Manrique
* "In the Studio," by Tom Bianchi
* "Gore Vidal: A Biography," by Fred Kaplan
* "The Trouble with Normal," by Michael Warner


"Firebird"
by Mark Doty
http://www.amazon.com/exec/obidos/ASIN/0060193743/entertainmentsit
"Childhood's work is to see what lies beneath," Mark Doty
writes in "Firebird." And adulthood's work, he suggests, is
to make sense of what the child self once saw. Doty, a poet,
does this remarkably well, capturing the peculiar talismans
of youth--"little cars of fragrant plastic whose wheels turn
on wire axles that can be popped loose and examined; hard
candies; sweet, chalky wafers strung together into wristlets
and necklaces"--but it's clear from the start that the
author's home life was not happy. His father's job with the
Army Corps of Engineers kept the family crisscrossing the
country; his older sister got pregnant at 17--"these girls
knew what they were doing, these girls married to get
out"--and ended up, eventually, in prison; and his mother, a
frustrated artist, sank eventually into depression and
alcoholism. As if growing up in this family during the 1950s
and '60s weren't difficult enough, Doty's homosexuality
provided additional anguish. At times you might wonder why
you'd want to put yourself through the ordeal of reading
about Doty's heart-wrenching experiences, and even he seems
aware of it. "Why tell a story like this, who wants to read
it?" he demands near the end of the book, then responds,
"Even sad stories are company. And perhaps that's why you
might read such a chronicle, to look into a companionable
darkness that isn't yours."


"Eminent Maricones: Arenas, Lorca, Puig, and Me"
by Jaime Manrique
http://www.amazon.com/exec/obidos/ASIN/0299161803/entertainmentsit
Jaime Manrique's slim "Eminent Maricones" starts off with
some disjunctive memories of his childhood in Colombia, but
truly begins to pick up steam when Manrique recounts his
friendship with Manuel Puig (best known as the author of
"Kiss of the Spider Woman"), who, despite his "drag queen
mannerisms," was "one of the most tough-minded people I've
ever met." After a short chapter portraying an encounter
with Reinaldo Arenas two days before Arenas, his body
ravaged by the effects of HIV, committed suicide, Manrique
launches into an in-depth consideration of the shifts in
attitude toward homosexuality in the writings of Federico
Garcia Lorca. Reading Lorca after the deaths of Puig and
Arenas, Manrique explains, helped him come to terms with his
own internalized homophobia; it also creates a loose canon
of gay Latino writers who fought against tyranny--even if
Manrique leaves undiscussed any influence this canon may
have had on his own writing. Although its intimate portraits
will be appreciated by those with an interest in gay or
Latino literature, or both, other readers may find "Eminent
Maricones" too brief to hold their interest.


"In the Studio"
by Tom Bianchi
http://www.amazon.com/exec/obidos/ASIN/0312243049/entertainmentsit
For years, Tom Bianchi thought certain of his photographic
studies of male nudes were unpublishable, too frankly
erotic. Then a mentor explained to him that "the better
pictures were the ones which took the viewer behind closed
doors." For "In the Studio," Bianchi frees himself from all
restraints, reveling in male bodies galore. Quite a few of
the photographs play with the idea of images and
representation, as Bianchi poses his models in front of
life-size drawings and mirrors, and even makes the
occasional appearance in the mirror himself, a camera held
tightly to his eye. In "Richard/Bound," Bianchi reenacts the
Prometheus myth, substituting a gradually ripped jockstrap
for the eating of the liver, bringing the series of
photos--and the model--to a provocative climax. "Authority
is inevitably impotent to suppress the beauty I see,"
Bianchi exults. "In the Studio" certainly supports that
assessment.

"Gore Vidal: A Biography"
by Fred Kaplan
http://www.amazon.com/exec/obidos/ASIN/0385477031/entertainmentsit
Fred Kaplan, praised for his evocative portraits of
19th-century masters such as Charles Dickens and Thomas
Carlyle, turns with aplomb to a contemporary writer in this
lengthy yet cogent work. Indeed, the multifaceted Gore
Vidal, born in 1925 but positively Victorian in the breadth
of his interests and achievements, is fortunate to have a
biographer as wide-ranging as Kaplan, who traces the
familial roots of Vidal's lifelong political engagement (his
maternal grandfather was a U.S. senator) and lucidly
assesses his nonfiction as well as his bestselling novels,
reminding readers that Vidal has for decades been an astute,
sardonic observer of the American scene. Vidal's personal
relations are depicted frankly but briskly, as befits a
staunch defender of homosexual rights who is open about his
own orientation but refuses to be pigeonholed as a gay
writer. The famous feuds with William Buckley, Norman
Mailer, and Truman Capote get enjoyably full treatment,
properly situated in the context of larger issues. If the
inner workings of Vidal's psyche remain ultimately elusive,
despite Kaplan's access as authorized biographer to
thousands of unpublished letters, that, too, seems right for
someone of whom a friend once remarked, "I've always thought
that Gore is a man without an unconscious."


"The Trouble With Normal: Sex, Politics, and the Ethics of
Queer Life"

by Michael Warner
http://www.amazon.com/exec/obidos/ASIN/0684865297/entertainmentsit
"The Trouble With Normal" argues passionately against
same-sex marriage, but here's the twist--not because it
denigrates the institution of marriage, but because it
perpetuates the cultural shame attached to sex between
consenting but unmarried adults. When gay men and lesbians
try to claim that they're just like "normal folk," Michael
Warner writes, they do a profound disservice to other queer
folk who choose not to live in monogamous or matrimonial
bliss and who believe that the solution to being stigmatized
for your sexuality is not to pretend it doesn't exist. Same-sex
marriage advocates, he continues, often seem to be willfully
blind to the cultural ramifications of their position,
viewing marriage as "an intensified and deindividuated form
of coming out"; they don't seem to realize that if society
validates *their* relationships, other types of
relationships will by necessity be invalidated. (He also
makes a strong case for the fight against sexual shame's
being more than a queer issue, citing 1998's presidential
impeachment crisis: "[Bill] Clinton, certainly, was not the
first to discover how hard it is in this culture to assert
any dignity when you stand exposed as a sexual being.")
Extending his analysis, Warner shows how the championing of
married gays and lesbians as "normal" is part of the same
cultural climate that leads to "quality of life" crackdowns
against queercentric businesses--as is already underway in
New York City--and a deliberate sabotage of safer-sex
education that puts millions of Americans at continued risk
of exposure to HIV. Warner's precise, straightforward
argument is enlivened by numerous sharp zingers, as when he
accuses Andrew Sullivan of "breath[ing] new and bitchy life
into jesuitical pieties" about sexual morality. "The Trouble
with Normal" is a bold, provocative book that forces readers
to reconsider what sexual liberation really means.

If "The Trouble with Normal" interests you, you may also
want to read Michael Bronski's "The Pleasure Principle."
http://www.amazon.com/exec/obidos/ASIN/0312156251/entertainmentsit

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