Articles


This is a list of offline articles that concern Philip Glass in some way or another, most of which are reviews. Most were taken from The Music Index.

The articles I have so far, with the exception of the pre-1988 articles, are arranged alphabetically by author. The articles with an unknown author are under "U". Within a single author, the articles are arranged chronologically.

I hope to gradually create "online" articles from this list, but with copyrights and what not, it might be a while.


Pre-1988-11 articles
1988-3 articles
1989-8 articles
1990-3 articles
1991-1 articles
1992-9 articles
1993-23 articles
1994-26 articles
1995-15 articles
1996-16 articles
1997-11 articles



Pre-1988 articles:

  1. Bracefield, H. "Birmingham," Music and Musicians, Apr. 1976. Vol. 24, pp. 48-49.

  2. Unknown. "New albums: Music in Twelve Parts, Parts One and Two," Melody Maker, Oct. 30, 1976. Vol. 51, p. 24.

  3. Somer, J. "The survival of the avant-garde," Stereo, Jan. 1976. Vol. 36, pp. 68-69.

  4. Unknown. "Einstein at the Met," The New Yorker, Dec. 6, 1976. Vol. 52, pp. 41-43.

  5. Wilson, E. "An avant-garde production at Met," The Wall Street Journal, Nov. 26, 1976. Vol. 57, p. 4.

  6. Unknown. "Foreign Premieres," Central Opera, 1976. Vol. 18, p. 5n4.

  7. Unknown. "Names, Dates and Places," Opera News, Dec. 2, 1978. Vol. 43, No. 6, p. 11.

  8. Stevens, David. "Paris," Opera News, Dec. 11, 1976. Vol. 40, No. 7, pp. 46-47.

  9. Susa, Conrad. "On the off-beat," High Fidelity/Musical America, Aug. 1969. Vol. 19, No. 8, p. MA-9.

  10. Rich, Alan. "On the off-beat," High Fidelity/Musical America, Feb. 1971. Vol. 21, No. 2, p. MA-32.

  11. Harris, Dale. "Einstein on the Beach," High Fidelity/Musical America, Dec. 1976. Vol. 26, No. 12, p. MA-36-37.

1988 articles:

  1. Gray, Louise. "Live! Philip Glass & Doris Lessing's 'The Making of a Representative for Planet 8,'" Melody Maker, London, Dec. 10, 1988. Vol. 64, Iss. 50, p. 20.

  2. Unknown. "Modern Opera: Behind Glass," The Economist, London, Nov. 19, 1988. Vol. 309, Iss. 7577, pp. 104-105.

  3. Warburton, D. "A working terminology for minimal music," Integral, 1988. Vol. 2, pp. 135-137.

1989 articles:

  1. Armstrong, D. "Philip Glass-messiah of American opera?," Music Magazine,1989. Vol. 12, pp. 5-8n3.

  2. Brooke, James. "Glass Environment Opera Puzzles Rio," The New York Times Current Events Edition, New York, Jul. 20, 1989, C.17.

  3. Carl, R. "The politics of definition in new music," College Music, 1989. Vol. 29, pp. 101-114.

  4. Gann, Kyle. "Opera Glasses," The Village Voice, New York, Aug. 22, 1989. Vol. 34, Iss. 34, p. 70. - Review of "The Fall of the House of Usher."

  5. Gray, Louise. "Live! Philip Glass," Melody Maker, London, Sep. 2, 1989. Vol. 65, Iss. 35, p. 20. - Review of "The Fall of the House of Usher."

  6. Unknown. "Albums: Music in Twelve Parts," Melody Maker, Feb. 18, 1989. Vol. 65, p. 35.

  7. Unknown. "Albums: 1000 Airplanes on the Roof," Melody Maker, Apr. 22, 1989. Vol. 65, p. 35.

  8. Unknown. "Glassworks for the future," Opera, Aug. 1989. Vol. 40, p. 919.

1990 articles:

  1. Dery, M. "The world pulse: fresh sounds flow from distant cultures," Keyboard, Oct. 1990. Vol. 16, pp. 81-84.

  2. Rockwell, John. "3 Philip Glass Operas Become a Sort of Modern 'Ring' Cycle," The New York Times Current Events Edition, New York, Jun. 25, 1990. - Article on the performance of the "Trilogy" in New York from Jun. 19-21.

  3. Unknown. "Earviews (Face the Music 'debates')," Ear, July/Aug. 1990. Vol. 15, p. 57.

1991 articles:

  1. Andrews, J. "Global warming (Passages)," Down Beat, Mar. 1991. Vol. 58, p. 39.

1992 articles:

  1. Davis, Ruth. "Philip Glass: Scoring the Unknown," M, New York, Oct. 1992. Vol. 10, Iss. 1, p. 104.

  2. Guinther, Louise T. "FIRSTNIGHTERS," Opera News, New York, Oct. 1992. Vol. 57, Iss. 4, p. 41.

  3. Oestreich, James R. "What's It All About, Albie?" The New York Times Current Events Edition, New York, Nov. 8, 1992, p. 225. - about the making of Einstein on the Beach

  4. Rothstein, Edward. "Philip Glass Shows Another Side," The New York Times Current Events Edition, New York, Nov. 16, 1992, C.11. - Review of "Low Symphony"

  5. Schwarz, K. Robert. "Glass Plus by K. Robert Schwarz," Opera News, New York, Oct. 1992. Vol. 57, Iss. 4, pp. 10-12.

  6. Soames, N. "Making the Point," Gramophone, Apr. 1992, Vol. 69, pp. 20-21.

  7. Stearns, David Patrick. "Critical Reviewers Never Shattered Glass," USA Today, Washington, Oct. 14, 1992, D.4.

  8. Suzuki, D.P. "Minimal music: it's evolution as seen in the works of Philip Glass, Steve Reich, Terry Riley, and La Monte Young," Dissertation Abstracts International Section A: The Humanities and Social Sciences, Oct. 1992, Vol. 53, pp. 985A-986A.

  9. Swed, Mark. "Glass Act," Harper's Bazaar, New York, Oct. 1992. Vol. 125, Iss. 3370, p. 70.

  10. Unknown. "Out of This World," New York, New York, Dec. 14, 1992. Vol. 25, Iss. 49, pp. 94-95.

  11. Unknown. "Opera Is Relative: Einstein on the Beach," The Village Voice, New York, Dec. 15, 1992. Vol. 37, Iss. 50, p. 88.

1993 articles:

  1. Bernard, J.W. "The minimalist aesthetic in the plastic arts and in music," Perspectives of New Music, n1 1993. Vol. 31, pp. 86-132.

  2. Bobak, J.C. "Radical evolution: the influence of Futurism and Dada on the non-linear operas of Philip Glass and John Cage," Dissertation Abstracts International Section A: The Humanities and Social Sciences, Sep. 18, 1993. Vol. 105, p. C42+.

  3. Catalano, P. "Cambridge, MA: Glass, Orphee (premiere)," American Record Guide, n5 1993. Vol. 56, p. 54.

  4. Frandsen, Paul John. "Philip Glass's Akhnaten," The Musical Quarterly, Apr. 1993. Vol 53, p. 3404A. - Einstein on the Beach

  5. Freeman, J.W et al. "New York City," Opera News, Jan. 2, 1993. Vol. 57, p. 37-39. - The Voyage

  6. Goldberg, J. "Classical Music: The composers—quartet for the end of time: apocalyptic music as the millennium approaches," Billboard, Sep. 18, 1993. Vol. 105, p. C42+.

  7. Harris, D. "World report: Metropolitan Opera (The Voyage; Jenufa; Ballo in Maschera; Lucia di Lammermoor)," Opera Canada, n1 1993. Vol. 34, pp. 24-25. - The Voyage

  8. Horowitz, I. "Keeping score," Billboard, Oct. 9, 1993. Vol. 105, pp. 41-42.

  9. Kerner, L. "Music: Ivy League Orpheuses (operatic version of Jean Cocteau film at American Repertory Theatre," The Village Voice, July 27, 1993. Vol. 38, p. 94. - Orphee

  10. Kerner, L. "Theater: A little theater music," The Village Voice, Jan 26, 1993. Vol. 38, p. 78. - Woyzeck

  11. Kerner, L. "Music: Copland’s Dracula," The Village Voice, Nov. 16, 1993. Vol. 38, p. 106. - Orphee

  12. Moor, P. "San Francisco," American Record Guide, n2 1993. Vol. 56, pp. 41-42. - The Mysteries and What’s So Funny?

  13. Moses, Kurt. "Metropolitan Opera: Glass' The Voyage (premiere)," American Record Guide, Jan. 1993. Vol. 56, pp. 35-36.

  14. Smith, J.C. "Boston/Cambridge," Opera News, Nov. 1993. Vol. 58, p. 45. - Orphee

  15. Swed, M. "Getting the low down," Gramophone, May 1993. Vol. 70, pp. 12-13.

  16. Swed, M. "Mood Painting: Philip Glass transforms Cocteau’s film Orphee into opera," Opera News, May 1993. Vol. 57, pp. 50-51.

  17. Unknown. "World of music," Classical Music Magazine, n1 1993. Vol. 16, pp. 16-17. - The Voyage

  18. Unknown. "Operas (Met)," Musical Opinion, Jan. 1993. Vol. 116, pp. 33-34. - The Voyage

  19. Unknown. "Music makers," Stereo Review, Apr. 1993. Vol. 58, p. 17. - Low Symphony

  20. Unknown. "Reviews: resident," Variety, June 14, 1993. Vol. 351, p. 60. - Orphee

  21. Waleson, Heidi. "Opera: The underworld revisited," The Wall Street Journal, May 26, 1993, A.16.

  22. Woodard, J. "Getting low with David Bowie and Philip Glass (interview)," Musician, June 1993. No. 176, pp. 40-42+.

  23. Zimmer, E. "Dance: Dada’s boy," The Village Voice, Jan. 12, 1993. Vol. 38, p. 86. - The Mysteries and What’s So Funny?

1994 articles:

  1. Adlington, R. "Through a glass darkly," The Musical Times, Mar. 1994. Vol. 135, pp. 164-165.

  2. Gann, K. "Music: Whom bomb?," The Village Voice, Nov. 1, 1994. Vol. 39, p. 84. - Symphony No. 2

  3. Hanson, Henry. "Backtalk," Chicago, Jan. 1994. Vol. 43, No. 1, p. 148.

  4. Hick, B. "Philip Glass: on stage and CD(interview)," Musical Opinion, Feb. 1994. Vol. 117, p. 44. - Einstein on the Beach, The Fall of the House of Usher

  5. Hick, B. "Opera on the hoof (Meltdown Festival)," Musical Opinion, Autumn 1994. Vol. 117, pp. 273-274. - La Bell et la Bete

  6. Holland, Bernard. "Philip Glass looks back at Cocteau's Orphee," The New York Times Current Events Edition , Oct. 29, 1994. C.3.

  7. Kellow, B. "Notebook (playlet: Philip Glass Buys a Loaf of Bread)," Opera News, July 1994. Vol. 59, p. 7. - On David Ives' short play

  8. Kimberley, N. "The Fall of the House of Usher; Music Theatre Wales at the Queen Elizabeth Hall, London, December 18," Opera (Eng), Feb. 1994. Vol. 45, pp. 237-238.

  9. Prendergast, M. "Raise your glasses," Classic CD, Apr. 1994. No. 47, p. 48.

  10. Robison, B. "Video reviews--4 American Composers (produced by R. Guest, directed by P. Greenaway) (N.Y., Mystic Fire Video, 1991)," Notes, n1 1994. Vol. 51, pp. 263-264.

  11. Rothstein, Edward. "Not quite an opera transforms a film," The New York Times Current Events Edition, Dec. 9, 1994, C.5.

  12. Seabrook, M. "Record review--Glass: Anima Mundi (Orchestra and vocal ensemble, c. Michael Riesman) (Elaktra Nonesuch)," Tempo, June 1994. No. 189, pp. 52-53.

  13. Seabrook, M. "Record review--Glass: Einstein on the Beach (The Philip Glass Ensemble, c. Michael Riesman) (Elaktra Nonesuch)," Tempo, June 1994. No. 189, pp. 52-53.

  14. Seabrook, M. "Record review--Glass: Hydrogen Jukebox (Allen Ginsberg (narr), ensemble, c. Martin Goldray) (Elaktra Nonesuch)," Tempo, June 1994. No. 189, pp. 52-53.

  15. Swed, M. "Just a fewmore glasses," Gramophone,Jan. 1994. Vol. 71, pp. 18-19+.

  16. Unknown. "Premieres," Symphony, n5 1994. Vol. 45, p. 56. - Symphony No. 2

  17. Unknown. "Reviews: Legit Off Broadway (parody: Philip Glass Buys a Loaf of Bread)," Variety, Jan 17, 1994. Vol. 353, pp. 107-108. - On David Ives' short play

  18. Unknown. "Philip Glass: On Stage and CD," Musical Opinion, Feb. 1994. Vol. 17, Iss. 1394, p. 44.

  19. Unknown. "Concerts," Musical Opinion, May 1994. Vol. 117, p. 151. - Concerto for Violin

  20. Unknown. "Recordings--wrap up: Einstein on the Beach," Rolling Stone, May 19, 1994. No. 682, p. 98.

  21. Unknown. "Recordings--wrap up: Hydrogen Jukebox," Rolling Stone, May 19, 1994. No. 682, p. 98.

  22. Unknown. "Recordings--wrap up: Music with Changing Parts," Rolling Stone, May 19, 1994. No. 682, p. 98.

  23. Unknown. "Recordings--wrap up: Two Pages; Contrary Motion; Music in Fifths; Music in Similar Motion," Rolling Stone, May 19, 1994. No. 682, p. 98.

  24. Unknown. "A glass half empty," New York, Oct. 31, 1994. Vol. 27, Iss. 43, p. 118-119. - Focus on "Symphony No. 2"

  25. Unknown. "Earviews-recordings: Music in Twelve Parts," Ear, Nov. 1994. Vol. 15, p. 51.

  26. Unknown. "News section: composers," Tempo, Dec. 1994. No. 191, p. 71. - Symphony No. 2

1995 articles:

  1. Bambarger, B. "Pro file: Euphorbia Productions infuses classical composition with pop music methods," Billboard, June 17, 1995, Vol. 107, pp. 67-68.

  2. Evans, N. "Glass's opera revolution," Classic CD, June 1995, No. 62, p. 35.

  3. Fleming, S. "Brooklyn Philharmonic: Glass, Symphony No.2 (premiere)," American Record Guide, n1 1995, Vol. 58, p. 47.

  4. Fleming, S. "Brooklyn Academy of Music: Glass, La Belle et la Bete (US premiere)," American Record Guide, n2 1995, Vol. 58, pp. 35-36.

  5. Hick, B. "Reviews-Philip Glass: String Quartets Nos. 2-5 (Kronos Quartet) (Nonesuch CD)," Musical Opinion, Sup May 1995, Vol. 118, p. 8. - Review of Kronos playing Glass' "Quartets for Strings"

  6. Kerner, L. "Music: Prophet's loss (Rushmore Festival)," The Village Voice, Aug. 29, 1995, Vol. 40, p. 74. - Article on "Melodies for solo saxophones"

  7. Kozinn, Allan. "Rehearsing the Philip Glass score for 'La Belle et la Bete,'" The New York Times Current Events Edition, Sep. 29, 1995, C.3.

  8. Kozinn, Allan. "Revival gains without the trimmings," The New York Times Current Events Edition, Dec. 5, 1995, C.20. - Review of "the CIVIL WarS: Rome Section"

  9. Prendergast, M. "A window to Glass's soul,"Classic CD, Apr. 1995, No. 60, p. 50. - Review of "Chamber Music"

  10. Raickovich, M. "Einstein on the Beach by Philip Glass: a musical analysis," Dissertation Abstracts International Section A: The Humanities and Social Sciences, May 1995, Vol. 55, p. 3348A.

  11. Smith, P. J. "Viewpoint: Cocteau-Glass," Opera News, Feb. 18, 1995, Vol. 59, p. 4. - La Belle et la Bete

  12. Teachout, Terry. "Holy Minimalism," Commentary, Apr. 1995. Vol. 99, Iss. 4, p. 50.

  13. Unknown. "Classical music reviews-Glass: String Quartets Nos. 2-5 (Kronos Quartet) (Nonesuch)," Stereo Review, June 1995, Vol. 60, p. 93. - Review of Kronos playing Glass' "Quartets for Strings"

  14. Unknown. "Classical music reviews-Glass: La Belle et la Bete (Soloists; Philip Glass Ensemble, Riesman) (Nonesuch)," Stereo Review, Sep. 1995, Vol. 60, p. 106.

  15. Unknown. "News section: Composers," Tempo, Oct. 1995. Vol. 194, p. 70.

1996 articles:

  1. Acocella, Joan. "Dance: Fragmenting Glass; Fine-tuning Fosse," The Wall Street Journal, Nov. 26, 1996, A.18. - Review of "Les Enfants Terribles"

  2. Froehlich, Leopold. "Music in 12 Parts/Piano Concertos," Playboy, Dec. 1996. Vol. 43, Iss. 12, p. 25.

  3. Gann, Kyle. "Good twin, evil twin; Reich and Glass: Versus or equals?" The Village Voice, Apr. 23, 1996. Vol. 41, Iss. 17, p. 60. - An excellent article

  4. Gann, Kyle. "Echoing the gods," The Village Voice, Dec. 10, 1996. Vol. 41, Iss. 50, p. 72. - Review of "Les Enfants Terribles"

  5. Hamilton, D. "The Voyage," Opera News, Mar. 30, 1996. Vol. 60, pp. 28-31.

  6. Jowitt, D. "Consider the alternative; the fall arts season, downtown and beyond: intimacy multiplied," The Village Voice, Sep. 17, 1996. Vol. 41, p. 27. - Review of "Les Enfants Terribles"

  7. Jowitt, D. "Dance: Elegant tombs," The Village Voice, Dec. 10, 1996. Vol. 41, p. 96. - Review of "Les Enfants Terribles"

  8. Kerr, E. "Reluctant Minimalist: Philip Glass' opera La Belle et la Bete," Music New Zealand, Autumn 1996. Vol. 32, p. 42.

  9. Kisselgoff, Anna. "A Fusion Inspired by Cocteau," The New York Times, Nov. 22, 1996, C.3. - Review of "Les Enfants Terribles"

  10. Kozinn, Allan. "Starting with Columbus and ending in outer space," The New York Times, Mar. 20, 1996, C.15. - Review of "The Voyage"

  11. Loomis, George W. "Concerts everywhere--New York: American Composers Orchestra," American Record Guide, Mar. 1996. Vol. 59, Iss. 2, p. 54. - Review of "the CIVIL WarS: Rome Section"

  12. Page, Tim. "Return trip," Opera News, Mar. 30, 1996. Vol. 60, Iss. 14, p. 8.

  13. Stearns, David Patrick. "Theater tops French tales of treachery," USA Today, Nov. 26, 1996, D.10. - Review of "Les Enfants Terribles"

  14. Tobias, Tobi. "Let's Pretend," New York, Dec. 9, 1996. Vol. 29, Iss. 50, p. 72. - Review of "Les Enfants Terribles"

  15. Unknown. "Face to face: Philip Glass and Ravi Shankar," Classic CD, June 1996. Vol. 74, p. 28.

  16. Walsh, Michael. "Maximum minimalism," Time, Dec. 9, 1996. Vol. 148, Iss. 26, p. 85. - Review of "Les Enfants Terribles"

1997 articles:

  1. Connolly, Mik. "'Heroes' Symphony," Saturday Night, Toronto, Apr. 1997. Vol. 112, Iss. 3, p. 87. - Review of "'Heroes' Symphony"

  2. Diliberto, John. "Glass: 'Heroes' Symphony," Audio, Philadelphia, May 1997. Vol. 81, Iss. 5, p. 184. - Review of "'Heroes' Symphony"

  3. Eugene, Edmund. "Secret Agent," Films in Review, New York, Jan/Feb. 1997. Vol. 48, Iss. 1-2, p. 81.

  4. Haskins, Robert. "Glass: Music in 12 Parts," American Record Guide, Washington, Mar/Apr. 1997. Vol. 109, Iss. 2, p. 139.

  5. Haskins, Robert. "Glass: Glassmasters," American Record Guide, Washington, July/Aug 1997. Vol. 60, Iss. 4, p. 115.

  6. Moor, Paul. "Heidelberg--Glass: The Marriages Between Zones Three, Four and Five(premiere)," American Record Guide, Washington, Sep/Oct 1997. Vol. 60, Iss. 5, pp. 48-49.

  7. Salzman, Eric. "The three minimalists," Stereo Review, New york, Apr. 1997. Vol. 62, Iss. 4, p. 96.

  8. Smith, Giles. "A touch of Glass," New Statesman, London, Feb. 14, 1997. Vol. 10, Iss. 440, p. 40.

  9. Stearns, David Patrick. "Listen Up: Philip Glass," Usa today, Washington, Feb. 11, 1997, D.6.

  10. Verna, Paul. "'Heroes' Symphony/The Secret Agent," Billboard, New York, Feb. 22, 1997. Vol. 109, Iss. 8, p. 82. - Review of "'Heroes' Symphony," "The Secret Agent"

  11. Waleson, Heidi. "Marian Anderson recalled; Rifffing with Philip Glass," Billboard, New York, Feb. 1, 1997. Vol. 109, Iss. 5, p. 43.

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