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Bob Blais
Registered User
(1/8/01 9:19:45 pm)
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rest position for cello
Hello all,
I was just wondering what everyone did with their cello while not playing it. I have always rested the scroll in a chair, but a luthier that I just did a gig with said that it was terrible for the neck. On the other hand, The sides of my cello have gotten scratched up from resting on rough floors. I do have a stand for at home, but that is a bit much to carry everywhere. What does everyone do?

Bob

MaryK 
Registered User
(1/8/01 11:09:03 pm)
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Re: rest position for cello
Mine always goes back in its case, whether at home, at a rehearsal, concert, etc. Too many horror stories out there to leave it unprotected, IMO!

MaryK

Corrina Connor
Registered User
(1/9/01 3:16:42 am)
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Re: rest position for cello
At home, my cello resides in a corner, on its side, in my bedroom and the spot is not unduly cold, nor does it get the sun. It is quite safe there.

When out and about, it is tricky to put it away during break, because I use a soft case, so I put it out of the way - such as under an unmovable table.
At youth orchestra I don't put it anywhere, because we're all very good about not touching what doesn't concern it.

However, I carry a thin towel in my cello case, and have spares at home, for purposes of dusting. If the floor looks dodgy I spread it out, and rest my cello on that.

Steve Drake
Registered User
(1/9/01 9:12:57 am)
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Re: rest position for cello
Almost always I put it back in the case during breaks. And I wish more people did that - it's a pain to have to find a way around the wall of cellos on their sides at break times, or find some circuitous route around them. I'm very uncomfortable about stepping over someone elses cello. In a crowded pit I'll often leave it on it's side, however, rather than negotiate all the close chairs and stands.

Never leave your cello with the scroll on the chair. This puts a huge strain on some of the most sensitive joints on the cello, and is just asking for trouble.

Leaving the cello on it's side does wear the finish, but you can alleviate this somewhat by putting a coat of clear nail polish over the affected areas.

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DavidS000
Registered User
(1/9/01 5:37:18 pm)
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rest position for cello
I have a video of Jacqueline Du Pre. During a recording break, she simply placed the cello on the floor, balancing on its side, with the bow placed across the upward side.

Gablety
Registered User
(3/26/01 7:56:11 pm)
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Soft case, piano
I have a soft case, too, so it is hard to put it away properly for everything. When I'm not playing itr for the day, that is for several hours, i put it in its case and prop it up in the corner formed by the upright piano and the wall. It is in the sun, though, so i should probably find a better place for it (it's next to a south window, and that window isn't in any house-shadow). If I'm going to need to let it stand for just a few minutes, I have another person hold it upright or I lean it in that same corner. The cello tips section said to never store a cello on its side, so I don't. However, from your descriptions, this method also puts a lot of strain on the neck. Is this so? Which is the best method?

Len Thompson
Registered User
(3/26/01 8:32:05 pm)
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DuPre's method!
I'm sure many of you have seen that movie about DuPre. Do you recall the scene where, when "quite done" with her cello, she promptly put it out on the balcony, in the rain!, resting against the neck no less! Hey, was that the Strad? :)

Len

lblake 
Registered User
(3/26/01 9:17:07 pm)
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Re: rest position for cello
That's what I do. I also retract the endpin. (people seem to see cellos, but NEVER see endpins.) But, I also rarely leave my cello during a break. I only lay it down if for some reason I can't keep holding it. Usually, I stand up and stretch my legs, and it stands with me.

DoDahlberg
Registered User
(3/27/01 6:17:11 am)
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Re: DuPre's method!
Let's be careful about the factual information in that film; remember she was supposed to be mad at the thing in that scene and it got itself back into the room later in the sequence. My cello's pretty cool but it can't open balcony doors and spook me in the night.

Dorie

FrozenYankee
Registered User
(3/27/01 6:59:04 am)
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Casals did it.
I have a video of Casals resting the scroll on a chair with the belly (the cello's, not his) pointing up. Looks scarey to me but...

I can't believe that it puts a "strain" on the neck. The neck is built to withstand the strain of 4 strings constantly pulling downwards. That's a much bigger strain than the weight of the instrument resting on its scroll.

Richard

Steve Drake
Registered User
(3/27/01 11:28:30 am)
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Re: Casals did it.
Think about the physical forces involved - the strings put a certain amount of tension on the neck, but it is in the same direction as the neck, so the actual force on the neck is neglible. Resting the scroll of the neck on a chair, however, puts the whole weight of the cello on the neck, at an acute angle, in an unstable position. If there are any small problems with the various joints involved, this can become a big problem fast. Why take risks? Just because Casals fell off a cliff when he was young....

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DWThomas
Registered User
(3/27/01 12:57:35 pm)
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Re: Casals did it.
The scroll on chair/belly up method definitely reduces the tolerance for abuse. About a year and a half ago, my teacher left hers in that position. The chair was a very low (think "kid's size") folding metal chair with a padded seat. While she was briefly away from it, the neck slid off the chair. There was nothing for it to hit, the instrument couldn't have dropped more than a few inches because of the thickness of the body.

>>Kaplooie!!<< :eek

The neck snapped right in the middle of the "heel" and things went flying.

I had the dubious distinction of arriving for my lesson only minutes after she discovered what had happened. (It's a circa 1910 Hill.) We carefully put away the pieces. She packed it off to her luthier and it now has a new neck (a repair that probably cost more than my instrument).

String tension puts the neck (mostly) in compression parallel to the wood grain. Hanging the instrument puts the neck in tension, again parallel to the grain. Leaning on the scroll puts the neck in shear; essentially tension across the grain -- the weakest attribute of wood.

Dave

lblake 
Registered User
(3/27/01 9:36:13 pm)
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Re: Casals did it.
can't believe it puts a strain on the neck? Think of this as a comparison:

string tension on neck = tension in your spine, while standing upright

tension of weight of cello upon neck while scroll rests on chairseat = tension in your spine, while bending forward at the waist, and holding a yoke across your shoulders

May not be a perfect example, but it seems similar, at least.

Zaraak
Registered User
(3/27/01 9:48:46 pm)
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Not really a proper comparison...
...as you stated.

When lifting heavy things everyone is taught to "lift with your knees". If you tried to lift, say a 30 lb weight whilst bent at the waist, chances are you'd wretch your back and be laid up for weeks. If you were to lift properly and bend your knees and lift it straight up it would be much easier and better for your back. I can't really argue this as I'm not a osteopath or anything related, just an amateur weight-lifter. :)

Greg

Gablety
Registered User
(3/27/01 10:34:32 pm)
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Actually...
...your butt muscles are among the strongest muscles in your body; if you "lift with your knees" you're really lifting with your butt. That's just one of the things it was meant to do.

When I lean my cello in the corner, I actually sort of lean it on its neck; the scroll touches the corner. Would it be better if the corners of the cello touch instead? i tried this, and it feels sort of "safer".

cellochris99
Registered User
(3/28/01 5:04:29 am)
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re:actually
Yes, it's better to lean a cello against the upper bout corners(belly toward corner) when propped in a corner. I used to play Double bass and that's really the ideal way to store them,- it's MUCH more stable, and it's more out of the way of harm in that position.

However, if you place your cello in a corner, with it's weight bearing on the scroll or neck, it's just like leaving it laying against a chair (as mentioned earlier) because the same principles of force are applying against the neck, just to a little lesser degree and direction. This is also sort of unstable since the endpin could slip, hence the angle of the cello against the corner that way.

Chris

jdacheetah
Registered User
(3/28/01 6:33:59 am)
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Re: Casals did it.
Just out of curiosity...after your teacher replaced the neck, did the cello sound okay? I'm sure something like that would have a disturbance in tonal quality. BTW, my teacher's cello is dated at 1890. (Lovely instrument!) I couldn't imagine such an atrocity happening to his cello. :eek

Jeremy

DWThomas
Registered User
(3/28/01 7:59:58 am)
Reply
Necks

The neck replacement did not seem to have any major effect on the sound. Of course, my lesson repertoire doesn't exactly explore the instrument's entire range!

The work was done by a man who builds from scratch as well as repairs. As far as I know, the original scroll, fingerboard, etc. were retained. Assuming careful attention to details and alignment, such an operation probably shouldn't have too much effect on sound. Some instruments wind up having the neck re-set after sagging because the instrument has changed shape over many years. I believe many of the legendary instruments from centuries back have had major neck work to "upgrade" them from their Baroque set-up.

In addition to the potential of damage to sound qualities, the amount of work and caliber of craftsperson required to do it well certainly makes it economically desirable to avoid such an operation if possible.

So treat your instrument with care and keep it out of the way of clumsy passers-by.

Dave

zambocello
Registered User
(3/28/01 4:00:55 pm)
Reply
Re: rest position for cello
I often leave my cello resting on a chair, belly up. But I don't leave the weight on the scroll, I make sure the cello's neck is what's resting on the chair. If the chair is shaped so the scroll touches before the neck I roll up my dust cloth to support the neck and spare the scroll.

Here's what I just learned with my cello:

The cello weighs 7 pounds. With the cello rested on the scroll (the end pin is out about 14" and the cello nearly parallel to the ground) there is about 3 lbs of weight on the scroll. In the same position with the weight supported by the neck at about 3rd position there is about 4 lbs of weight on the neck. The stress on the neck joint is WAY less though because of the greatly diminished leverage.

I feel this is much safer than laying the cello on it's side, especially when getting the cello up and down a lot, as when I am teaching. Also, civilians are less inclined to step over a cello in this position than one laying on its side.

In real life (or at least when I'm teaching) I lean my cello very close to the neck joint against a padded arm chair at about a 45 degree angle, so I think in this case there is little more stress on the neck joint than when holding the cello. In my case I'm more worried about the scroll than the neck joint. I have a significant crack at the bottom of the peg box, If it gets any worse the cello is due for a neck graft. Besides being cheap I'm trying to conserve the original (1815) neck as long as possible.

cellochris99
Registered User
(3/29/01 6:20:10 am)
Reply
high positions
I was just thinking; when I'm pressing down on the string into the fingerboard in the high positions, it seems like that would be putting some extra strain on the neck too, since the finger board acts as a lever, counteracting the pressure you apply at the extreme end by pulling the neck and heel unit forward. Am I right?

Chris

johnblue
Registered User
(4/1/01 1:21:58 am)
Reply
Re: rest position for cello
I found a stand for about 35 dollars at Phillip Weinkrantz in San Francisco. It works like a collapsible guitar stand and goes everywhere easily. Maybe one could mail order...


          rest position for cello-Bob Blais-(21)-1/8/01 9:19:45 pm  
               Re: rest position for cello-Markse 4/2/01 11:16:34 am  
               high positions-cellochris99 3/29/01 6:20:10 am  
               Re: rest position for cello-zambocello 3/28/01 4:00:55 pm  
               re:actually-cellochris99 3/28/01 5:04:29 am  
               Actually...-Gablety 3/27/01 10:34:32 pm  
               Casals did it.-FrozenYankee 3/27/01 6:59:04 am  
                    Re: Casals did it.-lblake  3/27/01 9:36:13 pm  
                         Not really a proper comparison...-Zaraak 3/27/01 9:48:46 pm  
                    Re: Casals did it.-Steve Drake 3/27/01 11:28:30 am  
                         Re: Casals did it.-DWThomas 3/27/01 12:57:35 pm  
                              Re: Casals did it.-jdacheetah 3/28/01 6:33:59 am  
                                   Necks-DWThomas 3/28/01 7:59:58 am  
               Soft case, piano-Gablety 3/26/01 7:56:11 pm  
                    DuPre's method!-Len Thompson 3/26/01 8:32:05 pm  
                         Re: DuPre's method!-DoDahlberg 3/27/01 6:17:11 am  
               rest position for cello-DavidS000 1/9/01 5:37:18 pm  
                    Re: rest position for cello-lblake  3/26/01 9:17:07 pm  
               Re: rest position for cello-Steve Drake 1/9/01 9:12:57 am  
               Re: rest position for cello-Corrina Connor 1/9/01 3:16:42 am  
               Re: rest position for cello-MaryK  1/8/01 11:09:03 pm  
                    Re: rest position for cello-johnblue 4/1/01 1:21:58 am  
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