American Ballet Theatre


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µMMetropolitan House¬O¦o¨C¦~®i¶}²±¤j»R©uªº¦a¤è¡^¡A¤]¨S¦³¦Û¤vªº¾Ç®Õ¡F¨ä¤G¡A¦o¨S¦³¤@­Ó¦P¬O
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¢°¢¸¢±¢²¦~¡AMikhail Mordkin¥Ñ²ö´µ¬ì²¾¥Á¨ì¯Ã¬ù¨Ã¶}¿ë¤F¥LªºªÝÁ¢»R®Õ¡D¬°¤Fµ¹¤©¥Lªº¾Ç¥Íºt¥X¾÷·|¡A
¥L©ó¢°¢¸¢²¢¶¦~³Ð¿ë¤F»R¹Î"Mordkin Ballet"¡A³o´N¬OABTªº·nÄx¡D¼ö·RªíºtÃÀ³Nªº¥Xª©°ÓRudolf Orthwine
¦¨¬°¤F»R¹Îªº¥D®u¡D¦Ó Richard Pleasant¦¨¬°¤F»R¹Î¸g²z¡DPleasant§Æ±æ¯à±N³o­Ó¤p»R¹ÎÅܦ¨¤@­Ó§ó¤j«¬ªº
»R¹Î¡AMordkinªº¤@¦ì«D±`´I¦³ªº¾Ç¥ÍLucia Chase¬°Pleasant´£¨Ñ¤F¸êª÷¡D»R¹Î©R¦W¬°Ballet Theatre¡D
Pleasantªººc«ä¬O»R¹Îªº»RÁнdÃ¥±N¥Ñ¤T³¡¥÷²Õ¦¨¡G¥j¨å³¡¥÷¡Ð¥ÑAnton Dolin­t³d¡F¬ü°ê¥»¤g»s§@¡Ð¥Ñ
¬ü°ê½s»R®aEugene Loring­t³d¡F­^°ê§@«~¡Ð¥Ñ·í®É©|¥¼¦b¬ü°ê¦¨¦WªºAnthony Tudor­t³d¡D

¢°¢¸¢³¢¯¦~¢°¤ë¢°¢°¤é¡ABallet Theatreºt¥X¤F²Ä¤@³õªíºt¡Aűo¤FÆ[²³ªº´xÁn©MÆg½à¡A¯S§O¬OMikhail
Fokine¬°Ballet theatre±ÆºtªºLes Sylphides¡Aª½¦Ü²{¦b³o»R¼@¤´¯d¦bABTªº»R½XùØ¡D
Anton Dolin¥ç¬°Ballet theatre±Æºt¤FGiselle¡ABronislava Ninjinska«h±Æºt¤FLa Fille Mal Gardee¡A¬°»R¹Î³þ©w
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³o¦~¤º¤@­Ó­«­nªº¤H¨ÆÅܰʵo¥Í¤F¡ARichard PleasantÂ÷¶}¤F¥Lªº±^¦ì¡A±µ¤U¥Lªº´Î¤lªº¬OµÛ¦W¸g²z¤H
(Impresario)Sol Hurok¡D¥L¤£¦ý±N»R¹Îªº¹Î­û¥Ñ¢µ¢±¤H´î¦Ü¢³¢¸¤H¡A§ó±N«Xù´µªÝÁ¢§Ë¦¨Ballet Theatre
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¤U¡ABallet theatre¤Wºt¤F¤@¨t¦Cªº«Xù´µ¦¡ªÝÁ¢¡D­p¦³FokineªºPetrouchka, Leonide MassineªºAleko, 
Le Boutique Fantasque©MLe Tricone¡D·í¤¤¥u¦³Anthony TudorªºRomeo and Juliet§¹¥þ¨S¦³«Xù´µ¤å¤Æªº
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¢°¢¸¢³¢´¦~¡ALucia Chase©MOliver Smith¦¨¬°¤FBallet theatreªºÃÀ³NÁ`ºÊ¡DBallet theatre¥ç¦¨¬°¤F²Ä¤@­Ó
¨ì­^°ê¥h¨µ°jºt¥Xªº»R¹Î¡D³o¤@¦¸ªº®Èµ{¤j¤j´£¤É¤F¹Î­ûªº¤h®ð¡ABallet theatre¥çº¥º¥¦¨¬°¤@­ÓµL½×¦b
»RªÌÁÙ¬O»R½X³£»á¬°Â×´Iªº»R¹Î¡A¦ý¤´¬O¯Ê¤F¤@­Ó®a©M¤@©Ò¥Î¥H°V½m»RªÌªº¾Ç®Õ¡D

¦b²³¦h¹Î­û¤¤¦³¤@¦W»RªÌ§l¤Þ¤F²³¤Hªº¥Ø¥ú¡A¦o´N¬ONora Kaye¡D¢°¢¸¢³¢±¦~Anthony Tudor±qcorp de ballet
¤¤¿ï¥X¦o§@¬°¥Lªº·s§@«~"Pillar of Fire"¡D³oÄÕÁ¿­z¤@¦W¤k¤l¦b¥H¬°¦Û¤v±o¤£¨ì©Ò·Rªº¤Hªº·R«áÄm¨­
µ¹¥t¤@­Ó¦Û¤v¤£·Rªº¤Hªº¬G¨Æ¡Aµ¹¤©Nora Kaye¤@­Óµo´§¨äµL»P½ü¤ñªºÀ¸¼@¤Ñ¥÷ªº¾÷·|¡D¦Û¦¹Nora Kaye
¦¨¬°¤FBallet theatreªº¥Nªí¤Hª«¨¬¦³¢±¢¯¦~¡D

³o¬q®É¶¡ùØ¥t¤@­Ó­«­nªº­ººt´N¬OJerome Robbins²Ä¤@­Ó§@«~"Fancy Free"¡D·í¤¤³Ð·sªº»R¨B©M¥Rº¡
«ÕÀq·Pªº½s»R¡A¦b¦b³£Åã¥Ü¥X³o¬O¤@­Ó¤j®vµ¹§@«~¡A¦ÓRobbins¥ç³Q±H¤©«p±æ¡D¦b¥H«áªº¤é¤l¡A
Robbinsªº½T¦¨¬°¤F¤@­Ó¤j®v¯Å¤Hª«¡A¦ý¬O¥L¨Ã¨S¦³¦¨¬°Ballet theatreªº¾n¹Î½s»R®a¡A¤Ï¦Ó±`©M
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Ballet theatreªíºtªº²Ä¤@­Ó¥j¨å§@«~¥ç©ó¢°¢¸¢³¢¶¦~¶i¤J¨ä»R½X¡D¨º´N¬OBalanchineªºTheme and 
Variations¡D¦b­ººt¤éºt¥Xªº¡A¬O¥t¤@¦W±qcorp de ballet¤É¤W¨Óªº»RªÌ Alicia Alonso¡A¦oªººë´ï¥j
¨å§Þ¥©¥O¦o¦¨¬°¤FBallet theatreªº­º®u¥j¨åªÝÁ¢»RªÌ¡A¦ÓNora Kaye«h°¾¦VÀ¸¼@ªÝÁ¢¤è­±¡D

¾¨ºÞAnthony Tudor¬°Ballet theatre³Ð§@¤F¤£¤Ö­«­nªº§@«~¡A¦ý¥L¨Ã¨S¦³¦¨¬°Ballet theatreªº¾n¹Î
½s»R®a¡D­ì¦]«Ü¤jµ{«×¤W¬O¦]¬°Ballet theatre¨S¦³¤@­Ó®a¡Ð¾n¹Î¼@°|¡D¢°¢¸¢´¢¯¦~¡A¨Æ±¡¦ü¥G
¦³¤F¤@­ÓÂà¾÷¡GMetropolitan HouseÁܽÐBallet theatre§@¾n°|»R¹Î¡A¨ÃÅýAnthony Tudor¦bMetropolitan
Opera Ballet School¾á¥ô±Ð¾¡A¨Ã­t³d½s±Æºq¼@¤¤ªºªÝÁ¢¡Dµ²ªG¤]©M¤Q¤­¦~«eBalanchine©M¥LªºAmerican
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Nora Kaye, ±q¤¦³Á¥[·ùªºErik Bruhn¡A©M­ì¦³ªº­º®u»RªÌ¡AABT±q§C¼é¤¤¨«¤F¥X¨Ó¡D

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¦b¤§«áªº¼Æ¦~¡AABT¤Wºt¤FLa Sylphide, Les Noces, Swan Lake, Giselle, Coppeliaµ¥¡D¦Ó»R¹Î¤§¤H±j°¨
§§¡A¬Æ¦Ü¯à±Æ¥X¢µ­ÓCastingªºSwanilda©MFranz!·í¤¤ÁÙ¥]¬A¤F«È®u»RªÌ¡Ð·N¤j§QªºPrima Ballerina
Carla Fracci©MErik Bruhn¡D³o¨â¤H¥ç¬O¢µ¢¯¦Ü¢¶¢¯¦~¥N«D±`³Ç¥Xªº¤@¹ï·fÀÉ¡D

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ªºÁ`ºÊ¡A«K¥ÑKevin MacKenzie¡Ð¤@¦ì²`¨ü»RªÌ´L­«ªº«eABT»RªÌ¡A±µ¤U´Î¤l¦¨¬°ABT²{¥ôªºÃÀ³NÁ`ºÊ¡D
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ô¥j¨å¥þ¹õ»R¼@ªº¼@¥Ø¡A¥t¤@¤è­±¤]¬°»R¹Î²K¤WMacMillna, Twyla Tharpµ¥ªº§@«~¡D

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