ABT¦b­»´ä

¼Æ¤@¼ÆB¦b¤µ¦~¬Ý¹Lªºªíºt¡A¤µ¦~¥Ñ¥~°ê¨Ó´äªºªÝÁ¢»R¹ÎªºªíºtÁÙ¯u¦h¡A¢²¤ë¦³Birmingham Royal¡A
¢¶¤ë¦³Pacific Northwest Ballet¡A·í¤¤³Ì¤Þ¤Hª`¥Øªº¡A²ö¹L©ó¬ü°ê³Ì¤jªº¨µ°jºt¥XªÝÁ¢»R¹ÎAmerican
Ballet theatre (ABT)¨Ó´äºt¥X­ð¦N¶F¼w©M»R¼@ºëºé¡D

ABT³o¦¸¦b´äºt¥X¢³¤Ñ¡]¢°¢¯¤ë¢³¦Ü¢¶¤é¡^¦@¤­³õ¡A¢²³õ­ð¦N¶F¼w©M¨â³õ»R¼@ºëºé¡F¨ä¤¤§Ú¬Ý¤F¢°¢¯¤ë
¢³¤é©M¢µ¤éªº¨â³õ­ð¦N¶F¼w©M¢°¢¯¤ë¢¶¤é±ß¤Wªº»R¼@ºëºé¡A¢²³õªíºt¬Òµ¹§Ú·¥¦nªº¦L¹³¡D

¥ý»¡­ð¦N¶F¼w¡D¢°¢¯¤ë¢³¤é±ß¤Wªºªíºt¥ÑABT¨â¦WµÛ¦WªºVirtuoso Paloma Herrera©MAngel Corella
¾áºõºt¥X¡A§Ú´¿¬Ý¹L³o¨â¦ì¦~»´»RªÌ¦bMetropolitan House¸õªº­ð¦N¶F¼w¡A¨º¬O«D±`ºë±mªººt¥X¡A©Ò
¥H§Ú¹ï¥ó³o¦¸¥L­Ìªººt¥X¦³¬Æ¤jªº´Á±æ¡D¦Ó¨º±ßªººt¥X¡AÁö«D¥L­Ì³Ìºë±mªººt¥X¡A¦ý«o¬O¤Ö¦³¦a·P¤H
ªººt¥X¡DPaloma Herrera·í±ßªººt¥X¤ô·Ç¦³ÂI¤£Ã­©w¡A¦oªº²Ä¤@¹õ³Ìºë±m¡Aentrance©M¿W»RÅÜ«µ(solo
variation)³£«D±`¤§±j«l¦³¤O¡F²Ä¤G¹õªº¤ñ²Ä¤@¹õ¨Ó»¡Herrera¨S¨º»ò·m²´¡A¥i¬O¤´µMºt¥Xí©w¡F
²Ä¤T¹õªº¤jÂù¤H»R(Grande pas de deux)«o¥s¤H¬°¦o®º¤@§â¦½¡G¥­¿Å¨S¦³¥­±`¨º¼Ë«ù¤[¡APirouette
¤]¨S¥­¤é¨ººØ³t«×©Mí©w·P¡A¦b¦o¥H©¹¥Î¥Hshow off ªºGrande pirouette in attitude¤¤¦oÁÙ¥¢»~¤F¡A
Âà¤F¤@°é´N¸¨¤U¨Ó®t¤£¦hflat foot§¹¦¨¨ä¾l¤@°é¡A¹ê¦b¥O¤H¾á¤ß¦o¾l¤Uªººt¥X¡D¥Ñ¨ä¬O¦~»´»RªÌ¡A¤@
­Ó¥¢»~«Ü®e©ö´N·|¤Þ°_¤@³s¦ê¥¢»~ª½¦Ü§¹³õ¡I

ÁÙ¦n¡AHerrera¥H¦oªºÅÜ«µ(solo variation)©M¢²¢±­Ófouette turns§i¶D§Ú­Ì¡A¦o¤´¬O¨º­Ó§Þ¥©ºë´ï
virtuosicªºPaloma Herrera¡I¦oªºsolo variation¤£¦ý¦^´_í©w¡A¥B»´§Ö«W¸¨¡F¦oªº¢²¢±­Ófouette
turns¤£¦ý¥[´¡¶i¤Fdoubles¡A¥B¤@ª½¨SÂ÷¶}¹L¥x¤¤¤ß¡I

Angel Corella§ó¤£¥Î»¡¡A¥LªºVirtuosity§Y¨Ï©M¥@¬É¤W¦U¦W¨k»RªÌ¤ñ¸û¤]¬OµL»P½ü¤ñªº¡D¦Ó¥Lªº
Basil¬J¨Ù¥Ö¥B«ÕÀq¡A¥Í°­¦³½ì¡AµÛ¹ê¥O¤H¤j¯º¤£¤w¡D

ABT²³¦h¹ïKitri©MBasil¤¤¡A§Ú¬O¯S§O³ßÅwHerrera©MCorella³o¹ïªº¡D³o¨â¤H¤§¶¡ªº¦³¤@ºØ§O¤H¨S
¦³ªºChemistry¡A¥OÆ[²³¬Ý±o«D±`§ë¤J¡A«D±`¶}¤ß¡D³o¤@±ß¤]¨S¨Ò¥~¡A§Ú§¤¦b¤j¼@°|ùجݥL­Ìªººt
¥X¡A¦³·P¦Û¤v¬O¸m¨­©ó¦è¯Z¤ú¬Y§ø¸¨ùجݼö¾x¦üªº¡D³o¤G¤Hªº§ë¤Jµ{«×¡A¤£¦ý±a°_¾ã­Ó»R¼@ªº®ðª^
¡A³scorp de ballet¤]ºt±o¤À¥~§ë¤J¡A³o¤]´N¬O§Ú¤§©Ò¥H»¡³o¬O¤@³õ·P¤Hªººt¥X¡D¥Ñ¨ä¬O¤j³¡¥÷»R
ªÌ¥u·íBasil©MKitri¬O¬¯§Þ©Êªº¨¤¦â¦Ó©¿²¤¤F¨¤¦âªº¤º²[¡A¥i¬OCorella©MHerrera¨Ã¤£³æ¤î©ó¬¯§Þ
¡A¥L­ÌªººtĶ«D±`¤§¦³¯u¹ê·P¡A¹³·¥¤F¤@¹ï¬¡¼â¦³½ìªº¤p±¡«Q¡A³o¬O§Ú³ÌªY½à¥L­Ìªº¦a¤è¡D

­È±o¤@´£ªº¬O¡A¨º±ß¸õEspada©MMercedesªº¬OMaxim Belotserkovsy©MIrina Dvorovenko¡D³o¤G¤Hªº
ºt¥X¤§Ä£²´µ{«×¡A·m¤F¥D¨¤ªº¤£¤Ö­·ÀY¡A¥O§Ú¹ï¥L­Ì¢°¢¯¤ë¢µ¤éªººt¥X§ó¦³´Á±æ¡D

³o¹ï§¡¬O¥ÑĬ«XªºKiev°V½m¥X¨Óªº¤Ò°ü¡A­è©ó¤µ¦~®Ê¤É¬°­º®u»RªÌ¡D¥L­Ì©ó¢°¢¯¤ë¢µ¤é±ß¾áºõºt¥X
Kitri©MBasil¡A§Ú´±»¡³o¬O¤T³õ­ð¦N¶F¼w¤¤³Ìfine dancingªº¤@³õ¡D§ÚÁöµM¨S¬Ý²Ä¤G³õªººt¥X¡A¦ý
Å¥ªB¤Í»¡Gillian Murphy¦³¨â¦¸ÄY­«¥¢»~¡D§Y¨Ï±Æ°£¤ñ¸ûªº¦]¯À¡ADvorovenkoªºKitri¯Â¥H»R§Þ½×
µ´¹ï¬OµL¤H¯à¼Ä¡D¦oªºextension¬J°ª¥B«ù¤[¡A°Ê§@±j«l¦³¤O¡A¦o¦b²Ä¤G¹õªººt¥X§ó¥i»¡¬O±µªñ§¹¬ü
ªº¡D¡]³o¥i¤@ÂI¤]¤£®e©ö¡A±j¦pPaloma Herrera¦b²Ä¤G¹õ¤¤¥ç²¤Å㻹¦â¡A¥@¬É¤W¯u¯à±N¤T¹õ³£manage
±o±µªñ§¹¬üªº¤j·§¥u¦³Gelsey Kirkland©MCynthia Harvey¡^¥i±¤ªº¬O¦b²Ä¤T¹õ¦oªºSolo variation
¶}©l¤§«e¦oµ¹·Æ¤F¤@¤U¡A®tÂI¾ã­Ó¤H§¤¦b¦aªO¤W¡D·í®É¥þ³õªºÆ[²³³£¤@°_­Ë©â¤F¤@°_²D®ð¡A¶}©l¾á¤ß
¦oªºsolo·|§_¨ü¼vÅT¡Dµ²ªG©O¡A¦oªºsolo¤£¦ý·¥Ã­©w¡A¨ä«áªºfouette turns¦o§óªá¥©¦a®³µÛ®°¤l°ª
Á|¨ìfifth¨ÓÂàdoubles¡I

¹¢ºtBasilªºBelotserkovsky¼Ë¤l­^«T¡A§Þ¥©²Ï¹ê¡D¥LªºBasil°ß¤@ªº°ÝÃD´N¥X©ó¥L¤ÓPrince-like¡A
¥s¥L°µ¦³ÂIµL¿àªºBasil¹ê¦b¨S¤°»ò»¡ªA¤O¡D¥ç¦]¬°DvorovenkoªºKitri¤Ó·m²´¤F¡A¨Ï¤H·P¨ì¨â­Ó¨¤
¦â¤§¶¡ªº¤£¥­¿Å¡D

³o±ß¸õEspada©MMercedesªº¤À§O¬OGisuppe Picone©MCarmen Corella(Angel Corellaªº©f©f¡^¡D
PiconeªºEspada§Þ¥©²Ï¹ê¦ý´N¨SBelotserkovskyªº©Ê·P¡DCarmen CorellaªºMercedes¤]«Ü¦³¦è¯Z¤ú
¨ý¡A¦ý»R¨B´N²ÊÂx¤FÂI¡D¾ãÅé¦Ó¨¥³o±ßªººt¥X¤]«Ü¤£¿ù¡A¦ý®ðª^´N¸û²Ä¤@±ß®t¤FÂI¡Acorp de ballet
¤]¨S¨º»ò§ë¤J¡D

Kevin McKenzie©MSusan Jones¬°ABT©Ò»s§@ªº³o­Óª©¥»¡A¥i»¡¬O¤¶©óBaryshnikovªº©MVasilievªºª©¥»
¤§¶¡¡DBaryshnikovªºª©¥»Â²µuºò´ê¡A¥i¤]¤Óµu¤FÂI¡FVasilievªºª©¥»¥[¶i¤F¤j¶q©PÃä¤Hª«ªº¿W»R©M
Gypsy Dance¡A¥i¤]¹ê¦b¤ä¸`¤Ó¦h¦Ó¥O¤H¹½·Ð¡DMcKenzie©MJonesªº³o­Óª©¥»±Ëµu¨úªø¡A¤@¤è¦è«O¯d¤F
Gypsy dance©MMercedes©MEspadaªº¿W»R¡A¥t¤@¤è­±´î¬Ù¤F¬Y¨Ç¦h¾l¤ä¸`¡A³o¼Ë¬J¤£·|¥OÆ[²³·P¨ì»R¼@
¤ÓÁcº¾¡A¤S¯àµ¹ABT¼î½èÀu«pªºcorp member©M¿W»R­ûªí²{ªº¾÷·|¡D


½Í¹L¤F­ð¦N¶F¼w¡A¦A½Í½Í¢°¢¯¤ë¢¶¤é±ß¤Wªº»R¼@ºëºé¡D

«Ü°ª¿³³o¦¸ABT±a¨Ó­»´äºt¥Xªº»R½X¡A¦³¤£¤Ö¬O­»´äÆ[²³¸û¤Ö¾÷·|¬Ý¨ìªº²{¥N§@«~¡D·í±ßªº¸`¥Øªí¦p¤U¡G
Diversions of Angels, Sleeping Beauty Act 3 Grande pas de deux, Le Corsaire pas de deux,
Meadow©MTheme and variations.  ³o¥]§t¤F¥j¨å¡Bneoclassical©M²{¥N»Rªº»R½X¡A³Ì¯àªíºtABTªº¯S
¦â¡GVariety and Virtuosity.

¶}­ºªº¸`¥Ø¬OMartha Grahamªº¸û¦­´Á§@«~Diversions of Angels¡D©h¤Å½×¸õ±o¦p¦ó¡A¬Ý¤@­Ó¥j¨å»R¹Î
¸õ²{¥N»R©l²×¬O¤@ºØ¦³½ìªº¸gÅç¡D¾ãÅé¦Ó¨¥ABT°µ±oºâ¬O¤£¿ùªº¤F¡A°ß¤@ªº°ÝÃD¥u¬O¨S¤H¦b¥ÎMartha 
Graham technique¸õ¡I

¥t¤@²{¥N§@«~Meadow¡A½s»RªºLubovitch¥Î¤W¤F³\¦h¬yºZ¥B¥Rº¡­µ¼Ö¬üªº¹Ï«¬©M»R¨B¡A¨â¬qÂù¤H»R«h¥R
º¡¤F·¥¨ãÀJ¶ì¬üªº¦«Á|©Msupport¡A¥X¨Óªº®ÄªG¬O«D±`¤§Àu¬ü¡A¾ã­Ó»RÁе¹¤H¤@ºØ¯«¯µ©M­ì©l«H¥õªº·P
ı¡D

¨â¬q¥j¨å¤jÂù¤H»R(Grande pas de deux)¤¤¡AIrina Dvorovenko©MGiuseppe PiconeªººÎ¬ü¤HÁö¤£¿ù«o
¤ñ§Ú¹w´Á¤¤¥¢¦â¡DDvorovenko²¤¤íºtAuroraªº¨ººØ¡u²¢¡v¡A¦ÓPicone«hÁÙ¬O¤Ó§b¤FÂI¡D³Ì¥i±¤ªº¦a¤è¬O
¦b¥Lªº¿W»R®É¼Ö¹Îªººt«µºC¤F¡A¥O¥L¦b§¹¦¨¥Lªºdouble tour en l'air«á±o§bµ¥¤@·|¤~¯à±µ¤U­±ªº°Ê§@¡D

À£¶bÀ¸ÁÙ¨Sºt¡AÆ[²³¤w³ÜªöÅw©I±o¤j¼@°|¤]¬°¤§¾_°Ê¡A¤£¥Î»¡¡A¬O¬°¤FAngel Corella¡I¥L©MJulie Kent
ªºLe Corsaire pas de deux¡A¸ñªñ§¹¬ü¡DJulie Kent³o¦ì³QÅA¬°¥@¬É¤W³Ì¤âªø¸}ªøªº»RªÌ¡A»R¨B°ª¶Q¦Ó
Àu¶®¡A¥[¤W¦oªºlong extension¡A¥O¤H½à¤ß®®¥Ø¡D¤Þ°_¥þ³õÆ[²³ºÆ¨gªºAngel Corella¡A·í±ßªºª¬ºA«D±`
¤§¦n¡A¥L¨ºµÛ¦Wªºsupporting leg on fonduªºpirouette¤ñ¥­®É§ó§Ö§ósharp¡A¥Lªº¸õÅD°ª«×©Mtour en 
l'air³t«×§ó¬O¥O¤HÅå³Y¡D

À£¶bÀ¸Theme and VariationsÁö¨SűoLe Corsaire¨º»ò¦hªº´xÁn¡A¨º«o¬O«Ü¤£¿ùªºªíºt¡D­nª¾¹DBalanchine
³o­Ó§@«~ªºÃø«×¡AµL½×¬O¹ïcorp de ballet©M¨k¤k­º®u»RªÌ¨Ó»¡³£¬O¤@¤j¬D¾Ô¡D§Y¨Ï¦b¶}­ºªº¤@³s¦êTendu
©Mµ²§Àªº¤@³s¦êGrande battement¤]¬O«ÜÃø°µ¨ìBalanchine­n¨Dªºsharp¡B§Ö©M·Ç½T¡D¦b¦¹Gillian Murphy
«K°µ±o«Ü¨ì®a¡A¦Ó¦oªºBalanchine type pas de chat§ó¬O¼F®`¡A¨ººØsharpness¤£¬O¤@¯ë¤H°µ±o¨ìªº¡D
³oºØ°Ê§@ªº·Ç÷«×¥ç¨£©ó¨º¤@³s¦êsoutenu±µdouble pirouette from fifth¡A³o¦ê°Ê§@¥u­n¨ä¤¤¤@­Ó§¹¦¨
±o¤£¦n¡A´N¤£¯à¦n¦nªº§¹¦¨±µµÛ¤U¤@­Ó°Ê§@¡DMurphy ªº°Ê§@²¼ä¦³¤O¦Ó·Ç÷«×°ª¡A¯u¤£·\¬O«eNew York
City Balletªº¡u«D¥¿¦¡¡vPrima Ballerina Melissa Haydenªº°ª®{¡DABTªºcorp de ballet¥H¨ä¨Ó¦Û¤­
´ò¥|®üªº°V½m­I´º¦Ó¯à°µ¨ì³o¼Ë¾ã»ôªº®ÄªG¤]¥O§Úº¡·N¡D°ß¤@¥O§Ú¦³ÂI¥¢±æªº­Ë¬OBelotserkovsky¡A¥H
Balanchine technique¨Ó»¡¡A¥LªºpreparationºC¤F¤@ÂI¡A³o¤]¬O¬°¤°»ò¥L¦Ñ¬OºC¤F¤@ÂIªº­ì¦]¡D¬Ý¥L
¸õ±o¨¯­Wªº¼Ë¤l¡A§Ú·Q¬O¥LÁÙ¥¼¯à²ßºD³B²zBalanchine¡F³oºØ§Ö¦Ójerkyªº°Ê§@¡A§Æ±æ¥L¦b¤£¤[ªºNew 
York City»R©u¤¤¦A¸õ¦¹»R½X®É°µ±o§ó¦n¡D

Á`¬A¦Ó¨¥¡A³o¦¸ABTªºªíºt¬O§Úªñ¦~¨Ó¬Ý¹L³Ì¦nªººt¥X¡D§Æ±æ¦b¤£¤[ªº±N¨Ó·|¦³§ó¦h°ª½è¯Àªº»R¹Î
¨Ó´äºt¥X¡D


¦^«e­¶¥Ø¿ý