A Tribute to Jayaradhe Dasi

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tributes from devotees, and 

some of her selected writings from the internet

 

 

 

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Her painting of Sri Govinda

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I have long desired to write a book of my memories of life in Srila Prabhupada's temples during my first years as a devotee. I will not be able to resist continuing to glorify the devotees I knew beyond those early years, but I especially want to share the earlier days, in hopes of contributing to a greater understanding of Srila Prabhupada's mood, for those who were not there, as well as for the pleasure of those who were. If we hold such stories close to our hearts, and fresh in our minds, we may more easily envision and revive his mood amongst the community of devotees, wherever it may be lacking.

When I joined the movement, book distribution consisted solely of Back to Godhead magazines, and we operated by Srila Prabhupada's words that "Any gentleman can give a quarter" (not much even in those days). We also gave freely when someone couldn't pay. Having no Deities at the small temple where I joined, six days a week we took to the streets with sweets we had offered in the temple, harinam
sankirtan, chanting of the Holy Names of God for the benefit of the public, and these magazines. We also held programs at colleges. We did not use disguises, nor did we use any lines or aggression. The sublime message spoke for itself. We ate simply, the same thing everyday, except on Sundays when we served breathtaking feasts to students, hippies, young yogis, and others. The books we had and read
together everyday were Srila Prabhupada's translations, purports and renderings of Bhagavad-gita As It Is, KRSNA Book, Nectar of Devotion, Teachings of Lord Caitanya, and the first three volumes of Srimad Bhagavatam, which had the plain brown covers and Srila Prabhupada's unedited and charming style of expressing the sublime truths within.
What I wouldn't give to have my first Bhagavatams again.

Before reminiscing about my years in the ashrama, performing bhakti yoga, devotional service, alongside others, I would like to describe my frame of mind and the events that led up to my meeting the devotees. I first visited the temple in Minneapolis, which I joined
some two or three weeks later, in October 1971, along with my train-hopping acid-dropping hitchhiking buddy Jenifer, an English import who was like my twin. We had been living outside in the Santa Cruz mountains in my home state of California, until we woke up October first sopping wet. Rained out. Having nowhere else to go, we took to
the road again, heading for Minneapolis where Jenifer had made some friends the previous year. We were compelled, without knowing why.

Like bees drawn irresistibly to sweet-scented flowers. We would find the grass much greener on the other side than we had ever imagined....

All Things Must Pass

We spent the night before our departure for Minneapolis at a friend's in town, and listened to her new George Harrison LP, All Things Must Pass. Having cloistered ourselves in the forest, this was the first time we heard the already popluar hit "My Sweet Lord", with its chorus of Halleluiah and the Hare Krsna mantra. Contagious? You bet!

We worked our way across America via her highways and our thumbs, chanting Hare Krsna all the way. And the closer we got to Minneapolis, the greater grew our existential angst.

In Santa Cruz, we had fancied ourselves as idealists living life on our terms. Slowly it dawned on us that we were still part of the system, relying on the cars of others as we did. Then there was the occasional airplane overhead; obviously, there was no escaping the spoils of modern society. There was no perfect place on earth.

More disheartening to me was the popular notion among people I knew that "we are all one". Talk about merging after death just did not cut it with me. My best friend besides Jenifer was our charismatic friend Black Butch (we had White Butch, another wit and philosopher), a college drop-out who had been raised in Watts, Los Angeles, who was
popular with many partly because of having a seemingly bottomless pocket of LSD which he handed out freely. But he was also good-natured and philosophical, and entertained many with his Life According to Butch-isms. Once, while laughing self-effacingly, he admitted, "False ego is so fun I almost hate the idea of giving it up." This said it all, for me. This is the only thing he ever said which I remember to this day. I sat there on the ground thinking how true it was, and how utterly depressing was the idea of us all merging together, without separate identities. My whole being rebelled against this idea. Instinctively, it just felt wrong, and caused a rapid decline in any happiness I tried so hard to fool myself into thinking I had. It got worse when, a little while later,
everyone joined hands and chanted OM. It felt shallow, pretentious, and I left the group and walked back to the river bank that was Jen's and my home.

Jenifer and I had moved, from the smattering of cabins up the dirt road, down to the stream, in order to remove ourselves from the crowd. We bathed in the cold water every morning and lay out on a log to dry off. We had plenty of time to think. Our friends would come down to visit, but most of the time we were alone. And the more we
thought, the more depressed we became. Jenifer believed in God. But I had experimented with atheism ever since John Lennon said there was no God, and I was still in that frame of mind. We had lived magically in our travels, yet still I clung to this notion of there being no God. No wonder I despaired! Many narrow escapes colored our adventures, which gradually nudged me toward feeling that Someone was
watching over us. Besides foiling flashers and would-be rapists, one event stands out strongly.

For a few weeks we slept on a bank of sand, under a tree. One night we decided to sleep in the hollow of a redwood tree, for the novelty. In the middle of the night we awoke to a crash that rocked the ground and left us quivering in shock, so loud and startling was it. We could not imagine what it was. Somehow we returned to sleep. In the
morning, we crawled out of our sleeping bags and peered out of the hollow. The tree we had been sleeping under, up until the night before, had crashed to the ground--landing across the exact spot where we always lay. At that moment I gave God a serious re-consideration.

I mentioned despair, in connection with the idea of eternal oneness. If this was true then nothing made sense, not morally or in any other way. Life was meaningless. I could not accept this. My despair was deep. I did not know if I would ever find out the meaning of existence. I was unable to express this in words; it was just too deep and personal to me. One day I found Jenifer sitting under a tree
sobbing her eyes out. When I asked her what was wrong, she expressed the same angst!–that it was unacceptable to her that after this lifetime we would lose our identities in some big mass merging. Separately, we had each reached the crisis state of having nothing real to hold on to.

Then the rains came, as I said, and then hearing the Hare Krsna mantra in George's My Sweet Lord, and onward to Minneapolis....

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This also reminds me of art (carrying on your theme of discussion). Usually the painting (for me) starts with big splotches of color everywhere, using a large brush to roughly cover the entire canvas
with approximations of each area's basic colours. Laying the groundwork. Like setting the tone of a novel. Then you go in and start putting in recognizable forms, still using a somewhat large brush. Just like when you introduce your characters; you don't reveal everything about them at once, but do this gradually. Just like when you first meet someone, you can't possibly know much about them,
their personality or way of thinking, and most people are not going to start giving out intimate details about themselves. You get to know them gradually. This is the stage in painting when I feel like a kindergartner with fat crayons, and I ask myself who am I trying to kid, and I realize I do not really know what I am doing and that I am
not really a painter. Then you push through that and take up a smaller brush, and so it goes, until the whole picture takes shape. (This experience may be vastly different from that of, say, an actual trained experienced painter though.)

As for creativity, I also am not attached to whatever way it takes shape or gets expressed. I have been writing stories and drawing pictures since I was really young, and gave up sleep every night for years and years so I could have more time for it (under the covers, with a flashlight). I don't believe we are ever actually "blocked"; I think we are constantly writing novels or poems or making art in some way, inside us, just in the course of living. Just most of it doesn't get expressed in actual words or images, but it's going on all the
time. When I couldn't keep my characters under control, due to so many inner changes, I put down the pen and took up the paintbrush for a couple of years. Everyone is always expressing, in some way or other. Due to my current health situation I have been unable to paint for the better part of a year now, but this has allowed me to return
to writing, and dig out my novel too. It's all fun, and it's all enlightening (for me), and hopefully some of that enlightenment will come through to others, through these expressions.

My intention is to write as an ordinary devotee. Not some bigwig,someone with great position, nor even somene who got much association with Srila Prabhupada. I think each and every devotee has wonderful
and valuable experiences to share. I think of this as a substitute for sitting around the campfire in a rocking chair telling stories about the old days. We gotta pass it on, keep it alive. So much can be lost (at least from memory) if we don't repeat it now.

*

I was remembering that while the devotee at the San Jose temple was telling me those stories, I kept looking beyond his shoulder at a big poster of Murali Manohar, Krishna playing flute by moonlight by the river, with cows in the background. This was my first look at Krishna. His face and smile struck me as marvelously, awesomely, familiar. (I did a painting of it last year, after carrying a small old tattered print of it for a couple of decades, and wanting Him on my wall. It can be seen on my art website, currently in suspended animation, at http://oocities.com/worldfamilyart/worldfamilyart.html ) So there
were other sublime-in-all things going on at that first feast. I remember on the way home one of my friends claiming the chanting was no different from chanting coca cola (sound familiar?) and my other friend and I arguing adamantly against this. We just knew there was something in the chanting, which they had painted clearly on the arch of the room over the altar so everyone could chant.

When I visited the temple I was to join, in Minneapolis, as I said, I read Krsna Book every chance I got, which was after lunch (I went every day at their invitation, for this intimate five-person prasadam meal). The following Sunday a guest bought me a Bhagavad-gita, the small purple one, with forewords by Ginsberg, etc. The clincher, the verse which made me join the day after reading it, was the one in which Krishna is described as being One without a second, smaller than the smallest, etc. It totally grabbed me. Like you, Vaisnava, I was so awed by the substantiality of the information, too, and my favorite thing to enthuse about on sankirtan was about the bodies composed of gross and subtle elements, all the way up to the spiritual substance, sac-cid-ananda, eternity, knowledge and bliss. We used to dispense this nectar along with simply wonderfuls, which I tried real hard not to eat when the others weren't looking. It was one of the biggest sacrifices. But then we moved into a large temple, Detroit, with Deities, and I quickly learned how to beg, borrow and steal mahaprasadam, by Krsna's grace. The temple commander once called me a rascal but it was all pastimes, and his dimple gave him away.

I was a bit shy by nature and sankirtan was hard, but I remember thinking that I was prepared to do nothing but that the rest of my life, if that was wanted of me, even at the exclusion of art and writing (not knowing, in such a small temple, that there were myriads of ways to serve Krsna). And hard as it was, it truly was the ultimate in ecstacy. And I thought all the others were pure devotees. And I kind of thought I was too, in an innocent sense, like I was so enthused and fixed in being every moment there, not wasting any moment. Taking everything Prabhupada said so to heart and acting on it. they surprised me at the big temple by laughing (affectionately) at how unaware I was of gossip, or who was getting married, etc.; they said I was always talking about Krsna's pastimes. One devotee, Manohara (bless her heart forever!!!) used to wake me in the morning sitting crosslegged on the floor by my head reading Krsna Book or telling me stories. Am I digressing? I guess! Does anyone mind? Anyway the point is that, well the thing I liked best in your latest post is the part about how encouraged we were to just be ourselves, our young devotee enthusiastic selves, and preach from that center.this especially is beautiful, where you said:

"When you approached others with your BTGs and I have done so also, it was done out of pure love. That taste / exchange of love -- I give you knowledge about Krishna, and you can become IMMEDIATELY relieved of all of the pain and heartache because of your lost position within this material world. Here take a magazine, take a book, come to the temple, take this prasada, yes, that's Krishna prasadam, food cooked for the Lord's satisfaction. You become purified by eating... that's how we used to relate to others, simply on the spiritual platform. We thought we were giving spiritual knowledge and we were also seeing others on the spiritual platform, and they where feeling relief from the ignorance of material life."

and then the part about how these days this simple way is simply analyzed to death, and I agree WHOLEHEARTEDLY that picking it apart, and saying no one but the pure devotee acarya is qualified to preach, is the most detrimental thing I have seen going on, and it threatens our lives, the life of Prabhupada's movement (not talking the institutional walls here, but the heart and soul of the movement). I want to tell the proponents of this idea to go fly a kite. And watch how it drifts in the wind, or takes off high with a jolt, and contemplate the movements behind this phenomenom, and then ponder the Controller of this phenomenom, and then tell me if he/she/they have nothing worthwhile to say. WE ALL HAVE SOMETHING TO GIVE. I pray that those who enforce the opposite idea will come to their senses quickly and be of real and practical inspiration to all of us!!!

Oh, you mentioned being in awe of book distributors like myself. No I was not a book distributor. I was just a devotee in a sari with an armful of BTG's. That was the service I knew. I also was in awe of book distributors. But when they changed tactics and made us put on regular street clothing and give lines, I had to quit, and what a loss! then they could only get me out on harinama with BTG distribution. (Serving the Deities, though, and cooking and sewing for Them, was also sublime beyond words, and demonstrated to me the equality of different kinds of service.)(I did do an occassional day on a marathon, though, and pulled down my Santa beard to talk to the people). Again I be ramblin' so I'll amble away for now, but I thank you wholeheartedly for bringing such wonderful recollections to my attention! your servant, Jayaradhe


Her Nrsimhadeva Deity

More Tributes-

from Madhavi dasi-

I write this with heavy heart, and have had to wait until now to be able to do it, because my grief is quite sharp. But I would like to please the assembled vaisnavas with a little bit of what I personally
know about Jayaradhe.

When Jayaradhe reached young adulthood, she took to the anti-materialist 'hippie' movement like a swan to water. She wandered far and wide on foot, picking up rides, even hopping freights, with one or two good friends, searching for the Absolute Truth and freedom of the soul. She cast material pursuit so far to the wind that she would get hungry enough to eat free 'tomato soup', which was a glass
of water(back in the days when restaurants brought everybody water)with ketchup squirted into it!

Of course, through her wanderings she found Krsna, and again, took to it like a swan to water. She always said that one of the important quotes for here was 'no hard and fast rules', as she was a free-and-open-hearted spirit with no inclination to press onto others her own views. She was also a free-and-open-minded spirit, and would prefer
to err on the side of pragmatism, to allow all living entities a place in Srila Prabhupada's 'house for the world to live in'. This is not to say, however, that she would compromise herself, and throughout her long years she remained steadfast in her devotion to Srila Prabhupada and Krsna.

Being an extremely talented artist, prolifically creative, one of her favorite engagements was to create beautiful things for Krsna and His devotees. She did many devotional arts which belong in a gallery, some of which are posted on her website which I will post the url to, if it is still running. When dealing with children she liked to
create games and books with Krsna at the center. She also liked herself to join in with games about Krsna, like guessing games based on of Krsna book for instance.

Love and relationships were very important to Jayaradhe, and indeed, she exhibited compassion love and kindness to others to a great extent, bringing me to think of Srila Prabhupada's statement, 'one who loves Krsna loves all living entities'.

Well, I knew this would be hard, and it is harder than I thought, so I shall simply end here saying that death can come to any of us at any moment, and so we really should end the bickering over silly little philosophical differences and get back to the bigger picture
lest that we don't waste our time and chances to serve Srila Prabhupada whilst we are still here, for our remaining possible 4yrs as Mahatma would say.

ys,
Madhavi-devi dasi

ALL GLORIES TO OUR BELOVED GODSISTER, JAYARADHE DEVI DASI, BELOVED
SPRITUAL DAUGHTER OF HIS DIVINE GRACE A. C. BHAKTIVEDANTA SWAMI
PRABHUPADA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!


 Please send any correspondence you've had with Jayaradhe, or more tributes to email below.

 Jai Jayaradhe dasi! 

 

 

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email- vishoka@jayananda.net