Iveys and Badfinger Singles

Maybe Tomorrow/And Her Daddy's a Millionaire - Iveys, 1968, Apple Maybe Tomorrow Maybe Tomorrow - Iveys
The Iveys' powerfully emotional ballad featured Tom Evans' dramatic vocal. It reached number 67 in the US in 1969, and was a big hit in Germany. The B-side was not on any album.
Storm in a Teacup - Walls Ice Cream EP, 1969, Apple Storm in a Teacup Storm in a Teacup - Iveys
This 4-song 45 was given away at Wall's Ice Cream Parlors in England in 1969 to promote Apple Records. Storm in a Teacup is a Tom Evans screamer. Not issued on an album.
Dear Angie/No Escaping Your Love, 1969, Apple Dear Angie Dear Angie - Iveys
Ron Griffiths' sole turn in the singles spotlight shortly before marriage forced him from the group. It's a nice ballad. Issued only in Europe; the B-side was not on any album.
 		Come and Get It/Rock of All Ages, 1969, Apple Come and Get It Come and Get It
Badfinger's breakthrough single was Written by Paul McCartney for the Peter Sellers film, "The Magic Christian". A worldwide smash in 1970. Their last record with Ron Griffith's.
No Matter What/Better Days, 1970, Apple No Matter What No Matter What
Pete Ham's exuberant rocker was an instant classic in 1970. Joey Molland gives them a harder edge. The B-Side, "Better Days" is a different version than on the "No Dice" album.
 		Day After Day/Sweet Tuesday Morning, 1972, Apple Day After Day Day After Day
Easily Badfinger's greatest single. George Harrison produced this powerful Pete Ham ballad and played slide guitar. Leon Russell joined in on piano. A perfect song.
Baby Blue/Flying, 1972, Apple Baby Blue Baby Blue
Pete wrote this for a girl he met in the US and then neglected. Later, he vowed to never use anyone's name in a song again. European copies have a different version than on the album
 		Apple of my Eye/Blind Owl, 1973, Apple Apple of my Eye Apple of my Eye
This bittersweet love song is really Pete Ham's goodbye to Apple Records. He wrote it after the group decided to sign with Warner Brothers. It unfortunately failed to chart.
I Miss You, 1974, Warner Bros. I Miss You I Miss You
This sweet Pete Ham ballad is from their first Warner Brothers album. Poor marketing killed its potential. This radio staion copy has the same song on both sides. I've never seen a store copy.
 		Love is Easy/My Heart Goes Out, 1974, Warner Bros. Love is Easy Love is Easy
Joey Molland's first turn on the A-Side of a single. This rocker was never issued on a single in the US, but was popular in England.
Know One Knows/You're So Fine, 1974, Warner Bros. Know One Knows Know One Knows
This is a great Pete Ham rocker, full of joy. It was issued on 45 only in Japan because it featured a popular Japanese model singing backup.
 		Lost Inside Your Love/Come Down Hard, 1979, Elektra Lost Inside Your Love Lost Inside Your Love
Four years after Pete Ham's death, Tom and Joey reteam for an album on Elektra. Tom Evans' romantic ballad is their first single in the US in six years.
Love is Gonna Come at Last/Sail Away, 1979, Elektra Love is Gonna Come at Last Love is Gonna Come at Last
Joey hits the charts with this upbeat ballad. It's a great single and fits right in with their earlier work.
Hold On/Passin' Time, 1981, Radio Hold On Hold On
After moving to Radio Records, Joey and Tom release a final album. Tom's enthusiastic song is their last entry on the US charts; it reached number 56.
I Got You/Rock 'n' Roll Contract, 1981, Radio I Got You I Got You
Joey wrote this straight out guitar tune in his familair style. The B-side was a 6-year old song Tom had written about their crooked manager.
 		Because I Love You, 1981, Radio Because I Love You Because I Love You
Badfinger's final single was a Joey Molland rocker. This is a radio staion copy with the same song on both sides (one side - stereo, the other - mono). I've never seen a store copy.
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