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Tirra Lirra by the River - Jessica Anderson
A Brief Index of Important Passages
Topics |
Page Number
(blue covered edition) |
Colin Porteous |
25, Meeting 33-34, 'Prince
Charming 35, Narrow minded pettiness 39, 44, brings home Pearl 61, no hard feelings 73,
'we wasted each other' 73, |
Colours |
blue and gold 15, grey coat 85,
encroaching 'greyness' 104, |
Dorothy Rainbow (nee Irey) |
13,14, 28, 58, 63, 103, linked
with Nora 112, and an axe 125, how many selves do we have? 126, |
Flowers, Sewing, Poetry |
Sewing 13, 15, 21, Reading 41,
the enchantment of another kind of life 38, Reading 41, Women in Love 44, 'beauty of the
color' 64, |
Friendships |
Lewie 39, |
Identity |
names - 1, 2, Hiding truth 40,
who sheis 43, truth 51, playing a role 79, 80, 'who I am' 87, many selves 126, 127, a
secret life 128, |
Lady of Shallot |
maiden 7, miniature landscape
8, Camelot 9, poem quoted 9, 'beauty' 13, 16, |
Memory |
10, globe of memory 25 (like a
moon!), piano scales 49, the piano memory explained 92-95, memories blurred 111, the globe
of memory in free spin' 140, father's funeral 141 |
Mirrors |
2, 99, facelift 107, |
Moon |
17, 25, 30, 31, don't 'cry for
the moon' 54, |
Number 6 |
10, 114, 139 |
River |
9, 'want to be simple
like
water' 83, along the canal 84, 137, 'nowadays the river is accessible only in a few
places' 138, 140 |
Sexuality |
'bodice scene' -10-11, Camphor
Laurels 13, ''sexual difficulties' 37, 'Frigid' 41-43, 'handle a man' 53, 'humiliated
beyond endurance' 59, the abortion car 67, pregnant 73, real life, not fiction 77,
abortion 79, sexually and/or physically ignorant 81, habits of 'stiffness and reticent'
82, the piano incident 95, |
Submissiveness /Rebellion |
passivity 2, withdrawal 5,
'oppressed' 11, safe and detached 32, 51, 52, the skin of the fox 55, stealing money 57,
pride 58, no sense of humour 61, acts as she's expected to act 70, doesn't want to admit
impediments 87, ugly still? 89, spares nothing but her own pride 96, suicide 108, needing
a sanctuary 119, passivity 121, oppression 121, patience 131, |
Suburban Ugliness |
11, 36, tennis day 58, 65,
captivity 66, coping 133, |
Time and Memory |
3, 21, 25*, 98, her father 101,
no memory of father 103, |
Tirra Lirra (poem) |
9, 16 |
Una Porteous |
44, 50, 'a woman of no
consequence?' 136, |
Walking |
9, 11, 137 |
Explain Nora's image of the past as a globe (illustrate it in your workbook) What is the
difference between the image of memory as 'beads' and Nora's globe imagery?
Nora has learnt the 'defensive uses of flattery' (51) How is she different with the
reincarnation of Nora than she was with the original?
Make notes about Anderson's use of the following symbols; Moon, walking, rivers.
A woman of little consequence she calls herself disparagingly at one stage- do you
agree?
Is this a happy or a sad book - is this question too easy for Year 12 Literature? Or too
hard?
How does the 'Lady of Shallot' poem equate with Nora's life? Make as many connections as
you can.
This is a book about women and their relationships; the men in the novel are at their
best incidental, at their worst, a large part of the problem. Discuss.
What are Nora's best qualities in your opinion?
What do you think has hindered Nora in her life?
Why is Number 6 such a sanctuary for Nora do you think?
How are Nora and Dorothy Rainbow alike? What do you make of the Dorothy tragedy? Could
it have happened to Nora?
Nora continually describes herself as 'oppressed'. Do you agree? What oppresses her? How
does she escape such oppression? (Link your answer to Nora's walking if you can)
This novel can be read as a critique of suburban Australia in the 1940s and the
repressive way women were treated. Can it be read this way? Look at other women in the
novel and how they are treated, and how they respond.
Describe Nora's relationship with Colin; what kind of marriage is this?
Makes notes about the following key memories and how/if? they are reconciled; the boys
under the camphor laurel trees, her marriage to Colin, the piano playing boy, her father's
funeral.
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