TWELFTH NIGHT; OR, WHAT YOU WILL

by William Shakespeare

mangled for the sake of fanfic by Waywren Truesong

 

Twelfth Night is my favorite of Will Shakespeare's plays, and while he no longer collects royalties -

assuming he ever did collect royalties - it is still most emphatically not mine.

 

Harry Potter and all associated characters are J.K. Rowling's, may her font of inspiration never

run dry. Harry Potter is also not mine, and it's a good thing too, as I'd never have gotten up the

gumption to publish, and that would be a sin and a shame. However, I wouldn't say no to private

dibs on Harry and Ginny. Pretty people! *.* n.~

 

I originally meant to take Jelsemium's idea in Harry Situation re: Romeo and Juliet, and I even had

the introduction all written out:

 

Two Houses, both alike in dignity,

In fair Hogwarts where we lay our scene,

From ancient grudge break to new mutiny,

Where students' blood makes students' hands unclean.

From forth the fatal loins of these two foes

A pair of star-cross'd lovers take their life;

Whole misadventured piteous overthrows

Do with their death bury their mentors' strife.

The fearful passage of their death-mark'd love,

And the continuance of their siblings' rage,

Which, but their fellows' end, naught could remove,

Is now the two hours' traffic of our stage;

The which if you with patient ears attend,

What here shall miss, our toil shall strive to mend.

 

 

But then I read the Hogwarts version of A Midsummer Night's Dream (isn't it ever going

to get updated? ;_;) and started thinking 'Maybe I should take this seriously.'

 

But I didn't quite want to do R&J. I mean, it's awfully sad, and I wouldn't want to use the

current generation for it; by Jel's outlay it would've required all new characters, and that's

an awful lot of work.

 

But I still wanted to do a Shakespeare play.

 

And someone was already doing Midsummer.

 

Fortunately, I thought of my -other- favorite.

 

And that's how we got to today. ^^

 

I've used the Project Gutenberg edition of 'Night; the Bard's original text looks like this,

stage directions are in italics, and my own additions look just like what you're reading right now.

 

I hope you have as much fun reading this as I had fun writing it.

 

Ja ne!

 

~Wren Truesong

 

A note on the fourth wall: the characters are aware they're in a play - mostly - but they

have a fascinating method of storytelling. I'm not sure I can explain it, but it seems to

flow best in this OOC/IC fashion. Sorry. ~W.

 

 

***

 

 

DRAMATIS PERSONAE

 

ORSINO, Duke of Illyria.....................................Harry Potter

SEBASTIAN, brother of Viola.................................Ronald Weasley

ANTONIO, a sea captain, friend of Sebastian.................

A SEA CAPTAIN, friend of Viola..............................Colin Creevey(?)

VALENTINE, gentleman attending on the Duke..................Draco Malfoy(?)

CURIO, gentleman attending on the Duke......................

SIR TOBY BELCH, uncle of Olivia.............................Sirius Black

SIR ANDREW AGUECHEEK........................................Gilderoy Lockhart

MALVOLIO, steward to Olivia.................................Severus Snape(!)

FABIAN, servant to Olivia...................................

FESTE, a clown, servant to Olivia...........................Remus Lupin

 

OLIVIA, a rich countess.....................................Hermione Granger

VIOLA, sister of Sebastian..................................Virginia Weasley

MARIA, Olivia's waiting woman...............................Lily Evans

 

Lords, Priests, Sailors, Officers, Musicians, and Attendants

Played by Random Ravenclaws, Hufflepuffs, Slytherins and Gryffindors

 

 

 

***

 

SCENE:

The sea-coast of Illyria; and a very comfortable room in Potter Manor (tho it's more like a castle)

 

 

 

ACT I, SCENE I. The sea-coast.

A very nice island of unidentifiable climate and setting; pick and choose as you like.

Myself, I think 'Illyria' suggests someplace tropical, but for some reason my mental

image is somewhere on the coast of Scotland. Oh well, less travel, better costume

budget; I guess this is the BBC production.

 

Enter GINNY, wearing a nice set of robes that appear to have seen far better days

than being soaked in the sea and torn about in a storm, a Captain who seems to be

an older Colin Creevey (ooh, he grew up nice) and Random Sailors.

 

Ginny, pale and clearly holding off tears by dint of shock and sheer will:

"What is this place?"

 

Sailor: "This is Illyria, lady."

 

Ginny blinks at the sailor, briefly distracted.

"Since when was a Weasley a lady?"

 

Sailor hmphs, "Since Mordred had a son."

 

Ginny blinkblinks at him, and sighs:

"And what should I do in Illyria?

My brother is in Elysium..."

*looks hopeful*

"Perchance he is not drown'd:

What think you, sailors?"

 

Captain reminds her gently:

"It is perchance that you yourself were saved."

 

Ginny hugs herself, but stands straight:

"O my poor brother! and so perchance may he be."

It's clear that anyone who dares pooh-pooh her hopes is going to get a Bat-Bogey

Hex up the nose.

 

Captain, showing a remarkable sense of self-preservation:

"True, madam: and, to comfort you with chance,

Assure yourself, after our ship did split,

When you and those poor number saved with you

Hung on our driving boat, I saw your brother,

Most provident in peril, bind himself,

Courage and hope both teaching him the practise,

To a strong mast that lived upon the sea;

Where, like Arion on the dolphin's back,

I saw him hold acquaintance with the waves

So long as I could see."

 

Ginny smiles just a little. (Sailors relax just a bit.)

"For saying so, there's gold.

Only, I haven't got any, so you'll have to take my heartfelt thanks instead.

Mine own escape unfoldeth to my hope,

Whereto thy speech serves for authority,

The like of him.

Know'st thou this country?"

 

Captain politely ignores the mention of cash:

"Ay madam, well, for I was bred and born

Not three hours' travel from this place."

 

Ginny: "Who governs here?"

 

Captain, looking proud:

"A noble duke, in nature as in name,

and in the sky on broomstick of much skill."

 

Ginny: "Nice to know they play Quidditch here.

What is the name?"

 

Captain: "Harry Potter."

 

Ginny looks surprised and pleased, or at least less pale.

"Harry Potter! The very same?

I have heard my father name him.

(And the history books, and the Daily Prophet, and every wizard under the sun.)

He was a bachelor then."

 

Captain nods:

"And so is now, or was so very late;

For but a month ago I went from hence,

And then 'twas fresh in murmur,--as, you know,

What great ones do the less will prattle of,--"

 

Ginny flushes and mutters something about bugs.

 

Captain: "--That he did seek the love of fair Hermione."

 

Ginny blinks. "What's she?"

 

Captain: "A virtuous maid, the daughter of a count -"

 

Ginny: "I thought her family was dentists?"

 

Captain: "Their heraldry is teeth.

- That died some twelvemonth since, then leaving her

In the protection of his son, her brother,

Who shortly also died: for whose dear love,

They say, she hath abjured the company

And sight of men."

 

Ginny: "O that I served that lady

And might not be delivered to the world,

Till I had made mine own occasion mellow,

What my estate is!"

 

Captain: "Say what?"

 

Ginny translates: "I'm envious. A little peace and some busy work would be nice."

 

Sailors, unison: "O~oooh."

 

Captain looks dubious. "That were hard to compass;

Because she will admit no kind of suit,

No, not the duke's."

 

Ginny: "You what?"

 

Captain translates in turn: "She's in such a bad mood from Harry's pestering she won't

talk to anybody, not even a new handmaid."

 

Ginny: "Oh."

*Thinks for a time* "I have an idea."

 

Captain looks attentive.

 

Ginny espouses on her idea:

"There is a fair behavior in thee, captain;
And though that nature with a beauteous wall
Doth oft close in pollution, yet of thee
I will believe thou hast a mind that suits
With this thy fair and outward character.
I prithee, and I'll pay thee bounteously,
Aside:

"Not that I can actually pay you a single Knut until I get some sort of salary, but let's ignore

that, hmm?" *sweatdrops, but presses on:*

"Conceal me what I am, and be my aid
For such disguise as haply shall become
The form of my intent. I'll serve this duke:
Thou shall present me as an eunuch to him:
It may be worth thy pains; for I can sing
And speak to him in many sorts of music
That will allow me very worth his service.
What else may hap to time I will commit;
Only shape thou thy silence to my wit."

 

Captain blinks at her, then bows.

"Be you his eunuch, and your mute I'll be:
When my tongue blabs, then let mine eyes not see."

 

Ginny looks a bit uncomfortable:

"Well, I mean, you don't have to curse yourself blind or anything. Just don't tell anyone.

At any rate, I thank thee: lead me on."

 

Exeunt

***

 

SCENE II.

HARRY'S Manor (only it's more of a castle, really), the Music Room

A largish room with high ceilings, excellent acoustics, and good lighting, comfortably

and tastefully furnished. A reclining couch is at one wall, surrounded at both hands

by comfortable but lesser chairs; it faces the piano, which has pride of place among

the instruments scattered about here.

Enter HARRY, Duke of Illyria, upon a broomstick(!); he is clad darkly but casually in

tight black jeans and a black turtleneck. His seat on the Firebolt is lazy, his left leg

crossed before him on the stick. He is reading a book with both hands and does not

seem to care that he might need to steer; his balance is perfect and he never runs into

anything. CURIO and other LORDS (most of whom seem to be Gryffindors) trail

behind him, all dressed far, far more formally.

 

Harry alights just before the couch, stows the Firebolt carefully underneath it, stuffs

the book into his back pocket, and reclines, one leg hanging off the side. He sighs

a little, glancing around at all the fawning attendants, and looks tired and fretful.

 

Harry: "Why are you all following me? I said I wanted a bit of quiet music. I've got a

dreadful headache." He throws an arm over his eyes. "Anyway, it's not like any of you

can sing."

 

Lord: "Well, actually -"

 

Harry silences him with a Look.

"The Hogwarts song does not count, and if you sing it I will transfigure you into a treble

without benefit of magic."

 

Lord pales. "Yes, my lord."

 

Harry: "And don't call me that." Sighs and removes his glasses, pinching the bridge of

his nose. "Wasn't there something about a new page this morning?"

 

Curio: "Yes, lord -" Harry gives him an unfocused but nonetheless deterring look. "Er,

Master Harry." Harry looks pained, but doesn't argue. This is clearly a long-standing

argument upon which Curio is not going to bend, and he's been around far too long

to sack. "He did quite well, for a beginner, and awaits your final interview."

 

Harry, polishing his spectacles with a handkerchief: "Can he sing?"

 

Curio: "He has an excellent soprano, and some skill with piano, viol and lute."

 

Harry: "No saxophone?"

 

Curio: "That and guitar as well. But it didn't seem period to mention it."

 

Harry gestures eloquently at his jeans. Curio nods.

 

Harry replaces his spectacles.

"Someone go and fetch him. We might as well have that interview."

 

Curio turns to someone in the crowd and whispers. A random person hurries out.

 

Harry: "One question, Curio."

 

Curio looks attentive.

 

Harry: "What's his name?"

 

Enter GINNY, looking very different from how we last saw her. Her breasts are,

of course, bound; she is clad in trim black livery with silver buttons and tracing

(the jacket rather resembles Wakaba's Student Council uniform) and low-heeled

short boots; her hair has not been cut, but rather queued back in a horsetail,

bound at the end with a length of black velvet ribbon. She is, quite frankly, arresting,

in an androgynous sort of way.

 

Ginny presents herself before the couch and bows.

"Ronald, my lord. Ronald Caesario Weasley."

 

Harry sits up straight, looking 'him' up and down. His eyes linger briefly on 'his'

legs before returning to 'his' face. "You are not a Ron."

 

Ginny doesn't bat an eyelash. "Is there someone I should be instead, my lord?"

 

Harry: "Yourself perhaps."

 

Ginny: "But I am, my lord; myself and no other."

 

Harry: "But 'Ronald' is not your name."

 

Ginny: "It was given to me, and there is no other to claim it; therefore it is mine."

 

Harry gives 'him' a searching look. CURIO, meanwhile, makes a few urgent gestures;

the LORDS begin to melt out of the room. Neither Harry nor Ginny notice.

 

Ginny: "Perhaps you would prefer the name Caesario? It is a name of mine own choosing,

and whatever that it is, I am."

 

Harry: "...Very well, Mister Weasley. Be Caesario."

 

Ginny: "As you will, my lord."

 

Harry: "I thought that was the name of the play?"

 

Ginny: "All the better reason to use it."

 

Harry: "...If you say so."

 

Ginny: "My thanks, my lord."

 

Harry: "Don't call me that."

 

Ginny: "Why, then, what shall I call you?"

 

Harry looks a bit taken aback. 'Mister Potter' seems a bit too formal, 'My lord Duke'

is worse than 'my lord', and 'Master Harry' is right out. Must think, must think...!

"Let us see if your service is acceptable before we discuss it," he tries. Isn't he supposed

to be the one in control of this situation?

 

Ginny raises an eyebrow, but he is the Duke, and she's supposed to be trying to take

service with him, not flirting. "What you will, my lord. What do you wish of me?"

 

Harry: "I was told that you could sing."

 

Ginny: "A little."

 

Harry gestures to the piano. "Can you play that?"

 

Ginny considers the piano, and nods.

 

Harry: "Do it, then."

 

Ginny seats herself and begins to warm up a bit. Her hands are long and strong

and deft, quite elegantly shaped; Harry finds himself staring at them.

 

Ginny, suddenly: "What will you have, my lord?"

 

Harry startles. He spoke! How could he have forgotten Caesario was in the room

when Harry had been staring at him? Besides, he was a boy.

"Have?"

 

Ginny: "You asked that I should play. What manner of song?"

 

Harry: "Oh! Er. A love song?" His mood abruptly sours at the mention of love.

"Yes, a love song."

 

Ginny blinks at his sudden vehemence, but complies. (A/N: I really need to pick a song

here. Fleetwood Mac springs to mind; maybe Paper Doll. It would suit his apparent mood.)

 

Harry broods as she sings, to the point of doing a very good Viktor Krum imitation.

The song ends, and Ginny looks to him for further instruction, but he appears to

be in his own world, and abruptly bursts out:

"If music be the food of love, play on,

Give me excess of it, that, surfeiting,

The appetite may sicken and so die.

That strain again! It had a dying fall;

O, it came o'er my ear like the sweet sound

That breathes upon a bank of violets,

Stealing and giving odour!"

 

Ginny blinks again, stunned. Is this an instruction? She reaches for the keys, but

Harry flings out a hand.

 

Harry:

"Enough, no more;

'Tis not so sweet now as it was before.

O spirit of love, how quick and fresh art thou!

That, notwithstanding thy capacity

Receiveth as the sea, nought enters there,

Of what validity and pitch soe'er,

But falls into abatement and low price

Even in a minute. So full of shapes is fancy,

That it alone is high fantastical."

 

Ginny listens quietly, feeling curiously as if she has intruded, tho he and she are alone in the room.

Enter CURIO.

 

Curio: "Will you go hunt, my lord?"

 

Harry, sourly: "What, Curio?"

 

Curio: "The hart."

 

Harry smirks bitterly.

"Why, so I do, the noblest that I have.

O, when mine eyes did see Hermione first,

Methought she purg'd the air of pestilence!"

 

Ginny murmurs, "I thought you said you hoped that whatever House you were in,

she wasn't in it."

 

Harry waves a hand. "Don't stop me, I'm on a roll. And that was Ron, anyway.

That instant was I turn'd into a hart,

And my desires, like fell and cruel hounds,

E'er since pursue me."

 

Enter DRACO, looking downright miffed but nonetheless quite pretty in the uniform

Ginny's wearing. It would appear to be house livery.

 

Harry raises his eyebrows, looking eager despite himself:

"How now! what news from her?"

 

Draco, who is if nothing else a showman:

"So please my lord, I might not be admitted,

But from her handmaid do return this answer:

The element itself, till seven years' heat,

Shall not behold her face at ample view;

But like a cloistress she will veiled walk,

And water once a day her chamber round

With eye-offending brine; all this to season

A brother's dead love, which she would keep fresh

And lasting in her sad remembrance."

Draco smirks.

"In other words, 'my lord', the Mudblood would rather pine in a cloister over a fictional

brother than be seen with you."

 

Harry smirks back, wandlessly summons the bit of parchment from Draco's hand,

and settles back into the couch with it. "Curio?"

 

Curio: "My lord?"

 

Harry doesn't lift his eyes from the parchment. "Take the caitiff and have him flogged

for impertinence, will you?"

 

Draco: "WHAT!?"

 

Curio: "Instantly, my lord." He gestures, and two servants (CRABBE and GOYLE)

take Draco by the elbows and drag him away, kicking and screaming about

blood traitors and bad acting and his father having people's heads for this.

 

Harry smirks a little wider. "Methinks poor Ferret forgot this was Shakespeare."

 

Ginny wonders aloud,

"Didn't you say something about not being period?"

 

Harry smiles a sweet, wicked smile. Ginny looks for a moment as if she's about to

faint with delight. "It's Shakespeare. Anachronism is practically a tradition."

 

Ginny bows a little to this, and turns some of her attention to the piano, one hand

picking out a sweet, gentle tune.

 

Harry returns his attention to the message, considers it, and sighs resignedly,

but smiles in a bittersweet fashion.

"O, she that hath a heart of that fine frame

To pay this debt of love but to a brother,

How will she love when the rich golden shaft

Hath kill'd the flock of all affections else

That live in her; when liver, brain, and heart,

These sovereign thrones, are all supplied and fill'd,

Her sweet perfections, with oneself king!"

 

This being observed, he stands, clapping Ginny on the shoulder.

"Very well, Caesario, of unknown origin and lineage; your multiple mysteries

amuse me, as do your quick wit and ready tongue -"

 

Ginny blushes fit to match her tresses; Harry bids fair to match it. They

stay frozen for a moment, Ginny staring at her white-gloved hands on

the keys, Harry close behind her. The sexual tension is thick and

obvious, as is Harry's confusion. Both try to ignore that his hand need

move only a little to touch 'Caesario's' cheek, 'his' hair.

 

Harry clears his throat and takes his hand away, turning his back and

shoving both hands deep into his pockets. " - and your piano playing is of

course superb. We shall try you on the lyre tomorrow."

 

Ginny murmurs softly, "I thought I was lying already."

 

Harry turns, raising an eyebrow. "I'm sorry, I didn't quite catch that."

 

Ginny sees the eyebrow and raises an innocent look. "Nothing, my lord."

 

Harry lifts a corner of his mouth. "I thought not." He claps his hands once,

turning away; Curio appears at the door as if sprung from a box.

 

Curio: "You called, Master Harry?"

 

Harry smirks faintly. "Do you know, I rather think I did. Master Caesario

will be joining our household; I trust you will make him comfortable. Myself,

I am going to bed.

Away before me to sweet beds of flow'rs:

Love-thoughts lie rich when canopied with bow'rs."

 

Exeunt.