Othello: Entire PlayOthello, the Moore of Venice 
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ACT I
SCENE I. Venice. A street.
  Enter RODERIGO and IAGO 
RODERIGO 
  Tush! never tell me; I take it much unkindly
  That thou, Iago, who hast had my purse
  As if the strings were thine, shouldst know of this.

IAGO 
  'Sblood, but you will not hear me:
  If ever I did dream of such a matter, Abhor me.

RODERIGO 
  Thou told'st me thou didst hold him in thy hate.

IAGO 
  Despise me, if I do not. Three great ones of the city,
  In personal suit to make me his lieutenant,
  Off-capp'd to him: and, by the faith of man,
  I know my price, I am worth no worse a place:
  But he; as loving his own pride and purposes,
  Evades them, with a bombast circumstance
  Horribly stuff'd with epithets of war;
  And, in conclusion,
  Nonsuits my mediators; for, 'Certes,' says he,
  'I have already chose my officer.'
  And what was he?
  Forsooth, a great arithmetician,
  One Michael Cassio, a Florentine,
  A fellow almost damn'd in a fair wife;
  That never set a squadron in the field,
  Nor the division of a battle knows
  More than a spinster; unless the bookish theoric,
  Wherein the toged consuls can propose
  As masterly as he: mere prattle, without practise,
  Is all his soldiership. But he, sir, had the election:
  And I, of whom his eyes had seen the proof
  At Rhodes, at Cyprus and on other grounds
  Christian and heathen, must be be-lee'd and calm'd
  By debitor and creditor: this counter-caster,
  He, in good time, must his lieutenant be,
  And I--God bless the mark!--his Moorship's ancient.

RODERIGO 
  By heaven, I rather would have been his hangman.

IAGO 
  Why, there's no remedy; 'tis the curse of service,
  Preferment goes by letter and affection,
  And not by old gradation, where each second
  Stood heir to the first. Now, sir, be judge yourself,
  Whether I in any just term am affined
  To love the Moor.

RODERIGO 
  I would not follow him then.

IAGO 
  O, sir, content you;
  I follow him to serve my turn upon him:
  We cannot all be masters, nor all masters
  Cannot be truly follow'd. You shall mark
  Many a duteous and knee-crooking knave,
  That, doting on his own obsequious bondage,
  Wears out his time, much like his master's ass,
  For nought but provender, and when he's old, cashier'd:
  Whip me such honest knaves. Others there are
  Who, trimm'd in forms and visages of duty,
  Keep yet their hearts attending on themselves,
  And, throwing but shows of service on their lords,
  Do well thrive by them and when they have lined
  their coats
  Do themselves homage: these fellows have some soul;
  And such a one do I profess myself. For, sir,
  It is as sure as you are Roderigo,
  Were I the Moor, I would not be Iago:
  In following him, I follow but myself;
  Heaven is my judge, not I for love and duty,
  But seeming so, for my peculiar end:
  For when my outward action doth demonstrate
  The native act and figure of my heart
  In compliment extern, 'tis not long after
  But I will wear my heart upon my sleeve
  For daws to peck at: I am not what I am.

RODERIGO 
  What a full fortune does the thicklips owe
  If he can carry't thus!

IAGO 
  Call up her father,
  Rouse him: make after him, poison his delight,
  Proclaim him in the streets; incense her kinsmen,
  And, though he in a fertile climate dwell,
  Plague him with flies: though that his joy be joy,
  Yet throw such changes of vexation on't,
  As it may lose some colour.

RODERIGO 
  Here is her father's house; I'll call aloud.

IAGO 
  Do, with like timorous accent and dire yell
  As when, by night and negligence, the fire
  Is spied in populous cities.

RODERIGO 
  What, ho, Brabantio! Signior Brabantio, ho!

IAGO 
  Awake! what, ho, Brabantio! thieves! thieves! thieves!
  Look to your house, your daughter and your bags!
  Thieves! thieves!

  BRABANTIO appears above, at a window
BRABANTIO 
  What is the reason of this terrible summons?
  What is the matter there?

RODERIGO 
  Signior, is all your family within?

IAGO 
  Are your doors lock'd?

BRABANTIO 
  Why, wherefore ask you this?

IAGO 
  'Zounds, sir, you're robb'd; for shame, put on
  your gown;
  Your heart is burst, you have lost half your soul;
  Even now, now, very now, an old black ram
  Is topping your white ewe. Arise, arise;
  Awake the snorting citizens with the bell,
  Or else the devil will make a grandsire of you:
  Arise, I say.

BRABANTIO 
  What, have you lost your wits?

RODERIGO 
  Most reverend signior, do you know my voice?

BRABANTIO 
  Not I what are you?

RODERIGO 
  My name is Roderigo.

BRABANTIO 
  The worser welcome:
  I have charged thee not to haunt about my doors:
  In honest plainness thou hast heard me say
  My daughter is not for thee; and now, in madness,
  Being full of supper and distempering draughts,
  Upon malicious bravery, dost thou come
  To start my quiet.

RODERIGO 
  Sir, sir, sir,--

BRABANTIO 
  But thou must needs be sure
  My spirit and my place have in them power
  To make this bitter to thee.

RODERIGO 
  Patience, good sir.

BRABANTIO 
  What tell'st thou me of robbing? this is Venice;
  My house is not a grange.

RODERIGO 
  Most grave Brabantio,
  In simple and pure soul I come to you.

IAGO 
  'Zounds, sir, you are one of those that will not
  serve God, if the devil bid you. Because we come to
  do you service and you think we are ruffians, you'll
  have your daughter covered with a Barbary horse;
  you'll have your nephews neigh to you; you'll have
  coursers for cousins and gennets for germans.

BRABANTIO 
  What profane wretch art thou?

IAGO 
  I am one, sir, that comes to tell you your daughter
  and the Moor are now making the beast with two backs.

BRABANTIO 
  Thou art a villain.

IAGO 
  You are--a senator.

BRABANTIO 
  This thou shalt answer; I know thee, Roderigo.

RODERIGO 
  Sir, I will answer any thing. But, I beseech you,
  If't be your pleasure and most wise consent,
  As partly I find it is, that your fair daughter,
  At this odd-even and dull watch o' the night,
  Transported, with no worse nor better guard
  But with a knave of common hire, a gondolier,
  To the gross clasps of a lascivious Moor--
  If this be known to you and your allowance,
  We then have done you bold and saucy wrongs;
  But if you know not this, my manners tell me
  We have your wrong rebuke. Do not believe
  That, from the sense of all civility,
  I thus would play and trifle with your reverence:
  Your daughter, if you have not given her leave,
  I say again, hath made a gross revolt;
  Tying her duty, beauty, wit and fortunes
  In an extravagant and wheeling stranger
  Of here and every where. Straight satisfy yourself:
  If she be in her chamber or your house,
  Let loose on me the justice of the state
  For thus deluding you.

BRABANTIO 
  Strike on the tinder, ho!
  Give me a taper! call up all my people!
  This accident is not unlike my dream:
  Belief of it oppresses me already.
  Light, I say! light!

  Exit above
IAGO 
  Farewell; for I must leave you:
  It seems not meet, nor wholesome to my place,
  To be produced--as, if I stay, I shall--
  Against the Moor: for, I do know, the state,
  However this may gall him with some cheque,
  Cannot with safety cast him, for he's embark'd
  With such loud reason to the Cyprus wars,
  Which even now stand in act, that, for their souls,
  Another of his fathom they have none,
  To lead their business: in which regard,
  Though I do hate him as I do hell-pains.
  Yet, for necessity of present life,
  I must show out a flag and sign of love,
  Which is indeed but sign. That you shall surely find him,
  Lead to the Sagittary the raised search;
  And there will I be with him. So, farewell.

  Exit
  Enter, below, BRABANTIO, and Servants with torches
BRABANTIO 
  It is too true an evil: gone she is;
  And what's to come of my despised time
  Is nought but bitterness. Now, Roderigo,
  Where didst thou see her? O unhappy girl!
  With the Moor, say'st thou? Who would be a father!
  How didst thou know 'twas she? O she deceives me
  Past thought! What said she to you? Get more tapers:
  Raise all my kindred. Are they married, think you?

RODERIGO 
  Truly, I think they are.

BRABANTIO 
  O heaven! How got she out? O treason of the blood!
  Fathers, from hence trust not your daughters' minds
  By what you see them act. Is there not charms
  By which the property of youth and maidhood
  May be abused? Have you not read, Roderigo,
  Of some such thing?

RODERIGO 
  Yes, sir, I have indeed.

BRABANTIO 
  Call up my brother. O, would you had had her!
  Some one way, some another. Do you know
  Where we may apprehend her and the Moor?

RODERIGO 
  I think I can discover him, if you please,
  To get good guard and go along with me.

BRABANTIO 
  Pray you, lead on. At every house I'll call;
  I may command at most. Get weapons, ho!
  And raise some special officers of night.
  On, good Roderigo: I'll deserve your pains.

  Exeunt
SCENE II. Another street.
  Enter OTHELLO, IAGO, and Attendants with torches 
IAGO 
  Though in the trade of war I have slain men,
  Yet do I hold it very stuff o' the conscience
  To do no contrived murder: I lack iniquity
  Sometimes to do me service: nine or ten times
  I had thought to have yerk'd him here under the ribs.

OTHELLO 
  'Tis better as it is.

IAGO 
  Nay, but he prated,
  And spoke such scurvy and provoking terms
  Against your honour
  That, with the little godliness I have,
  I did full hard forbear him. But, I pray you, sir,
  Are you fast married? Be assured of this,
  That the magnifico is much beloved,
  And hath in his effect a voice potential
  As double as the duke's: he will divorce you;
  Or put upon you what restraint and grievance
  The law, with all his might to enforce it on,
  Will give him cable.

OTHELLO 
  Let him do his spite:
  My services which I have done the signiory
  Shall out-tongue his complaints. 'Tis yet to know,--
  Which, when I know that boasting is an honour,
  I shall promulgate--I fetch my life and being
  From men of royal siege, and my demerits
  May speak unbonneted to as proud a fortune
  As this that I have reach'd: for know, Iago,
  But that I love the gentle Desdemona,
  I would not my unhoused free condition
  Put into circumscription and confine
  For the sea's worth. But, look! what lights come yond?

IAGO 
  Those are the raised father and his friends:
  You were best go in.

OTHELLO 
  Not I I must be found:
  My parts, my title and my perfect soul
  Shall manifest me rightly. Is it they?

IAGO 
  By Janus, I think no.

  Enter CASSIO, and certain Officers with torches
OTHELLO 
  The servants of the duke, and my lieutenant.
  The goodness of the night upon you, friends!
  What is the news?

CASSIO 
  The duke does greet you, general,
  And he requires your haste-post-haste appearance,
  Even on the instant.

OTHELLO 
  What is the matter, think you?

CASSIO 
  Something from Cyprus as I may divine:
  It is a business of some heat: the galleys
  Have sent a dozen sequent messengers
  This very night at one another's heels,
  And many of the consuls, raised and met,
  Are at the duke's already: you have been
  hotly call'd for;
  When, being not at your lodging to be found,
  The senate hath sent about three several guests
  To search you out.

OTHELLO 
  'Tis well I am found by you.
  I will but spend a word here in the house,
  And go with you.

  Exit
CASSIO 
  Ancient, what makes he here?

IAGO 
  'Faith, he to-night hath boarded a land carack:
  If it prove lawful prize, he's made for ever.

CASSIO 
  I do not understand.

IAGO 
  He's married.

CASSIO 
  To who?

  Re-enter OTHELLO
IAGO 
  Marry, to--Come, captain, will you go?

OTHELLO 
  Have with you.

CASSIO 
  Here comes another troop to seek for you.

IAGO 
  It is Brabantio. General, be advised;
  He comes to bad intent.

  Enter BRABANTIO, RODERIGO, and Officers with torches and weapons
OTHELLO 
  Holla! stand there!

RODERIGO 
  Signior, it is the Moor.

BRABANTIO 
  Down with him, thief!

  They draw on both sides
IAGO 
  You, Roderigo! come, sir, I am for you.

OTHELLO 
  Keep up your bright swords, for the dew will rust them.
  Good signior, you shall more command with years
  Than with your weapons.

BRABANTIO 
  O thou foul thief, where hast thou stow'd my daughter?
  Damn'd as thou art, thou hast enchanted her;
  For I'll refer me to all things of sense,
  If she in chains of magic were not bound,
  Whether a maid so tender, fair and happy,
  So opposite to marriage that she shunned
  The wealthy curled darlings of our nation,
  Would ever have, to incur a general mock,
  Run from her guardage to the sooty bosom
  Of such a thing as thou, to fear, not to delight.
  Judge me the world, if 'tis not gross in sense
  That thou hast practised on her with foul charms,
  Abused her delicate youth with drugs or minerals
  That weaken motion: I'll have't disputed on;
  'Tis probable and palpable to thinking.
  I therefore apprehend and do attach thee
  For an abuser of the world, a practiser
  Of arts inhibited and out of warrant.
  Lay hold upon him: if he do resist,
  Subdue him at his peril.

OTHELLO 
  Hold your hands,
  Both you of my inclining, and the rest:
  Were it my cue to fight, I should have known it
  Without a prompter. Where will you that I go
  To answer this your charge?

BRABANTIO 
  To prison, till fit time
  Of law and course of direct session
  Call thee to answer.

OTHELLO 
  What if I do obey?
  How may the duke be therewith satisfied,
  Whose messengers are here about my side,
  Upon some present business of the state
  To bring me to him?

First Officer 
  'Tis true, most worthy signior;
  The duke's in council and your noble self,
  I am sure, is sent for.

BRABANTIO 
  How! the duke in council!
  In this time of the night! Bring him away:
  Mine's not an idle cause: the duke himself,
  Or any of my brothers of the state,
  Cannot but feel this wrong as 'twere their own;
  For if such actions may have passage free,
  Bond-slaves and pagans shall our statesmen be.

  Exeunt
SCENE III. A council-chamber.
  The DUKE and Senators sitting at a table; Officers attending 
DUKE OF VENICE 
  There is no composition in these news
  That gives them credit.

First Senator 
  Indeed, they are disproportion'd;
  My letters say a hundred and seven galleys.

DUKE OF VENICE 
  And mine, a hundred and forty.

Second Senator 
  And mine, two hundred:
  But though they jump not on a just account,--
  As in these cases, where the aim reports,
  'Tis oft with difference--yet do they all confirm
  A Turkish fleet, and bearing up to Cyprus.

DUKE OF VENICE 
  Nay, it is possible enough to judgment:
  I do not so secure me in the error,
  But the main article I do approve
  In fearful sense.

Sailor 
  [Within] What, ho! what, ho! what, ho!

First Officer 
  A messenger from the galleys.

  Enter a Sailor
DUKE OF VENICE 
  Now, what's the business?

Sailor 
  The Turkish preparation makes for Rhodes;
  So was I bid report here to the state
  By Signior Angelo.

DUKE OF VENICE 
  How say you by this change?

First Senator 
  This cannot be,
  By no assay of reason: 'tis a pageant,
  To keep us in false gaze. When we consider
  The importancy of Cyprus to the Turk,
  And let ourselves again but understand,
  That as it more concerns the Turk than Rhodes,
  So may he with more facile question bear it,
  For that it stands not in such warlike brace,
  But altogether lacks the abilities
  That Rhodes is dress'd in: if we make thought of this,
  We must not think the Turk is so unskilful
  To leave that latest which concerns him first,
  Neglecting an attempt of ease and gain,
  To wake and wage a danger profitless.

DUKE OF VENICE 
  Nay, in all confidence, he's not for Rhodes.

First Officer 
  Here is more news.

  Enter a Messenger
Messenger 
  The Ottomites, reverend and gracious,
  Steering with due course towards the isle of Rhodes,
  Have there injointed them with an after fleet.

First Senator 
  Ay, so I thought. How many, as you guess?

Messenger 
  Of thirty sail: and now they do restem
  Their backward course, bearing with frank appearance
  Their purposes toward Cyprus. Signior Montano,
  Your trusty and most valiant servitor,
  With his free duty recommends you thus,
  And prays you to believe him.

DUKE OF VENICE 
  'Tis certain, then, for Cyprus.
  Marcus Luccicos, is not he in town?

First Senator 
  He's now in Florence.

DUKE OF VENICE 
  Write from us to him; post-post-haste dispatch.

First Senator 
  Here comes Brabantio and the valiant Moor.

  Enter BRABANTIO, OTHELLO, IAGO, RODERIGO, and Officers
DUKE OF VENICE 
  Valiant Othello, we must straight employ you
  Against the general enemy Ottoman.

  To BRABANTIO
  I did not see you; welcome, gentle signior;
  We lack'd your counsel and your help tonight.

BRABANTIO 
  So did I yours. Good your grace, pardon me;
  Neither my place nor aught I heard of business
  Hath raised me from my bed, nor doth the general care
  Take hold on me, for my particular grief
  Is of so flood-gate and o'erbearing nature
  That it engluts and swallows other sorrows
  And it is still itself.

DUKE OF VENICE 
  Why, what's the matter?

BRABANTIO 
  My daughter! O, my daughter!

DUKE OF VENICE Senator 
  Dead?

BRABANTIO 
  Ay, to me;
  She is abused, stol'n from me, and corrupted
  By spells and medicines bought of mountebanks;
  For nature so preposterously to err,
  Being not deficient, blind, or lame of sense,
  Sans witchcraft could not.

DUKE OF VENICE 
  Whoe'er he be that in this foul proceeding
  Hath thus beguiled your daughter of herself
  And you of her, the bloody book of law
  You shall yourself read in the bitter letter
  After your own sense, yea, though our proper son
  Stood in your action.

BRABANTIO 
  Humbly I thank your grace.
  Here is the man, this Moor, whom now, it seems,
  Your special mandate for the state-affairs
  Hath hither brought.

DUKE OF VENICE Senator 
  We are very sorry for't.

DUKE OF VENICE 
  [To OTHELLO] What, in your own part, can you say to this?

BRABANTIO 
  Nothing, but this is so.

OTHELLO 
  Most potent, grave, and reverend signiors,
  My very noble and approved good masters,
  That I have ta'en away this old man's daughter,
  It is most true; true, I have married her:
  The very head and front of my offending
  Hath this extent, no more. Rude am I in my speech,
  And little bless'd with the soft phrase of peace:
  For since these arms of mine had seven years' pith,
  Till now some nine moons wasted, they have used
  Their dearest action in the tented field,
  And little of this great world can I speak,
  More than pertains to feats of broil and battle,
  And therefore little shall I grace my cause
  In speaking for myself. Yet, by your gracious patience,
  I will a round unvarnish'd tale deliver
  Of my whole course of love; what drugs, what charms,
  What conjuration and what mighty magic,
  For such proceeding I am charged withal,
  I won his daughter.

BRABANTIO 
  A maiden never bold;
  Of spirit so still and quiet, that her motion
  Blush'd at herself; and she, in spite of nature,
  Of years, of country, credit, every thing,
  To fall in love with what she fear'd to look on!
  It is a judgment maim'd and most imperfect
  That will confess perfection so could err
  Against all rules of nature, and must be driven
  To find out practises of cunning hell,
  Why this should be. I therefore vouch again
  That with some mixtures powerful o'er the blood,
  Or with some dram conjured to this effect,
  He wrought upon her.

DUKE OF VENICE 
  To vouch this, is no proof,
  Without more wider and more overt test
  Than these thin habits and poor likelihoods
  Of modern seeming do prefer against him.

First Senator 
  But, Othello, speak:
  Did you by indirect and forced courses
  Subdue and poison this young maid's affections?
  Or came it by request and such fair question
  As soul to soul affordeth?

OTHELLO 
  I do beseech you,
  Send for the lady to the Sagittary,
  And let her speak of me before her father:
  If you do find me foul in her report,
  The trust, the office I do hold of you,
  Not only take away, but let your sentence
  Even fall upon my life.

DUKE OF VENICE 
  Fetch Desdemona hither.

OTHELLO 
  Ancient, conduct them: you best know the place.

  Exeunt IAGO and Attendants
  And, till she come, as truly as to heaven
  I do confess the vices of my blood,
  So justly to your grave ears I'll present
  How I did thrive in this fair lady's love,
  And she in mine.

DUKE OF VENICE 
  Say it, Othello.

OTHELLO 
  Her father loved me; oft invited me;
  Still question'd me the story of my life,
  From year to year, the battles, sieges, fortunes,
  That I have passed.
  I ran it through, even from my boyish days,
  To the very moment that he bade me tell it;
  Wherein I spake of most disastrous chances,
  Of moving accidents by flood and field
  Of hair-breadth scapes i' the imminent deadly breach,
  Of being taken by the insolent foe
  And sold to slavery, of my redemption thence
  And portance in my travels' history:
  Wherein of antres vast and deserts idle,
  Rough quarries, rocks and hills whose heads touch heaven
  It was my hint to speak,--such was the process;
  And of the Cannibals that each other eat,
  The Anthropophagi and men whose heads
  Do grow beneath their shoulders. This to hear
  Would Desdemona seriously incline:
  But still the house-affairs would draw her thence:
  Which ever as she could with haste dispatch,
  She'ld come again, and with a greedy ear
  Devour up my discourse: which I observing,
  Took once a pliant hour, and found good means
  To draw from her a prayer of earnest heart
  That I would all my pilgrimage dilate,
  Whereof by parcels she had something heard,
  But not intentively: I did consent,
  And often did beguile her of her tears,
  When I did speak of some distressful stroke
  That my youth suffer'd. My story being done,
  She gave me for my pains a world of sighs:
  She swore, in faith, twas strange, 'twas passing strange,
  'Twas pitiful, 'twas wondrous pitiful:
  She wish'd she had not heard it, yet she wish'd
  That heaven had made her such a man: she thank'd me,
  And bade me, if I had a friend that loved her,
  I should but teach him how to tell my story.
  And that would woo her. Upon this hint I spake:
  She loved me for the dangers I had pass'd,
  And I loved her that she did pity them.
  This only is the witchcraft I have used:
  Here comes the lady; let her witness it.

  Enter DESDEMONA, IAGO, and Attendants
DUKE OF VENICE 
  I think this tale would win my daughter too.
  Good Brabantio,
  Take up this mangled matter at the best:
  Men do their broken weapons rather use
  Than their bare hands.

BRABANTIO 
  I pray you, hear her speak:
  If she confess that she was half the wooer,
  Destruction on my head, if my bad blame
  Light on the man! Come hither, gentle mistress:
  Do you perceive in all this noble company
  Where most you owe obedience?

DESDEMONA 
  My noble father,
  I do perceive here a divided duty:
  To you I am bound for life and education;
  My life and education both do learn me
  How to respect you; you are the lord of duty;
  I am hitherto your daughter: but here's my husband,
  And so much duty as my mother show'd
  To you, preferring you before her father,
  So much I challenge that I may profess
  Due to the Moor my lord.

BRABANTIO 
  God be wi' you! I have done.
  Please it your grace, on to the state-affairs:
  I had rather to adopt a child than get it.
  Come hither, Moor:
  I here do give thee that with all my heart
  Which, but thou hast already, with all my heart
  I would keep from thee. For your sake, jewel,
  I am glad at soul I have no other child:
  For thy escape would teach me tyranny,
  To hang clogs on them. I have done, my lord.

DUKE OF VENICE 
  Let me speak like yourself, and lay a sentence,
  Which, as a grise or step, may help these lovers
  Into your favour.
  When remedies are past, the griefs are ended
  By seeing the worst, which late on hopes depended.
  To mourn a mischief that is past and gone
  Is the next way to draw new mischief on.
  What cannot be preserved when fortune takes
  Patience her injury a mockery makes.
  The robb'd that smiles steals something from the thief;
  He robs himself that spends a bootless grief.

BRABANTIO 
  So let the Turk of Cyprus us beguile;
  We lose it not, so long as we can smile.
  He bears the sentence well that nothing bears
  But the free comfort which from thence he hears,
  But he bears both the sentence and the sorrow
  That, to pay grief, must of poor patience borrow.
  These sentences, to sugar, or to gall,
  Being strong on both sides, are equivocal:
  But words are words; I never yet did hear
  That the bruised heart was pierced through the ear.
  I humbly beseech you, proceed to the affairs of state.

DUKE OF VENICE 
  The Turk with a most mighty preparation makes for
  Cyprus. Othello, the fortitude of the place is best
  known to you; and though we have there a substitute
  of most allowed sufficiency, yet opinion, a
  sovereign mistress of effects, throws a more safer
  voice on you: you must therefore be content to
  slubber the gloss of your new fortunes with this
  more stubborn and boisterous expedition.

OTHELLO 
  The tyrant custom, most grave senators,
  Hath made the flinty and steel couch of war
  My thrice-driven bed of down: I do agnise
  A natural and prompt alacrity
  I find in hardness, and do undertake
  These present wars against the Ottomites.
  Most humbly therefore bending to your state,
  I crave fit disposition for my wife.
  Due reference of place and exhibition,
  With such accommodation and besort
  As levels with her breeding.

DUKE OF VENICE 
  If you please,
  Be't at her father's.

BRABANTIO 
  I'll not have it so.

OTHELLO 
  Nor I.

DESDEMONA 
  Nor I; I would not there reside,
  To put my father in impatient thoughts
  By being in his eye. Most gracious duke,
  To my unfolding lend your prosperous ear;
  And let me find a charter in your voice,
  To assist my simpleness.

DUKE OF VENICE 
  What would You, Desdemona?

DESDEMONA 
  That I did love the Moor to live with him,
  My downright violence and storm of fortunes
  May trumpet to the world: my heart's subdued
  Even to the very quality of my lord:
  I saw Othello's visage in his mind,
  And to his honour and his valiant parts
  Did I my soul and fortunes consecrate.
  So that, dear lords, if I be left behind,
  A moth of peace, and he go to the war,
  The rites for which I love him are bereft me,
  And I a heavy interim shall support
  By his dear absence. Let me go with him.

OTHELLO 
  Let her have your voices.
  Vouch with me, heaven, I therefore beg it not,
  To please the palate of my appetite,
  Nor to comply with heat--the young affects
  In me defunct--and proper satisfaction.
  But to be free and bounteous to her mind:
  And heaven defend your good souls, that you think
  I will your serious and great business scant
  For she is with me: no, when light-wing'd toys
  Of feather'd Cupid seal with wanton dullness
  My speculative and officed instruments,
  That my disports corrupt and taint my business,
  Let housewives make a skillet of my helm,
  And all indign and base adversities
  Make head against my estimation!

DUKE OF VENICE 
  Be it as you shall privately determine,
  Either for her stay or going: the affair cries haste,
  And speed must answer it.

First Senator 
  You must away to-night.

OTHELLO 
  With all my heart.

DUKE OF VENICE 
  At nine i' the morning here we'll meet again.
  Othello, leave some officer behind,
  And he shall our commission bring to you;
  With such things else of quality and respect
  As doth import you.

OTHELLO 
  So please your grace, my ancient;
  A man he is of honest and trust:
  To his conveyance I assign my wife,
  With what else needful your good grace shall think
  To be sent after me.

DUKE OF VENICE 
  Let it be so.
  Good night to every one.

  To BRABANTIO
  And, noble signior,
  If virtue no delighted beauty lack,
  Your son-in-law is far more fair than black.

First Senator 
  Adieu, brave Moor, use Desdemona well.

BRABANTIO 
  Look to her, Moor, if thou hast eyes to see:
  She has deceived her father, and may thee.

  Exeunt DUKE OF VENICE, Senators, Officers, & c
OTHELLO 
  My life upon her faith! Honest Iago,
  My Desdemona must I leave to thee:
  I prithee, let thy wife attend on her:
  And bring them after in the best advantage.
  Come, Desdemona: I have but an hour
  Of love, of worldly matters and direction,
  To spend with thee: we must obey the time.

  Exeunt OTHELLO and DESDEMONA
RODERIGO 
  Iago,--

IAGO 
  What say'st thou, noble heart?

RODERIGO 
  What will I do, thinkest thou?

IAGO 
  Why, go to bed, and sleep.

RODERIGO 
  I will incontinently drown myself.

IAGO 
  If thou dost, I shall never love thee after. Why,
  thou silly gentleman!

RODERIGO 
  It is silliness to live when to live is torment; and
  then have we a prescription to die when death is our physician.

IAGO 
  O villainous! I have looked upon the world for four
  times seven years; and since I could distinguish
  betwixt a benefit and an injury, I never found man
  that knew how to love himself. Ere I would say, I
  would drown myself for the love of a guinea-hen, I
  would change my humanity with a baboon.

RODERIGO 
  What should I do? I confess it is my shame to be so
  fond; but it is not in my virtue to amend it.

IAGO 
  Virtue! a fig! 'tis in ourselves that we are thus
  or thus. Our bodies are our gardens, to the which
  our wills are gardeners: so that if we will plant
  nettles, or sow lettuce, set hyssop and weed up
  thyme, supply it with one gender of herbs, or
  distract it with many, either to have it sterile
  with idleness, or manured with industry, why, the
  power and corrigible authority of this lies in our
  wills. If the balance of our lives had not one
  scale of reason to poise another of sensuality, the
  blood and baseness of our natures would conduct us
  to most preposterous conclusions: but we have
  reason to cool our raging motions, our carnal
  stings, our unbitted lusts, whereof I take this that
  you call love to be a sect or scion.

RODERIGO 
  It cannot be.

IAGO 
  It is merely a lust of the blood and a permission of
  the will. Come, be a man. Drown thyself! drown
  cats and blind puppies. I have professed me thy
  friend and I confess me knit to thy deserving with
  cables of perdurable toughness; I could never
  better stead thee than now. Put money in thy
  purse; follow thou the wars; defeat thy favour with
  an usurped beard; I say, put money in thy purse. It
  cannot be that Desdemona should long continue her
  love to the Moor,-- put money in thy purse,--nor he
  his to her: it was a violent commencement, and thou
  shalt see an answerable sequestration:--put but
  money in thy purse. These Moors are changeable in
  their wills: fill thy purse with money:--the food
  that to him now is as luscious as locusts, shall be
  to him shortly as bitter as coloquintida. She must
  change for youth: when she is sated with his body,
  she will find the error of her choice: she must
  have change, she must: therefore put money in thy
  purse. If thou wilt needs damn thyself, do it a
  more delicate way than drowning. Make all the money
  thou canst: if sanctimony and a frail vow betwixt
  an erring barbarian and a supersubtle Venetian not
  too hard for my wits and all the tribe of hell, thou
  shalt enjoy her; therefore make money. A pox of
  drowning thyself! it is clean out of the way: seek
  thou rather to be hanged in compassing thy joy than
  to be drowned and go without her.

RODERIGO 
  Wilt thou be fast to my hopes, if I depend on
  the issue?

IAGO 
  Thou art sure of me:--go, make money:--I have told
  thee often, and I re-tell thee again and again, I
  hate the Moor: my cause is hearted; thine hath no
  less reason. Let us be conjunctive in our revenge
  against him: if thou canst cuckold him, thou dost
  thyself a pleasure, me a sport. There are many
  events in the womb of time which will be delivered.
  Traverse! go, provide thy money. We will have more
  of this to-morrow. Adieu.

RODERIGO 
  Where shall we meet i' the morning?

IAGO 
  At my lodging.

RODERIGO 
  I'll be with thee betimes.

IAGO 
  Go to; farewell. Do you hear, Roderigo?

RODERIGO 
  What say you?

IAGO 
  No more of drowning, do you hear?

RODERIGO 
  I am changed: I'll go sell all my land.

  Exit
IAGO 
  Thus do I ever make my fool my purse:
  For I mine own gain'd knowledge should profane,
  If I would time expend with such a snipe.
  But for my sport and profit. I hate the Moor:
  And it is thought abroad, that 'twixt my sheets
  He has done my office: I know not if't be true;
  But I, for mere suspicion in that kind,
  Will do as if for surety. He holds me well;
  The better shall my purpose work on him.
  Cassio's a proper man: let me see now:
  To get his place and to plume up my will
  In double knavery--How, how? Let's see:--
  After some time, to abuse Othello's ear
  That he is too familiar with his wife.
  He hath a person and a smooth dispose
  To be suspected, framed to make women false.
  The Moor is of a free and open nature,
  That thinks men honest that but seem to be so,
  And will as tenderly be led by the nose
  As asses are.
  I have't. It is engender'd. Hell and night
  Must bring this monstrous birth to the world's light.

  Exit
ACT II
SCENE I. A Sea-port in Cyprus. An open place near the quay.
  Enter MONTANO and two Gentlemen 
MONTANO 
  What from the cape can you discern at sea?

First Gentleman 
  Nothing at all: it is a highwrought flood;
  I cannot, 'twixt the heaven and the main,
  Descry a sail.

MONTANO 
  Methinks the wind hath spoke aloud at land;
  A fuller blast ne'er shook our battlements:
  If it hath ruffian'd so upon the sea,
  What ribs of oak, when mountains melt on them,
  Can hold the mortise? What shall we hear of this?

Second Gentleman 
  A segregation of the Turkish fleet:
  For do but stand upon the foaming shore,
  The chidden billow seems to pelt the clouds;
  The wind-shaked surge, with high and monstrous mane,
  seems to cast water on the burning bear,
  And quench the guards of the ever-fixed pole:
  I never did like molestation view
  On the enchafed flood.

MONTANO 
  If that the Turkish fleet
  Be not enshelter'd and embay'd, they are drown'd:
  It is impossible they bear it out.

  Enter a third Gentleman
Third Gentleman 
  News, lads! our wars are done.
  The desperate tempest hath so bang'd the Turks,
  That their designment halts: a noble ship of Venice
  Hath seen a grievous wreck and sufferance
  On most part of their fleet.

MONTANO 
  How! is this true?

Third Gentleman 
  The ship is here put in,
  A Veronesa; Michael Cassio,
  Lieutenant to the warlike Moor Othello,
  Is come on shore: the Moor himself at sea,
  And is in full commission here for Cyprus.

MONTANO 
  I am glad on't; 'tis a worthy governor.

Third Gentleman 
  But this same Cassio, though he speak of comfort
  Touching the Turkish loss, yet he looks sadly,
  And prays the Moor be safe; for they were parted
  With foul and violent tempest.

MONTANO 
  Pray heavens he be;
  For I have served him, and the man commands
  Like a full soldier. Let's to the seaside, ho!
  As well to see the vessel that's come in
  As to throw out our eyes for brave Othello,
  Even till we make the main and the aerial blue
  An indistinct regard.

Third Gentleman 
  Come, let's do so:
  For every minute is expectancy
  Of more arrivance.

  Enter CASSIO
CASSIO 
  Thanks, you the valiant of this warlike isle,
  That so approve the Moor! O, let the heavens
  Give him defence against the elements,
  For I have lost us him on a dangerous sea.

MONTANO 
  Is he well shipp'd?

CASSIO 
  His bark is stoutly timber'd, his pilot
  Of very expert and approved allowance;
  Therefore my hopes, not surfeited to death,
  Stand in bold cure.

  A cry within 'A sail, a sail, a sail!'
  Enter a fourth Gentleman
CASSIO 
  What noise?

Fourth Gentleman 
  The town is empty; on the brow o' the sea
  Stand ranks of people, and they cry 'A sail!'

CASSIO 
  My hopes do shape him for the governor.

  Guns heard
Second Gentlemen 
  They do discharge their shot of courtesy:
  Our friends at least.

CASSIO 
  I pray you, sir, go forth,
  And give us truth who 'tis that is arrived.

Second Gentleman 
  I shall.

  Exit
MONTANO 
  But, good lieutenant, is your general wived?

CASSIO 
  Most fortunately: he hath achieved a maid
  That paragons description and wild fame;
  One that excels the quirks of blazoning pens,
  And in the essential vesture of creation
  Does tire the ingener.

  Re-enter second Gentleman
  How now! who has put in?

Second Gentleman 
  'Tis one Iago, ancient to the general.

CASSIO 
  Has had most favourable and happy speed:
  Tempests themselves, high seas, and howling winds,
  The gutter'd rocks and congregated sands--
  Traitors ensteep'd to clog the guiltless keel,--
  As having sense of beauty, do omit
  Their mortal natures, letting go safely by
  The divine Desdemona.

MONTANO 
  What is she?

CASSIO 
  She that I spake of, our great captain's captain,
  Left in the conduct of the bold Iago,
  Whose footing here anticipates our thoughts
  A se'nnight's speed. Great Jove, Othello guard,
  And swell his sail with thine own powerful breath,
  That he may bless this bay with his tall ship,
  Make love's quick pants in Desdemona's arms,
  Give renew'd fire to our extincted spirits
  And bring all Cyprus comfort!

  Enter DESDEMONA, EMILIA, IAGO, RODERIGO, and Attendants
  O, behold,
  The riches of the ship is come on shore!
  Ye men of Cyprus, let her have your knees.
  Hail to thee, lady! and the grace of heaven,
  Before, behind thee, and on every hand,
  Enwheel thee round!

DESDEMONA 
  I thank you, valiant Cassio.
  What tidings can you tell me of my lord?

CASSIO 
  He is not yet arrived: nor know I aught
  But that he's well and will be shortly here.

DESDEMONA 
  O, but I fear--How lost you company?

CASSIO 
  The great contention of the sea and skies
  Parted our fellowship--But, hark! a sail.

  Within 'A sail, a sail!' Guns heard
Second Gentleman 
  They give their greeting to the citadel;
  This likewise is a friend.

CASSIO 
  See for the news.

  Exit Gentleman
  Good ancient, you are welcome.

  To EMILIA
  Welcome, mistress.
  Let it not gall your patience, good Iago,
  That I extend my manners; 'tis my breeding
  That gives me this bold show of courtesy.

  Kissing her
IAGO 
  Sir, would she give you so much of her lips
  As of her tongue she oft bestows on me,
  You'll have enough.

DESDEMONA 
  Alas, she has no speech.

IAGO 
  In faith, too much;
  I find it still, when I have list to sleep:
  Marry, before your ladyship, I grant,
  She puts her tongue a little in her heart,
  And chides with thinking.

EMILIA 
  You have little cause to say so.

IAGO 
  Come on, come on; you are pictures out of doors,
  Bells in your parlors, wild-cats in your kitchens,
  Saints m your injuries, devils being offended,
  Players in your housewifery, and housewives' in your beds.

DESDEMONA 
  O, fie upon thee, slanderer!

IAGO 
  Nay, it is true, or else I am a Turk:
  You rise to play and go to bed to work.

EMILIA 
  You shall not write my praise.

IAGO 
  No, let me not.

DESDEMONA 
  What wouldst thou write of me, if thou shouldst
  praise me?

IAGO 
  O gentle lady, do not put me to't;
  For I am nothing, if not critical.

DESDEMONA 
  Come on assay. There's one gone to the harbour?

IAGO 
  Ay, madam.

DESDEMONA 
  I am not merry; but I do beguile
  The thing I am, by seeming otherwise.
  Come, how wouldst thou praise me?

IAGO 
  I am about it; but indeed my invention
  Comes from my pate as birdlime does from frize;
  It plucks out brains and all: but my Muse labours,
  And thus she is deliver'd.
  If she be fair and wise, fairness and wit,
  The one's for use, the other useth it.

DESDEMONA 
  Well praised! How if she be black and witty?

IAGO 
  If she be black, and thereto have a wit,
  She'll find a white that shall her blackness fit.

DESDEMONA 
  Worse and worse.

EMILIA 
  How if fair and foolish?

IAGO 
  She never yet was foolish that was fair;
  For even her folly help'd her to an heir.

DESDEMONA 
  These are old fond paradoxes to make fools laugh i'
  the alehouse. What miserable praise hast thou for
  her that's foul and foolish?

IAGO 
  There's none so foul and foolish thereunto,
  But does foul pranks which fair and wise ones do.

DESDEMONA 
  O heavy ignorance! thou praisest the worst best.
  But what praise couldst thou bestow on a deserving
  woman indeed, one that, in the authority of her
  merit, did justly put on the vouch of very malice itself?

IAGO 
  She that was ever fair and never proud,
  Had tongue at will and yet was never loud,
  Never lack'd gold and yet went never gay,
  Fled from her wish and yet said 'Now I may,'
  She that being anger'd, her revenge being nigh,
  Bade her wrong stay and her displeasure fly,
  She that in wisdom never was so frail
  To change the cod's head for the salmon's tail;
  She that could think and ne'er disclose her mind,
  See suitors following and not look behind,
  She was a wight, if ever such wight were,--

DESDEMONA 
  To do what?

IAGO 
  To suckle fools and chronicle small beer.

DESDEMONA 
  O most lame and impotent conclusion! Do not learn
  of him, Emilia, though he be thy husband. How say
  you, Cassio? is he not a most profane and liberal
  counsellor?

CASSIO 
  He speaks home, madam: You may relish him more in
  the soldier than in the scholar.

IAGO 
  [Aside] He takes her by the palm: ay, well said,
  whisper: with as little a web as this will I
  ensnare as great a fly as Cassio. Ay, smile upon
  her, do; I will gyve thee in thine own courtship.
  You say true; 'tis so, indeed: if such tricks as
  these strip you out of your lieutenantry, it had
  been better you had not kissed your three fingers so
  oft, which now again you are most apt to play the
  sir in. Very good; well kissed! an excellent
  courtesy! 'tis so, indeed. Yet again your fingers
  to your lips? would they were clyster-pipes for your sake!

  Trumpet within
  The Moor! I know his trumpet.

CASSIO 
  'Tis truly so.

DESDEMONA 
  Let's meet him and receive him.

CASSIO 
  Lo, where he comes!

  Enter OTHELLO and Attendants
OTHELLO 
  O my fair warrior!

DESDEMONA 
  My dear Othello!

OTHELLO 
  It gives me wonder great as my content
  To see you here before me. O my soul's joy!
  If after every tempest come such calms,
  May the winds blow till they have waken'd death!
  And let the labouring bark climb hills of seas
  Olympus-high and duck again as low
  As hell's from heaven! If it were now to die,
  'Twere now to be most happy; for, I fear,
  My soul hath her content so absolute
  That not another comfort like to this
  Succeeds in unknown fate.

DESDEMONA 
  The heavens forbid
  But that our loves and comforts should increase,
  Even as our days do grow!

OTHELLO 
  Amen to that, sweet powers!
  I cannot speak enough of this content;
  It stops me here; it is too much of joy:
  And this, and this, the greatest discords be

  Kissing her
  That e'er our hearts shall make!

IAGO 
  [Aside] O, you are well tuned now!
  But I'll set down the pegs that make this music,
  As honest as I am.

OTHELLO 
  Come, let us to the castle.
  News, friends; our wars are done, the Turks
  are drown'd.
  How does my old acquaintance of this isle?
  Honey, you shall be well desired in Cyprus;
  I have found great love amongst them. O my sweet,
  I prattle out of fashion, and I dote
  In mine own comforts. I prithee, good Iago,
  Go to the bay and disembark my coffers:
  Bring thou the master to the citadel;
  He is a good one, and his worthiness
  Does challenge much respect. Come, Desdemona,
  Once more, well met at Cyprus.

  Exeunt OTHELLO, DESDEMONA, and Attendants
IAGO 
  Do thou meet me presently at the harbour. Come
  hither. If thou be'st valiant,-- as, they say, base
  men being in love have then a nobility in their
  natures more than is native to them--list me. The
  lieutenant tonight watches on the court of
  guard:--first, I must tell thee this--Desdemona is
  directly in love with him.

RODERIGO 
  With him! why, 'tis not possible.

IAGO 
  Lay thy finger thus, and let thy soul be instructed.
  Mark me with what violence she first loved the Moor,
  but for bragging and telling her fantastical lies:
  and will she love him still for prating? let not
  thy discreet heart think it. Her eye must be fed;
  and what delight shall she have to look on the
  devil? When the blood is made dull with the act of
  sport, there should be, again to inflame it and to
  give satiety a fresh appetite, loveliness in favour,
  sympathy in years, manners and beauties; all which
  the Moor is defective in: now, for want of these
  required conveniences, her delicate tenderness will
  find itself abused, begin to heave the gorge,
  disrelish and abhor the Moor; very nature will
  instruct her in it and compel her to some second
  choice. Now, sir, this granted,--as it is a most
  pregnant and unforced position--who stands so
  eminent in the degree of this fortune as Cassio
  does? a knave very voluble; no further
  conscionable than in putting on the mere form of
  civil and humane seeming, for the better compassing
  of his salt and most hidden loose affection? why,
  none; why, none: a slipper and subtle knave, a
  finder of occasions, that has an eye can stamp and
  counterfeit advantages, though true advantage never
  present itself; a devilish knave. Besides, the
  knave is handsome, young, and hath all those
  requisites in him that folly and green minds look
  after: a pestilent complete knave; and the woman
  hath found him already.

RODERIGO 
  I cannot believe that in her; she's full of
  most blessed condition.

IAGO 
  Blessed fig's-end! the wine she drinks is made of
  grapes: if she had been blessed, she would never
  have loved the Moor. Blessed pudding! Didst thou
  not see her paddle with the palm of his hand? didst
  not mark that?

RODERIGO 
  Yes, that I did; but that was but courtesy.

IAGO 
  Lechery, by this hand; an index and obscure prologue
  to the history of lust and foul thoughts. They met
  so near with their lips that their breaths embraced
  together. Villanous thoughts, Roderigo! when these
  mutualities so marshal the way, hard at hand comes
  the master and main exercise, the incorporate
  conclusion, Pish! But, sir, be you ruled by me: I
  have brought you from Venice. Watch you to-night;
  for the command, I'll lay't upon you. Cassio knows
  you not. I'll not be far from you: do you find
  some occasion to anger Cassio, either by speaking
  too loud, or tainting his discipline; or from what
  other course you please, which the time shall more
  favourably minister.

RODERIGO 
  Well.

IAGO 
  Sir, he is rash and very sudden in choler, and haply
  may strike at you: provoke him, that he may; for
  even out of that will I cause these of Cyprus to
  mutiny; whose qualification shall come into no true
  taste again but by the displanting of Cassio. So
  shall you have a shorter journey to your desires by
  the means I shall then have to prefer them; and the
  impediment most profitably removed, without the
  which there were no expectation of our prosperity.

RODERIGO 
  I will do this, if I can bring it to any
  opportunity.

IAGO 
  I warrant thee. Meet me by and by at the citadel:
  I must fetch his necessaries ashore. Farewell.

RODERIGO 
  Adieu.

  Exit
IAGO 
  That Cassio loves her, I do well believe it;
  That she loves him, 'tis apt and of great credit:
  The Moor, howbeit that I endure him not,
  Is of a constant, loving, noble nature,
  And I dare think he'll prove to Desdemona
  A most dear husband. Now, I do love her too;
  Not out of absolute lust, though peradventure
  I stand accountant for as great a sin,
  But partly led to diet my revenge,
  For that I do suspect the lusty Moor
  Hath leap'd into my seat; the thought whereof
  Doth, like a poisonous mineral, gnaw my inwards;
  And nothing can or shall content my soul
  Till I am even'd with him, wife for wife,
  Or failing so, yet that I put the Moor
  At least into a jealousy so strong
  That judgment cannot cure. Which thing to do,
  If this poor trash of Venice, whom I trash
  For his quick hunting, stand the putting on,
  I'll have our Michael Cassio on the hip,
  Abuse him to the Moor in the rank garb--
  For I fear Cassio with my night-cap too--
  Make the Moor thank me, love me and reward me.
  For making him egregiously an ass
  And practising upon his peace and quiet
  Even to madness. 'Tis here, but yet confused:
  Knavery's plain face is never seen tin used.

  Exit
SCENE II. A street.
  Enter a Herald with a proclamation; People following 
Herald 
  It is Othello's pleasure, our noble and valiant
  general, that, upon certain tidings now arrived,
  importing the mere perdition of the Turkish fleet,
  every man put himself into triumph; some to dance,
  some to make bonfires, each man to what sport and
  revels his addiction leads him: for, besides these
  beneficial news, it is the celebration of his
  nuptial. So much was his pleasure should be
  proclaimed. All offices are open, and there is full
  liberty of feasting from this present hour of five
  till the bell have told eleven. Heaven bless the
  isle of Cyprus and our noble general Othello!

  Exeunt
SCENE III. A hall in the castle.
  Enter OTHELLO, DESDEMONA, CASSIO, and Attendants 
OTHELLO 
  Good Michael, look you to the guard to-night:
  Let's teach ourselves that honourable stop,
  Not to outsport discretion.

CASSIO 
  Iago hath direction what to do;
  But, notwithstanding, with my personal eye
  Will I look to't.

OTHELLO 
  Iago is most honest.
  Michael, good night: to-morrow with your earliest
  Let me have speech with you.

  To DESDEMONA
  Come, my dear love,
  The purchase made, the fruits are to ensue;
  That profit's yet to come 'tween me and you.
  Good night.

  Exeunt OTHELLO, DESDEMONA, and Attendants
  Enter IAGO
CASSIO 
  Welcome, Iago; we must to the watch.

IAGO 
  Not this hour, lieutenant; 'tis not yet ten o' the
  clock. Our general cast us thus early for the love
  of his Desdemona; who let us not therefore blame:
  he hath not yet made wanton the night with her; and
  she is sport for Jove.

CASSIO 
  She's a most exquisite lady.

IAGO 
  And, I'll warrant her, fun of game.

CASSIO 
  Indeed, she's a most fresh and delicate creature.

IAGO 
  What an eye she has! methinks it sounds a parley of
  provocation.

CASSIO 
  An inviting eye; and yet methinks right modest.

IAGO 
  And when she speaks, is it not an alarum to love?

CASSIO 
  She is indeed perfection.

IAGO 
  Well, happiness to their sheets! Come, lieutenant, I
  have a stoup of wine; and here without are a brace
  of Cyprus gallants that would fain have a measure to
  the health of black Othello.

CASSIO 
  Not to-night, good Iago: I have very poor and
  unhappy brains for drinking: I could well wish
  courtesy would invent some other custom of
  entertainment.

IAGO 
  O, they are our friends; but one cup: I'll drink for
  you.

CASSIO 
  I have drunk but one cup to-night, and that was
  craftily qualified too, and, behold, what innovation
  it makes here: I am unfortunate in the infirmity,
  and dare not task my weakness with any more.

IAGO 
  What, man! 'tis a night of revels: the gallants
  desire it.

CASSIO 
  Where are they?

IAGO 
  Here at the door; I pray you, call them in.

CASSIO 
  I'll do't; but it dislikes me.

  Exit
IAGO 
  If I can fasten but one cup upon him,
  With that which he hath drunk to-night already,
  He'll be as full of quarrel and offence
  As my young mistress' dog. Now, my sick fool Roderigo,
  Whom love hath turn'd almost the wrong side out,
  To Desdemona hath to-night caroused
  Potations pottle-deep; and he's to watch:
  Three lads of Cyprus, noble swelling spirits,
  That hold their honours in a wary distance,
  The very elements of this warlike isle,
  Have I to-night fluster'd with flowing cups,
  And they watch too. Now, 'mongst this flock of drunkards,
  Am I to put our Cassio in some action
  That may offend the isle.--But here they come:
  If consequence do but approve my dream,
  My boat sails freely, both with wind and stream.

  Re-enter CASSIO; with him MONTANO and Gentlemen; servants following with wine
CASSIO 
  'Fore God, they have given me a rouse already.

MONTANO 
  Good faith, a little one; not past a pint, as I am
  a soldier.

IAGO 
  Some wine, ho!

  Sings
  And let me the canakin clink, clink;
  And let me the canakin clink
  A soldier's a man;
  A life's but a span;
  Why, then, let a soldier drink.
  Some wine, boys!

CASSIO 
  'Fore God, an excellent song.

IAGO 
  I learned it in England, where, indeed, they are
  most potent in potting: your Dane, your German, and
  your swag-bellied Hollander--Drink, ho!--are nothing
  to your English.

CASSIO 
  Is your Englishman so expert in his drinking?

IAGO 
  Why, he drinks you, with facility, your Dane dead
  drunk; he sweats not to overthrow your Almain; he
  gives your Hollander a vomit, ere the next pottle
  can be filled.

CASSIO 
  To the health of our general!

MONTANO 
  I am for it, lieutenant; and I'll do you justice.

IAGO 
  O sweet England!
  King Stephen was a worthy peer,
  His breeches cost him but a crown;
  He held them sixpence all too dear,
  With that he call'd the tailor lown.
  He was a wight of high renown,
  And thou art but of low degree:
  'Tis pride that pulls the country down;
  Then take thine auld cloak about thee.
  Some wine, ho!

CASSIO 
  Why, this is a more exquisite song than the other.

IAGO 
  Will you hear't again?

CASSIO 
  No; for I hold him to be unworthy of his place that
  does those things. Well, God's above all; and there
  be souls must be saved, and there be souls must not be saved.

IAGO 
  It's true, good lieutenant.

CASSIO 
  For mine own part,--no offence to the general, nor
  any man of quality,--I hope to be saved.

IAGO 
  And so do I too, lieutenant.

CASSIO 
  Ay, but, by your leave, not before me; the
  lieutenant is to be saved before the ancient. Let's
  have no more of this; let's to our affairs.--Forgive
  us our sins!--Gentlemen, let's look to our business.
  Do not think, gentlemen. I am drunk: this is my
  ancient; this is my right hand, and this is my left:
  I am not drunk now; I can stand well enough, and
  speak well enough.

All 
  Excellent well.

CASSIO 
  Why, very well then; you must not think then that I am drunk.

  Exit
MONTANO 
  To the platform, masters; come, let's set the watch.

IAGO 
  You see this fellow that is gone before;
  He is a soldier fit to stand by Caesar
  And give direction: and do but see his vice;
  'Tis to his virtue a just equinox,
  The one as long as the other: 'tis pity of him.
  I fear the trust Othello puts him in.
  On some odd time of his infirmity,
  Will shake this island.

MONTANO 
  But is he often thus?

IAGO 
  'Tis evermore the prologue to his sleep:
  He'll watch the horologe a double set,
  If drink rock not his cradle.

MONTANO 
  It were well
  The general were put in mind of it.
  Perhaps he sees it not; or his good nature
  Prizes the virtue that appears in Cassio,
  And looks not on his evils: is not this true?

  Enter RODERIGO
IAGO 
  [Aside to him] How now, Roderigo!
  I pray you, after the lieutenant; go.

  Exit RODERIGO
MONTANO 
  And 'tis great pity that the noble Moor
  Should hazard such a place as his own second
  With one of an ingraft infirmity:
  It were an honest action to say
  So to the Moor.

IAGO 
  Not I, for this fair island:
  I do love Cassio well; and would do much
  To cure him of this evil--But, hark! what noise?

  Cry within: 'Help! help!'
  Re-enter CASSIO, driving in RODERIGO
CASSIO 
  You rogue! you rascal!

MONTANO 
  What's the matter, lieutenant?

CASSIO 
  A knave teach me my duty!
  I'll beat the knave into a twiggen bottle.

RODERIGO 
  Beat me!

CASSIO 
  Dost thou prate, rogue?

  Striking RODERIGO
MONTANO 
  Nay, good lieutenant;

  Staying him
  I pray you, sir, hold your hand.

CASSIO 
  Let me go, sir,
  Or I'll knock you o'er the mazzard.

MONTANO 
  Come, come,
  you're drunk.

CASSIO 
  Drunk!

  They fight
IAGO 
  [Aside to RODERIGO] Away, I say; go out, and cry a mutiny.

  Exit RODERIGO
  Nay, good lieutenant,--alas, gentlemen;--
  Help, ho!--Lieutenant,--sir,--Montano,--sir;
  Help, masters!--Here's a goodly watch indeed!

  Bell rings
  Who's that which rings the bell?--Diablo, ho!
  The town will rise: God's will, lieutenant, hold!
  You will be shamed for ever.

  Re-enter OTHELLO and Attendants
OTHELLO 
  What is the matter here?

MONTANO 
  'Zounds, I bleed still; I am hurt to the death.

  Faints
OTHELLO 
  Hold, for your lives!

IAGO 
  Hold, ho! Lieutenant,--sir--Montano,--gentlemen,--
  Have you forgot all sense of place and duty?
  Hold! the general speaks to you; hold, hold, for shame!

OTHELLO 
  Why, how now, ho! from whence ariseth this?
  Are we turn'd Turks, and to ourselves do that
  Which heaven hath forbid the Ottomites?
  For Christian shame, put by this barbarous brawl:
  He that stirs next to carve for his own rage
  Holds his soul light; he dies upon his motion.
  Silence that dreadful bell: it frights the isle
  From her propriety. What is the matter, masters?
  Honest Iago, that look'st dead with grieving,
  Speak, who began this? on thy love, I charge thee.

IAGO 
  I do not know: friends all but now, even now,
  In quarter, and in terms like bride and groom
  Devesting them for bed; and then, but now--
  As if some planet had unwitted men--
  Swords out, and tilting one at other's breast,
  In opposition bloody. I cannot speak
  Any beginning to this peevish odds;
  And would in action glorious I had lost
  Those legs that brought me to a part of it!

OTHELLO 
  How comes it, Michael, you are thus forgot?

CASSIO 
  I pray you, pardon me; I cannot speak.

OTHELLO 
  Worthy Montano, you were wont be civil;
  The gravity and stillness of your youth
  The world hath noted, and your name is great
  In mouths of wisest censure: what's the matter,
  That you unlace your reputation thus
  And spend your rich opinion for the name
  Of a night-brawler? give me answer to it.

MONTANO 
  Worthy Othello, I am hurt to danger:
  Your officer, Iago, can inform you,--
  While I spare speech, which something now
  offends me,--
  Of all that I do know: nor know I aught
  By me that's said or done amiss this night;
  Unless self-charity be sometimes a vice,
  And to defend ourselves it be a sin
  When violence assails us.

OTHELLO 
  Now, by heaven,
  My blood begins my safer guides to rule;
  And passion, having my best judgment collied,
  Assays to lead the way: if I once stir,
  Or do but lift this arm, the best of you
  Shall sink in my rebuke. Give me to know
  How this foul rout began, who set it on;
  And he that is approved in this offence,
  Though he had twinn'd with me, both at a birth,
  Shall lose me. What! in a town of war,
  Yet wild, the people's hearts brimful of fear,
  To manage private and domestic quarrel,
  In night, and on the court and guard of safety!
  'Tis monstrous. Iago, who began't?

MONTANO 
  If partially affined, or leagued in office,
  Thou dost deliver more or less than truth,
  Thou art no soldier.

IAGO 
  Touch me not so near:
  I had rather have this tongue cut from my mouth
  Than it should do offence to Michael Cassio;
  Yet, I persuade myself, to speak the truth
  Shall nothing wrong him. Thus it is, general.
  Montano and myself being in speech,
  There comes a fellow crying out for help:
  And Cassio following him with determined sword,
  To execute upon him. Sir, this gentleman
  Steps in to Cassio, and entreats his pause:
  Myself the crying fellow did pursue,
  Lest by his clamour--as it so fell out--
  The town might fall in fright: he, swift of foot,
  Outran my purpose; and I return'd the rather
  For that I heard the clink and fall of swords,
  And Cassio high in oath; which till to-night
  I ne'er might say before. When I came back--
  For this was brief--I found them close together,
  At blow and thrust; even as again they were
  When you yourself did part them.
  More of this matter cannot I report:
  But men are men; the best sometimes forget:
  Though Cassio did some little wrong to him,
  As men in rage strike those that wish them best,
  Yet surely Cassio, I believe, received
  From him that fled some strange indignity,
  Which patience could not pass.

OTHELLO 
  I know, Iago,
  Thy honesty and love doth mince this matter,
  Making it light to Cassio. Cassio, I love thee
  But never more be officer of mine.

  Re-enter DESDEMONA, attended
  Look, if my gentle love be not raised up!
  I'll make thee an example.

DESDEMONA 
  What's the matter?

OTHELLO 
  All's well now, sweeting; come away to bed.
  Sir, for your hurts, myself will be your surgeon:
  Lead him off.

  To MONTANO, who is led off
  Iago, look with care about the town,
  And silence those whom this vile brawl distracted.
  Come, Desdemona: 'tis the soldiers' life
  To have their balmy slumbers waked with strife.

  Exeunt all but IAGO and CASSIO
IAGO 
  What, are you hurt, lieutenant?

CASSIO 
  Ay, past all surgery.

IAGO 
  Marry, heaven forbid!

CASSIO 
  Reputation, reputation, reputation! O, I have lost
  my reputation! I have lost the immortal part of
  myself, and what remains is bestial. My reputation,
  Iago, my reputation!

IAGO 
  As I am an honest man, I thought you had received
  some bodily wound; there is more sense in that than
  in reputation. Reputation is an idle and most false
  imposition: oft got without merit, and lost without
  deserving: you have lost no reputation at all,
  unless you repute yourself such a loser. What, man!
  there are ways to recover the general again: you
  are but now cast in his mood, a punishment more in
  policy than in malice, even so as one would beat his
  offenceless dog to affright an imperious lion: sue
  to him again, and he's yours.

CASSIO 
  I will rather sue to be despised than to deceive so
  good a commander with so slight, so drunken, and so
  indiscreet an officer. Drunk? and speak parrot?
  and squabble? swagger? swear? and discourse
  fustian with one's own shadow? O thou invisible
  spirit of wine, if thou hast no name to be known by,
  let us call thee devil!

IAGO 
  What was he that you followed with your sword? What
  had he done to you?

CASSIO 
  I know not.

IAGO 
  Is't possible?

CASSIO 
  I remember a mass of things, but nothing distinctly;
  a quarrel, but nothing wherefore. O God, that men
  should put an enemy in their mouths to steal away
  their brains! that we should, with joy, pleasance
  revel and applause, transform ourselves into beasts!

IAGO 
  Why, but you are now well enough: how came you thus
  recovered?

CASSIO 
  It hath pleased the devil drunkenness to give place
  to the devil wrath; one unperfectness shows me
  another, to make me frankly despise myself.

IAGO 
  Come, you are too severe a moraler: as the time,
  the place, and the condition of this country
  stands, I could heartily wish this had not befallen;
  but, since it is as it is, mend it for your own good.

CASSIO 
  I will ask him for my place again; he shall tell me
  I am a drunkard! Had I as many mouths as Hydra,
  such an answer would stop them all. To be now a
  sensible man, by and by a fool, and presently a
  beast! O strange! Every inordinate cup is
  unblessed and the ingredient is a devil.

IAGO 
  Come, come, good wine is a good familiar creature,
  if it be well used: exclaim no more against it.
  And, good lieutenant, I think you think I love you.

CASSIO 
  I have well approved it, sir. I drunk!

IAGO 
  You or any man living may be drunk! at a time, man.
  I'll tell you what you shall do. Our general's wife
  is now the general: may say so in this respect, for
  that he hath devoted and given up himself to the
  contemplation, mark, and denotement of her parts and
  graces: confess yourself freely to her; importune
  her help to put you in your place again: she is of
  so free, so kind, so apt, so blessed a disposition,
  she holds it a vice in her goodness not to do more
  than she is requested: this broken joint between
  you and her husband entreat her to splinter; and, my
  fortunes against any lay worth naming, this
  crack of your love shall grow stronger than it was before.

CASSIO 
  You advise me well.

IAGO 
  I protest, in the sincerity of love and honest kindness.

CASSIO 
  I think it freely; and betimes in the morning I will
  beseech the virtuous Desdemona to undertake for me:
  I am desperate of my fortunes if they cheque me here.

IAGO 
  You are in the right. Good night, lieutenant; I
  must to the watch.
  CASSIO: Good night, honest Iago.

  Exit
IAGO 
  And what's he then that says I play the villain?
  When this advice is free I give and honest,
  Probal to thinking and indeed the course
  To win the Moor again? For 'tis most easy
  The inclining Desdemona to subdue
  In any honest suit: she's framed as fruitful
  As the free elements. And then for her
  To win the Moor--were't to renounce his baptism,
  All seals and symbols of redeemed sin,
  His soul is so enfetter'd to her love,
  That she may make, unmake, do what she list,
  Even as her appetite shall play the god
  With his weak function. How am I then a villain
  To counsel Cassio to this parallel course,
  Directly to his good? Divinity of hell!
  When devils will the blackest sins put on,
  They do suggest at first with heavenly shows,
  As I do now: for whiles this honest fool
  Plies Desdemona to repair his fortunes
  And she for him pleads strongly to the Moor,
  I'll pour this pestilence into his ear,
  That she repeals him for her body's lust;
  And by how much she strives to do him good,
  She shall undo her credit with the Moor.
  So will I turn her virtue into pitch,
  And out of her own goodness make the net
  That shall enmesh them all.

  Re-enter RODERIGO
  How now, Roderigo!

RODERIGO 
  I do follow here in the chase, not like a hound that
  hunts, but one that fills up the cry. My money is
  almost spent; I have been to-night exceedingly well
  cudgelled; and I think the issue will be, I shall
  have so much experience for my pains, and so, with
  no money at all and a little more wit, return again to Venice.

IAGO 
  How poor are they that have not patience!
  What wound did ever heal but by degrees?
  Thou know'st we work by wit, and not by witchcraft;
  And wit depends on dilatory time.
  Does't not go well? Cassio hath beaten thee.
  And thou, by that small hurt, hast cashier'd Cassio:
  Though other things grow fair against the sun,
  Yet fruits that blossom first will first be ripe:
  Content thyself awhile. By the mass, 'tis morning;
  Pleasure and action make the hours seem short.
  Retire thee; go where thou art billeted:
  Away, I say; thou shalt know more hereafter:
  Nay, get thee gone.

  Exit RODERIGO
  Two things are to be done:
  My wife must move for Cassio to her mistress;
  I'll set her on;
  Myself the while to draw the Moor apart,
  And bring him jump when he may Cassio find
  Soliciting his wife: ay, that's the way
  Dull not device by coldness and delay.

  Exit
ACT III
SCENE I. Before the castle.
  Enter CASSIO and some Musicians 
CASSIO 
  Masters, play here; I will content your pains;
  Something that's brief; and bid 'Good morrow, general.'

  Music
  Enter Clown
Clown 
  Why masters, have your instruments been in Naples,
  that they speak i' the nose thus?

First Musician 
  How, sir, how!

Clown 
  Are these, I pray you, wind-instruments?

First Musician 
  Ay, marry, are they, sir.

Clown 
  O, thereby hangs a tail.

First Musician 
  Whereby hangs a tale, sir?

Clown 
  Marry. sir, by many a wind-instrument that I know.
  But, masters, here's money for you: and the general
  so likes your music, that he desires you, for love's
  sake, to make no more noise with it.

First Musician 
  Well, sir, we will not.

Clown 
  If you have any music that may not be heard, to't
  again: but, as they say to hear music the general
  does not greatly care.

First Musician 
  We have none such, sir.

Clown 
  Then put up your pipes in your bag, for I'll away:
  go; vanish into air; away!

  Exeunt Musicians
CASSIO 
  Dost thou hear, my honest friend?

Clown 
  No, I hear not your honest friend; I hear you.

CASSIO 
  Prithee, keep up thy quillets. There's a poor piece
  of gold for thee: if the gentlewoman that attends
  the general's wife be stirring, tell her there's
  one Cassio entreats her a little favour of speech:
  wilt thou do this?

Clown 
  She is stirring, sir: if she will stir hither, I
  shall seem to notify unto her.

CASSIO 
  Do, good my friend.

  Exit Clown
  Enter IAGO
  In happy time, Iago.

IAGO 
  You have not been a-bed, then?

CASSIO 
  Why, no; the day had broke
  Before we parted. I have made bold, Iago,
  To send in to your wife: my suit to her
  Is, that she will to virtuous Desdemona
  Procure me some access.

IAGO 
  I'll send her to you presently;
  And I'll devise a mean to draw the Moor
  Out of the way, that your converse and business
  May be more free.

CASSIO 
  I humbly thank you for't.

  Exit IAGO
  I never knew
  A Florentine more kind and honest.

  Enter EMILIA
EMILIA 
  Good morrow, good Lieutenant: I am sorry
  For your displeasure; but all will sure be well.
  The general and his wife are talking of it;
  And she speaks for you stoutly: the Moor replies,
  That he you hurt is of great fame in Cyprus,
  And great affinity, and that in wholesome wisdom
  He might not but refuse you; but he protests he loves you
  And needs no other suitor but his likings
  To take the safest occasion by the front
  To bring you in again.

CASSIO 
  Yet, I beseech you,
  If you think fit, or that it may be done,
  Give me advantage of some brief discourse
  With Desdemona alone.

EMILIA 
  Pray you, come in;
  I will bestow you where you shall have time
  To speak your bosom freely.

CASSIO 
  I am much bound to you.

  Exeunt
SCENE II. A room in the castle.
  Enter OTHELLO, IAGO, and Gentlemen 
OTHELLO 
  These letters give, Iago, to the pilot;
  And by him do my duties to the senate:
  That done, I will be walking on the works;
  Repair there to me.

IAGO 
  Well, my good lord, I'll do't.

OTHELLO 
  This fortification, gentlemen, shall we see't?

Gentleman 
  We'll wait upon your lordship.

  Exeunt
SCENE III. The garden of the castle.
  Enter DESDEMONA, CASSIO, and EMILIA 
DESDEMONA 
  Be thou assured, good Cassio, I will do
  All my abilities in thy behalf.

EMILIA 
  Good madam, do: I warrant it grieves my husband,
  As if the case were his.

DESDEMONA 
  O, that's an honest fellow. Do not doubt, Cassio,
  But I will have my lord and you again
  As friendly as you were.

CASSIO 
  Bounteous madam,
  Whatever shall become of Michael Cassio,
  He's never any thing but your true servant.

DESDEMONA 
  I know't; I thank you. You do love my lord:
  You have known him long; and be you well assured
  He shall in strangeness stand no further off
  Than in a polite distance.

CASSIO 
  Ay, but, lady,
  That policy may either last so long,
  Or feed upon such nice and waterish diet,
  Or breed itself so out of circumstance,
  That, I being absent and my place supplied,
  My general will forget my love and service.

DESDEMONA 
  Do not doubt that; before Emilia here
  I give thee warrant of thy place: assure thee,
  If I do vow a friendship, I'll perform it
  To the last article: my lord shall never rest;
  I'll watch him tame and talk him out of patience;
  His bed shall seem a school, his board a shrift;
  I'll intermingle every thing he does
  With Cassio's suit: therefore be merry, Cassio;
  For thy solicitor shall rather die
  Than give thy cause away.

EMILIA 
  Madam, here comes my lord.

CASSIO 
  Madam, I'll take my leave.

DESDEMONA 
  Why, stay, and hear me speak.

CASSIO 
  Madam, not now: I am very ill at ease,
  Unfit for mine own purposes.

DESDEMONA 
  Well, do your discretion.

  Exit CASSIO
  Enter OTHELLO and IAGO
IAGO 
  Ha! I like not that.

OTHELLO 
  What dost thou say?

IAGO 
  Nothing, my lord: or if--I know not what.

OTHELLO 
  Was not that Cassio parted from my wife?

IAGO 
  Cassio, my lord! No, sure, I cannot think it,
  That he would steal away so guilty-like,
  Seeing you coming.

OTHELLO 
  I do believe 'twas he.

DESDEMONA 
  How now, my lord!
  I have been talking with a suitor here,
  A man that languishes in your displeasure.

OTHELLO 
  Who is't you mean?

DESDEMONA 
  Why, your lieutenant, Cassio. Good my lord,
  If I have any grace or power to move you,
  His present reconciliation take;
  For if he be not one that truly loves you,
  That errs in ignorance and not in cunning,
  I have no judgment in an honest face:
  I prithee, call him back.

OTHELLO 
  Went he hence now?

DESDEMONA 
  Ay, sooth; so humbled
  That he hath left part of his grief with me,
  To suffer with him. Good love, call him back.

OTHELLO 
  Not now, sweet Desdemona; some other time.

DESDEMONA 
  But shall't be shortly?

OTHELLO 
  The sooner, sweet, for you.

DESDEMONA 
  Shall't be to-night at supper?

OTHELLO 
  No, not to-night.

DESDEMONA 
  To-morrow dinner, then?

OTHELLO 
  I shall not dine at home;
  I meet the captains at the citadel.

DESDEMONA 
  Why, then, to-morrow night; or Tuesday morn;
  On Tuesday noon, or night; on Wednesday morn:
  I prithee, name the time, but let it not
  Exceed three days: in faith, he's penitent;
  And yet his trespass, in our common reason--
  Save that, they say, the wars must make examples
  Out of their best--is not almost a fault
  To incur a private cheque. When shall he come?
  Tell me, Othello: I wonder in my soul,
  What you would ask me, that I should deny,
  Or stand so mammering on. What! Michael Cassio,
  That came a-wooing with you, and so many a time,
  When I have spoke of you dispraisingly,
  Hath ta'en your part; to have so much to do
  To bring him in! Trust me, I could do much,--

OTHELLO 
  Prithee, no more: let him come when he will;
  I will deny thee nothing.

DESDEMONA 
  Why, this is not a boon;
  'Tis as I should entreat you wear your gloves,
  Or feed on nourishing dishes, or keep you warm,
  Or sue to you to do a peculiar profit
  To your own person: nay, when I have a suit
  Wherein I mean to touch your love indeed,
  It shall be full of poise and difficult weight
  And fearful to be granted.

OTHELLO 
  I will deny thee nothing:
  Whereon, I do beseech thee, grant me this,
  To leave me but a little to myself.

DESDEMONA 
  Shall I deny you? no: farewell, my lord.

OTHELLO 
  Farewell, my Desdemona: I'll come to thee straight.

DESDEMONA 
  Emilia, come. Be as your fancies teach you;
  Whate'er you be, I am obedient.

  Exeunt DESDEMONA and EMILIA
OTHELLO 
  Excellent wretch! Perdition catch my soul,
  But I do love thee! and when I love thee not,
  Chaos is come again.

IAGO 
  My noble lord--

OTHELLO 
  What dost thou say, Iago?

IAGO 
  Did Michael Cassio, when you woo'd my lady,
  Know of your love?

OTHELLO 
  He did, from first to last: why dost thou ask?

IAGO 
  But for a satisfaction of my thought;
  No further harm.

OTHELLO 
  Why of thy thought, Iago?

IAGO 
  I did not think he had been acquainted with her.

OTHELLO 
  O, yes; and went between us very oft.

IAGO 
  Indeed!

OTHELLO 
  Indeed! ay, indeed: discern'st thou aught in that?
  Is he not honest?

IAGO 
  Honest, my lord!

OTHELLO 
  Honest! ay, honest.

IAGO 
  My lord, for aught I know.

OTHELLO 
  What dost thou think?

IAGO 
  Think, my lord!

OTHELLO 
  Think, my lord!
  By heaven, he echoes me,
  As if there were some monster in his thought
  Too hideous to be shown. Thou dost mean something:
  I heard thee say even now, thou likedst not that,
  When Cassio left my wife: what didst not like?
  And when I told thee he was of my counsel
  In my whole course of wooing, thou criedst 'Indeed!'
  And didst contract and purse thy brow together,
  As if thou then hadst shut up in thy brain
  Some horrible conceit: if thou dost love me,
  Show me thy thought.

IAGO 
  My lord, you know I love you.

OTHELLO 
  I think thou dost;
  And, for I know thou'rt full of love and honesty,
  And weigh'st thy words before thou givest them breath,
  Therefore these stops of thine fright me the more:
  For such things in a false disloyal knave
  Are tricks of custom, but in a man that's just
  They are close delations, working from the heart
  That passion cannot rule.

IAGO 
  For Michael Cassio,
  I dare be sworn I think that he is honest.

OTHELLO 
  I think so too.

IAGO 
  Men should be what they seem;
  Or those that be not, would they might seem none!

OTHELLO 
  Certain, men should be what they seem.

IAGO 
  Why, then, I think Cassio's an honest man.

OTHELLO 
  Nay, yet there's more in this:
  I prithee, speak to me as to thy thinkings,
  As thou dost ruminate, and give thy worst of thoughts
  The worst of words.

IAGO 
  Good my lord, pardon me:
  Though I am bound to every act of duty,
  I am not bound to that all slaves are free to.
  Utter my thoughts? Why, say they are vile and false;
  As where's that palace whereinto foul things
  Sometimes intrude not? who has a breast so pure,
  But some uncleanly apprehensions
  Keep leets and law-days and in session sit
  With meditations lawful?

OTHELLO 
  Thou dost conspire against thy friend, Iago,
  If thou but think'st him wrong'd and makest his ear
  A stranger to thy thoughts.

IAGO 
  I do beseech you--
  Though I perchance am vicious in my guess,
  As, I confess, it is my nature's plague
  To spy into abuses, and oft my jealousy
  Shapes faults that are not--that your wisdom yet,
  From one that so imperfectly conceits,
  Would take no notice, nor build yourself a trouble
  Out of his scattering and unsure observance.
  It were not for your quiet nor your good,
  Nor for my manhood, honesty, or wisdom,
  To let you know my thoughts.

OTHELLO 
  What dost thou mean?

IAGO 
  Good name in man and woman, dear my lord,
  Is the immediate jewel of their souls:
  Who steals my purse steals trash; 'tis something, nothing;
  'Twas mine, 'tis his, and has been slave to thousands:
  But he that filches from me my good name
  Robs me of that which not enriches him
  And makes me poor indeed.

OTHELLO 
  By heaven, I'll know thy thoughts.

IAGO 
  You cannot, if my heart were in your hand;
  Nor shall not, whilst 'tis in my custody.

OTHELLO 
  Ha!

IAGO 
  O, beware, my lord, of jealousy;
  It is the green-eyed monster which doth mock
  The meat it feeds on; that cuckold lives in bliss
  Who, certain of his fate, loves not his wronger;
  But, O, what damned minutes tells he o'er
  Who dotes, yet doubts, suspects, yet strongly loves!

OTHELLO 
  O misery!

IAGO 
  Poor and content is rich and rich enough,
  But riches fineless is as poor as winter
  To him that ever fears he shall be poor.
  Good heaven, the souls of all my tribe defend
  From jealousy!

OTHELLO 
  Why, why is this?
  Think'st thou I'ld make a lie of jealousy,
  To follow still the changes of the moon
  With fresh suspicions? No; to be once in doubt
  Is once to be resolved: exchange me for a goat,
  When I shall turn the business of my soul
  To such exsufflicate and blown surmises,
  Matching thy inference. 'Tis not to make me jealous
  To say my wife is fair, feeds well, loves company,
  Is free of speech, sings, plays and dances well;
  Where virtue is, these are more virtuous:
  Nor from mine own weak merits will I draw
  The smallest fear or doubt of her revolt;
  For she had eyes, and chose me. No, Iago;
  I'll see before I doubt; when I doubt, prove;
  And on the proof, there is no more but this,--
  Away at once with love or jealousy!

IAGO 
  I am glad of it; for now I shall have reason
  To show the love and duty that I bear you
  With franker spirit: therefore, as I am bound,
  Receive it from me. I speak not yet of proof.
  Look to your wife; observe her well with Cassio;
  Wear your eye thus, not jealous nor secure:
  I would not have your free and noble nature,
  Out of self-bounty, be abused; look to't:
  I know our country disposition well;
  In Venice they do let heaven see the pranks
  They dare not show their husbands; their best conscience
  Is not to leave't undone, but keep't unknown.

OTHELLO 
  Dost thou say so?

IAGO 
  She did deceive her father, marrying you;
  And when she seem'd to shake and fear your looks,
  She loved them most.

OTHELLO 
  And so she did.

IAGO 
  Why, go to then;
  She that, so young, could give out such a seeming,
  To seal her father's eyes up close as oak-
  He thought 'twas witchcraft--but I am much to blame;
  I humbly do beseech you of your pardon
  For too much loving you.

OTHELLO 
  I am bound to thee for ever.

IAGO 
  I see this hath a little dash'd your spirits.

OTHELLO 
  Not a jot, not a jot.

IAGO 
  I' faith, I fear it has.
  I hope you will consider what is spoke
  Comes from my love. But I do see you're moved:
  I am to pray you not to strain my speech
  To grosser issues nor to larger reach
  Than to suspicion.

OTHELLO 
  I will not.

IAGO 
  Should you do so, my lord,
  My speech should fall into such vile success
  As my thoughts aim not at. Cassio's my worthy friend--
  My lord, I see you're moved.

OTHELLO 
  No, not much moved:
  I do not think but Desdemona's honest.

IAGO 
  Long live she so! and long live you to think so!

OTHELLO 
  And yet, how nature erring from itself,--

IAGO 
  Ay, there's the point: as--to be bold with you--
  Not to affect many proposed matches
  Of her own clime, complexion, and degree,
  Whereto we see in all things nature tends--
  Foh! one may smell in such a will most rank,
  Foul disproportion thoughts unnatural.
  But pardon me; I do not in position
  Distinctly speak of her; though I may fear
  Her will, recoiling to her better judgment,
  May fall to match you with her country forms
  And happily repent.

OTHELLO 
  Farewell, farewell:
  If more thou dost perceive, let me know more;
  Set on thy wife to observe: leave me, Iago:

IAGO 
  [Going] My lord, I take my leave.

OTHELLO 
  Why did I marry? This honest creature doubtless
  Sees and knows more, much more, than he unfolds.

IAGO 
  [Returning] My lord, I would I might entreat
  your honour
  To scan this thing no further; leave it to time:
  Though it be fit that Cassio have his place,
  For sure, he fills it up with great ability,
  Yet, if you please to hold him off awhile,
  You shall by that perceive him and his means:
  Note, if your lady strain his entertainment
  With any strong or vehement importunity;
  Much will be seen in that. In the mean time,
  Let me be thought too busy in my fears--
  As worthy cause I have to fear I am--
  And hold her free, I do beseech your honour.

OTHELLO 
  Fear not my government.

IAGO 
  I once more take my leave.

  Exit
OTHELLO 
  This fellow's of exceeding honesty,
  And knows all qualities, with a learned spirit,
  Of human dealings. If I do prove her haggard,
  Though that her jesses were my dear heartstrings,
  I'ld whistle her off and let her down the wind,
  To pray at fortune. Haply, for I am black
  And have not those soft parts of conversation
  That chamberers have, or for I am declined
  Into the vale of years,--yet that's not much--
  She's gone. I am abused; and my relief
  Must be to loathe her. O curse of marriage,
  That we can call these delicate creatures ours,
  And not their appetites! I had rather be a toad,
  And live upon the vapour of a dungeon,
  Than keep a corner in the thing I love
  For others' uses. Yet, 'tis the plague of great ones;
  Prerogatived are they less than the base;
  'Tis destiny unshunnable, like death:
  Even then this forked plague is fated to us
  When we do quicken. Desdemona comes:

  Re-enter DESDEMONA and EMILIA
  If she be false, O, then heaven mocks itself!
  I'll not believe't.

DESDEMONA 
  How now, my dear Othello!
  Your dinner, and the generous islanders
  By you invited, do attend your presence.

OTHELLO 
  I am to blame.

DESDEMONA 
  Why do you speak so faintly?
  Are you not well?

OTHELLO 
  I have a pain upon my forehead here.

DESDEMONA 
  'Faith, that's with watching; 'twill away again:
  Let me but bind it hard, within this hour
  It will be well.

OTHELLO 
  Your napkin is too little:

  He puts the handkerchief from him; and it drops
  Let it alone. Come, I'll go in with you.

DESDEMONA 
  I am very sorry that you are not well.

  Exeunt OTHELLO and DESDEMONA
EMILIA 
  I am glad I have found this napkin:
  This was her first remembrance from the Moor:
  My wayward husband hath a hundred times
  Woo'd me to steal it; but she so loves the token,
  For he conjured her she should ever keep it,
  That she reserves it evermore about her
  To kiss and talk to. I'll have the work ta'en out,
  And give't Iago: what he will do with it
  Heaven knows, not I;
  I nothing but to please his fantasy.

  Re-enter Iago
IAGO 
  How now! what do you here alone?

EMILIA 
  Do not you chide; I have a thing for you.

IAGO 
  A thing for me? it is a common thing--

EMILIA 
  Ha!

IAGO 
  To have a foolish wife.

EMILIA 
  O, is that all? What will you give me now
  For the same handkerchief?

IAGO 
  What handkerchief?

EMILIA 
  What handkerchief?
  Why, that the Moor first gave to Desdemona;
  That which so often you did bid me steal.

IAGO 
  Hast stol'n it from her?

EMILIA 
  No, 'faith; she let it drop by negligence.
  And, to the advantage, I, being here, took't up.
  Look, here it is.

IAGO 
  A good wench; give it me.

EMILIA 
  What will you do with 't, that you have been
  so earnest
  To have me filch it?

IAGO 
  [Snatching it] Why, what's that to you?

EMILIA 
  If it be not for some purpose of import,
  Give't me again: poor lady, she'll run mad
  When she shall lack it.

IAGO 
  Be not acknown on 't; I have use for it.
  Go, leave me.

  Exit EMILIA
  I will in Cassio's lodging lose this napkin,
  And let him find it. Trifles light as air
  Are to the jealous confirmations strong
  As proofs of holy writ: this may do something.
  The Moor already changes with my poison:
  Dangerous conceits are, in their natures, poisons.
  Which at the first are scarce found to distaste,
  But with a little act upon the blood.
  Burn like the mines of Sulphur. I did say so:
  Look, where he comes!

  Re-enter OTHELLO
  Not poppy, nor mandragora,
  Nor all the drowsy syrups of the world,
  Shall ever medicine thee to that sweet sleep
  Which thou owedst yesterday.

OTHELLO 
  Ha! ha! false to me?

IAGO 
  Why, how now, general! no more of that.

OTHELLO 
  Avaunt! be gone! thou hast set me on the rack:
  I swear 'tis better to be much abused
  Than but to know't a little.

IAGO 
  How now, my lord!

OTHELLO 
  What sense had I of her stol'n hours of lust?
  I saw't not, thought it not, it harm'd not me:
  I slept the next night well, was free and merry;
  I found not Cassio's kisses on her lips:
  He that is robb'd, not wanting what is stol'n,
  Let him not know't, and he's not robb'd at all.

IAGO 
  I am sorry to hear this.

OTHELLO 
  I had been happy, if the general camp,
  Pioners and all, had tasted her sweet body,
  So I had nothing known. O, now, for ever
  Farewell the tranquil mind! farewell content!
  Farewell the plumed troop, and the big wars,
  That make ambition virtue! O, farewell!
  Farewell the neighing steed, and the shrill trump,
  The spirit-stirring drum, the ear-piercing fife,
  The royal banner, and all quality,
  Pride, pomp and circumstance of glorious war!
  And, O you mortal engines, whose rude throats
  The immortal Jove's dead clamours counterfeit,
  Farewell! Othello's occupation's gone!

IAGO 
  Is't possible, my lord?

OTHELLO 
  Villain, be sure thou prove my love a whore,
  Be sure of it; give me the ocular proof:
  Or by the worth of man's eternal soul,
  Thou hadst been better have been born a dog
  Than answer my waked wrath!

IAGO 
  Is't come to this?

OTHELLO 
  Make me to see't; or, at the least, so prove it,
  That the probation bear no hinge nor loop
  To hang a doubt on; or woe upon thy life!

IAGO 
  My noble lord,--

OTHELLO 
  If thou dost slander her and torture me,
  Never pray more; abandon all remorse;
  On horror's head horrors accumulate;
  Do deeds to make heaven weep, all earth amazed;
  For nothing canst thou to damnation add
  Greater than that.

IAGO 
  O grace! O heaven forgive me!
  Are you a man? have you a soul or sense?
  God be wi' you; take mine office. O wretched fool.
  That livest to make thine honesty a vice!
  O monstrous world! Take note, take note, O world,
  To be direct and honest is not safe.
  I thank you for this profit; and from hence
  I'll love no friend, sith love breeds such offence.

OTHELLO 
  Nay, stay: thou shouldst be honest.

IAGO 
  I should be wise, for honesty's a fool
  And loses that it works for.

OTHELLO 
  By the world,
  I think my wife be honest and think she is not;
  I think that thou art just and think thou art not.
  I'll have some proof. Her name, that was as fresh
  As Dian's visage, is now begrimed and black
  As mine own face. If there be cords, or knives,
  Poison, or fire, or suffocating streams,
  I'll not endure it. Would I were satisfied!

IAGO 
  I see, sir, you are eaten up with passion:
  I do repent me that I put it to you.
  You would be satisfied?

OTHELLO 
  Would! nay, I will.

IAGO 
  And may: but, how? how satisfied, my lord?
  Would you, the supervisor, grossly gape on--
  Behold her topp'd?

OTHELLO 
  Death and damnation! O!

IAGO 
  It were a tedious difficulty, I think,
  To bring them to that prospect: damn them then,
  If ever mortal eyes do see them bolster
  More than their own! What then? how then?
  What shall I say? Where's satisfaction?
  It is impossible you should see this,
  Were they as prime as goats, as hot as monkeys,
  As salt as wolves in pride, and fools as gross
  As ignorance made drunk. But yet, I say,
  If imputation and strong circumstances,
  Which lead directly to the door of truth,
  Will give you satisfaction, you may have't.

OTHELLO 
  Give me a living reason she's disloyal.

IAGO 
  I do not like the office:
  But, sith I am enter'd in this cause so far,
  Prick'd to't by foolish honesty and love,
  I will go on. I lay with Cassio lately;
  And, being troubled with a raging tooth,
  I could not sleep.
  There are a kind of men so loose of soul,
  That in their sleeps will mutter their affairs:
  One of this kind is Cassio:
  In sleep I heard him say 'Sweet Desdemona,
  Let us be wary, let us hide our loves;'
  And then, sir, would he gripe and wring my hand,
  Cry 'O sweet creature!' and then kiss me hard,
  As if he pluck'd up kisses by the roots
  That grew upon my lips: then laid his leg
  Over my thigh, and sigh'd, and kiss'd; and then
  Cried 'Cursed fate that gave thee to the Moor!'

OTHELLO 
  O monstrous! monstrous!

IAGO 
  Nay, this was but his dream.

OTHELLO 
  But this denoted a foregone conclusion:
  'Tis a shrewd doubt, though it be but a dream.

IAGO 
  And this may help to thicken other proofs
  That do demonstrate thinly.

OTHELLO 
  I'll tear her all to pieces.

IAGO 
  Nay, but be wise: yet we see nothing done;
  She may be honest yet. Tell me but this,
  Have you not sometimes seen a handkerchief
  Spotted with strawberries in your wife's hand?

OTHELLO 
  I gave her such a one; 'twas my first gift.

IAGO 
  I know not that; but such a handkerchief--
  I am sure it was your wife's--did I to-day
  See Cassio wipe his beard with.

OTHELLO 
  If it be that--

IAGO 
  If it be that, or any that was hers,
  It speaks against her with the other proofs.

OTHELLO 
  O, that the slave had forty thousand lives!
  One is too poor, too weak for my revenge.
  Now do I see 'tis true. Look here, Iago;
  All my fond love thus do I blow to heaven.
  'Tis gone.
  Arise, black vengeance, from thy hollow cell!
  Yield up, O love, thy crown and hearted throne
  To tyrannous hate! Swell, bosom, with thy fraught,
  For 'tis of aspics' tongues!

IAGO 
  Yet be content.

OTHELLO 
  O, blood, blood, blood!

IAGO 
  Patience, I say; your mind perhaps may change.

OTHELLO 
  Never, Iago: Like to the Pontic sea,
  Whose icy current and compulsive course
  Ne'er feels retiring ebb, but keeps due on
  To the Propontic and the Hellespont,
  Even so my bloody thoughts, with violent pace,
  Shall ne'er look back, ne'er ebb to humble love,
  Till that a capable and wide revenge
  Swallow them up. Now, by yond marble heaven,

  Kneels
  In the due reverence of a sacred vow
  I here engage my words.

IAGO 
  Do not rise yet.

  Kneels
  Witness, you ever-burning lights above,
  You elements that clip us round about,
  Witness that here Iago doth give up
  The execution of his wit, hands, heart,
  To wrong'd Othello's service! Let him command,
  And to obey shall be in me remorse,
  What bloody business ever.

  They rise
OTHELLO 
  I greet thy love,
  Not with vain thanks, but with acceptance bounteous,
  And will upon the instant put thee to't:
  Within these three days let me hear thee say
  That Cassio's not alive.

IAGO 
  My friend is dead; 'tis done at your request:
  But let her live.

OTHELLO 
  Damn her, lewd minx! O, damn her!
  Come, go with me apart; I will withdraw,
  To furnish me with some swift means of death
  For the fair devil. Now art thou my lieutenant.

IAGO 
  I am your own for ever.

  Exeunt
SCENE IV. Before the castle.
  Enter DESDEMONA, EMILIA, and Clown 
DESDEMONA 
  Do you know, sirrah, where Lieutenant Cassio lies?

Clown 
  I dare not say he lies any where.

DESDEMONA 
  Why, man?

Clown 
  He's a soldier, and for one to say a soldier lies,
  is stabbing.

DESDEMONA 
  Go to: where lodges he?

Clown 
  To tell you where he lodges, is to tell you where I lie.

DESDEMONA 
  Can any thing be made of this?

Clown 
  I know not where he lodges, and for me to devise a
  lodging and say he lies here or he lies there, were
  to lie in mine own throat.

DESDEMONA 
  Can you inquire him out, and be edified by report?

Clown 
  I will catechise the world for him; that is, make
  questions, and by them answer.

DESDEMONA 
  Seek him, bid him come hither: tell him I have
  moved my lord on his behalf, and hope all will be well.

Clown 
  To do this is within the compass of man's wit: and
  therefore I will attempt the doing it.

  Exit
DESDEMONA 
  Where should I lose that handkerchief, Emilia?

EMILIA 
  I know not, madam.

DESDEMONA 
  Believe me, I had rather have lost my purse
  Full of crusadoes: and, but my noble Moor
  Is true of mind and made of no such baseness
  As jealous creatures are, it were enough
  To put him to ill thinking.

EMILIA 
  Is he not jealous?

DESDEMONA 
  Who, he? I think the sun where he was born
  Drew all such humours from him.

EMILIA 
  Look, where he comes.

DESDEMONA 
  I will not leave him now till Cassio
  Be call'd to him.

  Enter OTHELLO
  How is't with you, my lord

OTHELLO 
  Well, my good lady.

  Aside
  O, hardness to dissemble!--
  How do you, Desdemona?

DESDEMONA 
  Well, my good lord.

OTHELLO 
  Give me your hand: this hand is moist, my lady.

DESDEMONA 
  It yet hath felt no age nor known no sorrow.

OTHELLO 
  This argues fruitfulness and liberal heart:
  Hot, hot, and moist: this hand of yours requires
  A sequester from liberty, fasting and prayer,
  Much castigation, exercise devout;
  For here's a young and sweating devil here,
  That commonly rebels. 'Tis a good hand,
  A frank one.

DESDEMONA 
  You may, indeed, say so;
  For 'twas that hand that gave away my heart.

OTHELLO 
  A liberal hand: the hearts of old gave hands;
  But our new heraldry is hands, not hearts.

DESDEMONA 
  I cannot speak of this. Come now, your promise.

OTHELLO 
  What promise, chuck?

DESDEMONA 
  I have sent to bid Cassio come speak with you.

OTHELLO 
  I have a salt and sorry rheum offends me;
  Lend me thy handkerchief.

DESDEMONA 
  Here, my lord.

OTHELLO 
  That which I gave you.

DESDEMONA 
  I have it not about me.

OTHELLO 
  Not?

DESDEMONA 
  No, indeed, my lord.

OTHELLO 
  That is a fault.
  That handkerchief
  Did an Egyptian to my mother give;
  She was a charmer, and could almost read
  The thoughts of people: she told her, while
  she kept it,
  'Twould make her amiable and subdue my father
  Entirely to her love, but if she lost it
  Or made gift of it, my father's eye
  Should hold her loathed and his spirits should hunt
  After new fancies: she, dying, gave it me;
  And bid me, when my fate would have me wive,
  To give it her. I did so: and take heed on't;
  Make it a darling like your precious eye;
  To lose't or give't away were such perdition
  As nothing else could match.

DESDEMONA 
  Is't possible?

OTHELLO 
  'Tis true: there's magic in the web of it:
  A sibyl, that had number'd in the world
  The sun to course two hundred compasses,
  In her prophetic fury sew'd the work;
  The worms were hallow'd that did breed the silk;
  And it was dyed in mummy which the skilful
  Conserved of maidens' hearts.

DESDEMONA 
  Indeed! is't true?

OTHELLO 
  Most veritable; therefore look to't well.

DESDEMONA 
  Then would to God that I had never seen't!

OTHELLO 
  Ha! wherefore?

DESDEMONA 
  Why do you speak so startingly and rash?

OTHELLO 
  Is't lost? is't gone? speak, is it out
  o' the way?

DESDEMONA 
  Heaven bless us!

OTHELLO 
  Say you?

DESDEMONA 
  It is not lost; but what an if it were?

OTHELLO 
  How!

DESDEMONA 
  I say, it is not lost.

OTHELLO 
  Fetch't, let me see't.

DESDEMONA 
  Why, so I can, sir, but I will not now.
  This is a trick to put me from my suit:
  Pray you, let Cassio be received again.

OTHELLO 
  Fetch me the handkerchief: my mind misgives.

DESDEMONA 
  Come, come;
  You'll never meet a more sufficient man.

OTHELLO 
  The handkerchief!

DESDEMONA 
  I pray, talk me of Cassio.

OTHELLO 
  The handkerchief!

DESDEMONA 
  A man that all his time
  Hath founded his good fortunes on your love,
  Shared dangers with you,--

OTHELLO 
  The handkerchief!

DESDEMONA 
  In sooth, you are to blame.

OTHELLO 
  Away!

  Exit
EMILIA 
  Is not this man jealous?

DESDEMONA 
  I ne'er saw this before.
  Sure, there's some wonder in this handkerchief:
  I am most unhappy in the loss of it.

EMILIA 
  'Tis not a year or two shows us a man:
  They are all but stomachs, and we all but food;
  To eat us hungerly, and when they are full,
  They belch us. Look you, Cassio and my husband!

  Enter CASSIO and IAGO
IAGO 
  There is no other way; 'tis she must do't:
  And, lo, the happiness! go, and importune her.

DESDEMONA 
  How now, good Cassio! what's the news with you?

CASSIO 
  Madam, my former suit: I do beseech you
  That by your virtuous means I may again
  Exist, and be a member of his love
  Whom I with all the office of my heart
  Entirely honour: I would not be delay'd.
  If my offence be of such mortal kind
  That nor my service past, nor present sorrows,
  Nor purposed merit in futurity,
  Can ransom me into his love again,
  But to know so must be my benefit;
  So shall I clothe me in a forced content,
  And shut myself up in some other course,
  To fortune's alms.

DESDEMONA 
  Alas, thrice-gentle Cassio!
  My advocation is not now in tune;
  My lord is not my lord; nor should I know him,
  Were he in favour as in humour alter'd.
  So help me every spirit sanctified,
  As I have spoken for you all my best
  And stood within the blank of his displeasure
  For my free speech! you must awhile be patient:
  What I can do I will; and more I will
  Than for myself I dare: let that suffice you.

IAGO 
  Is my lord angry?

EMILIA 
  He went hence but now,
  And certainly in strange unquietness.

IAGO 
  Can he be angry? I have seen the cannon,
  When it hath blown his ranks into the air,
  And, like the devil, from his very arm
  Puff'd his own brother:--and can he be angry?
  Something of moment then: I will go meet him:
  There's matter in't indeed, if he be angry.

DESDEMONA 
  I prithee, do so.

  Exit IAGO
  Something, sure, of state,
  Either from Venice, or some unhatch'd practise
  Made demonstrable here in Cyprus to him,
  Hath puddled his clear spirit: and in such cases
  Men's natures wrangle with inferior things,
  Though great ones are their object. 'Tis even so;
  For let our finger ache, and it indues
  Our other healthful members even to that sense
  Of pain: nay, we must think men are not gods,
  Nor of them look for such observances
  As fit the bridal. Beshrew me much, Emilia,
  I was, unhandsome warrior as I am,
  Arraigning his unkindness with my soul;
  But now I find I had suborn'd the witness,
  And he's indicted falsely.

EMILIA 
  Pray heaven it be state-matters, as you think,
  And no conception nor no jealous toy
  Concerning you.

DESDEMONA 
  Alas the day! I never gave him cause.

EMILIA 
  But jealous souls will not be answer'd so;
  They are not ever jealous for the cause,
  But jealous for they are jealous: 'tis a monster
  Begot upon itself, born on itself.

DESDEMONA 
  Heaven keep that monster from Othello's mind!

EMILIA 
  Lady, amen.

DESDEMONA 
  I will go seek him. Cassio, walk hereabout:
  If I do find him fit, I'll move your suit
  And seek to effect it to my uttermost.

CASSIO 
  I humbly thank your ladyship.

  Exeunt DESDEMONA and EMILIA
  Enter BIANCA
BIANCA 
  Save you, friend Cassio!

CASSIO 
  What make you from home?
  How is it with you, my most fair Bianca?
  I' faith, sweet love, I was coming to your house.

BIANCA 
  And I was going to your lodging, Cassio.
  What, keep a week away? seven days and nights?
  Eight score eight hours? and lovers' absent hours,
  More tedious than the dial eight score times?
  O weary reckoning!

CASSIO 
  Pardon me, Bianca:
  I have this while with leaden thoughts been press'd:
  But I shall, in a more continuate time,
  Strike off this score of absence. Sweet Bianca,

  Giving her DESDEMONA's handkerchief
  Take me this work out.

BIANCA 
  O Cassio, whence came this?
  This is some token from a newer friend:
  To the felt absence now I feel a cause:
  Is't come to this? Well, well.

CASSIO 
  Go to, woman!
  Throw your vile guesses in the devil's teeth,
  From whence you have them. You are jealous now
  That this is from some mistress, some remembrance:
  No, in good troth, Bianca.

BIANCA 
  Why, whose is it?

CASSIO 
  I know not, sweet: I found it in my chamber.
  I like the work well: ere it be demanded--
  As like enough it will--I'ld have it copied:
  Take it, and do't; and leave me for this time.

BIANCA 
  Leave you! wherefore?

CASSIO 
  I do attend here on the general;
  And think it no addition, nor my wish,
  To have him see me woman'd.

BIANCA 
  Why, I pray you?

CASSIO 
  Not that I love you not.

BIANCA 
  But that you do not love me.
  I pray you, bring me on the way a little,
  And say if I shall see you soon at night.

CASSIO 
  'Tis but a little way that I can bring you;
  For I attend here: but I'll see you soon.

BIANCA 
  'Tis very good; I must be circumstanced.

  Exeunt
ACT IV
SCENE I. Cyprus. Before the castle.
  Enter OTHELLO and IAGO 
IAGO 
  Will you think so?

OTHELLO 
  Think so, Iago!

IAGO 
  What,
  To kiss in private?

OTHELLO 
  An unauthorized kiss.

IAGO 
  Or to be naked with her friend in bed
  An hour or more, not meaning any harm?

OTHELLO 
  Naked in bed, Iago, and not mean harm!
  It is hypocrisy against the devil:
  They that mean virtuously, and yet do so,
  The devil their virtue tempts, and they tempt heaven.

IAGO 
  So they do nothing, 'tis a venial slip:
  But if I give my wife a handkerchief,--

OTHELLO 
  What then?

IAGO 
  Why, then, 'tis hers, my lord; and, being hers,
  She may, I think, bestow't on any man.

OTHELLO 
  She is protectress of her honour too:
  May she give that?

IAGO 
  Her honour is an essence that's not seen;
  They have it very oft that have it not:
  But, for the handkerchief,--

OTHELLO 
  By heaven, I would most gladly have forgot it.
  Thou said'st, it comes o'er my memory,
  As doth the raven o'er the infected house,
  Boding to all--he had my handkerchief.

IAGO 
  Ay, what of that?

OTHELLO 
  That's not so good now.

IAGO 
  What,
  If I had said I had seen him do you wrong?
  Or heard him say,--as knaves be such abroad,
  Who having, by their own importunate suit,
  Or voluntary dotage of some mistress,
  Convinced or supplied them, cannot choose
  But they must blab--

OTHELLO 
  Hath he said any thing?

IAGO 
  He hath, my lord; but be you well assured,
  No more than he'll unswear.

OTHELLO 
  What hath he said?

IAGO 
  'Faith, that he did--I know not what he did.

OTHELLO 
  What? what?

IAGO 
  Lie--

OTHELLO 
  With her?

IAGO 
  With her, on her; what you will.

OTHELLO 
  Lie with her! lie on her! We say lie on her, when
  they belie her. Lie with her! that's fulsome.
  --Handkerchief--confessions--handkerchief!--To
  confess, and be hanged for his labour;--first, to be
  hanged, and then to confess.--I tremble at it.
  Nature would not invest herself in such shadowing
  passion without some instruction. It is not words
  that shake me thus. Pish! Noses, ears, and lips.
  --Is't possible?--Confess--handkerchief!--O devil!--

  Falls in a trance
IAGO 
  Work on,
  My medicine, work! Thus credulous fools are caught;
  And many worthy and chaste dames even thus,
  All guiltless, meet reproach. What, ho! my lord!
  My lord, I say! Othello!

  Enter CASSIO
  How now, Cassio!

CASSIO 
  What's the matter?

IAGO 
  My lord is fall'n into an epilepsy:
  This is his second fit; he had one yesterday.

CASSIO 
  Rub him about the temples.

IAGO 
  No, forbear;
  The lethargy must have his quiet course:
  If not, he foams at mouth and by and by
  Breaks out to savage madness. Look he stirs:
  Do you withdraw yourself a little while,
  He will recover straight: when he is gone,
  I would on great occasion speak with you.

  Exit CASSIO
  How is it, general? have you not hurt your head?

OTHELLO 
  Dost thou mock me?

IAGO 
  I mock you! no, by heaven.
  Would you would bear your fortune like a man!

OTHELLO 
  A horned man's a monster and a beast.

IAGO 
  There's many a beast then in a populous city,
  And many a civil monster.

OTHELLO 
  Did he confess it?

IAGO 
  Good sir, be a man;
  Think every bearded fellow that's but yoked
  May draw with you: there's millions now alive
  That nightly lie in those unproper beds
  Which they dare swear peculiar: your case is better.
  O, 'tis the spite of hell, the fiend's arch-mock,
  To lip a wanton in a secure couch,
  And to suppose her chaste! No, let me know;
  And knowing what I am, I know what she shall be.

OTHELLO 
  O, thou art wise; 'tis certain.

IAGO 
  Stand you awhile apart;
  Confine yourself but in a patient list.
  Whilst you were here o'erwhelmed with your grief--
  A passion most unsuiting such a man--
  Cassio came hither: I shifted him away,
  And laid good 'scuse upon your ecstasy,
  Bade him anon return and here speak with me;
  The which he promised. Do but encave yourself,
  And mark the fleers, the gibes, and notable scorns,
  That dwell in every region of his face;
  For I will make him tell the tale anew,
  Where, how, how oft, how long ago, and when
  He hath, and is again to cope your wife:
  I say, but mark his gesture. Marry, patience;
  Or I shall say you are all in all in spleen,
  And nothing of a man.

OTHELLO 
  Dost thou hear, Iago?
  I will be found most cunning in my patience;
  But--dost thou hear?--most bloody.

IAGO 
  That's not amiss;
  But yet keep time in all. Will you withdraw?

  OTHELLO retires
  Now will I question Cassio of Bianca,
  A housewife that by selling her desires
  Buys herself bread and clothes: it is a creature
  That dotes on Cassio; as 'tis the strumpet's plague
  To beguile many and be beguiled by one:
  He, when he hears of her, cannot refrain
  From the excess of laughter. Here he comes:

  Re-enter CASSIO
  As he shall smile, Othello shall go mad;
  And his unbookish jealousy must construe
  Poor Cassio's smiles, gestures and light behavior,
  Quite in the wrong. How do you now, lieutenant?

CASSIO 
  The worser that you give me the addition
  Whose want even kills me.

IAGO 
  Ply Desdemona well, and you are sure on't.

  Speaking lower
  Now, if this suit lay in Bianco's power,
  How quickly should you speed!

CASSIO 
  Alas, poor caitiff!

OTHELLO 
  Look, how he laughs already!

IAGO 
  I never knew woman love man so.

CASSIO 
  Alas, poor rogue! I think, i' faith, she loves me.

OTHELLO 
  Now he denies it faintly, and laughs it out.

IAGO 
  Do you hear, Cassio?

OTHELLO 
  Now he importunes him
  To tell it o'er: go to; well said, well said.

IAGO 
  She gives it out that you shall marry hey:
  Do you intend it?

CASSIO 
  Ha, ha, ha!

OTHELLO 
  Do you triumph, Roman? do you triumph?

CASSIO 
  I marry her! what? a customer! Prithee, bear some
  charity to my wit: do not think it so unwholesome.
  Ha, ha, ha!

OTHELLO 
  So, so, so, so: they laugh that win.

IAGO 
  'Faith, the cry goes that you shall marry her.

CASSIO 
  Prithee, say true.

IAGO 
  I am a very villain else.

OTHELLO 
  Have you scored me? Well.

CASSIO 
  This is the monkey's own giving out: she is
  persuaded I will marry her, out of her own love and
  flattery, not out of my promise.

OTHELLO 
  Iago beckons me; now he begins the story.

CASSIO 
  She was here even now; she haunts me in every place.
  I was the other day talking on the sea-bank with
  certain Venetians; and thither comes the bauble,
  and, by this hand, she falls me thus about my neck--

OTHELLO 
  Crying 'O dear Cassio!' as it were: his gesture
  imports it.

CASSIO 
  So hangs, and lolls, and weeps upon me; so hales,
  and pulls me: ha, ha, ha!

OTHELLO 
  Now he tells how she plucked him to my chamber. O,
  I see that nose of yours, but not that dog I shall
  throw it to.

CASSIO 
  Well, I must leave her company.

IAGO 
  Before me! look, where she comes.

CASSIO 
  'Tis such another fitchew! marry a perfumed one.

  Enter BIANCA
  What do you mean by this haunting of me?

BIANCA 
  Let the devil and his dam haunt you! What did you
  mean by that same handkerchief you gave me even now?
  I was a fine fool to take it. I must take out the
  work?--A likely piece of work, that you should find
  it in your chamber, and not know who left it there!
  This is some minx's token, and I must take out the
  work? There; give it your hobby-horse: wheresoever
  you had it, I'll take out no work on't.

CASSIO 
  How now, my sweet Bianca! how now! how now!

OTHELLO 
  By heaven, that should be my handkerchief!

BIANCA 
  An you'll come to supper to-night, you may; an you
  will not, come when you are next prepared for.

  Exit
IAGO 
  After her, after her.

CASSIO 
  'Faith, I must; she'll rail in the street else.

IAGO 
  Will you sup there?

CASSIO 
  'Faith, I intend so.

IAGO 
  Well, I may chance to see you; for I would very fain
  speak with you.

CASSIO 
  Prithee, come; will you?

IAGO 
  Go to; say no more.

  Exit CASSIO
OTHELLO 
  [Advancing] How shall I murder him, Iago?

IAGO 
  Did you perceive how he laughed at his vice?

OTHELLO 
  O Iago!

IAGO 
  And did you see the handkerchief?

OTHELLO 
  Was that mine?

IAGO 
  Yours by this hand: and to see how he prizes the
  foolish woman your wife! she gave it him, and he
  hath given it his whore.

OTHELLO 
  I would have him nine years a-killing.
  A fine woman! a fair woman! a sweet woman!

IAGO 
  Nay, you must forget that.

OTHELLO 
  Ay, let her rot, and perish, and be damned to-night;
  for she shall not live: no, my heart is turned to
  stone; I strike it, and it hurts my hand. O, the
  world hath not a sweeter creature: she might lie by
  an emperor's side and command him tasks.

IAGO 
  Nay, that's not your way.

OTHELLO 
  Hang her! I do but say what she is: so delicate
  with her needle: an admirable musician: O! she
  will sing the savageness out of a bear: of so high
  and plenteous wit and invention:--

IAGO 
  She's the worse for all this.

OTHELLO 
  O, a thousand thousand times: and then, of so
  gentle a condition!

IAGO 
  Ay, too gentle.

OTHELLO 
  Nay, that's certain: but yet the pity of it, Iago!
  O Iago, the pity of it, Iago!

IAGO 
  If you are so fond over her iniquity, give her
  patent to offend; for, if it touch not you, it comes
  near nobody.

OTHELLO 
  I will chop her into messes: cuckold me!

IAGO 
  O, 'tis foul in her.

OTHELLO 
  With mine officer!

IAGO 
  That's fouler.

OTHELLO 
  Get me some poison, Iago; this night: I'll not
  expostulate with her, lest her body and beauty
  unprovide my mind again: this night, Iago.

IAGO 
  Do it not with poison, strangle her in her bed, even
  the bed she hath contaminated.

OTHELLO 
  Good, good: the justice of it pleases: very good.

IAGO 
  And for Cassio, let me be his undertaker: you
  shall hear more by midnight.

OTHELLO 
  Excellent good.

  A trumpet within
  What trumpet is that same?

IAGO 
  Something from Venice, sure. 'Tis Lodovico
  Come from the duke: and, see, your wife is with him.

  Enter LODOVICO, DESDEMONA, and Attendants
LODOVICO 
  Save you, worthy general!

OTHELLO 
  With all my heart, sir.

LODOVICO 
  The duke and senators of Venice greet you.

  Gives him a letter
OTHELLO 
  I kiss the instrument of their pleasures.

  Opens the letter, and reads
DESDEMONA 
  And what's the news, good cousin Lodovico?

IAGO 
  I am very glad to see you, signior
  Welcome to Cyprus.

LODOVICO 
  I thank you. How does Lieutenant Cassio?

IAGO 
  Lives, sir.

DESDEMONA 
  Cousin, there's fall'n between him and my lord
  An unkind breach: but you shall make all well.

OTHELLO 
  Are you sure of that?

DESDEMONA 
  My lord?

OTHELLO 
  [Reads] 'This fail you not to do, as you will--'

LODOVICO 
  He did not call; he's busy in the paper.
  Is there division 'twixt my lord and Cassio?

DESDEMONA 
  A most unhappy one: I would do much
  To atone them, for the love I bear to Cassio.

OTHELLO 
  Fire and brimstone!

DESDEMONA 
  My lord?

OTHELLO 
  Are you wise?

DESDEMONA 
  What, is he angry?

LODOVICO 
  May be the letter moved him;
  For, as I think, they do command him home,
  Deputing Cassio in his government.

DESDEMONA 
  Trust me, I am glad on't.

OTHELLO 
  Indeed!

DESDEMONA 
  My lord?

OTHELLO 
  I am glad to see you mad.

DESDEMONA 
  Why, sweet Othello,--

OTHELLO 
  [Striking her] Devil!

DESDEMONA 
  I have not deserved this.

LODOVICO 
  My lord, this would not be believed in Venice,
  Though I should swear I saw't: 'tis very much:
  Make her amends; she weeps.

OTHELLO 
  O devil, devil!
  If that the earth could teem with woman's tears,
  Each drop she falls would prove a crocodile.
  Out of my sight!

DESDEMONA 
  I will not stay to offend you.

  Going
LODOVICO 
  Truly, an obedient lady:
  I do beseech your lordship, call her back.

OTHELLO 
  Mistress!

DESDEMONA 
  My lord?

OTHELLO 
  What would you with her, sir?

LODOVICO 
  Who, I, my lord?

OTHELLO 
  Ay; you did wish that I would make her turn:
  Sir, she can turn, and turn, and yet go on,
  And turn again; and she can weep, sir, weep;
  And she's obedient, as you say, obedient,
  Very obedient. Proceed you in your tears.
  Concerning this, sir,--O well-painted passion!--
  I am commanded home. Get you away;
  I'll send for you anon. Sir, I obey the mandate,
  And will return to Venice. Hence, avaunt!

  Exit DESDEMONA
  Cassio shall have my place. And, sir, tonight,
  I do entreat that we may sup together:
  You are welcome, sir, to Cyprus.--Goats and monkeys!

  Exit
LODOVICO 
  Is this the noble Moor whom our full senate
  Call all in all sufficient? Is this the nature
  Whom passion could not shake? whose solid virtue
  The shot of accident, nor dart of chance,
  Could neither graze nor pierce?

IAGO 
  He is much changed.

LODOVICO 
  Are his wits safe? is he not light of brain?

IAGO 
  He's that he is: I may not breathe my censure
  What he might be: if what he might he is not,
  I would to heaven he were!

LODOVICO 
  What, strike his wife!

IAGO 
  'Faith, that was not so well; yet would I knew
  That stroke would prove the worst!

LODOVICO 
  Is it his use?
  Or did the letters work upon his blood,
  And new-create this fault?

IAGO 
  Alas, alas!
  It is not honesty in me to speak
  What I have seen and known. You shall observe him,
  And his own courses will denote him so
  That I may save my speech: do but go after,
  And mark how he continues.

LODOVICO 
  I am sorry that I am deceived in him.

  Exeunt
SCENE II. A room in the castle.
  Enter OTHELLO and EMILIA 
OTHELLO 
  You have seen nothing then?

EMILIA 
  Nor ever heard, nor ever did suspect.

OTHELLO 
  Yes, you have seen Cassio and she together.

EMILIA 
  But then I saw no harm, and then I heard
  Each syllable that breath made up between them.

OTHELLO 
  What, did they never whisper?

EMILIA 
  Never, my lord.

OTHELLO 
  Nor send you out o' the way?

EMILIA 
  Never.

OTHELLO 
  To fetch her fan, her gloves, her mask, nor nothing?

EMILIA 
  Never, my lord.

OTHELLO 
  That's strange.

EMILIA 
  I durst, my lord, to wager she is honest,
  Lay down my soul at stake: if you think other,
  Remove your thought; it doth abuse your bosom.
  If any wretch have put this in your head,
  Let heaven requite it with the serpent's curse!
  For, if she be not honest, chaste, and true,
  There's no man happy; the purest of their wives
  Is foul as slander.

OTHELLO 
  Bid her come hither: go.

  Exit EMILIA
  She says enough; yet she's a simple bawd
  That cannot say as much. This is a subtle whore,
  A closet lock and key of villanous secrets
  And yet she'll kneel and pray; I have seen her do't.

  Enter DESDEMONA with EMILIA
DESDEMONA 
  My lord, what is your will?

OTHELLO 
  Pray, chuck, come hither.

DESDEMONA 
  What is your pleasure?

OTHELLO 
  Let me see your eyes;
  Look in my face.

DESDEMONA 
  What horrible fancy's this?

OTHELLO 
  [To EMILIA] Some of your function, mistress;
  Leave procreants alone and shut the door;
  Cough, or cry 'hem,' if any body come:
  Your mystery, your mystery: nay, dispatch.

  Exit EMILIA
DESDEMONA 
  Upon my knees, what doth your speech import?
  I understand a fury in your words.
  But not the words.

OTHELLO 
  Why, what art thou?

DESDEMONA 
  Your wife, my lord; your true
  And loyal wife.

OTHELLO 
  Come, swear it, damn thyself
  Lest, being like one of heaven, the devils themselves
  Should fear to seize thee: therefore be double damn'd:
  Swear thou art honest.

DESDEMONA 
  Heaven doth truly know it.

OTHELLO 
  Heaven truly knows that thou art false as hell.

DESDEMONA 
  To whom, my lord? with whom? how am I false?

OTHELLO 
  O Desdemona! away! away! away!

DESDEMONA 
  Alas the heavy day! Why do you weep?
  Am I the motive of these tears, my lord?
  If haply you my father do suspect
  An instrument of this your calling back,
  Lay not your blame on me: If you have lost him,
  Why, I have lost him too.

OTHELLO 
  Had it pleased heaven
  To try me with affliction; had they rain'd
  All kinds of sores and shames on my bare head.
  Steep'd me in poverty to the very lips,
  Given to captivity me and my utmost hopes,
  I should have found in some place of my soul
  A drop of patience: but, alas, to make me
  A fixed figure for the time of scorn
  To point his slow unmoving finger at!
  Yet could I bear that too; well, very well:
  But there, where I have garner'd up my heart,
  Where either I must live, or bear no life;
  The fountain from the which my current runs,
  Or else dries up; to be discarded thence!
  Or keep it as a cistern for foul toads
  To knot and gender in! Turn thy complexion there,
  Patience, thou young and rose-lipp'd cherubin,--
  Ay, there, look grim as hell!

DESDEMONA 
  I hope my noble lord esteems me honest.

OTHELLO 
  O, ay; as summer flies are in the shambles,
  That quicken even with blowing. O thou weed,
  Who art so lovely fair and smell'st so sweet
  That the sense aches at thee, would thou hadst
  ne'er been born!

DESDEMONA 
  Alas, what ignorant sin have I committed?

OTHELLO 
  Was this fair paper, this most goodly book,
  Made to write 'whore' upon? What committed!
  Committed! O thou public commoner!
  I should make very forges of my cheeks,
  That would to cinders burn up modesty,
  Did I but speak thy deeds. What committed!
  Heaven stops the nose at it and the moon winks,
  The bawdy wind that kisses all it meets
  Is hush'd within the hollow mine of earth,
  And will not hear it. What committed!
  Impudent strumpet!

DESDEMONA 
  By heaven, you do me wrong.

OTHELLO 
  Are you not a strumpet?

DESDEMONA 
  No, as I am a Christian:
  If to preserve this vessel for my lord
  From any other foul unlawful touch
  Be not to be a strumpet, I am none.

OTHELLO 
  What, not a whore?

DESDEMONA 
  No, as I shall be saved.

OTHELLO 
  Is't possible?

DESDEMONA 
  O, heaven forgive us!

OTHELLO 
  I cry you mercy, then:
  I took you for that cunning whore of Venice
  That married with Othello.

  Raising his voice
  You, mistress,
  That have the office opposite to Saint Peter,
  And keep the gate of hell!

  Re-enter EMILIA
  You, you, ay, you!
  We have done our course; there's money for your pains:
  I pray you, turn the key and keep our counsel.

  Exit
EMILIA 
  Alas, what does this gentleman conceive?
  How do you, madam? how do you, my good lady?

DESDEMONA 
  'Faith, half asleep.

EMILIA 
  Good madam, what's the matter with my lord?

DESDEMONA 
  With who?

EMILIA 
  Why, with my lord, madam.

DESDEMONA 
  Who is thy lord?

EMILIA 
  He that is yours, sweet lady.

DESDEMONA 
  I have none: do not talk to me, Emilia;
  I cannot weep; nor answer have I none,
  But what should go by water. Prithee, tonight
  Lay on my bed my wedding sheets: remember;
  And call thy husband hither.

EMILIA 
  Here's a change indeed!

  Exit
DESDEMONA 
  'Tis meet I should be used so, very meet.
  How have I been behaved, that he might stick
  The small'st opinion on my least misuse?

  Re-enter EMILIA with IAGO
IAGO 
  What is your pleasure, madam?
  How is't with you?

DESDEMONA 
  I cannot tell. Those that do teach young babes
  Do it with gentle means and easy tasks:
  He might have chid me so; for, in good faith,
  I am a child to chiding.

IAGO 
  What's the matter, lady?

EMILIA 
  Alas, Iago, my lord hath so bewhored her.
  Thrown such despite and heavy terms upon her,
  As true hearts cannot bear.

DESDEMONA 
  Am I that name, Iago?

IAGO 
  What name, fair lady?

DESDEMONA 
  Such as she says my lord did say I was.

EMILIA 
  He call'd her whore: a beggar in his drink
  Could not have laid such terms upon his callat.

IAGO 
  Why did he so?

DESDEMONA 
  I do not know; I am sure I am none such.

IAGO 
  Do not weep, do not weep. Alas the day!

EMILIA 
  Hath she forsook so many noble matches,
  Her father and her country and her friends,
  To be call'd whore? would it not make one weep?

DESDEMONA 
  It is my wretched fortune.

IAGO 
  Beshrew him for't!
  How comes this trick upon him?

DESDEMONA 
  Nay, heaven doth know.

EMILIA 
  I will be hang'd, if some eternal villain,
  Some busy and insinuating rogue,
  Some cogging, cozening slave, to get some office,
  Have not devised this slander; I'll be hang'd else.

IAGO 
  Fie, there is no such man; it is impossible.

DESDEMONA 
  If any such there be, heaven pardon him!

EMILIA 
  A halter pardon him! and hell gnaw his bones!
  Why should he call her whore? who keeps her company?
  What place? what time? what form? what likelihood?
  The Moor's abused by some most villanous knave,
  Some base notorious knave, some scurvy fellow.
  O heaven, that such companions thou'ldst unfold,
  And put in every honest hand a whip
  To lash the rascals naked through the world
  Even from the east to the west!

IAGO 
  Speak within door.

EMILIA 
  O, fie upon them! Some such squire he was
  That turn'd your wit the seamy side without,
  And made you to suspect me with the Moor.

IAGO 
  You are a fool; go to.

DESDEMONA 
  O good Iago,
  What shall I do to win my lord again?
  Good friend, go to him; for, by this light of heaven,
  I know not how I lost him. Here I kneel:
  If e'er my will did trespass 'gainst his love,
  Either in discourse of thought or actual deed,
  Or that mine eyes, mine ears, or any sense,
  Delighted them in any other form;
  Or that I do not yet, and ever did.
  And ever will--though he do shake me off
  To beggarly divorcement--love him dearly,
  Comfort forswear me! Unkindness may do much;
  And his unkindness may defeat my life,
  But never taint my love. I cannot say 'whore:'
  It does abhor me now I speak the word;
  To do the act that might the addition earn
  Not the world's mass of vanity could make me.

IAGO 
  I pray you, be content; 'tis but his humour:
  The business of the state does him offence,
  And he does chide with you.

DESDEMONA 
  If 'twere no other--

IAGO 
  'Tis but so, I warrant.

  Trumpets within
  Hark, how these instruments summon to supper!
  The messengers of Venice stay the meat;
  Go in, and weep not; all things shall be well.

  Exeunt DESDEMONA and EMILIA
  Enter RODERIGO
  How now, Roderigo!

RODERIGO 
  I do not find that thou dealest justly with me.

IAGO 
  What in the contrary?

RODERIGO 
  Every day thou daffest me with some device, Iago;
  and rather, as it seems to me now, keepest from me
  all conveniency than suppliest me with the least
  advantage of hope. I will indeed no longer endure
  it, nor am I yet persuaded to put up in peace what
  already I have foolishly suffered.

IAGO 
  Will you hear me, Roderigo?

RODERIGO 
  'Faith, I have heard too much, for your words and
  performances are no kin together.

IAGO 
  You charge me most unjustly.

RODERIGO 
  With nought but truth. I have wasted myself out of
  my means. The jewels you have had from me to
  deliver to Desdemona would half have corrupted a
  votarist: you have told me she hath received them
  and returned me expectations and comforts of sudden
  respect and acquaintance, but I find none.

IAGO 
  Well; go to; very well.

RODERIGO 
  Very well! go to! I cannot go to, man; nor 'tis
  not very well: nay, I think it is scurvy, and begin
  to find myself fobbed in it.

IAGO 
  Very well.

RODERIGO 
  I tell you 'tis not very well. I will make myself
  known to Desdemona: if she will return me my
  jewels, I will give over my suit and repent my
  unlawful solicitation; if not, assure yourself I
  will seek satisfaction of you.

IAGO 
  You have said now.

RODERIGO 
  Ay, and said nothing but what I protest intendment of doing.

IAGO 
  Why, now I see there's mettle in thee, and even from
  this instant to build on thee a better opinion than
  ever before. Give me thy hand, Roderigo: thou hast
  taken against me a most just exception; but yet, I
  protest, I have dealt most directly in thy affair.

RODERIGO 
  It hath not appeared.

IAGO 
  I grant indeed it hath not appeared, and your
  suspicion is not without wit and judgment. But,
  Roderigo, if thou hast that in thee indeed, which I
  have greater reason to believe now than ever, I mean
  purpose, courage and valour, this night show it: if
  thou the next night following enjoy not Desdemona,
  take me from this world with treachery and devise
  engines for my life.

RODERIGO 
  Well, what is it? is it within reason and compass?

IAGO 
  Sir, there is especial commission come from Venice
  to depute Cassio in Othello's place.

RODERIGO 
  Is that true? why, then Othello and Desdemona
  return again to Venice.

IAGO 
  O, no; he goes into Mauritania and takes away with
  him the fair Desdemona, unless his abode be
  lingered here by some accident: wherein none can be
  so determinate as the removing of Cassio.

RODERIGO 
  How do you mean, removing of him?

IAGO 
  Why, by making him uncapable of Othello's place;
  knocking out his brains.

RODERIGO 
  And that you would have me to do?

IAGO 
  Ay, if you dare do yourself a profit and a right.
  He sups to-night with a harlotry, and thither will I
  go to him: he knows not yet of his horrorable
  fortune. If you will watch his going thence, which
  I will fashion to fall out between twelve and one,
  you may take him at your pleasure: I will be near
  to second your attempt, and he shall fall between
  us. Come, stand not amazed at it, but go along with
  me; I will show you such a necessity in his death
  that you shall think yourself bound to put it on
  him. It is now high suppertime, and the night grows
  to waste: about it.

RODERIGO 
  I will hear further reason for this.

IAGO 
  And you shall be satisfied.

  Exeunt
SCENE III. Another room In the castle.
  Enter OTHELLO, LODOVICO, DESDEMONA, EMILIA and Attendants 
LODOVICO 
  I do beseech you, sir, trouble yourself no further.

OTHELLO 
  O, pardon me: 'twill do me good to walk.

LODOVICO 
  Madam, good night; I humbly thank your ladyship.

DESDEMONA 
  Your honour is most welcome.

OTHELLO 
  Will you walk, sir?
  O,--Desdemona,--

DESDEMONA 
  My lord?

OTHELLO 
  Get you to bed on the instant; I will be returned
  forthwith: dismiss your attendant there: look it be done.

DESDEMONA 
  I will, my lord.

  Exeunt OTHELLO, LODOVICO, and Attendants
EMILIA 
  How goes it now? he looks gentler than he did.

DESDEMONA 
  He says he will return incontinent:
  He hath commanded me to go to bed,
  And bade me to dismiss you.

EMILIA 
  Dismiss me!

DESDEMONA 
  It was his bidding: therefore, good Emilia,.
  Give me my nightly wearing, and adieu:
  We must not now displease him.

EMILIA 
  I would you had never seen him!

DESDEMONA 
  So would not I my love doth so approve him,
  That even his stubbornness, his cheques, his frowns--
  Prithee, unpin me,--have grace and favour in them.

EMILIA 
  I have laid those sheets you bade me on the bed.

DESDEMONA 
  All's one. Good faith, how foolish are our minds!
  If I do die before thee prithee, shroud me
  In one of those same sheets.

EMILIA 
  Come, come you talk.

DESDEMONA 
  My mother had a maid call'd Barbara:
  She was in love, and he she loved proved mad
  And did forsake her: she had a song of 'willow;'
  An old thing 'twas, but it express'd her fortune,
  And she died singing it: that song to-night
  Will not go from my mind; I have much to do,
  But to go hang my head all at one side,
  And sing it like poor Barbara. Prithee, dispatch.

EMILIA 
  Shall I go fetch your night-gown?

DESDEMONA 
  No, unpin me here.
  This Lodovico is a proper man.

EMILIA 
  A very handsome man.

DESDEMONA 
  He speaks well.

EMILIA 
  I know a lady in Venice would have walked barefoot
  to Palestine for a touch of his nether lip.

DESDEMONA 
  [Singing] The poor soul sat sighing by a sycamore tree,
  Sing all a green willow:
  Her hand on her bosom, her head on her knee,
  Sing willow, willow, willow:
  The fresh streams ran by her, and murmur'd her moans;
  Sing willow, willow, willow;
  Her salt tears fell from her, and soften'd the stones;
  Lay by these:--

  Singing
  Sing willow, willow, willow;
  Prithee, hie thee; he'll come anon:--

  Singing
  Sing all a green willow must be my garland.
  Let nobody blame him; his scorn I approve,-
  Nay, that's not next.--Hark! who is't that knocks?

EMILIA 
  It's the wind.

DESDEMONA 
  [Singing] I call'd my love false love; but what
  said he then?
  Sing willow, willow, willow:
  If I court moe women, you'll couch with moe men!
  So, get thee gone; good night Ate eyes do itch;
  Doth that bode weeping?

EMILIA 
  'Tis neither here nor there.

DESDEMONA 
  I have heard it said so. O, these men, these men!
  Dost thou in conscience think,--tell me, Emilia,--
  That there be women do abuse their husbands
  In such gross kind?

EMILIA 
  There be some such, no question.

DESDEMONA 
  Wouldst thou do such a deed for all the world?

EMILIA 
  Why, would not you?

DESDEMONA 
  No, by this heavenly light!

EMILIA 
  Nor I neither by this heavenly light;
  I might do't as well i' the dark.

DESDEMONA 
  Wouldst thou do such a deed for all the world?

EMILIA 
  The world's a huge thing: it is a great price.
  For a small vice.

DESDEMONA 
  In troth, I think thou wouldst not.

EMILIA 
  In troth, I think I should; and undo't when I had
  done. Marry, I would not do such a thing for a
  joint-ring, nor for measures of lawn, nor for
  gowns, petticoats, nor caps, nor any petty
  exhibition; but for the whole world,--why, who would
  not make her husband a cuckold to make him a
  monarch? I should venture purgatory for't.

DESDEMONA 
  Beshrew me, if I would do such a wrong
  For the whole world.

EMILIA 
  Why the wrong is but a wrong i' the world: and
  having the world for your labour, tis a wrong in your
  own world, and you might quickly make it right.

DESDEMONA 
  I do not think there is any such woman.

EMILIA 
  Yes, a dozen; and as many to the vantage as would
  store the world they played for.
  But I do think it is their husbands' faults
  If wives do fall: say that they slack their duties,
  And pour our treasures into foreign laps,
  Or else break out in peevish jealousies,
  Throwing restraint upon us; or say they strike us,
  Or scant our former having in despite;
  Why, we have galls, and though we have some grace,
  Yet have we some revenge. Let husbands know
  Their wives have sense like them: they see and smell
  And have their palates both for sweet and sour,
  As husbands have. What is it that they do
  When they change us for others? Is it sport?
  I think it is: and doth affection breed it?
  I think it doth: is't frailty that thus errs?
  It is so too: and have not we affections,
  Desires for sport, and frailty, as men have?
  Then let them use us well: else let them know,
  The ills we do, their ills instruct us so.

DESDEMONA 
  Good night, good night: heaven me such uses send,
  Not to pick bad from bad, but by bad mend!

  Exeunt
ACT V
SCENE I. Cyprus. A street.
  Enter IAGO and RODERIGO 
IAGO 
  Here, stand behind this bulk; straight will he come:
  Wear thy good rapier bare, and put it home:
  Quick, quick; fear nothing; I'll be at thy elbow:
  It makes us, or it mars us; think on that,
  And fix most firm thy resolution.

RODERIGO 
  Be near at hand; I may miscarry in't.

IAGO 
  Here, at thy hand: be bold, and take thy stand.

  Retires
RODERIGO 
  I have no great devotion to the deed;
  And yet he hath given me satisfying reasons:
  'Tis but a man gone. Forth, my sword: he dies.

IAGO 
  I have rubb'd this young quat almost to the sense,
  And he grows angry. Now, whether he kill Cassio,
  Or Cassio him, or each do kill the other,
  Every way makes my gain: live Roderigo,
  He calls me to a restitution large
  Of gold and jewels that I bobb'd from him,
  As gifts to Desdemona;
  It must not be: if Cassio do remain,
  He hath a daily beauty in his life
  That makes me ugly; and, besides, the Moor
  May unfold me to him; there stand I in much peril:
  No, he must die. But so: I hear him coming.

  Enter CASSIO
RODERIGO 
  I know his gait, 'tis he.--Villain, thou diest!

  Makes a pass at CASSIO
CASSIO 
  That thrust had been mine enemy indeed,
  But that my coat is better than thou know'st
  I will make proof of thine.

  Draws, and wounds RODERIGO
RODERIGO 
  O, I am slain!

  IAGO from behind wounds CASSIO in the leg, and exit
CASSIO 
  I am maim'd for ever. Help, ho! murder! murder!

  Falls
  Enter OTHELLO
OTHELLO 
  The voice of Cassio: Iago keeps his word.

RODERIGO 
  O, villain that I am!

OTHELLO 
  It is even so.

CASSIO 
  O, help, ho! light! a surgeon!

OTHELLO 
  'Tis he:--O brave Iago, honest and just,
  That hast such noble sense of thy friend's wrong!
  Thou teachest me. Minion, your dear lies dead,
  And your unblest fate hies: strumpet, I come.
  Forth of my heart those charms, thine eyes, are blotted;
  Thy bed, lust-stain'd, shall with lust's blood be spotted.

  Exit
  Enter LODOVICO and GRATIANO
CASSIO 
  What, ho! no watch? no passage? murder! murder!

GRATIANO 
  'Tis some mischance; the cry is very direful.

CASSIO 
  O, help!

LODOVICO 
  Hark!

RODERIGO 
  O wretched villain!

LODOVICO 
  Two or three groan: it is a heavy night:
  These may be counterfeits: let's think't unsafe
  To come in to the cry without more help.

RODERIGO 
  Nobody come? then shall I bleed to death.

LODOVICO 
  Hark!

  Re-enter IAGO, with a light
GRATIANO 
  Here's one comes in his shirt, with light and weapons.

IAGO 
  Who's there? whose noise is this that ones on murder?

LODOVICO 
  We do not know.

IAGO 
  Did not you hear a cry?

CASSIO 
  Here, here! for heaven's sake, help me!

IAGO 
  What's the matter?

GRATIANO 
  This is Othello's ancient, as I take it.

LODOVICO 
  The same indeed; a very valiant fellow.

IAGO 
  What are you here that cry so grievously?

CASSIO 
  Iago? O, I am spoil'd, undone by villains!
  Give me some help.

IAGO 
  O me, lieutenant! what villains have done this?

CASSIO 
  I think that one of them is hereabout,
  And cannot make away.

IAGO 
  O treacherous villains!
  What are you there? come in, and give some help.

  To LODOVICO and GRATIANO
RODERIGO 
  O, help me here!

CASSIO 
  That's one of them.

IAGO 
  O murderous slave! O villain!

  Stabs RODERIGO
RODERIGO 
  O damn'd Iago! O inhuman dog!

IAGO 
  Kill men i' the dark!--Where be these bloody thieves?--
  How silent is this town!--Ho! murder! murder!--
  What may you be? are you of good or evil?

LODOVICO 
  As you shall prove us, praise us.

IAGO 
  Signior Lodovico?

LODOVICO 
  He, sir.

IAGO 
  I cry you mercy. Here's Cassio hurt by villains.

GRATIANO 
  Cassio!

IAGO 
  How is't, brother!

CASSIO 
  My leg is cut in two.

IAGO 
  Marry, heaven forbid!
  Light, gentlemen; I'll bind it with my shirt.

  Enter BIANCA
BIANCA 
  What is the matter, ho? who is't that cried?

IAGO 
  Who is't that cried!

BIANCA 
  O my dear Cassio! my sweet Cassio! O Cassio,
  Cassio, Cassio!

IAGO 
  O notable strumpet! Cassio, may you suspect
  Who they should be that have thus many led you?

CASSIO 
  No.

GRATIANO 
  I am to find you thus: I have been to seek you.

IAGO 
  Lend me a garter. So. O, for a chair,
  To bear him easily hence!

BIANCA 
  Alas, he faints! O Cassio, Cassio, Cassio!

IAGO 
  Gentlemen all, I do suspect this trash
  To be a party in this injury.
  Patience awhile, good Cassio. Come, come;
  Lend me a light. Know we this face or no?
  Alas my friend and my dear countryman
  Roderigo! no:--yes, sure: O heaven! Roderigo.

GRATIANO 
  What, of Venice?

IAGO 
  Even he, sir; did you know him?

GRATIANO 
  Know him! ay.

IAGO 
  Signior Gratiano? I cry you gentle pardon;
  These bloody accidents must excuse my manners,
  That so neglected you.

GRATIANO 
  I am glad to see you.

IAGO 
  How do you, Cassio? O, a chair, a chair!

GRATIANO 
  Roderigo!

IAGO 
  He, he 'tis he.

  A chair brought in
  O, that's well said; the chair!

GRATIANO 
  Some good man bear him carefully from hence;
  I'll fetch the general's surgeon.

  To BIANCA
  For you, mistress,
  Save you your labour. He that lies slain
  here, Cassio,
  Was my dear friend: what malice was between you?

CASSIO 
  None in the world; nor do I know the man.

IAGO 
  [To BIANCA] What, look you pale? O, bear him out
  o' the air.

  CASSIO and RODERIGO are borne off
  Stay you, good gentlemen. Look you pale, mistress?
  Do you perceive the gastness of her eye?
  Nay, if you stare, we shall hear more anon.
  Behold her well; I pray you, look upon her:
  Do you see, gentlemen? nay, guiltiness will speak,
  Though tongues were out of use.

  Enter EMILIA
EMILIA 
  'Las, what's the matter? what's the matter, husband?

IAGO 
  Cassio hath here been set on in the dark
  By Roderigo and fellows that are scaped:
  He's almost slain, and Roderigo dead.

EMILIA 
  Alas, good gentleman! alas, good Cassio!

IAGO 
  This is the fruit of whoring. Prithee, Emilia,
  Go know of Cassio where he supp'd to-night.

  To BIANCA
  What, do you shake at that?

BIANCA 
  He supp'd at my house; but I therefore shake not.

IAGO 
  O, did he so? I charge you, go with me.

EMILIA 
  Fie, fie upon thee, strumpet!

BIANCA 
  I am no strumpet; but of life as honest
  As you that thus abuse me.

EMILIA 
  As I! foh! fie upon thee!

IAGO 
  Kind gentlemen, let's go see poor Cassio dress'd.
  Come, mistress, you must tell's another tale.
  Emilia run you to the citadel,
  And tell my lord and lady what hath happ'd.
  Will you go on? I pray.

  Aside
  This is the night
  That either makes me or fordoes me quite.

  Exeunt
SCENE II. A bedchamber in the castle: DESDEMONA in bed asleep;
  a light burning.

  Enter OTHELLO
OTHELLO 
  It is the cause, it is the cause, my soul,--
  Let me not name it to you, you chaste stars!--
  It is the cause. Yet I'll not shed her blood;
  Nor scar that whiter skin of hers than snow,
  And smooth as monumental alabaster.
  Yet she must die, else she'll betray more men.
  Put out the light, and then put out the light:
  If I quench thee, thou flaming minister,
  I can again thy former light restore,
  Should I repent me: but once put out thy light,
  Thou cunning'st pattern of excelling nature,
  I know not where is that Promethean heat
  That can thy light relume. When I have pluck'd the rose,
  I cannot give it vital growth again.
  It must needs wither: I'll smell it on the tree.

  Kissing her
  Ah balmy breath, that dost almost persuade
  Justice to break her sword! One more, one more.
  Be thus when thou art dead, and I will kill thee,
  And love thee after. One more, and this the last:
  So sweet was ne'er so fatal. I must weep,
  But they are cruel tears: this sorrow's heavenly;
  It strikes where it doth love. She wakes.

DESDEMONA 
  Who's there? Othello?

OTHELLO 
  Ay. Desdemona.

DESDEMONA 
  Will you come to bed, my lord?

OTHELLO 
  Have you pray'd to-night, Desdemona?

DESDEMONA 
  Ay, my lord.

OTHELLO 
  If you bethink yourself of any crime
  Unreconciled as yet to heaven and grace,
  Solicit for it straight.

DESDEMONA 
  Alas, my lord, what do you mean by that?

OTHELLO 
  Well, do it, and be brief; I will walk by:
  I would not kill thy unprepared spirit;
  No; heaven forfend! I would not kill thy soul.

DESDEMONA 
  Talk you of killing?

OTHELLO 
  Ay, I do.

DESDEMONA 
  Then heaven
  Have mercy on me!

OTHELLO 
  Amen, with all my heart!

DESDEMONA 
  If you say so, I hope you will not kill me.

OTHELLO 
  Hum!

DESDEMONA 
  And yet I fear you; for you are fatal then
  When your eyes roll so: why I should fear I know not,
  Since guiltiness I know not; but yet I feel I fear.

OTHELLO 
  Think on thy sins.

DESDEMONA 
  They are loves I bear to you.

OTHELLO 
  Ay, and for that thou diest.

DESDEMONA 
  That death's unnatural that kills for loving.
  Alas, why gnaw you so your nether lip?
  Some bloody passion shakes your very frame:
  These are portents; but yet I hope, I hope,
  They do not point on me.

OTHELLO 
  Peace, and be still!

DESDEMONA 
  I will so. What's the matter?

OTHELLO 
  That handkerchief which I so loved and gave thee
  Thou gavest to Cassio.

DESDEMONA 
  No, by my life and soul!
  Send for the man, and ask him.

OTHELLO 
  Sweet soul, take heed,
  Take heed of perjury; thou art on thy deathbed.

DESDEMONA 
  Ay, but not yet to die.

OTHELLO 
  Yes, presently:
  Therefore confess thee freely of thy sin;
  For to deny each article with oath
  Cannot remove nor choke the strong conception
  That I do groan withal. Thou art to die.

DESDEMONA 
  Then Lord have mercy on me!

OTHELLO 
  I say, amen.

DESDEMONA 
  And have you mercy too! I never did
  Offend you in my life; never loved Cassio
  But with such general warranty of heaven
  As I might love: I never gave him token.

OTHELLO 
  By heaven, I saw my handkerchief in's hand.
  O perjured woman! thou dost stone my heart,
  And makest me call what I intend to do
  A murder, which I thought a sacrifice:
  I saw the handkerchief.

DESDEMONA 
  He found it then;
  I never gave it him: send for him hither;
  Let him confess a truth.

OTHELLO 
  He hath confess'd.

DESDEMONA 
  What, my lord?

OTHELLO 
  That he hath used thee.

DESDEMONA 
  How? unlawfully?

OTHELLO 
  Ay.

DESDEMONA 
  He will not say so.

OTHELLO 
  No, his mouth is stopp'd;
  Honest Iago hath ta'en order for't.

DESDEMONA 
  O! my fear interprets: what, is he dead?

OTHELLO 
  Had all his hairs been lives, my great revenge
  Had stomach for them all.

DESDEMONA 
  Alas! he is betray'd and I undone.

OTHELLO 
  Out, strumpet! weep'st thou for him to my face?

DESDEMONA 
  O, banish me, my lord, but kill me not!

OTHELLO 
  Down, strumpet!

DESDEMONA 
  Kill me to-morrow: let me live to-night!

OTHELLO 
  Nay, if you strive--

DESDEMONA 
  But half an hour!

OTHELLO 
  Being done, there is no pause.

DESDEMONA 
  But while I say one prayer!

OTHELLO 
  It is too late.

  He stifles her
EMILIA 
  [Within] My lord , my lord! what, ho! my lord, my lord!

OTHELLO 
  What noise is this? Not dead? not yet quite dead?
  I that am cruel am yet merciful;
  I would not have thee linger in thy pain: So, so.

EMILIA 
  [Within] What, ho! my lord, my lord!

OTHELLO 
  Who's there?

EMILIA 
  [Within] O, good my lord, I would speak a word with you!

OTHELLO 
  Yes: 'tis Emilia. By and by. She's dead.
  'Tis like she comes to speak of Cassio's death.--
  The noise was here. Ha! no more moving?
  Still as the grave. Shall she come in? were't good?--
  I think she stirs again:--no. What's best to do?
  If she come in, she'll sure speak to my wife:
  My wife! my wife! what wife? I have no wife.
  O insupportable! O heavy hour!
  Methinks it should be now a huge eclipse
  Of sun and moon, and that the affrighted globe
  Should yawn at alteration.

EMILIA 
  [Within] I do beseech you
  That I may speak with you, O, good my lord!

OTHELLO 
  I had forgot thee: O, come in, Emilia;
  Soft; by and by. Let me the curtains draw.
  Where art thou?

  Unlocks the door
  Enter EMILIA
  What's the matter with thee now?

EMILIA 
  O, my good lord, yonder's foul murders done!

OTHELLO 
  What, now?

EMILIA 
  But now, my lord.

OTHELLO 
  It is the very error of the moon;
  She comes more nearer earth than she was wont,
  And makes men mad.

EMILIA 
  Cassio, my lord, hath kill'd a young Venetian
  Call'd Roderigo.

OTHELLO 
  Roderigo kill'd!
  And Cassio kill'd!

EMILIA 
  No, Cassio is not kill'd.

OTHELLO 
  Not Cassio kill'd! then murder's out of tune,
  And sweet revenge grows harsh.

DESDEMONA 
  O, falsely, falsely murder'd!

EMILIA 
  Alas, what cry is that?

OTHELLO 
  That! what?

EMILIA 
  Out, and alas! that was my lady's voice.
  Help! help, ho! help! O lady, speak again!
  Sweet Desdemona! O sweet mistress, speak!

DESDEMONA 
  A guiltless death I die.

EMILIA 
  O, who hath done this deed?

DESDEMONA 
  Nobody; I myself. Farewell
  Commend me to my kind lord: O, farewell!

  Dies
OTHELLO 
  Why, how should she be murder'd?

EMILIA 
  Alas, who knows?

OTHELLO 
  You heard her say herself, it was not I.

EMILIA 
  She said so: I must needs report the truth.

OTHELLO 
  She's, like a liar, gone to burning hell:
  'Twas I that kill'd her.

EMILIA 
  O, the more angel she,
  And you the blacker devil!

OTHELLO 
  She turn'd to folly, and she was a whore.

EMILIA 
  Thou dost belie her, and thou art a devil.

OTHELLO 
  She was false as water.

EMILIA 
  Thou art rash as fire, to say
  That she was false: O, she was heavenly true!

OTHELLO 
  Cassio did top her; ask thy husband else.
  O, I were damn'd beneath all depth in hell,
  But that I did proceed upon just grounds
  To this extremity. Thy husband knew it all.

EMILIA 
  My husband!

OTHELLO 
  Thy husband.

EMILIA 
  That she was false to wedlock?

OTHELLO 
  Ay, with Cassio. Nay, had she been true,
  If heaven would make me such another world
  Of one entire and Perfect chrysolite,
  I'ld not have sold her for it.

EMILIA 
  My husband!

OTHELLO 
  Ay, 'twas he that told me first:
  An honest man he is, and hates the slime
  That sticks on filthy deeds.

EMILIA 
  My husband!

OTHELLO 
  What needs this iteration, woman? I say thy husband.

EMILIA 
  O mistress, villany hath made mocks with love,
  My husband say that she was false!

OTHELLO 
  He, woman;
  I say thy husband: dost understand the word?
  My friend, thy husband, honest, honest Iago.

EMILIA 
  If he say so, may his pernicious soul
  Rot half a grain a day! he lies to the heart:
  She was too fond of her most filthy bargain.

OTHELLO 
  Ha!

EMILIA 
  Do thy worst:
  This deed of thine is no more worthy heaven
  Than thou wast worthy her.

OTHELLO 
  Peace, you were best.

EMILIA 
  Thou hast not half that power to do me harm
  As I have to be hurt. O gull! O dolt!
  As ignorant as dirt! thou hast done a deed--
  I care not for thy sword; I'll make thee known,
  Though I lost twenty lives.--Help! help, ho! help!
  The Moor hath kill'd my mistress! Murder! murder!

  Enter MONTANO, GRATIANO, IAGO, and others
MONTANO 
  What is the matter? How now, general!

EMILIA 
  O, are you come, Iago? you have done well,
  That men must lay their murders on your neck.

GRATIANO 
  What is the matter?

EMILIA 
  Disprove this villain, if thou be'st a man:
  He says thou told'st him that his wife was false:
  I know thou didst not, thou'rt not such a villain:
  Speak, for my heart is full.

IAGO 
  I told him what I thought, and told no more
  Than what he found himself was apt and true.

EMILIA 
  But did you ever tell him she was false?

IAGO 
  I did.

EMILIA 
  You told a lie, an odious, damned lie;
  Upon my soul, a lie, a wicked lie.
  She false with Cassio!--did you say with Cassio?

IAGO 
  With Cassio, mistress. Go to, charm your tongue.

EMILIA 
  I will not charm my tongue; I am bound to speak:
  My mistress here lies murder'd in her bed,--

All 
  O heavens forfend!

EMILIA 
  And your reports have set the murder on.

OTHELLO 
  Nay, stare not, masters: it is true, indeed.

GRATIANO 
  'Tis a strange truth.

MONTANO 
  O monstrous act!

EMILIA 
  Villany, villany, villany!
  I think upon't, I think: I smell't: O villany!--
  I thought so then:--I'll kill myself for grief:--
  O villany, villany!

IAGO 
  What, are you mad? I charge you, get you home.

EMILIA 
  Good gentlemen, let me have leave to speak:
  'Tis proper I obey him, but not now.
  Perchance, Iago, I will ne'er go home.

OTHELLO 
  O! O! O!

  He falls on the bed
EMILIA 
  Nay, lay thee down and roar;
  For thou hast kill'd the sweetest innocent
  That e'er did lift up eye.

OTHELLO 
  [Rising] O, she was foul!
  I scarce did know you, uncle: there lies your niece,
  Whose breath, indeed, these hands have newly stopp'd:
  I know this act shows horrible and grim.

GRATIANO 
  Poor Desdemona! I am glad thy father's dead:
  Thy match was mortal to him, and pure grief
  Shore his old thread in twain: did he live now,
  This sight would make him do a desperate turn,
  Yea, curse his better angel from his side,
  And fall to reprobation.

OTHELLO 
  'Tis pitiful; but yet Iago knows
  That she with Cassio hath the act of shame
  A thousand times committed; Cassio confess'd it:
  And she did gratify his amorous works
  With that recognizance and pledge of love
  Which I first gave her; I saw it in his hand:
  It was a handkerchief, an antique token
  My father gave my mother.

EMILIA 
  O heaven! O heavenly powers!

IAGO 
  Come, hold your peace.

EMILIA 
  'Twill out, 'twill out: I peace!
  No, I will speak as liberal as the north:
  Let heaven and men and devils, let them all,
  All, all, cry shame against me, yet I'll speak.

IAGO 
  Be wise, and get you home.

EMILIA 
  I will not.

  IAGO offers to stab EMILIA
GRATIANO 
  Fie!
  Your sword upon a woman?

EMILIA 
  O thou dull Moor! that handkerchief thou speak'st of
  I found by fortune and did give my husband;
  For often, with a solemn earnestness,
  More than indeed belong'd to such a trifle,
  He begg'd of me to steal it.

IAGO 
  Villanous whore!

EMILIA 
  She give it Cassio! no, alas! I found it,
  And I did give't my husband.

IAGO 
  Filth, thou liest!

EMILIA 
  By heaven, I do not, I do not, gentlemen.
  O murderous coxcomb! what should such a fool
  Do with so good a woman?

OTHELLO 
  Are there no stones in heaven
  But what serve for the thunder?--Precious villain!

  He runs at IAGO IAGO, from behind, stabs EMILIA, and exit
GRATIANO 
  The woman falls; sure, he hath kill'd his wife.

EMILIA 
  Ay, ay: O, lay me by my mistress' side.

GRATIANO 
  He's gone, but his wife's kill'd.

MONTANO 
  'Tis a notorious villain. Take you this weapon,
  Which I have here recover'd from the Moor:
  Come, guard the door without; let him not pass,
  But kill him rather. I'll after that same villain,
  For 'tis a damned slave.

  Exeunt MONTANO and GRATIANO
OTHELLO 
  I am not valiant neither,
  But ever puny whipster gets my sword:
  But why should honour outlive honesty?
  Let it go all.

EMILIA 
  What did thy song bode, lady?
  Hark, canst thou hear me? I will play the swan.
  And die in music.

  Singing
  Willow, willow, willow,--
  Moor, she was chaste; she loved thee, cruel Moor;
  So come my soul to bliss, as I speak true;
  So speaking as I think, I die, I die.

  Dies
OTHELLO 
  I have another weapon in this chamber;
  It is a sword of Spain, the ice-brook's temper:--
  O, here it is. Uncle, I must come forth.

GRATIANO 
  [Within] If thou attempt it, it will cost thee dear:
  Thou hast no weapon, and perforce must suffer.

OTHELLO 
  Look in upon me then and speak with me,
  Or, naked as I am, I will assault thee.

  Re-enter GRATIANO
GRATIANO 
  What is the matter?

OTHELLO 
  Behold, I have a weapon;
  A better never did itself sustain
  Upon a soldier's thigh: I have seen the day,
  That, with this little arm and this good sword,
  I have made my way through more impediments
  Than twenty times your stop: but, O vain boast!
  Who can control his fate? 'tis not so now.
  Be not afraid, though you do see me weapon'd;
  Here is my journey's end, here is my butt,
  And very sea-mark of my utmost sail.
  Do you go back dismay'd? 'tis a lost fear;
  Man but a rush against Othello's breast,
  And he retires. Where should Othello go?
  Now, how dost thou look now? O ill-starr'd wench!
  Pale as thy smock! when we shall meet at compt,
  This look of thine will hurl my soul from heaven,
  And fiends will snatch at it. Cold, cold, my girl!
  Even like thy chastity. O cursed slave!
  Whip me, ye devils,
  From the possession of this heavenly sight!
  Blow me about in winds! roast me in sulphur!
  Wash me in steep-down gulfs of liquid fire!
  O Desdemona! Desdemona! dead!
  Oh! Oh! Oh!

  Enter LODOVICO. MONTANO, CASSIO carried in a chair, and Officers with IAGO, 
  prisoner
LODOVICO 
  Where is this rash and most unfortunate man?

OTHELLO 
  That's he that was Othello: here I am.

LODOVICO 
  Where is that viper? bring the villain forth.

OTHELLO 
  I look down towards his feet; but that's a fable.
  If that thou best a devil, I cannot kill thee.

  Wounds IAGO
LODOVICO 
  Wrench his sword from him.

IAGO 
  I bleed, sir; but not kill'd.

OTHELLO 
  I am not sorry neither: I'ld have thee live;
  For, in my sense, 'tis happiness to die.

LODOVICO 
  O thou Othello, thou wert once so good,
  Fall'n in the practise of a damned slave,
  What shall be said to thee?

OTHELLO 
  Why, any thing:
  An honourable murderer, if you will;
  For nought I did in hate, but all in honour.

LODOVICO 
  This wretch hath part confess'd his villany:
  Did you and he consent in Cassio's death?

OTHELLO 
  Ay.

CASSIO 
  Dear general, I never gave you cause.

OTHELLO 
  I do believe it, and I ask your pardon.
  Will you, I pray, demand that demi-devil
  Why he hath thus ensnared my soul and body?

IAGO 
  Demand me nothing: what you know, you know:
  From this time forth I never will speak word.

LODOVICO 
  What, not to pray?

GRATIANO 
  Torments will ope your lips.

OTHELLO 
  Well, thou dost best.

LODOVICO 
  Sir, you shall understand what hath befall'n,
  Which, as I think, you know not. Here is a letter
  Found in the pocket of the slain Roderigo;
  And here another: the one of them imports
  The death of Cassio to be undertook
  By Roderigo.

OTHELLO 
  O villain!

CASSIO 
  Most heathenish and most gross!

LODOVICO 
  Now here's another discontented paper,
  Found in his pocket too; and this, it seems,
  Roderigo meant to have sent this damned villain;
  But that belike Iago in the interim
  Came in and satisfied him.

OTHELLO 
  O the pernicious caitiff!
  How came you, Cassio, by that handkerchief
  That was my wife's?

CASSIO 
  I found it in my chamber:
  And he himself confess'd but even now
  That there he dropp'd it for a special purpose
  Which wrought to his desire.

OTHELLO 
  O fool! fool! fool!

CASSIO 
  There is besides in Roderigo's letter,
  How he upbraids Iago, that he made him
  Brave me upon the watch; whereon it came
  That I was cast: and even but now he spake,
  After long seeming dead, Iago hurt him,
  Iago set him on.

LODOVICO 
  You must forsake this room, and go with us:
  Your power and your command is taken off,
  And Cassio rules in Cyprus. For this slave,
  If there be any cunning cruelty
  That can torment him much and hold him long,
  It shall be his. You shall close prisoner rest,
  Till that the nature of your fault be known
  To the Venetian state. Come, bring him away.

OTHELLO 
  Soft you; a word or two before you go.
  I have done the state some service, and they know't.
  No more of that. I pray you, in your letters,
  When you shall these unlucky deeds relate,
  Speak of me as I am; nothing extenuate,
  Nor set down aught in malice: then must you speak
  Of one that loved not wisely but too well;
  Of one not easily jealous, but being wrought
  Perplex'd in the extreme; of one whose hand,
  Like the base Indian, threw a pearl away
  Richer than all his tribe; of one whose subdued eyes,
  Albeit unused to the melting mood,
  Drop tears as fast as the Arabian trees
  Their medicinal gum. Set you down this;
  And say besides, that in Aleppo once,
  Where a malignant and a turban'd Turk
  Beat a Venetian and traduced the state,
  I took by the throat the circumcised dog,
  And smote him, thus.

  Stabs himself
LODOVICO 
  O bloody period!

GRATIANO 
  All that's spoke is marr'd.

OTHELLO 
  I kiss'd thee ere I kill'd thee: no way but this;
  Killing myself, to die upon a kiss.

  Falls on the bed, and dies
CASSIO 
  This did I fear, but thought he had no weapon;
  For he was great of heart.

LODOVICO 
  [To IAGO] O Spartan dog,
  More fell than anguish, hunger, or the sea!
  Look on the tragic loading of this bed;
  This is thy work: the object poisons sight;
  Let it be hid. Gratiano, keep the house,
  And seize upon the fortunes of the Moor,
  For they succeed on you. To you, lord governor,
  Remains the censure of this hellish villain;
  The time, the place, the torture: O, enforce it!
  Myself will straight aboard: and to the state
  This heavy act with heavy heart relate.

  Exeunt

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