The information on this page came directly from http://www.gretuk.sexheroes.com/KAJIRA/positions.html whom this girl has contacted and is using this information with permission. Thank you so much siren{DW} for the permission and thank You Dk'tah Warrior for building and maintaining such a beautiful, informative site. ~gem
Slave positions are ways in which a
slave kneels to their Masters, whether showing respect, or begging forgiveness
there is a position for each. The top ten most used positions are in the order
below, followed by the remaining positions.
NOTE: "I noted that the palms of her hands, so soft, so vulnerable, had
turned on her thighs, so that they faced up. Among slave girls this is a common
way of signaling need, helplessness, a desire to please." VAGABONDS OF GOR,
Pg. 209
"It is almost universal, as far as I know, that a slave kneels in one
fashion or another when entering her master's presence, or if she should find
herself in his presence. She commonly kneels when spoken to by any free person.
This is simply a matter of respect. To be sure, she can be slain if she does not
do so. The kneeling position, of course, which the master's, or free person's,
permission, either tacit or explicit, is usually required to break, is commonly
an initial position. For example, after its deferential assumption, she may be
dismissed from it, to other duties, such as cleaning, shopping or cooking."
DANCER OF GOR, Pg. 115
This is one of the most used positions. The slave kneels, her thighs open wide, her hands placed palms up atop her thighs, her belly and back slightly in, shoulders straight, forcing her breasts out, her head is raised proudly, her eyes lowered to the ground. "Tossing my head I knelt, the chain dangling from my collar before my body, to the grass. I knelt back on my heels, my back very straight, my hands on my thighs, my head high, looking straight ahead. I thrust my shoulders back, my breasts forward. I did not neglect the placement of my knees; I opened them as widely as I could, as I knew the men wanted. I knelt before them again in that most elegant and helpless position in which men may place a woman, that position I was later to learn was that of the Gorean Pleasure Slave." SLAVEGIRL OF GOR, Pg. 20
"She is yours," he said. He took his strap off her throat, and unbound her hands. "Submit," I told her. She knelt before me, back on her heels, arms extended, head down, between her arms, wrists crossed, as though for binding. EXPLORERS OF GOR, Pg. 74
The ko-lar, or collaring position, is also called "The Position of Female Submission." A slave kneels at her Master's feet, sitting on her heels. She extends her arms upward, and crosses her wrists.
"Lesha," snapped the second officer to the blond girl. She spun from facing him, and lifted her chin, turning her head to the left, placing her wrists behind her, as though for snapping them into slave bracelets. EXPLORERS OF GOR, Pg. 76
The slave kneels quickly spreading her thighs wide, arches her back stiffly and places her hands, wrists crossed, at the small of her back, turns her head to the left with eyes lowered submissively, lips parted slightly and awaits the leash or inspection.
Also called Binding position. From the Gorean word Lesha, which translates as "leash." In this position, the slave remains either standing or kneeling, depending upon the current position she is in. She turns and puts her back to her Master, her chin up, her head turned to the left so a leash may be attached to her collar, with her chin up and her back and shoulders straight. Her wrists are extended behind her, side by side, in a position to be locked into chained slave bracelets.
"Bara, Kajira!" he said. She rolled quickly to her stomach, placing her wrists behind her, crossed, and crossing her ankles, ready to be bound. EXPLORERS OF GOR pg. 77
Bara, the Gorean word for "belly", although slaves are expected to respond to either command in the same fashion. In this position the slave falls to her stomach, face down to the floor and turned to the left, crosses her wrists behind her back, and similarly crosses her ankles, her legs straight, in preparation for binding.
"I knelt before the guest, putting the palms of my hands on the floor and my head to the tiles. KAJIRA OF GOR, Pg. 305
The slave kneels and touches her forehead to the floor and stretches her arms out before her with palms face down and fingers spread.
"EXPLORERS OF GOR, Pg. 40, NOMADS OF GOR, Pg. 168
The slave falls to the floor upon all fours, and lowers her head to the ground, with her buttocks thrust upward and her thighs widely spread, exposing her hindquarters fully in preparation for the caress of the leather against her body.
"I pointed to the stones at my feet. "Crawl," I said, in Gorean. The girl slipped to her belly, and, as a slave girl, crawled to my feet. She put her lips to my foot; I felt her hair over it. TRIBESMEN OF GOR, Pg. 78
The slave gets down on all fours, her palms to elbows flat on the floor, ass in the air, forehead close but not touching the floor. She crawls to just an inch from the Master's feet.
"Now inch forward," I said, " remaining low on your belly, and when you reach my feet, once again, as before,lifting your head a little, tenderly and humbly, and beautifully, as though you were a slave , lick and kiss them. Good. Good. Now take my foot and place it gently on your head. Very good. Now place it again on the Mat, and kiss it again. Good. You may now belly back a little, humbly. I have not yet given you permission to rise of course." MERCENARIES OF GOR, Pg. 411
The slave goes to the floor, laying upon her stomach, face down before the Master. She turns her head and places her cheek against his feet, kissing them lightly in a gesture of love and submission.
"Similarly, I was not required to respond to certain sorts of commands, for example, to make "slave lips," pursing my lips for kissing, or to writhe slowly before my viewers. KAJIRA OF GOR, Pg. 224
When this command is given, the slave turns her head up to the Master, her lips pursed in a sensual kissing position. She remains motionless, her lips thusly puckered, and may not move until she is granted the kiss of a Master. "A girl who is commanded to make slave lips, or who receives the command, “Slave Lips,” must form her mouth for kissing. She then, commonly, is not permitted to break this lip position until either she kisses or is kissed. Needless to say, a girl cannot speak when her lips are in the unbroken, fully pursed slave-lips position. The command which commonly follows the “Slave-lips” command is, “Please me.” BLOOD BROTHERS OF GOR pg.111"
"Stop," he said. "To your belly." Then I was on my belly, on the tiles, my hands at the sides of my head, prone, before his curule chair. KAJIRA OF GOR, Pg. 427
A slave lays on her belly, parts her legs, shoulder-width apart and lays her arms by her sides, palms up, her forehead to the ground. She then crawls to her Master's feet, remaining on her belly as she does so.
"I then threw the second blanket, the top blanket over her, covering her completely. When a blanket, or cloak, or covering of any sort, is thrown over a slave like this she may not speak or rise. She must remain as she is, silent, until the master , or some free man, lifts the covering away." EXPLORERS OF GOR, Pg. 94
"Bracelets," he snapped. She put her head in the air and placed her hands behind her back. HUNTERS OF GOR, Pg. 146
A slave kneels, thighs spread wide, back arched, and extends her arms before her, her wrists together in preparation for being bound. Her head is held high, her eyes lowered submissively. NOTICE: a slight diffence in the book way and the vt way.
"On your back," he said, "knees raised, heels on the floor." I then lay before him, in a standard, supine capture position. KAJIRA OF GOR, Pg. 422
"The auctioneer did not strike her with his whip. He merely took her arms and lifted them, so that the position chain, attached to each side of the sales collar lay across her her upper arms. Then he had her clasp her hands behind the back of her neck, so that the chain, on each side of the collar, was in the crook of her arms, and she was exposed in such a way that she could be properly exhibited. EXPLORERS OF GOR, Pg. 36
"her head then touched the furs, her body a cruel, helpless bow. ASSASSIN OF GOR, Pg. 185
A slave kneels, thighs spread wide, and leans over backwards until her head touches the floor. She then pulls herself up, arching her back. This exposes a slave's heat and breasts for her Master's enjoyment.
"Her master seized her from the circle then and hurried her from the light, her head down, held by the hair, at his left hip. This is a common leading position for female slaves being conducted short distances. As the master holds her hair in the left hand, it leaves his right hand, commonly the sword hand, free." MAGICIANS OF GOR pg. 46
A slave remains in whatever position she is in but gathers her hair and offers it to her Master.
"The Forkbeard turned about and, one arm about Pudding, the other about Gunnhild, started from the dock. Hilda followed him, to his left. 'She heels nicely,' said Ottar. The men and bond-maids laughed. The Forkbeard stopped. Hilda's face burned red with fury, but she kept her head high. Pet sleen are taught to heel; so, too, sometimes, are bond-maids; I was familiar with this sort of thing, of course; in the south it was quite common for slave girls; in various fashions in various cities, to heel their masters. Hilda, of course, was a free woman. For her to heel was an incredible humiliation. The Forkbeard started off again, and then again stopped. Again, Hilda followed him as before. 'She is heeling!' laughed Ottar. MARAUDERS OF GOR, Pg. 123
A slave kneels just behind her Master's left foot. As He moves she must remain just behind His foot, but never come in contact with it at any time.
"Lift your head, " he said. "Higher. Higher!" She looked up at him, her head far back, the leash on her throat.... "You need not now keep your head in high-harness position,", he said to the girl. She moved her head. MERCENARIES OF GOR, Pg. 308-309
The slave kneels on the floor, her thighs spread wide, and leans forward placing her breasts and forehead against the floor, her arms fully extended, palms against floor. Ankles may be crossed or uncrossed.
"Kneel to be coffled," said one of the men. The girls knelt, closely, one behind the other, there were six wrist rings on the chain he carried. He placed the girl who had been whipped by Lady Sabina first in the coffle line. "Left wrist coffle," he said. They lifted their left wrists, frightened. Interestingly, the man snapping the wrist rings on the girls’ left wrists did not put the first girl in the first ring, but the second. When the four maids were coffled there was, thus, an empty wrist ring both at the head and rear of the line. "Stand, Slaves," said the man. "Lower chain." The girls stood. Then, ordered, the lowered their wrists. They were then in line, standing, coffled. SLAVEGIRL OF GOR, Pg. 127
"I went to Targo, trembling, and knelt at his feet... I crossed my wrists beneath me and touched my head to the floor, exposing the bow of my back. It is the submissive posture of a slave girl who is to be punished. It is called Kneeling to the Whip." CAPTIVE OF GOR, pg. 200
"In a moment I had left the building, pulling the captive behind me, her head down at my waist, in leading position. MERCENARIES OF GOR, Pg. 399-400
A slave approaches her Master's side and bends at the waist, gathering up her hair to present to her Master, so he may lead her by the hair. "Her master seized her from the circle then and hurried her from the light, her head down, held by the hair, at his left hip. This is a common leading position for female slaves being conducted short distances. As the master holds her hair in the left hand, it leaves his right hand, commonly the sword hand, free. MAGICIANS OF GOR pg. 46"
"Nestle," I told her. "Yes, Master," she said. She nestled obediently in the crook of my left arm. EXPLORERS OF GOR, Pg. 279
"There are many ways to perform obseience. "I said. "I am a free woman," she said, " I know none of them." "I shall instruct you briefly in three," I said. " First kneel before me , back on your heels, yes, with your knees wide, wider, your hands on your thighs, your back straight, your breasts out, good, your belly in, good, and now lower your head in deference, in submission." MERCENARIES OF GOR, Pg. 409
"I was amused, for she had run as a slave girl is sometimes taught to run, with rapid short steps, her legs almost straight, her feet scarcely leaving the ground, back straight, head turned to the left, arms at her sides, palms out at a fourty-five degree angle, more of a dancers motion than a true run." ASSASSIN OF GOR, Pg. 45
A slave runs toward her objective, taking small rapid steps, her legs almost straight, her feet barely leaving the floor. As she runs, her back is straight, her head is turned to the left, her arms are at her sides with palms facing outward. Upon reaching her objective she drops gracefully to her knees and typically resumes the position of Nadu. "I was amused, for she had run as a slave girl is sometimes taught to run, with rapid short steps, her legs almost straight, her feet scarcely leaving the ground, back straight, head turned to the left, arms at her sides, palms out at a forty-five degree angle, more of a dancers motion than a true run.
"In this form of slavery, which is commonly used for disciplinary purposes, or for the amusement of the Master, the woman is not permitted to arise from all fours; similarly she is not permitted human speech, though she may signify needs and desires by such means as cringing, and moaning and whimpering. Not permitted the use of her hands, save as a means of locomotion, she must also eat and drink from pans set on the floor, or, sometimes to satisfy her thirst, she must lap the water permitted to her from puddles or lick pillages from the tiles; too, it is not uncommon to chain her near her master's feet, while he dines, that he may, if he wishes, throw her scraps of food. She will also be taught tricks, through which paces she may be put for the entertainment of her master's guests, such things as begging, lying down, rolling over, and fetching his sandals in her teeth. And, needless to say, when her master wishes to use her sexually, it will be a position common to the she-quadruped. GUARDSMAN OF GOR, Pg. 225
"He knelt me there. "Put your head down, to the floor," he said. "Clasp your hands, firmly, behind the back of your neck." "Yes, Master," I moaned. KAJIRA OF GOR, Pg. 434
A slaves gets down on her knees and elbows and clasps her hands over her head, raising her hips as she does so. She parts her thighs and arches her back, forcing her hips yet higher, exposing herself completely to His view or caress. She readies herself to be beaten or taken sexually like an animal, depending on her Master's whim.
"I went to the side of the room and picked up my sea bag. I threw it to the center of the room. She looked down at it puzzled. It was of heavy blue material, canvas, and tied with a white rope. "Lie down upon it," I told her, "on your back, your head to the floor." She did so. "No, please," she said, "not like this." Tt is a common position for a disciplinary slave rape. In it the woman feels very vulnerable, very helpless. I then took her." EXPLORERS OF GOR, Pg. 202
"Standard binding position," he said. I was prone. When a girl is prone, the standard binding position is to cross the wrists behind the back and to cross the ankles. I took this position instantaneously. SLAVEGIRL OF GOR, Pg. 125
A slave kneels, bending at the waist, placing her cheek to the floor. She then takes the Master's right foot and places it upon her neck, her arms behind her back with her wrists crossed. A girl might assume this position if she has displeased her Master, as it shows complete submission, His foot on her neck showing that she offers Him even her life freely.
'Submit,' he said. She looked at me, wildly, piteously. I aided her. I showed her how to kneel back on her heels, her arms extended to him, wrists crossed, her head down, between her arms. 'Say,'I submit,'' I said. "I submit,' she said. He bound her wrists tightly before her body." SLAVE GIRL OF GOR, Pg. 401
"Sula, Kajira!" said the man. She slid her legs from under her and lay on her back, her hands at her sides, palms up, legs open. EXPLORERS OF GOR, Pg. 77
A slave lays flat on the floor on her back, her feet spread shoulder width apart. She places her arms at her sides. Her eyes remain lowered in submission and she silently awaits her Master's pleasure.
".. she lay on her back, her knees drawn up, before me. She arched her back. Her breasts were lifted beautifully. I observed their lovely rise and fall, correlated with the respiratory cycle of her small lungs. Then she lay back, her shoulders in the dirt, and pressing against the earth with her small feet, piteously lifted before me, for my examination, and seizure, if I pleased, the deep belly of her, the sweet cradle of her slave's heat." EXPLORERS OF GOR, Pg. 329,
The sula-ki is also known as the
alternate sula. A slave lays
flat on the floor, face upward, her hands at her sides, palms open and up.
NOTICE: The picture shows palms down, this is wrong! Her legs are spread wide in
preparation for her Master's pleasure and she slowly lifts her hips off the
floor.
A slave has many uses to her Master,
one of which is to present
herself as a table, to support his feet or drink. She goes to all fours making
sure her back is level, her head held straight, her eyes lowered in submission.
The girl should ensure she is stable, so as not to risk spilling the drink, or
disturbing her Master, and should remain totally motionless. Stability can be
increased if a girl ensures her thighs are parted widely and her elbows locked.
"The position of the Tower Slave, in which Vika knelt, differs from that of a free woman only in the position of the wrists which are held before her and, when not occupied, crossed as though for binding... PRIEST-KINGS OF GOR, Pg. 46
A slave kneels with her knees modestly together, back straight, eyes lowered. Her palms rest down upon her thighs."She kept her knees tightly together before the free woman. Had she knelt before a man she would probably have hd to keep them open, even if they were brutally kicked apart, a lesson to her, to be more sensitive as to before whom she knelt. MAGICIANS OF GOR pg. 18"
When this command is given, a slave turns gracefully, her hair caressing her body as she turns. She walks quietly across the room or camp, her feet hardly seeming to leave the ground, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hips out a bit, her hands at her sides, and points one foot. Her chin is held high and her eyes are lowered.