1995     Harris House of the Atlantic Center for the Arts, New Smyrna Beach, Florida.
          'The Prints of Harold Garde."
          A survey of recent works on canvas and works on paper that introduced Harold
          Garde's work to the local artunity, and was the site for his first workshop
          dedicated to the strappo process.  Curated by Jenni McInnes Coolidge.

1995     Lakes Gallery, South Casco, Maine
          Figurative small strappo images were shown along with multiple strappo images
          that were incorporated into larger work on panels.

1996     Brest Museum, University of Jacksonville, Florida.
          "Acrylic Paintings by Harold Garde."
          Larger scale acrylic paintings, often depicting two figures, with expressionist and
          surreal psychodrama overtone.

1996     DeLand Museum, Deland, Florida.
          "Harold Garde: Acrylic Paintings and Prints."
          A large showing that included large triptychs, acrylics on canvas paintings, and
          grouping of direct acrylic and strappo works on paper.

1997     Spring Street Gallery (w. Mark Kuzio collab.), Belfast, Maine.
          "The Clay Kimono."
          Paintings on canvas and paper and prints (strappo) all relating to the theme: shape
          of the Japanese Kimono.

1997     Clark House Gallery, Bangor, Maine.
          "Paintings by Harold Garde."
          Current work.  Curated by gallery director, Susan MNaasch.

1998     Ormond Beach Museum, Ormond Beach, Fla.
          "Harold Garde/The Kimono Series."
          Works on paper, images selected, curated and installed by Steve Aimone.

1998     Maine Coast Artists, Rockport, Maine. (1985-1989 Belfast Prints)
          "The Belfast Prints."
          Monotypes on paper, curated by Suzette McAvoy.  Figurative images created on
          the press at Gallery 68 in Belfast, Maine, 1984-1989.

1998     University of Maine, Presque Isle, Maine.
          "The Belfast Prints."
          A second destination for this exhibit of monotypes.

1998     Maine Art Center, Wiscasset, Maine.
          "Harold Garder: Recent Work."
          Acrylic figurative paintings and works on paper including multi panel transfers of
          strappo on paper.

1999     Judith Leighton Gallery, Blue Hill, Maine.
          The Belfast Prints.
          A representative selection from the exhibition that originated in the Maine Coast
          Artists Gallery in 1998.

1999     Caldbeck Gallery, Rockland, Maine.
          "Strappo Images of Harold Garde."
          Small scale strappo images, single and double figures.

2000     Mount Dora Art Center, Mount Dora, Florida.
          Large scale paintings on canvas and prints at the Art Center in conjunction with
          serving as juror of the mount Dora Annual Juried Exhibition.

2000     Nassau County Firehouse Gallery, Garden City, New York.
          Exhibition of Paintings and Prints curated by Elissa Garde-Joia.

2000     Bates College Museum of Art, Lewiston, Maine.
          "Women Hatted and Unhatted."
          Monotypes selected and installed by museum director, Genetta McLean.

2000     Firehouse Gallery, Damariscotta, Maine.
          "Great Dames: Paintings and Prints by Harold Garde."
          All on the subject of women.  Curated by Jane Ward.

2001     Farnsworth Museum, Rockland, Maine.
          "KIMONO:HAROLD GARDE"
          Full scale exhibition of work exploring the shape of the kimono as the theme of a
          60 plus works in the two gallery space show.  Selected by museum curator,
          Suzette Lane McAvoy.

2002     Caldbeck Art Gallery, Rockland, Maine.
          "Black and White with some color."
          Acrylic paintings on canvas and paper, and strappo prints, with thematic
          reference to the still life genre vessel forms.

2002     Maine Art Gallery, Wiscassett, Maine.
          "Kimono/Harold Garde."
          Paintings and prints update of the kimono theme, including new acrylic and
          strappo work.