--- Y KANT GoRAN RiTE? ---
[1981]

BODY HEAT
***
˝
USA
A woman seduces a Florida lawyer and convinces him to kill her rich and older husband.

   A sexy, derivative but entertaining unofficial remake of "Double Indemnity" (1944). It's probably the best you could expect from a remake of a classic: a dignified, stylish imitation.
dir: Lawrence Kasdan
cast:
William Hurt, Kathleen Turner, Richard Crenna, Ted Danson

CHARIOTS OF FIRE
**
˝
UK
In the 1924 Olympics, a Jewish student and Scottish missionary run for Britain.

   Cultured, well-behaved and dead boring. Thanks to countless parodies, it is now difficult - if at all possible - to keep a straight face during the aggressively rousing climax.
dir: Hugh Hudson
cast:
Ben Cross, Ian Charleston, Nigel Havers, Nicholas Darrell, Ian Holm

CUTTER'S WAY
***
USA
A murder mystery which has developed a limited but enthusiastic enough cult following that may lead you to expect that the movie itself contains more flashes of personality than it really does. It's well-acted and admirably committed to character as far as the central trio is concerned. But the characters in the sidelines never make a whole lot of sense, and there isn't enough atmosphere or insight to justify the routine meandering of the plot.
dir: Ivan Passer
cast: Jeff Bridges, John Heard, Lisa Eichhorn, Ann Dusenberry, Stephen Elliott, Arthur Rosenberg

DIVA
****
˝
France
Tapes are accidentally switched and a young postman as well as the opera singer he adores end up involved with the Mafia.

   An odd, moody, stylish thriller, with uncommonly, surreally beautiful visuals. Beware of the dubbed VHS release.
dir: Jean-Jacques Beineix
wr:
Jean-Jacques Beineix, Jean Van Hamme
ph:
Philippe Rousselot
cast:
Frederic Andrei, Roland Bertin, Richard Bohringer, Wilhelmenia Wiggins Fernandez, Jean-Jacques Moreau, Chantal Deruaz, Thuy An Luu, Dominique Pinon

THE EVIL DEAD
***
USA
Five youths visit a haunted cabin in the woods.

A gruesome, ultra-low-budget gore-fest. First-time writer-director Sam Raimi displays an efficiency that is reminiscent of Ed Wood, but far more knowing. There are several effective patches that signal a talent in need of money and a competent cast.
wr/dir: Sam Raimi
cast:
Bruce Campbell, Ellen Sandweiss, Betsy Baker, Hal Delrich, Sarah York

EXCALIBUR
***
UK
A puffing, photogenic mess. John Boorman races through the Arthurian legend as if checking the major events off a list (in a matter of minutes, Arthur is conceived and grows besotted with Guinevere) and strips them of their mythical grandeur in a manner that feels more inept than revisionist.
   Merlin is a ham, Arthur is wooden, Lancelot and Guinevere pass for softcore porn stars. As Morgana, a young, spirited Helen Mirren snatches tiny Mordred from her own loins in what is cinema's funniest birth sequence. Later her face is strategically positioned to disguise a fog machine.
   Ultimately however, all the wooden dialogue and misconceived setpieces come at you so fast, it all becomes perversely entertaining. There may not be much dramatic weight to the proceedings, but there's plenty of swords and tits and bloodletting. And the vivid, vibrant lensing showcases all the most flattering bits of the cheap sets.
dir: John Boorman
ph: Alex Thomson
pd:
Anthony Pratt
cast:
Nigel Terry, Nicol Williamson, Helen Mirren, Nicholas Clay, Cherie Lunghi, Paul Geoffrey, Robert Addie, Gabriel Byrne, Liam Neeson, Patrick Stewart

FOR YOUR EYES ONLY
***
UK
A Bond addition that has caused much debate. Some argue it's one of the best, others are firmly opposed. And though it does slightly veer from certain Bond conventions, it doesn't amount to anything more (or less) notable than a functional glamour spy package.

THE FOX AND THE HOUND
**

USA
A deplorable, half-assed animated Disney feature. The studio's lowpoint.

THE FRENCH LIEUTENANT'S WOMAN
***
UK
Parallel romances develop between an engaged aristocrat and a scarlet woman in Victorian England, as well as the two actors who portray them in a modern film adaptation.

   A fascinating experiment that ultimately fails because neither of the two love stories is particularly developed.
dir: Karel Reisz
wr: Harold Pinter
cast:
Meryl Streep, Jeremy Irons, Leo McKern, Patience Collier, Peter Vaughan, Hilton McRae

GREGORY'S GIRL
***
˝
UK
In a small Scottish town, a teenager falls in love with the girl who takes his place in the football team.

   A revelation at the time, and still quite funny and likable, even if at times it feels a bit too much like a sitcom pilot that accidentally stumbled onto a big screen.
dir: Bill Forsyth
wr:
Bill Forsyth
cast:
Gordon John Sinclair, Dee Hepburn, Jake D'Arcy, Claire Grogan

MEPHISTO
***
˝
In 1920s Germany, an actor sells himself to the Nazis.
   A celebrated, reasonably compelling insight into the mind of a largely repulsive man.
dir: Istvan Szabo
cast:
Klaus Maria Brandauer, Ildikó Bánsági, Krystyna Janda

ON GOLDEN POND
***

USA
Despite solid acting and the intriguing Fonda vs. Fonda on Film pairing, it boils down to more of a Hallmark moment than a movie event.
dir: Mark Rydell
cast:
Henry Fonda, Katharine Hepburn, Jane Fonda, Dougn McKeon, Dabney Coleman

RAIDERS OF THE LOST ARK
***
˝
USA
Sure, it's plenty of fun, though it could have done with a bit more of that
30s-pulp-fiction boys-own spirit and less of the bland, textureless, distinctly-80s-blockbuster visual style.
dir: Steven Spielberg
cast:
Harrison Ford, Karen Allen, Ronald Lacey, Paul Freeman, John Rhys-Davies, Denholm Elliott

REDS
***

USA
A long, bold, detailed, distinguished and highly respectable biopic that is rarely really compelling.
dir: Warren Beatty
cast:
Warren Beatty, Diane Keaton, Edward Herrman, Jerzy Kosinski, Jack Nicholson, Maureen Stapleton, Paul Sorvino

SOUTHERN COMFORT
**
˝
USA
A National Guard squad gets lost in  Louisiana woods and ambushed by vengeful Cajun Indians.

   A violent, occasionally intense but generally unpleasant and alienating study of machismo under extreme conditions.
dir: Walter Hill
cast:
Keith Carradine, Powers Boothe, Fred Ward, Franklyn Seales, T. K. carter, Lewis Smith

THREE BROTHERS
****˝

VERNON, FLORIDA
****
USA
Morris' second picture is probably his lightest piece of work, and his most hilarious. It consists of a bunch of interviews with what you could only assume are the titular town's most eccentric citizens. Highlights include a fanatic turkey huntsman's proposed cure for all kinds of disease, the local policeman requesting a '10-47' on his walkie-talkie, the minister discussing his true calling as well as his delivery of a particularly hazy sermon. A lot of these personalities (and the wisdom they dispense) seem so incredibly far-fetched, it's difficult to believe they really exist.
dir: Errol Morris

 

 

YET TO SEE:

ABSENCE OF MALICE (Pollack);
ALL NIGHT LONG (Tramont);
AMERICAN WEREWOLF IN LONDON, AN (Landis);
ARTHUR (Gordon);
AVIATOR'S WIFE, THE (Rohmer);
BEAU PČRE (Blier);
BLIND CHANCE (Kieslowski);
BLOW OUT (De Palma);
BOOT, DAS (Petersen);
CHRISTIANE F. (Edel);
CIRCLE OF DECEIT (Schlöndorff);
COUP DE TORCHON (Tavernier);
DO YOU REMEMBER DOLLY BELL? (Kusturica);
DRAGONSLAYER (Robbins);
EIJANAIKA (Imamura);
EYE OF THE NEEDLE (Marquand);
FOUR FRIENDS (Penn);
GALLIPOLI (Weir);
GARDE Á VUE (Miller);
GREAT MUPPET CAPER, THE (Henson);
I SENT A LETTER TO MY LOVE (Mizrahi);
KNIGHTRIDERS (Romero);
LADIES AND GENTLEMEN, THE FABULOUS STAINS (Adler);
LILI MARLEEN (Fassbinder);
LOLA (Fassbinder);
MAD MAX 2 (Miller);
MAN OF IRON (Wajda);
MARIANNE AND JULIANE (von Trotta);
MODERN ROMANCE (Brooks);
MOMMIE DEAREST (Perry);
MONTENEGRO (Makavejev);
MS. 45 (Ferrara);
MUDDY RIVER (Oguri);
MY DINNER WITH ANDRE (Malle);
PENNIES FROM HEAVEN (Ross);
PIXOTE (Babenco);
POLYESTER (Waters);
POSSESSION (Zulawski);
PRINCE OF THE CITY (Lumet);
PROFESSIONAL, THE (Lautner);
RAGGEDY MAN (Fisk);
RAGTIME (Forman);
RICH AND FAMOUS (Cukor);
S.O.B. (Edwards);
SCANNERS (Cronenberg);
SMASH PALACE (Donaldson);
TAXI ZUM KLO (Ripploh);
THEY ALL LAUGHED (Bogdanovich);
THIEF (Mann);
TIME BANDITS (Gilliam);
TOO EARLY, TOO LATE (Straub, Huillet);
THE TRAGEDY OF A RIDICULOUS MAN;
TREE OF KNOWLEDGE, THE (Malmros);
TRUE CONFESSIONS (Grosbard);
WOMAN NEXT DOOR, THE (Truffaut)

TOP 10 TO SEE:
MAN OF IRON*
MAD MAX 2*
THE WOMAN NEXT DOOR*
THE AVIATOR'S WIFE*
BLOW OUT*
PIXOTE*
AN AMERICAN WEREWOLF IN LONDON*
DAS BOOT*
COUP DE TORCHON*
SCANNERS*
PENNIES FROM HEAVEN*
MY DINNER WITH ANDRE*
LOLA*
CIRCLE OF DECEIT*
GALLIPOLI*