--- Y KANT GoRAN RiTE? ---
[1993]

ADDAMS FAMILY VALUES
***½
USA
A clever sequel, superior to its predecessor. The first sign of Christina Ricci's genius.
dir: Barry Sonnenfield
cast: Anjelica Huston, Raul Julia, Christopher Lloyd, Joan Cusack, Christina Ricci, Carol Kane, Jimmy Workman, Peter MacNicol, Christine Baranski, Cynthia Nixon, Peter Graves

THE AGE OF INNOCENCE
****
½
USA
In New York of the 1870s, a wealthy lawyer falls in love with his fiancé's cousin, a notorious beauty with a scandalous reputation.
A passionate romance as well as a meticulous study of a repressed society. Though the director's flashiness doesn't belong here, the picture does ultimately do justice to its powerful source material.
dir: Martin Scorsese
wr: Jay Cocks, Martin Scorsese
ph: Michael Ballhaus
m: Elmer Bernstein
ed: Thelma Schoonmaker
cast: Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Richard E. Grant, Alec McCowen, Geraldine Chaplin, MaryBeth Hurt, Stuart Wilson, Miriam Margoyles, Alexis Smith

FAREWELL MY CONCUBINE
***
½
China
The relationship between two boys trained at the Peking opera, between the 30s and 60s.
A lush historical epic that on many occasions very nearly devolves into soap opera. At all times though, it's striking to look at.
dir: Chen Kaige
ph: Gu Changwei
ad: Chen Huaikai
cast: Leslie Cheung, Zhang Fengyi, Gong Li

FLESH AND BONE
***
USA
A well-acted, understated but predictable melodrama.
wr/dir: Steve Kloves
cast: Dennis Quaid, Meg Ryan, James Caan, Gwyneth Paltrow

THE FUGITIVE
***
USA
A surgeon unjustly accused of his wife's murder goes on the run.
A well-paced, improbable thriller, with a hero far less interesting than the man who pursues him.
dir: Andrew Davis
cast: Harrison Ford, Tommy Lee Jones, Sela Ward, Joe Pantoliano, Julianne Moore

GRIEF
*
½
USA
Grade-Z queer bull, as tedious as the soap operas it parodies.

GROUNDHOG DAY
***
½
USA
A cynical weatherman keeps reliving the same day over and over again.
A clever, entertaining and almost profound star vehicle.
dir: Harold Ramis
cast: Bill Murray, Andie MacDowell, Chris Elliott

JURASSIC PARK
**
½
USA
The dinosaurs are striking, amazing, spectacular. But once the wow-factor wears off, the story and its bland people grow frustrating.

KALIFORNIA
*
USA
A couple researching serial killers cross-country for their thesis unwittingly take one on board.
Shallow, violent, excessive roadside pretence, poorly directed when at all, and with at least one completely repulsive performance.
dir: Dominic Sena
cast: Brad Pitt, Juliette Lewis, David Duchovny, Michelle Forbes

LOVE AND HUMAN REMAINS
***
½
Canada
Odd, convoluted paranoia about sex in the 90s. Often blackly funny and even affecting before it goes way off the rails with a ludicrous and completely unnecessary serial killer subplot.

MAD DOG AND GLORY
**
½
USA
A love story that tries hard to be quirky but still ends up forgettable.
dir: John McNaughton
cast: Robert De Niro, Uma Thurman, Bill Murray, David Caruso, Mike Starr, Kathy Baker

MANHATTAN MURDER MYSTERY
***
½
USA
To her husband's great concern, a woman decides that their neighbour has murdered his wife.
Although it is in some ways the beginning of Allen's shallow phase, in itself this is an entertaining, light mystery, with likable performances.
dir: Woody Allen
wr: Woody Allen, Marshall Brickman
cast: Woody Allen, Diane Keaton, Alan Alda, Anjelica Huston, Jerry Adler, Lynn Cohen

MRS. DOUBTFIRE
**
USA
Robin Williams is usually funny when he's not misty-eyed, but here he gets misty-eyed an awful lot and the kids are grating.

THE NIGHTMARE BEFORE CHRISTMAS
****
USA
Jack Skellington, the Pumpkin King, tries to take over Christmas.
An original, witty and inventive stop-motion cartoon feature.
dir: Henry Selick
wr: Caroline Thompson
m: Danny Elfman
voices of: Chris Sarandon, Danny Elfman, Catherine O'Hara

PHILADELPHIA
*
USA
A recently fired gay lawyer suffering from AIDS hires a temporarily homophobic one to sue his law firm.
Only Hollywood could turn an AIDS-courtroom-drama into a polished feel-good vehicle for Tom Hanks and the conservatives. A simple-minded, sugar-coated, self-serving and patronising prestige product with a message.
dir: Jonathan Demme
cast: Tom Hanks, Denzel Washington, Antonio Banderas, Ron Vawter, Joanne Woodward, Jason Robards, Robert Ridgely, Mary Steenburgen

THE PIANO
****
½
Australia/New Zealand
A mute Scottish widow travels to New Zealand with her young daughter for an arranged marriage, where she is forced to leave her piano, her most treasured possession, on the beach.
A sensual, striking and haunting drama of a woman slowly shedding years of repression.
wr/dir: Jane Campion
ph: Stuart Dryburgh
m:
Michael Nyman
cast:
Holly Hunter, Harvey Keitel, Sam Neill, Anna Paquin

THE RED SQUIRREL
***
½
Spain
A suicidal ex-pop star discovers an amnesiac girl and tells her he was her boyfriend.
The concept is both terribly hokey and terribly clever. The picture has two ways to go - it can be a ludicrous thriller or a character study. And it half-succeeds at being both: after a while the implausible aspects start to seem almost witty, and at the same time the persona the hero builds for his new girlfriend speaks volumes about his own. Consequently even as the picture repeatedly loses whatever loose grasp it had over credibility and though it's constantly tempting to dismiss the whole thing as just a ludicrous thriller, you choose to hold on to see what happens next. It's fun.
wr/dir: Julio Medem
cast: Emma Suárez, Nancho Novo, María Barranco, Karra Elejalde, Carmelo Gómez, Cristina Marcos

THE REMAINS OF THE DAY
***
USA
In the years leading up to World War II, a butler suppresses his individuality to remain loyal to his master.
A convoluted period melodrama of manners, with a gallery of underdeveloped subplots. A haunting score and moody lighting schemes keep it afloat as the protagonist's icily civil veneer is established and re-established in overbearing highbrow fashion.
dir: James Ivory
wr: Ruth Prawer Jhabvala
cast: Anthony Hopkins, Emma Thompson, James Fox, Christopher Reeve, Peter Vaughan, Hugh Grant

SCHINDLER'S LIST
*****
USA
In World War II, a businessman persuades the Nazis to let him employ Jewish slave labour in his factory.
Probably the most compelling and moving account of the Holocaust. Harrowing and flawlessly crafted. Only the sentimental ending hints at the fact that it's a Spielberg picture, and this one feels more earned than the others.
dir: Steven Spielberg
wr: Steven Zaillian
ph: Janusz Kaminski
ed: Michael Kahn, Bill Kimberlin
m: John Williams
cast: Liam Neeson, Ben Kingsley, Ralph Fiennes, Caroline Goodall, Jonathan Sagalle, Embeth Davidtz

SHORT CUTS
****
½
USA
In Los Angeles, the lives of nine unhappy couples intertwine.
An incisive, influential and impeccably assembled multi-storyline melodrama, with excellent ensemble acting. It has been much imitated: you could safely say it set the pattern for things like Paul Thomas Anderson's "Magnolia" (1999). It's based on a selection of Raymond Carver short stories.
dir: Robert Altman
wr: Robert Altman, Frank Barhydt
ed: Geraldine Peroni
cast: Andie MacDowell, Bruce Davison, Jack Lemmon, Lyle Lovett, Matthew Modine, Julianne Moore, Anne Archer, Fred Ward, Madeline Stowe, Tim Robbins, Frances McDormand, Peter Gallagher, Jennifer Jason Leigh, Chris Penn, Robert Downey Jnr, Lily Taylor, Lily Tomlin, Tom Waits, Lori Singer, Annie Ross, Zane Cassidy, Buck Henry, Huey Lewis

SIX DEGREES OF SEPARATION
***
½
USA
A young man convinces a rich and sophisticated New York couple that he is a friend of their children and the son of Sidney Poitier.
Though it refuses to address a few of the issues it raises, this very stagy stage adaptation still makes for a witty, stylish and perceptive satire of the bourgeoisie.
dir: Fred Schepisi
wr: John Guare
cast: Stockard Channing, Will Smith, Donald Sutherland, Mary Beth Hurt, Bruce Davison, Heather Graham, Anthony Michael Hall

THREE COLOURS: BLUE
****
France/Poland/Switzerland
After her husband and child are killed in a car crash, an enigmatic woman sets out to rebuild her life.
The first installment of what was to prove a landmark trilogy based (loosely) on the French tricolour. This one is about Liberty - in a decidedly oblique, presumably emotional sense - and can be viewed apart from the others quite comfortably. But that would be missing out, particularly since, although very accomplished, it isn't as lovable as "White" or as revelatory as "Red". There are a few ponderous patches early on in this picture that are too similar to every other photogenic study of grief. This isn't typical of Kieslowski. He is generally too wise and his vision too idiosyncratic to allow for cliché. You'd know this even if you haven't seen any of his other films because his wisdom, his humanity, his feel for transcendent moments in small things still dominate in improbably poignant scenes like the one where an elderly lady is struggling to reach a trashcan. As the tortured heroine, Juliette Binoche discovers more nuance in looking forlorn than most people ever could. And the score is entrancing.
dir: Krzysztof Kieslowski
wr: Krzysztof Piesiewicz
ph: Slawomir Idziak
m: Zbigniew Preisner
cast: Juliette Binoche, Benoît Régent, Florence Pernel, Charlotte Véry, Hélène Vincent

TOTALLY F***ED UP
**

USA
Queer, confused kids whine repeatedly.
Episodic, relentless self-pity.
wr/dir/ph/ed: Gregg Araki
cast: James Duval, Roko Belic, Susan Behshid, Jenee Gill, Gilbert Luna

TRUE ROMANCE
**
½
USA
A shop assistant and a call girl go on the run from gangsters.
If Tarantino directed instead of writing this misguided, self-involved mess, it maybe would have been more likable. The monologues are well-delivered but there's always the sense that these guys are just trying too hard to be truly cool. 
dir: Tony Scott
wr: Quentin Tarantino
cast: Christian Slater, Patricia Arquette, Dennis Hopper, Val Kilmer, Gary Oldman, Brad Pitt, Christopher Walken, Bronson Pinchot, Samuel L. Jackson, Michael Rapaport

THE WEDDING BANQUET
***
½
Taiwan/USA
A gay Asian-American businessman marries a Chinese woman to fool his parents.
A light-hearted but observant comedy of cultural clashes, even though it continually opts for the easy way out.
dir: Ang Lee
cast: Winston Chao, May Chin, Ah-Leh Gua, Sihung Lung, Mitchell Lichtenstein

WHAT'S EATING GILBERT GRAPE?
**
½
USA
A small-town grocery clerk struggles to support his family, including a mentally retarded younger brother and an obese mother.
Downbeat, good-natured, predictable drama.
dir: Lasse Hallstrom
cast: Johnny Depp, Juliette Lewis, Leonardo DiCaprio, Darlene Cates, Mary Steenburgen

WHAT'S LOVE GOT TO DO WITH IT
**
½
USA
The life of Tina Turner.
A well-acted but otherwise unremarkable, by-the-numbers biopic.
dir: Brian Gibson
cast: Angela Bassett, Laurence Fishburne

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SHADOWLANDS (Attenborough);
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SMOKING/NO SMOKING (Resnais);
SNAPPER, THE (Frears);
SONATINE (Kitano);
SUTURE (Mcgehee, Siegel);
32 SHORT FILMS ABOUT GLENN GOULD (Girard);
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WAR ROOM, THE (Pennebaker, Hegedus)



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MY FAVORITE SEASON
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FEARLESS
FIORILLE
32 SHORT FILMS ABOUT GLENN GOULD
BLUE
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CARLITO'S WAY