PHOENIX BURNING Yahtzee
(Buffy) An ambitious post-The Gift AU with
a pitch-perfect Buffy characterization. Buffy is awoken after
her sacrifice only to find that hundreds of years have passed
and everything is different. A labyrinthine plot, an interesting
future world and a few familiar faces make this a hell of a ride.
DESIRED Flywoman
(Buffy, NC17) A vivid, violent swirl of a story that never lets
up and which packs a considerable punch considering how short
it is. (Poor Spike.)
FOR THE GOOD OF THE PARTY
Jo March & Ryo Sen
(WW, NC17) An excellent look at what could happen
following Bartlet's MS revelation, showing how political expediency
can drive even the most idealistic person to change his position.
What I like best here is the creation of a Donnatella Moss who
is remarkably unperky, real and likeable and the fine Josh characterization.
Josh is so often the golden boy of WW fanfic but here Jo and
Ryo take a remarkably clear-eyed look at just what happens when
idealism, arrogance and ambition collide. The sequel, PERSONA
NON GRATA moves the story on into the future but doesn't
take any easy routes out of the scenario. And no, I have no idea
who the post-Bartlet pseudo-redneck idiot manchild president
,Gregory W Baker, is based on. Nope. Not a clue. More
here
UKIUQ Brighid
(Due South) A slice of wish-fulfilment dS with a lovely
Fraser voice pitched just right. It's RayK but there's
a fun RayV moment in there. The happy ending that all characters
we love deserve.
BETWEEN THE LINES Anjou
(XF) A
slyly funny filleting of any possible season nine. If the real
thing is done half as well as this I will be pleased [trans:
bloody astonished] Here's a flavour of the story. Scully
telling Skinner about the book that Mulder is writing:
"It's, um, kind of
a thriller, with some supernatural elements thrown in" she
continues haltingly. Skinner is
nodding as if this is all to be expected. "And some romance
between the main characters," she concludes in a rush.
She's fiddling with things on her desk, and she might just be
blushing a little. "It's in the subtext, at this point."
BEST INTENTIONS J.S.Michel
(XF) Ten years after Existence Scully and her
son are hiding out with Doggett, but even running for your life
can be banal if you do it often enough. Great characterization
of all concerned, even the absent Mulder, and a painful honesty
make this a fine read. If you don't read Doggett stories, you're
missing out. (not that any rec would convince the ranting
minority, but if you're at all
open-minded, give this a go.)
THE AWAKENING Jeylan
(XF, NC17) Okay, you're going to have to work with
me here: (1) Relax and cast your mind back to a time before Mulder
and Scully had gone through the vast catalog of traumas that
would have any real person being fitted for one of those nice
white sweaters with the buckles on the sleeves; (2) Remind yourself
that this is fic and we have the power to do anything we want.
(3) Now read The Awakening, starting with the headers.
This is a very ambitious debut with some beautiful writing and
a few thought provoking tricks up its sleeve which are likely
to prove the truth of the acronym YMMV.
HOUSE OF CARDS
AJ
(WW) Sam,
lost and lonely and dreaming of the tangled tendrils of connection,
physical and mental, between him and Josh. It's easy to write
a breezy upbeat Sam, harder to write a Sam that's complex and
conflicted while retaining the character's intelligence. There's
some excellent writing in this slash vignette.
FURTHER TO FLY
Michelle Kiefer
(XF) A post-Existence Skinner POV vignette
in which the surly AD pays a visit to Mulder and Scully and finds
that even among company, he is more alone than ever. In this
story, Michelle gently pushes the knife into Skinner and then
gives it a twist. I like that in a writer <g>
THE GAME EVERYWHERE P S Burton
(WW) I've always liked WW fic that was about political
as well as private choices. In this thought-provoking look at
how personal conscience impacts on the West Wing staff, Toby
cannot take the compromises involved in a politically expedient
response to the Rwandan genocide. Meanwhile Sam's small kindness
to a friend backfires badly. Toby and CJ are well-drawn here
and there are no easy get-outs.
EL QUINTO SOL OneMillionAndNine
(XF, NC17) While it's not the most even
story I've ever read, it's full of delightful moments, bright
ideas, good lines and strange encounters, the Mulder and Scully
characterizations are interesting and spiky and I laughed out
loud several times.
CATNAP BarbaraD
(XF) A
short, fluffy, funny vignette that reminds you of why you loved
the characters of Mulder and Scully despite consisting largely
of double entendres and cat jokes. It's all good. Go read.
ENDINGS Adrienne
(WW) This story deals with the suicide of one of the
staffers, so if you don't deal well with that sort of thing,
best not even open this file. Those of you who do read will find
an intelligent, sad and absorbing tale of the aftermath. The
characterisations of Bartlet, Abbey, Andi and Ginger are particularly
well-done.
GRAVITY Djinn
(Buffy) A post-The Gift vignette
that looks at one possible outcome of the ep. The characterizations
of Spike, Dawn and Faith are sharp and while there were elements
I didn't buy (I had this thing with a thing at the end, to put
it in non-spoiling WW speak) it was intriguing and well-written
throughout.
X-MANSON 0 / I
/ II
/ III
/ IV
/ V
Dr Benway
(X-MEN comicverse) What if Xavier's academy was really
a cover for an insane cult? Told in the form of a TV documentary,
this story has a pitch-black sense of humor.
FOUR MINUTES
Deslea R. Judd
(XF) Remember Darius Michaud, the
movie FBI agent who was prepared to let a building full of people
go to hell? Here's his viewpoint, rendered in startlingly effective
prose.
AS FREEZING PERSONS RECOLLECT THE SNOW Luna
(WW) A vignette about childhood
that's uncommonly good at evoking Toby's precision, sarcasm and
clear-thinking
TIMELESS SECONDS
AND UNSEEING EYES Laura
Castellano
(XF) There's a slow, contemplative rhythm about this
vignette set post-Closure and post-Per Manum. It
manages to show melancholy met with love, without descending
into schmoop.
LEARN TO HELP YOURSELF
Jori
(WW) Following the Two Cathedrals
flashbacks, Jori recreates some of the scenes between a young
Jed and Mrs Landingham and Bartlet senior. An intriguing imagining
of the past.
VIVERE by Rheanna
(Angel) This recap almost consisted only of the words
'My God. Read this now.' Vivere splits off from canon
and tells us what would happen if one day Angel went to fight
evil and never came back... The chief pleasure of this story
is the way Rheanna shows the incremental changes in the characters
eight years after Angel's sacrifice, yet makes them utterly recognizable.
Her Cordy voice in particular is a treat she's older and
wiser but retains the razorblade wit. Can't enthuse about Vivere
enough.
ARGUS by Jintian
(XF) Ah, the pleasure of long intelligent casefiles.
This is a wonderful mytharc-infused tale of murder set between
Tithonus and Two Fathers in which Krycek and Mulder seek answers
as an operative goes rogue. The narrative voices are spot-on,
particularly Krycek, and Jintian allows Mulder, Scully and Krycek
to be smart but fallible. Smart is sexy, after all. Brand that
on your forehead please, Mr Carter.
OLD SOUL by Ann Ripley
(XF) From the ridiculously sublime to the sublimely
ridiculous. Old Soul takes a simple, ingenious idea and runs
with it. It's a crafty post-Existence short story that
won't send you into sugar shock, it's smart and it's funny.
ONE STEP by Basingstoke
The envelope held a lock
of my hair. A love token. Because whatever else happened between
us, he did have beautiful dreams.
(Gattaca) This
will require knowledge of the movie (if you haven't seen it,
go rent it: it's thoughtful sci-fi with a great ending. And Jude
Law, but I digress) A meditation on love, loss and identity.
Also, I know I've recommended it before, but it's weird and wonderful
and should be read by many: Und
Jetzt
INCLINATION by
Laura Jacquez Valentine
(Sentinel/Star Trek) A Sentinel AU novella set in
the Trek universe. What if a human starship captain were to strike
up a close relationship with his Vulcan Guide...his heterosexual
Vulcan Guide? This has an original plot and a fascinating take
on Vulcan culture. (LK)
BLUE BOYS by
Kateswan
(The Lone Gunmen) What happened after All About
Yves finished, courtesy of Kateswan. She has all the voices
down, from Frohike, Langly and Byers to Morris Fletcher and AD
Skinner, the pacing is fast and the writing witty. Read this
and you will have a good time, I guarantee it.
HATRED by Debra
Fran Baker
(XF) Extremely short but very powerful M/K vignette.
Go. Read.
CENTER OF GRAVITY
by Ellen Milholland
(WW) A bleak and unsettling CJ/Sam
vignette that dodges none of the problems inherent in that pairing
but features a damaged CJ.
FAIR by Vanzetti
(XF) Alex Krycek finds himself in hell, surrounded
by some familiar faces. An intriguing and bleak explanation of
and resolution to Existence that pulls off some neat surprises.
PILGRIM'S CHORUS
by CGB
(WW) A fine character study of Ainsley (with a little
Sam thrown in for good measure) in which she tries to work out
her place in the world, the White House and her family.
SILENT PARTNER
by PD
(XF, NC17) A sequel to the great Skinner POV vignette,
Abject.
A deceptively simple story, set early in season seven, which
looks at how fantasies and cravings are beyond our control. Good
Scully characterization and smooth writing.
BURNING BRIDGES, BURNING BUILDINGS by CazQ
(WW) I have a WW problem: I appear to be the only
person on the face of the planet who believes Josh/Donna is squicky
and inherently wrong. But I could cheer on this Josh and
Donna, conjured by Caz, as they bond over magazine quizzes and
the embarrassing Copy Room Thing. An adult, uncutesy Donna characterization
makes this a treat
LOVE, DARKNESS AND OUR GENOMES by Sarah Segretti
(Dark Angel/XF) More a DA fic than XF, although the
two universes seem to mesh quite well. The narration is snappy
and heavy on action, with a glorious dark twistiness to it.
LONG PLAY by
Lysandra
(XF, NC17) A post-Alpha vignette with a smart
Mulder voice and some good lines.
PATERNITY by CindyET
(XF) Mulder has a visit from the smoking man that
makes him cast doubt on his place in William's life. This fic
is interesting for the way it shows how the M/S clash in perspectives
remains but has mutated. The end is excellent.
VERSIPELLIS by
Sandy
(BtVS, NC17) A character study of Veruca, the fourth-season
werewolf-girl. This excels in its portrayal of the heightened
senses and terrible beauty of the wolf. I was bowled over by
Wild at Heart and this also grabbed me from the first
paragraphs. Not for the faint-hearted, however.
PERCUSSION by
Marguerite
(WW) A nifty post-ep for In The Shadow of Two Gunmen
which dodges the schmoopiness inherent in the scenario with a
good Leo voice. The last line will stay with you. There are two
semi-sequels, Written,
in which Sam is forced to go on the morning shows after Rosslyn
and Fraternity,
a richly textured Toby POV piece which looks at his relationship
with his brother.
waiting.to.drown
by August and Penelopody
(XF) I haven't seen too much experimental writing
in XF lately, so it was a pleasure to read something which took
chances in both style and subject matter. It is years since Mulder
and Scully were together and Scully has moved on with her life.
Yet in the end, she cannot escape from the X-Files or Mulder.
One of the pleasures of this story is its fragmentary nature.
It assumes the reader can and will fill in the gaps. I enjoyed
being trusted to do that
WAXING MOON
by Bugs
(XF) An awkward visit to Scully's apartment shows
Reyes that the old guard still have a long way to go before they
accept the new guard. Relationships remain spiky and realistic
in this vignette from bugs, and the characterization of Doggett
and Reyes is good too.
WITH EXPLANATION KIND
by Luna
(WW) Toby helps CJ unwind after a difficult day facing
the grand jury. Edgy and dark-ish.

LONGER READS
TALKING
STICK/CIRCLE CYCLE Macedon and Peg
(Voyager) Even if you've never
read Voyager fic... even if you only know the premise of the
series in the sketchiest terms... even if the idea of Janeway/Chakotay
brings you out in scary blotches, you should read this "braided
novel" of eight stories and novellas. (If you already read
Voyager, I know it's four years old but I'm slow okay?
<g>)
Written firstly in turn and then jointly,
Macedon and Peg create a convincing world where even the apparent
comic relief develops depth and dignity. It begins with a bonding
session for the crew which goes awry when Chakotay lets a little
too much of his anger leak out and moves through a series of
adventures until it reaches the climactic and genuinely wrenching
final installment. It's not perfect but as fanfic goes, it's
wonderful. A legendary ride that will eat your life for days.
(But I can take or leave the cat.)
THE GIFT OF AN ENEMY
Sylvia
(XF, NC17) A long, engrossing slash-mytharcish novel
that diverges from canon at around Terma/Tunguska. I liked the
Mulder characterization here: his empathy and hyper-intelligence
are well to the fore. Some of the choices for Krycek are unusual
but the writing is excellent and the supporting characters are
well-drawn. Intro
MEMENTO MORI
Jonathan Nolan
This isn't fanfic, rather it's the short story on which the film
Memento is based. If you haven't seen the film, do;
if you have seen the film, read this and spot the many differences.
MEET ANOTHER
by torch
(SW: TPM) Meet Another is a vast Phantom Menace AU
that breaks from canon yet incorporates some of the Tattooine
sections of the movie. To label this just a Q/O story is to diminish
it although the difficult relationship between the two
Jedi is at its center, it's a damned good story about the kidnap
of Qui-Gon, set in the complex society of Tattooine. Much of
the writing is, as ever, stellar.
WORLD WITHOUT END
by Rachel Anton
(XF, NC17) I think this was begun as I entered fandom
and I'm almost upset that it's finished. This is a post-col Scully/
Krycek romance story which never short-changes her relationship
with Mulder and allows Alex to remain complex yet heroic in the
way he overcomes his past. I particularly liked his interaction
with the other survivors; the way that he is never quite one
of them even as he keeps them alive. A quick warning: The characters
inhabit a brutal and dark world and the writing reflects that.
This will not take you to a happy place, unless your happy place
is wallpapered with angst and there's blood on the carpets.
Hell of a ride though.
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