Nicolo Paganini (1782-1840)
He received music lessons
from his father before he was 6 years old and later from the best instructors in
Genoa. He began to perform in public and composed his first sonata in 1790. In
1795 he went to Parma, Italy to study but the teachers there told him they could
do nothing more for him. He then commenced on a course of self-training so
rigorous that he often played 15 hours a day. In 1797 he started his concert
tours, which for many years consisted of triumph after triumph. From 1805 to
1808 he was the court solo violinist at Lucca, appointed by Napoleon’s sister
Elisa Bacciocchi. In 1809
Nicolo became a free-lance soloist performing his own music. He performed
concerts throughout Italy.
In early 1828 Nicolo began a six and half year tour that
started in Vienna and ended in Paris in September 1834. During the two and half
year period from August 1828 to February, 1831 he visited some 40 cities in
Germany, Bohemia, and Poland. Performances in Vienna, Paris, and London were
hailed widely, and his tour in 1832 through England and Scotland made him
wealthy.
His playing of tender
passages was so beautiful that his audiences often burst into tears, and yet, he
could perform with such force and velocity that at Vienna one listener became
half crazed and declared that for some days that he had seen the Devil helping
the violinist.
Once his fame was established,
Paganini’s life was a mixture of triumphs and personal excesses. He earned
large sums of money but he indulged recklessly in gambling and other forms of
dissipation. On one occasion he was forced to pawn his violin. Having requested
the loan of a violin from a wealthy French merchant so that he could fulfill an
engagement, he was given a Guarnerius violin by the merchant and later refused
to take it back when the concert was over. It was Paganini’s treasure and was
bequeathed to the people of Genoa by the violinist and is still carefully
preserved in that city
Paganini’s genius as a
player overshadows his work as a composer. He wrote much of his music for his
own performances, music so difficult that it was commonly thought that he
entered into a pack with the Devil. His compositions included 24 caprices (published
in 1820) for unaccompanied violin that are among the most difficult works ever
written for the instrument. He also challenged musicians with such compositions
as his 12 sonatas for violin and guitar; 6 violin concerti; and 6 quartets for
violin, viola, cello, and guitar.
According to Philip Sandblom
in his book Creativity and Disease few geniuses have experienced such
lucky agonies as Paganini, bedeviled by a host of chronic complaints, including
Ehlers-Danlos syndrome, marked by excessive flexibility of the joints. “This
enabled Paganini to perform the astonishing double-stoppings and roulades for
which he was famous”, Sandblom writes. “His wrist was so loose that he could
move and twist it in all directions. Although his hand was not disproportional
he could thus double its reach and play in the first three positions without
shifting.”
It is
well known that Paganini rarely practiced after his 30th birthday.
Those who were closely associated with him used to marvel at his brilliant
technique and watched him closely to discover how he retained it.
In performance Paganini enjoyed
playing tricks, like tuning one of his strings a semitone high, or playing the
majority of a piece on one string after breaking the other three. He astounded
audiences with techniques that included harmonics, double stops, pizzicato with
the left as well as the right hand, and near impossible fingerings and bowings.
Antonia Bianchi, a singer who
toured with Nicolo in 1825, bore him a son, Cyrus Alexander on July 23, 1825.
Although they were never married, he did lavish affection on his son for the
rest of his life.
Known as a gambler, he
unsuccessfully attempted to open a gambling casino in Paris in 1838. Later he
moved to Marseilles and then to Nice, France where he died on May 27, 1840.