Harold Monro
Back to D.H. Lawrence
Forward to Thomas Moult
- I
- Fit for perpetual worship is the power
- That holds our bodies safely in the earth.
- When people talk of their domestic gods,
- Then privately I think of You.
- We ride through space upon your shoulders
- Conveniently and lightly set,
- And, so accustomed, we relax our hold,
- Forget the gentle motion of your body --
- But You do not forget.
- Sometimes you breathe a little faster,
- Or move a muscle:
- Then we remember you, O Master.
- II
- When people meet in reverent groups
- And sing to their domestic God,
- You, all the time, dear tyrant, (How I laugh!)
- Could, without effort, place your hand among them,
- And sprinkle them about the desert.
- But all your ways are carefully ordered,
- For you have never questioned duty.
- We watch your everlasting combinations;
- We call them Fate; we turn them to our pleasure,
- And when they most delight us, call them beauty.
- III
- I rest my body on your grass,
- And let my brain repose in you;
- I feel these living moments pass,
- And, from within myself to those far places
- To be imagined in your times and spaces,
- Deliberate the various acts you do: --
- Sorting and re-arranging worlds of Matter
- Keenly and wisely. Thus you brought our earth
- Through stages, and from purpose back to purpose,
- From fire to fog, to dust, to birth
- Through beast to man, who led himself to brain --
- Then you invoked him back to dust again.
- By leave of you he places stone on stone;
- He scatters seed: you are at once the prop
- Among the long roots of his fragile crop.
- You manufacture for him, and insure
- House, harvest, implement and furniture,
- And hold them all secure.
- IV
- The hill . . . The trees . . . From underneath
- I feel You pull me with your hand:
- Through my firm feet up to my heart
- You hold me, -- You are in the land,
- Reposing underneath the hill.
- You keep my balnace and my growth.
- I lift a foot, but where I go
- You follow: you, the ever-strong,
- Control the smallest thing I do.
- I have some little human power
- To turn your purpose to my end,
- For which I thank you every hour.
- I stand at worship, while you send
- Thrills up my body to my heart,
- And I am all in love to know
- How by your strength you keep me part
- Of earth, which cannot let me go;
- How everything I see around,
- Whether it can or cannot move,
- Is granted liberty of ground,
- And freedom to enjoy your love;
- Though you are silent always, and, alone
- To You yourself, your power remains unknown.
- They are the angels of that watery world,
- With so much knowledge that they just aspire
- To move themselves on golden fins,
- Or fill their paradise with fire
- By darting suddenly from end to end.
- Glowing a thousand centuries behind
- In pools half-recollected of the mind,
- Their large eyes stare and stare, but do not see
- Beyond those curtains of Eternity.
- When twilight flows into the room
- And air becomes like water, you can feel
- Their movements growing larger in the gloom,
- And you are led
- Backward to where they live beyond the dead.
- But in the morning, when the seven rays
- Of London sunlight one by one incline,
- They glide to meet them, and their gulping lips
- Suck the light in, so they are caught and played
- Like salmon on the heavenly fishing line.
- * * * * *
- Ghosts on a twilight floor,
- Moving about behind their watery door,
- Breathing and yet not breathing day and night,
- They give the house some gleam of faint delight.
- You little friend, your nose is ready; you sniff,
- Asking for that expected walk,
- (Your nostrils full of the happy rabbit-whiff)
- And almost talk.
- And so the moment becomes a moving force;
- Coats glide down from their pegs in the humble dark;
- The sticks grow live in the stride of their vagrant course.
- You scamper the stairs,
- Your body informed with the scent and the track and the mark
- Of stoats and weasels, moles and badgers and hares.
- We are going out. You know the pitch of the word,
- Probing the tone of thought as it comes through fog
- And reaches by devious means (half-smelt, half-heard)
- The four-legged brain of a walk-ecstatic dog.
- Out in the garden your head is already low.
- (Can you smell the rose? Ah, no.)
- But your limbs can draw
- Life from the earth through the touch of your padded paw.
- Now, sending a little look to us behind,
- Who follow slowly the track of your lovely play,
- You carry our bodies forward away from mind
- Into the light and fun of your useless day.
- * * * * *
- Thus, for your walk, we took ourselves, and went
- Out by the hedge and the tree to the open ground.
- You ran, in delightful strata of wafted scent,
- Over the hill without seeing the view;
- Beauty is smell upon primitive smell to you:
- To you, as to us, it is distant and rarely found.
- Home . . . and further joy will be surely there:
- Supper waiting full of the taste of bone.
- You throw up your nose again, and sniff, and stare
- For the rapture known
- Of the quick wild gorge of food and the still lie-down
- While your people talk above you in the light
- Of candles,and your dreams will merge and drown
- Into the bed-delicious hours of night.
- Here is the soundless cypress on the lawn:
- It listens, listens. Taller trees beyond
- Listen. The moon at the unruffled pond
- Stares. And you sing, you sing.
- That star-enchanted song falls through the air
- From lawn to lawn down terraces of sound,
- Darts in white arrows on the shadowed ground;
- And all the night you sing.
- My dreams are flowers to which you are a bee
- As all night long I listen, and my brain
- Receives your song, then loses it again
- In moonlight on the lawn.
- Now is your voice a marble high and white,
- Then like a mist on fields of paradise,
- Now is a raging fire, then is like ice,
- Then breaks, and it is dawn.
Man Carrying Bale
- The tough hand closes gently on the load;
- Out of the mind, a voice
- Calls "Lift!" and the arms, remembering well their work,
- Lengthen and pause for help.
- Then a slow ripple flows from head to foot
- While all the muscles call to one another:
- "Lift!" and the bulging bale
- Floats like a butterfly in June.
- So moved the earliest carrier of bales,
- And the same watchful sun
- Glowed through his body feeding it with light.
- So will the last one move,
- And halt, and dip his head, and lay his load
- Down, and the muscles will relax and tremble.
- Earth, you designed your man
- Beautiful both in labour and repose.
Back to D.H. Lawrence
Forward to Thomas Moult