Ireland
                      once had a method for dealing with teenage girls who yielded
                      to what the Catholic Church calls "temptation." As
                      illustrated in details so graphic that they may compete
                      with the horrors of the Nazi concentration camps for sadism, The
                      Magdalene Sisters presents the method by
                      which some 30,000 girls were so regimented and brainwashed
                      that they were driven to madness or hardened in their hatred
                      toward their captors. When the film begins, the year is
                      1964, and the place is Dublin. Margaret (played by Anne-Marie
                      Duff) is at a wedding, where a cousin rapes her in a closet.
                      One morning, while her brother watches, she is whisked
                      off to the institution run by the Sisters of Mercy and
                      other orders. The institution is named the Magdalene Asylum,
                      since Catholic theology for some reason pretends that Mary
                      Magdalene was a "sinner of the worst kind" who
                      needed to suffer a lot before she could enter the gates
                      of heaven. Next, Rose (played by Dorothy Duffy) is in a
                      playground at an orphanage; five boys flirt with her, and
                      she flirts briefly with them. Soon, Rose enters the same
                      institution, which already has a Rose, so she is renamed
                      Patricia. Meanwhile, Bernadette (played by Nora-Jane Noone)
                      is in a hospital, where she has given birth out of wedlock
                      to a beautiful baby. Her father arranges not only to have
                      the baby adopted but also to send her to the same place
                      as Margaret and Rose. Upon arrival, all three are escorted
                      to meet Sister Bridget (played by Geraldine McEwan), the
                      Mother Superior. After using a belt on a girl for trying
                      to escape, she explains that they must obey all the rules
                      or be punished. They are awakened at 6, have breakfast
                      at 6:30, then work as slaves, washing and drying their
                      clothes, bedsheets, and towels as well as keeping the floors
                      and walls of the facility spic and span. Although the film
                      focuses on the three, who sleep with two dozen or so others
                      in Dormitory Four, most of the character development deals
                      with Chrispina (played by Eileen Walsh), though all four
                      characters are composites of actual victims. Chrispina,
                      according to the story, was committed two years earlier
                      for giving birth to a child out of wedlock but hangs onto
                      a St. Christopher pendant as her one prized possession.
                      While hanging up clothes to dry in the yard, Chrispina
                      receives occasional visits from her sister, who accompanies
                      her son to wave outside a gate that looks into the yard,
                      making her feel delighted each time. One day after the
                      girls shower, while still in the nude, two nuns decide
                      to play what they characterize as a game. Who has the smallest
                      and biggest breasts? Who has the biggest bottom? Who has
                      the most pubic hair? Chrispina finds the "game" humiliating,
                      and that evening she wets her bedclothes, hoping to die
                      from influenza. Although she recovers, her pendant has
                      fallen off, and soon Chrispina tries to commit suicide.
                      Later, during a ceremony, a priest strips off his clothes
                      due to a bout of itching, since Margaret, to punish him
                      for abusing an inmate, has put nettles in his clothes;
                      as he stands naked, Chrispina repeatedly yells, "You
                      are not a man of God." That night, two men escort
                      Chrispina to a mental institution where in solitary confinement
                      she eventually goes mad. One year later, Chrispina's sister
                      and son arrive for another visit. Rose goes over to tell
                      them that Chrispina has been transferred, whereupon she
                      is thrashed severely by Mother Superior for the offense
                      of talking with an outsider and told that the same thrashing
                      will continue daily for a month. When Bernadette enters
                      Mother Superior's office to inform her that an elderly
                      nun has just died, she observes Rose receiving the punishment.
                      Earlier, Margaret's brother has secured her release. Bernadette
                      then convinces Rose that she must leave as soon as possible.
                      Early the next morning, the two break out of the locked
                      dormitory room, rummage for the key in Sister Bridget's
                      office, threaten bodily harm to her if she will not give
                      up the key, and they walk out to freedom, a scene that
                      unfortunately is entirely fictional. The trailer of The
                      Magdalene Sisters, directed and written by
                      Peter Mullan, says that the escapees exposed the institution,
                      which finally shut down in 1996, but alas that story is
                      not told in the film, which clearly indicts Irish society
                      for ignoring what happened to young girls who were incarcerated
                      for offenses that were not their fault. The Vatican, which
                      has recently told Catholic parliamentarians how to vote
                      on a matter of morality, is not pleased with the film,
                      which survivors say was less brutal than what actually
                      occurred. For revealing in considerable depth the totalitarian
                      system under which the girls suffered, the
                      Political Film Society has nominated The Magdalene
                      Sisters as best film exposé and best
                  film on human rights of 2003. MH
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