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I'll Be In The StoneworkbyJim Stedman masking the City of the Dead and I watch either sunrise, bringing slow detail to the bald, scarred, broken-nosed face of Neal Cassady impersonating the sphynx or I watch sunset, robbing from me same details, leaving behind nothing but khamseen ashes and the fading echo calling all to Allah. The cinder block wall I've proclaimed as nemesis, that enigma which I oft approach but never conquer traces back to that desert moment -- and the only time I've ever considered death as an out. But death doesn't work for me and the fear that I'd miss something or that people would be able to talk behind my back forever was enough to keep me 'round, regarding the cinder block obstacles the bars to my imposed prison the eternal-suffering gaze in the stonework. Amplified prayers rising out of the dust masking my real reason for squatting here scribing a scratched line in the hard-baked earth, trying to recall the details, all but disappeared "like the ghost in Aubrey" and considering what it is that will remain behind as evidence beyond the ahes, the khamseen ashes, and the static-charged invitation to glory. ... Jim Stedman |
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BIO: Jim SteadmanE9. Try it some time.Old-style jukeboxes offer selections designated by letter and number, and the way to test whether you're in the vicinity of a good jukebox is to play E9. For some reason, the songs residing at E9, be it at Salivars at Montauk Point, The Mermaid Hotel in Mombasa, or Chicago's grand old Congress Hotel, always seem to tie directly to my life. At E9, you're sure to find smatterings of old style folk and bluegrass guitar playing, a nice dose of Dylan and Dead, and those swing & torch standards that so often fuel dreams. Listen closely to E9, and you'll hear "Two For The Road", "Imagination", "Don't Get Around Much Anymore", and "One For My Baby and One More For The Road". Look quickly and you'll see me ghosting around, waiting for the last chords, slowly putting on my overcoat, and heading out into the snow on my own. Jsteds@aol.com |
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