WHITE TRASH
(C) Doug Smeath, 1996
The tall preacher's knees shook behind the
deteriorating hardwood pulpit. They shook not so much with
fear or regret, but instead they seemed to protest against
the weight they were expected to support. He was by no
means a fat man. On the contrary, his ragged black suit
seemed to be clinging to his thin body for dear life. A
pile of white hair lay on the top of his long head. It had
a strange orange hue to match the similarly tinted bags of
skin that hung from his face in much the same way that his
clothes hung from his body. Beneath the nose sagged a
melancholy white mustache. As he spoke, the shaking of his
knees slightly intensified.
"My friends," he moaned, his southern accent trying to
portray an air of importance and dignity. "We come here
t'day to recognize, remember, and eulogize our dear friend,
neighbor, son, comrade, and associate, Michael Hart, taken
in his prime from our presence, with so much life still to
live. Michael meant a lot of things to a lot of people.
So, without further ado, we will allow some of you a chance
to tell us who Michael was to you."
As the preacher sat down, the black woman rose from her
seat behind the pulpit to speak. She worried that the
minister's poorly-written clich‚ speech seemed to invite
people from the audience to stand and speak like one of
those funerals from TV. She had hoped he would announce,
"We will first be hearing from Debra Morris" or some other
similar indicator, but she was denied it. But she knew that
she had been asked to speak, so she approached the stand and
began to, as the preacher had said, eulogize.
"I loved Michael," she slowly began. "I-" She broke
into sobs of pain and guilt. She had debated with herself
over this issue many times since Michael had died. She
thought she had convinced herself that none of this was her
fault. But here, in front of the critical eyes of a
scornful audience, she was flooded with the stabbing sense
of cruel responsibility.
Wiping her eyes, she nervously shot glances between her
neatly-typed eulogy and the hateful onlookers. Her eyes
fell on those of Michael's mother. Despite the terrifying
instinct she had to pull her gaze away from this woman
especially, her attention was locked on the giant blue
eddies of Mrs. Hart's biting eyes. Tears bubbled from the
crevices of the old woman's corpulent cheeks like so many
lazy geysers. She was wearing an enormous purple dress,
spotted with multi-colored flowers. Worst of all, she was
actually wearing a veil, which she had lifted to wipe her
eyes and had failed to let go of because she, too, was
staring at Debra.
Unable to contain herself under this burning scrutiny,
Debra broke down. "I am the one who killed Michael!" she
cried. "It's my fault those men killed him; they killed the
man I love!" As she glanced with horror at the stunned
spectators, she resembled the preacher's knees. "Michael
always told me that the most important thing in life was to
be yourself. He said that! 'Express your emotions, hide
nothing. Be yourself.' He told me that all the time, and I
loved him for it! So what else was I to do but show my love
for him?!" She hung her head but quickly lifted it again
when she heard the disgusted pounding of her own heart. She
frantically embarked once again on condemning herself aloud,
for she knew no other way to drown out this thumping sound.
Somewhere, she thought of Edgar Allan Poe, and for the first
time she understood the horror of his stories. "I held his
hand. Oh, I should have known! But I held his hand anyway,
and they knew, everyone could see. They hated him for it.
I am sure they hated me, too, but they really hated him for
it." The shame sent her mind into a brutal reliving of that
night.
It was a cool night, or at least as cool as can be
expected of an August evening in Alabama. As she and
Michael emerged from the noise and confusion of the busy
restaurant, they were greeted by an eternity of stars. The
subtle breeze coming from the river reminded her of why she
had left Chicago and headed south. As she happily and
hungrily partook of her surroundings, she excitedly grabbed
Michael's hand, and they continued their journey home.
As usual, Michael had plenty to say. They cuddled like
a high school couple as they chattered like the chipmunks
that kept scurrying hurriedly away. Then, out of nowhere,
the horror began.
As they were rounding a corner, the light of the full
moon revealed three approaching figures. None of this was
uncommon, but she felt nonetheless uncomfortable. Clinging
tighter to Michael, she suddenly quit her gibbering and bit
her lower lip. But Michael went on chatting happily,
completely unaffected by their visitors. She had always
loved his optimism, but now it seemed like a curse to her.
As the men passed, one reached out and tripped Michael.
Michael, taking it as a drunken joke, picked himself up and
reached out to grab his girlfriend's hand. Another of the
men grabbed his outstretched arm and yanked with all his
might. Michael tumbled into the trunk of a tree. As Debra
screamed out in panic, the three white men commenced kicking
Michael until he was near unconsciousness. His quietly
alarmed gasps and cries were now replaced by an excruciating
moan. It was then that the smallest of the offenders,
between racial slurs and sneering laughter, produced a knife
from somewhere and thrust it into Michael's head. Running
off, the fattest turned and yelled, "After you bury him,
find yourself a colored man and ruin his life instead!" She
hadn't heard anyone referred to as "colored" since 1968.
She ran to the side of the road and vomited in a ditch.
But now she was confronted with a whole room full of
hateful white people. A mother who had warned her son not
to mix with "them Negro folks." A business partner who
didn't know the first thing about how to run a business
alone. A sister whose husband had been killed by a black
man. As she scanned the room, she thanked God none of these
people had a knife. She despondently left the room and
carried herself to the home she and Michael had shared. She
packed everything she could fit in one suitcase and left for
Chicago.
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