





Nick Cave and the Bad
Seeds
State Theatre, Sydney - 25th, 26th,
27th November 97
(this review was published
in the Charles Sturt University student newspaper,
Interpellator)
By Karl Mayerhofer
Rather than a review of a
single concert, I've decided to do a rundown of the entire Sydney leg
of the Bad Seeds tour, so here it is.
You probably know that Nick's latest,
The Boatman's Call, is a bare, stripped back expression of his
emotions and is a soul wrenching musical essay on relationships, but
to hear it live is absolutely haunting. These three shows were not
just Nick going through the motions of the show. His heart was in
every song he sang. Three days before the first Sydney show, Nick
received news of the death of his best friend, Michael Hutchence, and
these shows appeared to be Nick's way of dealing with his
pain.
The first night started with Far
From Me with Nick standing stock still in front of the microphone
before pulling it from its stand to sing Lime Tree Arbour, a
touching song about a dearly cherished lover. For most of the show,
Mr Cave strolled up and down the front of the stage, reaching out to
touch the hands of people in the crowd. He aimed for and achieved the
deepest intimacy. When he sang People Ain't No Good, his voice
pierced the hearts of everyone listening as tears ran down his
cheeks. Raw emotion poured from his mouth and eyes.
The three nights featured songs from
The Boatman's Call, as well as some carefully selected older
songs such as The Carny (with new recruit, Warren Ellis, on
the accordion), Red Right Hand, a new version of The
Weeping Song and a special treat in the form of Stranger Than
Kindness, written by Nick's former lover, Anita Lane, who is now
a songstress in her own right. Most of the encores consisted of an
intense, energetic rendition of The Mercy Seat, Where the
Wild Roses Grow and every show ended with the most beautiful
Ship Song. With the exception of The Mercy Seat, the
cacophonous Bad Seeds numbers were omitted from the show.
For Where the Wild Roses Grow,
Nick was accompanied on the first and third nights by his German
guitarist, Blixa Bargeld, in the role of Eliza Day. As the song
finishes, Nick and Blixa kiss. On the second night, Nick was
accompanied by Kylie Minogue. The two, who were to farewell an old
friend the following day, comforted each other throughout the song
which ended as Kylie broke down , forced a smile and left the stage.
The next song, ironically, was The Weeping Song. Kylie once
again joined Nick as the two performed a new song, Still Your Face
Came Shining Through, in which Nick sings the line, "I heard on
the news, you're not much of a muse, but then I'm not much of a
poet".
Nick retreated to the piano during
some parts of the show to perform songs like Black Hair and
Into My Arms with minimal accompaniment. Other highlights of
the tour were the full-on performances of West Country Girl
(about PJ Harvey), Nick dueting with himself on Henry Lee,
a surprise performance of Your Funeral, My Trial on the final
night and of course the Bad Seeds line-up - the best yet.
Instrumentally, they are near perfect with Mick Harvey and Blixa
Bargeld on guitars, Thomas Wydler on drums, Conway Savage at the
organ, Jim Sclavunos (one time member of Sonic Youth) doing
percussion, former Triffid Martyn P. Casey on bass and the Dirty
Three's Warrne Ellis on violin.
The State Theatre was a perfect venue
for the Bad Seeds with its ornate fittings and huge chandelier.
Everything about the show was finely tuned and enacted with
precision, the only hiccups being Nick stumbling over the words to
Into My Arms, stopping to apologise and then continuing to
enchant the audience. This happened on two occasions, but he
apparently has been doing it the world over. Don't worry about it
Nick.
To catch Nick Cave at a time when his
emotions are flowing unchecked and his performances are driven by his
present suffering, although one mustn't forget the sad and
unfortunate cause of this state of mind, is an unforgettable
experience. He was not however, totally morose. His sense of humour
remained intact for the introductions to the songs and his responses
to members of the audience. His finest hour. Thanks Nick.
This
photo by me was published with the article
-----------------------------------------
A note to Nick:
I want to sincerely thank you for
such an amazing experience. I admire the fact that you went on with
the show when you must have felt shattered on the inside. Thank you,
thank you, thank you. I hope you enjoyed the cigar I gave
you.
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