.
Introduction
.
....IL
CANTO UMANO NON E SOLTANTO UN FENOMENO BIOLOGICO. AL DI SOTTO DEL SUONO
FISICO V’E UNA VIBRAZIONE INTELLETTUALE, CH’E’ RIFLESSO DI VIBRAZIONE SPIRITUALE.
....IL
SUONO DELLA VOCE ORDINARIA APPARTIENE AL CORPO FISICO DELL’UOMO, AL SUO
SUBCOSCIENTE, ED E’ SEMPLICE VIBRAZIONE AUTOMATICA.
....LA
VOCE TECNICA, CHE NASCE DALL’ANALISI PER PROCESSO BASATO SULLA NATURA RAZIONALE,
FORMA LO STRUMENTO VOCALE.
....MA
LA VOCE, FRUTTO D’ESPERIENZA SUPERIORE CHE SI RICONNETTA ALLA NATURA DIVINA
DELL’UOMO E’ DA CUI FLUISCE L’ISPIRAZIONE, E SOFFIO MELODICO, SPIRITO.
....SPIRITUS
INTUS ALIT: ALITA NELLA VIBRAZIONE E LA TRASFIGURA.
GIACOMO
LAURI-VOLPI 1892-1979
(DA “MISTERI
DELLA VOCE UMANA)
-
Book’s author translation:
HUMAN
SINGING IS NOT SO MUCH A BIOLOGICAL PHENOMENON. UNDER THE ONSET OF A PHYSICAL
SOUND THERE IS A INTELLECTUAL VIBRATION, THAT IS, A REFLEXION OF
SPIRITUAL VIBRATIONS.
THE SOUND
OF THE ORDINARY VOICE BELONGS TO THE PHYSICAL BODY OF MAN, TO ITS SUBCONSCIOUS,
AND IT IS SIMPLE AUTOMATIC VIBRATION.
THE TECHNICAL
VOICE, BORN FROM ANALISIS OF A PROCESS BASED ON RATIONAL NATURE, FORMS
THE VOCAL INSTRUMENT.
BUT THE
VOICE, A PRODUCT OF A SUPERIOR EXPERIENCE THAT RECONNECTS TO THE DIVINE
NATURE OF MAN AND FROM WHICH INSPIRATION FLOWS, IT IS A MELODIC BREATH,
SPIRIT!
SPIRITUS
INTUS ALIT: BREATH IN THE VIBRATION AND TRANSFORMS IT
.
Bel Canto
Italia/Opera Italia offers a new program for voice students. Past experience
has showed the need to concentrate efforts on Vocal Technique. Music and
Repertoire, rather than share emphasis and energy on academics that complement
the intellectual formation of an opera singer. Academic formation, although
very important, can be pursued at different private and official institutions
while acquiring vocal training at BCI/OI. Upon request, students can be
recommended and referred to different institutions in order to complement
their studies while in Florence. The program aim is directed to the formation
of the student
as a professional
opera singer. The selected applicants will commence their studies at an
introductory phase in which they will learn the basic concepts of the Italian
Vocal Method, while physically adapting their instruments for the studies
to follow.
The duration
of this phase is entirely up to the student instrument's adaptation, as
well as the dedication and concentration required to complete this phase.
Gradually the student will appreciate the advantages of the Italian Vocal
Method. Through this appreciation and learning process, the student will
acquire the most important tool that any voice student can obtain during
the Technical stage of their studies,
the condition
that will allow the students to recognize and control their own instrument.
From this stage onwards, the student will follow a methodical and systematic
training in order to reach the level where the acquired skills and knowledge
can be applied to music. Therefore, the purpose is to provide the student
with a solid technique while at the same time developing the student's
dramatic instinct in order to reach full expression and control of their
acting through the voice.
.
.
.
.
..
..
Bel Canto Italia Home Page - Copyright
M.L. © - February 1999 - All Rights Reserved