Bibliography


Anthony Blunt: Artistic Theory in Italy, 1450-1600, Oxford University Press, 1975.
Subject matter:Artistic theories of Alberti, Leonardo and Michelangelo. Influence of the Reformation and Counter-Reformation (Council of Trent).

(Anthony Blunt [1907-83] was not only a well-known British art historian, but also a Soviet spy the "fourth man" in the Cambridge spy ring whose other members included Guy Burgess, Kim Philby and Donald Maclean. When Blunt's undercover activities were revealed in 1979, his knighthood [granted in 1956] was revoked, and he was dismissed from his position as the Queen's royal curator of art.)

E.H. Gombrich: Symbolic Images, Phaidon, 1978.
Subject matter: Information on Botticelli and his time, Neoplatonists, symbolism in Raphael's Stanza della Segnatura, and on other documents of the time.

Erwin Panofsky: Studies in Iconology, Harper and Row, 1962.
Subject matter: Discussions on the Platonic universe, on Neoplatonist philosophers of the 15th and 16th centuries, and on Michelangelo's inspirations and technique.

J.H. Plumb: Penguin Book of the Renaissance, Penguin 1964.
Subject matter: General overview of the time and place: early Renaissance, Florence.

Jean Seznec: The Survival of the Pagan Gods, Princeton University Press, 1972.
Subject matter: This traces the mythological interpretations put into Classical myths from early Christian times to the Renaissance and beyond.

Giorgio Vasari: Lives of the Artists, Penguin, 1976.
Subject matter: Biographies of the artists discussed.

Heinrich Wolfflin: The Art of the Italian Renaissance, Schocken, 1964.
Subject matter: Details of the works of art discussed.


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