Indian Music and Dance
Indian Music Theory
Thatt
Raga
Tala
Indian Instruments
Wind Instruments
Stringed Instruments

Percussion Instruments

References and Resources

sitar
vina
tabla

The Instruments of Indian Music

Three requirements are made of Indian musical instruments. First there is the ease of returning pitches to fit new creative demands in the course of a performance. Consequently instruments which cannot easily change pitch, such as the harmonium, have limited purposes. The complex rhythms of Indian music put heavy demands on a large variety of percussion instruments. With so much complexity in other parts a simple single note drone usually provides a 'reference' harmony to accompany rhythm and pitch. Harmony as the concept understood in Western music does not exist. This dimension is substituted for by the subtle changes in pitch, centred around the basic pitches of each RAGA.

Three basic drum types are used in 'Classical' Indian music. These are the two headed barrel drum of the south, called 'mridanga'. A black tuning patch made of a paste of boiled rice and powders is centred on each of its two heads. Similar patches are found on the heads of the 'baya' and the 'tabla', the paired drums from the north of India. A third double headed drum, 'dhalak' is a popular accompaniment to dance.

The Indian 'sahnai' and the larger 'nagasvaran', related to the Western 'oboe' are refined woodwind instruments. A traditional side blown cane flute is able to handle complex melodic lines. A variety of 'bagpipes' various panpi pes made of bamboo, conch shell trumpets and buffalo horn wind instruments are also played.

The VINA is an ancient zither has seven strings and is plucked either with fingernails or with a plectrum. It has calabashes which act as reso nators to amplify its sound, attached to both ends. The SITAR is perhaps one of the best known of Indian stringed instruments and belongs to the family of lute-type instruments. It is said to have been invented in the early 14th Century by Amir Khusru, a poet and musician of the time. Equally important is another lute, the SAROD, favoured more by Muslim musicians. There is also an Indian folk violin called BAHULIN, which may be the ancestor of the Western violin. It and another lute, the ESRAJ, (one of my personal favourites) are both bowed instruments.

  Last revised: August 09, 2004