Walter Micallef launches M'Jien Xejn - Walter Micallef Iniedi l-Ewwel CD Album |
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One World Beat Global Music Festival |
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Kunċerti ta' Walter Micallef u l-Ħbieb 8, 9, 10, 11 ta' Lulju, 2004 fid-9.00pm - Il-Kavallier ta' San Ġakbu |
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Ara l-kummenti ta' Steve Borg u Adrian Grima |
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Il-kantawtur Walter Micallef se jagħti sensiela ta’ erba’ kunċerti ma’ ħames mużiċisti magħrufin fit-Teatru tal-Kavallier ta’ San Ġakbu bejn nhar il-Ħamis, 8 u l-Ħadd, 11 ta’ Lulju. Il-kunċerti kollha jibdew fid-9.00pm. Micallef se jippreżenta għadd ta’ kanzunetti ġodda flimkien ma’ wħud li dehru fl-ewwel album tiegħu, M’Jien Xejn li ħareġ fl-2003.
Din hija l-ewwel darba li Walter Micallef se jagħmel sensiela ta’ kunċerti li fihom il-kanzunetti tiegħu se jiġu interpretati minn grupp ta’ mużiċisti. Dawn huma Renzo Spiteri (perkussjoni), Pawlu Camilleri l-Bibi (armonika), Jes Psaila (kitarra), Eric Wadge (baxx), u Albert Garzia (argunett).
L-isem ta’ dawn il-kunċerti huwa meħud mill-kanzunetta L-Aħħar Sekondi li fiha Micallef jirrakkonta b’mod qawwi u suġġestiv tmiem il-ħajja ta’ tajra li tintlaqat minn tir ta’ senter waqt li jkun qiegħed jisbaħ. Walter Micallef u l-Ħbieb se jdoqqu wkoll kanzunetti bħal “Qiegħ il-Flixkun,” “Ġebla Niexfa,” “Il-Party,” “Il-Kejl,” “Nemmen,” “Sieħbi fil-Cupboard tal-Kċina,” “Ma Temminnix” u “Dik il-Povra Kreatura.”
Walter Micallef huwa kantawtur sinċier li kapaċi jirrakkonta l-esperjenzi, kultant ibsin u intimi, u jissublimahom, mingħajr ma jibbanalizzahom; jirnexxilu jesprimi l-ħsus u l-ħsibijiet ta’ nies ta’ etajiet u esperjenzi differenti. Imma l-kwalità li tagħmlu kantawtur ewlieni u pjuttost rari f’pajjiżna mhix is-sinċerità imma l-ħila li jinqeda bil-kelma biex jirrakkonta l-ħajja mill-ġdid. Micallef kapaċi jfisser l-affarijiet b’mod li jibdew jeżistu “skond il-piż veru tagħhom”. Bħall-poeti, il-kantawturi huma artisti tal-kliem, tas-silenzji bejn il-kliem, tal-possibbiltajiet lilhinn; u Walter jirnexxilu jgħid dak li aħna nħossu u li ma jirnexxilniex nartikulaw bil-mod sabiħ tiegħu.
Il-protagonisti ta’ L-Aħħar Sekondi
Mill-bidu tas-snin sebgħin sa llum, Walter Micallef kiteb aktar minn tmenin kanzunetta oriġinali bil-Malti u rebaħ kemm-il darba l-festival L-Għanja tal-Poplu. Daqq fuq ZDF u Bayerische Fernsehen, żewġ stazzjonijiet tat-televiżjoni Ġermaniża. Aktar kmieni din is-sena, Walter Micallef, akkumpanjat minn Renzo Spiteri, Pawlu Camilleri l-Bibi, Jes Psaila, Oliver Degabriele, u Albert Garzia tella’ kunċert bħala parti mit-tieni edizzjoni tal-One World Beat Global Music Festival.
Jes Psaila huwa l-kitarrista tal-grupp Syrup. Jieħu sehem ukoll f’għadd kbir ta’ produzzjonijiet li fihom idoqq u jikkomponi. F’Novembru ta’ l-2003 daqq fl-Italja fil-produzzjoni teatrali, Caravaggio di Merisi: chiaroscuro.
Il-perkussjonista Renzo Spiteri studja l-mużika fl-Università ta’ Malta u f’Milan. Tella’ produzzjonijiet bħall-kunċerti ta’ Ritmi u This Is My Language u daqq, fost l-oħrajn, fil-Malta Jazz Festival u fil-kunċerti ta’ Ritmi. Fl-2004 stidnuh biex idoqq f’Budapest, Liverpool, Lisbona, Ateni u Dublin. Fl-2002 waqqaf il-grupp The Katambù Sound Factory.
Pawlu Camilleri l-Bibi jdoqq il-pjanu u l-armonika. Trabba fl-inħawi tad-Due Balli, fil-Belt Valletta, iben il-magħruf pjanista tal-jazz, Frankie Camilleri l-Bibi. Daqq kemm-il darba fil-festival L-Għanja tal-Poplu. Bħalissa qed iħejji album bil-Malti b’tema bibblika.
Albert Garzia huwa wieħed mid-daqqaqa ewlenin ta’ l-argunett f’Malta. Daqq dan l-istrument fi produzzjonijiet folkloristiċi f’Malta u f’għadd ta’ pajjiżi Ewropej. Bħalissa qed jistudja fl-Università ta’ Malta biex jikseb Diploma fil-Mużika Sagra u B.A. Hons. fil-kompożizzjoni mużikali.Għal ħafna snin Eric Wadge studja l-mużika u l-vjolin taħt il-gwida ta’ nannuh John Micallef, u mbagħad, ta’ tmintax-il sena, beda jdoqq il-baxx, fost l-oħrajn ma’ gruppi bħal Bigfoot, Quicksand and Luage. Fi Frar ta’ l-2003, daqq fi Piazza Del Popolo f’Ruma fil-festival Cresce l’Europa.
Walter Micallef u l-Ħbieb u l-Kunċerti
Il-produzzjoni ta’ L-Aħħar Sekondi tinsab f’idejn tim ta’ nies immexxi minn Steve Borg u li jinkludi lil Adrian Mamo, Lorraine Dowling u Adrian Grima. Dawn il-kunċerti qed jittellgħu bil-kollaborazzjoni ta’ De Robertis Roof Top Restaurant tal-lukanda Castille, Maltacom, Olimpus Music, Morales Fashions, u Tip Top Sports.
Il-biljetti jiswew Lm4 u jistgħu jinkisbu mill-Kavallier ta’ San Ġakbu (miftuħ kuljum bejn l-10.00 am u t-8.30 pm, tel. 21223200) jew mingħand steveborg@global.net.mt (tel. 7963 6543).
Dawk kollha li jixtiequ aktar tagħrif dwar Walter Micallef u l-Ħbieb jistgħu jiktbu lil steveborg@global.net.mt jew iċemplu fuq 7963 6543. Hemm ukoll informazzjoni interessanti dwar Walter Micallef u l-album M’Jien Xejn fuq il-website ta’ Inizjamed, http://inizjamed.cjb.net.
Adrian Grima Is-27 ta’ Ġunju, 2004 |
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L-Aħħar Sekondi
Qajjimni filgħodu l-kaċċatur, Ħasadni bit-tiri, taffieli l-kulur. Stħajjiltni t-tajra, nissielet mar-riħ, Nitħabat man-nifs u mbeżża’ bl-uġigħ.
Tisbita waqqfitni, sibt ruħi ma’ l-art, Griżmejja wisq xotti u nterter bil-bard, Inħossu jċarċar minn bejn il-penniet, U feġġ l-ewwel raġġ minn tax-xemx fuq l-għoljiet, U s-skiet…
© Kliem u Mużika: Walter Micallef |
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Dawn huma għanjiet li jirrakkontaw stejjer ta’ kuljum: stejjer dwar id-dubji ġustifikati u l-fidi għamja fl-imħabba; dwar ideali li m’hemmx min iwettaqhom; dwar id-dgħjufija li hemm f’persuna maħkuma mid-droga li tfakkarna fid-dgħjufija li hemm f’dawk kollha li lesti jirrikonoxxu l-fraġilità tagħhom; dwar tajra li tħoss id-demm iċarċar minn bejn il-penniet waqt li jfiġġ l-ewwel raġġ tax-xemx fuq l-għoljiet.
Dawn huma stejjer ta’ kuljum irrakkontati b’ħila mhux tas-soltu, u għaldaqstant huma stejjer speċjali. Għax bħalma ċ-ċajta tirnexxi skond kemm taf tirrakkontaha, hekk ukoll l-istejjer tal-kantawturi jirnexxu skond kemm jirrakkontawhom b’mod sabiħ. Minkejja li f’“L-Aħħar Sekondi” tisma’ t-traġedja (komuni u donnha inutli) ta’ tajra li trid tgħix bi kwietha imma s-senter ma jħallihiex, fl-aħħar aktarx tħossok li terġa’ trid tisma’ l-kanzunetta, li trid iġġarrab kollox mill-ġdid.
Manlio Sgalambro jsostni li donnu fil-kliem tal-kanzunetti nġabret il-poeżija kollha possibbli ta’ żmienna. Dawn l-għanjiet li se tisimgħu hawnhekk huma poeżiji tassew, għax jirrifjutaw it-triq komuni u inutli tal-frażijiet prefabbrikati, tad-dmugħ faċli li jġelben qisu l-għaraq f’nofs Awwissu Malti. Huma għanjiet li fihom kull kelma u kull ħoss għandu l-importanza tiegħu, u għalhekk it-Teatru tal-Kavallier ta’ San Ġakbu huwa ideali, għax bħall-kanzunetti nfushom kapaċi joħloq “intimità” kreattiva bejn l-interpreti u l-udjenza u jirrispetta kull ħoss li jgħaddi bejniethom.
Fil-mument li ssir pubblika l-għanja ma tibqax ta’ min ikun ħoloqha imma ta’ kulmin jismagħha. U l-intimità maħluqa hija riżultat, fost l-oħrajn, ta’ dan l-iskambju, għax meta titlaq minn taħt idejn min joħloqha, l-għanja tinħoloq mill-ġdid. U tibqa’ tinħoloq kull darba li tinstema’, li tinqara, kull darba li tisma’ tir ifaqqa’ fil-viċin u tħoss lil dik il-povra kreatura, li min jaf mnejn kienet ġejja, titħabat man-nifs u titwerwer bl-uġigħ ... Dan huwa possibbli għax huma xogħlijiet illi kieku Eco jsejħilhom “miftuħin,” għanjiet li mhumiex magħluqin fil-clichés ta’ ħafna mill-materjal kummerċjali li nisimgħu.
Walter Micallef daħal fix-xena tal-kanzunetta Maltija fis-sebgħinijiet, fi żmien meta, skond Manwel Mifsud, “l-għanja Maltija reġgħet bdiet issib tematika u idjoma li jagħmluha medju ta’ espressjoni addattat għall-kotra tal-poplu Malti.” F’dan iż-żmien, fix-xogħlijiet ta’ Micallef, ta’ Mifsud innifsu, u ta’ oħrajn, “il-kelma saret il-qofol tal-kompożizzjoni u ssuġġeriet melodiji iktar Maltin sewwasew għax joħorġu mill-kisra naturali ta’ lsienna.”
Aktarx li l-isfida ewlenija ta’ Walter bħala kantawtur hi li jirrakkonta l-istejjer tiegħu b’tematika u idjoma dejjem ġdida, u l-isfida tagħna hi li dejjem noħolqu ambjent kulturali kritiku u dinamiku li fih l-espressjoni ġdida taħsad l-isterjotipi u tirrakkonta stejjer uniċi.
Adrian Grima Ġunju 2004 |
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L-Aħħar Sekondi ta' Diski bil-Malti?
Fil-bidu tas-snin Tletin Carabott u D'Amato tal-Belt bdew joħorġu d-diski bil-Malti. In-nies tgħidx kemm kienet għatxana biex tisma' s-78rpm, magħrufa aħjar bħala d-diski tal-faħam. U fil-ħwienet tat-te, fl-isqaqien u fl-imsieraħ in-nies titkellem, tisħaq u titmasħan jekk Ġużeppi Xuereb ix-Xudi kienx aħjar minn Manwel Cilia Ta' Żabbett. Oħrajn jaqblu jew ma jaqblux jekk id-diski Maltin maqtugħin f'Tuneż kinux jisbqu lil dawk ta' D'Amato maqtugħa f'Milan għand La Voce del Padrone. Hekk kif il-gazzetti Il-Ħmar u Il-Cotra jħabbru li waslu d-diski ġodda minn barra, tara sriebet tan-nies quddiem il-ħwienet tad-diski sabiex tisma' l-aħħar xogħlijiet minn quddiem il-vetrina. Mitt bniedem, mitt fehma.
Jaqblu jew ma jaqblux, kien hemm ħerqa għad-diski bil-Malti, tant li mill-ħamsa u ħamsin diska tal-faħam li d-ditta D'Amato ħarġu fis-snin Tletin, ħamsa u għoxrin minnhom reġgħu nħarġu bħala 45rpm fis-snin Sittin. Il-mużika popolari kienet qed titwieled. Uħud mid-diski kienu qed jieħdu x-xejra tal-festivals tal-kanzunetta Taljani, oħrajn tal-beat groups Ingliżi. U l-klassifika ta' L-Aqwa Għoxrin f'Malta, miġbura minn Mario Laus, dejjem turina mal-ħames diski bil-Malti lejn il-quċċata.
Illum inbidel kollox. Spiċċajna b'sitwazzjoni ambigwa fejn lanqas fil-Malta Music Awards ma hemm ġieħ x'jingħata lill-aqwa album Malti, għaliex l-għadd li qed joħorġu jingħaddu fuq is-swaba’ ta’ id. Ta' min hija l-ħtija ta' din il-qagħda mwiegħra? Ta' l-istazzjonijiet tar-radju, li ħafna minnhom jiċħdu li jdoqqu diski bil-Malti? Tas-sidien tal-ħwienet tax-xorb, li ma jridux mużika bil-Malti għaliex it-turisti ma jitkellmux ilsienna? Jew forsi tal-kantanti nfushom li jippreferu li jkantaw bl-Ingliż jew bit-Taljan fil-lukandi u r-ristoranti? Hi x’inhi t-tweġiba, li tisma’ kunċert kollu bil-Malti qisu bħal fula f’qargħa, f’dan il-pajjiż ta’ erba’ mitt elf, medhi aktar bil-Eurovision qisu l-ħajja jew il-mewt ta’ kollox.
Ruma taqbad u n-nies tidħaq. Huwa aktar faċli li l-grupp Etnika - li jien waqqaft ma’ ħaddieħor fis-sena 2000, u li mar idoqq fil-Montreaux Jazz Festival, wieħed mill-aqwa fid-dinja – jinstema’ fl-Isvizzera, u fi Franza milli fuq għadd ta' stazzjonijiet tar-radju Maltin. L-istess tiġrib jgħaddi minnu Walter Micallef, li dan l-aħħar deher fuq iż-ZDF u l-Bayerische Farnsehen fil-Ġermanja, u t-TRT, it-televizjoni nazzjonali Torka, fejn riduh ikanta bil-Malti. Illum wasalna f'salib it-toroq u rridu nagħżlu. Jekk se noqogħdu b'idejna fuq żaqqna, se nitilfu l-qaleb u l-ġbejna u kollox itir mar-riħ. Hawn jixraq li tidħol il-mistoqsija li rridu nwieġbu. “L-Aħħar Sekondi” ta' xiex? Tal-kanzunetta bil-Malti jew tar-rieda ħażina ta’ min qed ixekkilna?
Steve Borg Ġunju 2004 |
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Walter Micallef and Friends at St. James Cavalier
Walter Micallef will be accompanied by Renzo Spiteri (percussion), Pawlu Camilleri l-Bibi (harmonica), Jes Psaila (acoustic guitar), Eric Wadge (base), and Albert Garzia (accordion). Many of these musicians played with him earlier this year when he gave a concert in Malta as part of the One World Beat Global Music Festival held in over 40 countries.
The title of this series of concerts, L-Aħħar Sekondi, is taken from one of Walter Micallef’s most powerful songs about a bird shot down by a hunter as dawn is breaking. Some of the other songs in the concert line-up are “Qiegħ il-Flixkun,” “Ġebla Niexfa,” “Il-Party,” “Il-Kejl,” “Nemmen,” “Sieħbi fil-Cupboard tal-Kċina,” “Ma Temminnix,” and “Dik il-Povra Kreatura.”
“In a style that is both fresh and varied,” writes Steve Borg, “Walter Micallef deals with social issues and personal experience. He deals with love and suffering, with environmental degradation and the subtle manipulation of youth. He consciously takes up issues that many have ignored, like child abuse and machismo. He is a singer songwriter who meets the linguistic and thematic challenges of his art head on.”
The Performers
Walter Micallef is one of Malta’s leading singer songwriters. He has written over eighty original songs in Maltese. In 2003 he released his first album called M’Jien Xejn for which he was nominated as Best Male Artist at the 2004 Malta Music Awards. He has won the Għanja tal-Poplu on several occasions. In 2004 he appeared on the German television stations ZDF and Bayerische Fernsehen.
Singer songwriters like Walter Micallef, writes literary critic Adrian Grima, “are musicians of words; they manage to fascinate and communicate at the same time because in every word they see artistic potential and the ability to go beyond.” Walter Micallef’s every word, to borrow a phrase from Sepúlveda, “carries its own true weight;” every word has a role to play, irrespective of whoever uses it or what they may say about it. “What we’re left with as involved listeners,” writes Dr. Grima “is the uncomfortable, heavy silence that follows the words.”
Jes Psaila is the guitarist of the Voices choir and the group Syrup. In November 2003 he performed in Italy in the theatrical production Caravaggio di Merisi: Chiaroscuro. He is involved in various projects ranging from studio recordings to live performances, including jazz and fusion ensembles, and has composed original music for a number of theatre productions.
Renzo Spiteri, one of Malta’s leading percussionists, studied music in Malta and in Milan. In 1997, he graduated with a B.A.(Hons.) in Music and Theatre Studies. He also studied percussion at the Milan Jazz School and the CEP Institute of Music. In 2002 he founded the 7-piece percussion ensemble, The Katambu Sound Factory. This year he has performed in Budapest, Liverpool, Lisbon, Athens and Dublin.
Pawlu Camilleri l-Bibi plays the piano and harmonica. He comes from a renowned musical family in the Due Balli area in Valletta. His father was the well-known pianist Frankie Camilleri l-Bibi. He has written the lyrics for several musicals and religious operas. At present he is working on an album in Maltese with a biblical theme.
Accordion player Albert Garzia started studying music, focusing on the accordion and the piano, at the age of 7. At present he is reading for a Diploma in Sacred Music and a B.A. (Hons.) degree in music composition at the University of Malta. Garzia has also played folk music in Malta and in other European countries.
Eric Wadge studied the violin and music theory with his grandfather John Micallef and at the School of Music in Valletta. At eighteen he switched to the double bass. He has played with local bands Bigfoot, Quicksand and Luage. In February 2003, Wadge, who plays the Da Capo bass, performed in the Cresce l’Europa festival held in Piazza del Popolo in Rome.
The Concerts by Walter Micallef and Friends
The production team of L-Aħħar Sekondi is led by Steve Borg and includes Adrian Mamo, Lorraine Dowling u Adrian Grima. These concerts are being held with the support of Datastream, Castille Hotel, Tip Top Sports, Olimpus Music and Morales Fashions.
Tickets, at Lm4.00, can be booked by calling the St. James Cavalier booking office on 2122 3200 or by writing to boxoffice@sjcav.org. For more information write to steveborg@global.net.mt or phone 7963 6543. Walter Micallef is featured on the Inizjamed website at http://inizjamed.cjb.net.
Adrian Grima 30 June, 2004 |
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Read also: Steve Borg interviewed by maltastar.com Articles on Malta Media and Maltastar |
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Walter Micallef
Thursday, 18 March, 2004, 9.30pm The Blue Room, Bugibba - Entrance Free Featuring Renzo Spiteri - Pawlu Camilleri l-Bibi Jesmond Psaila- Oliver Degabriele - Albert Garzia |
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See also Malta feels the beat, by Steve Borg (The Times, 13.3.04) One World Beat Global Music Festival (The Malta Independent, 11.3.04) Beating up the World, by Steve Borg
Singer songwriter Walter Micallef will be performing live
at the The Blue Room in Bugibba, close to the Empire
Entrance to the concert is free but those in Malta who would like to support this global initiative can deposit their donation to the Keep A Child Alive fund in one of the following bank accounts: BOV Account No 40013255336 - HSBC Account No 042-061390-050.
Walter Micallef shall be performing a new repertoire of engaging songs in Maltese with percussionist Renzo Spiteri, harmonica player Pawlu Camilleri l-Bibi, acoustic guitarist Jesmond Psaila, Albert Garzia on accordion, and double bassist Oliver DeGabriele. The event coordinator in Malta is Steve Borg, who headed the production team behind Walter Micallef’s first cd album, M’Jien Xejn, launched in February 2003 at the University of Malta.
Singer songwriters are musicians of words; they manage to fascinate and communicate at the same time because in every word they see artistic potential and the ability to go beyond. Walter Micallef’s every word, to borrow a phrase from Sepúlveda, “carries its own true weight;” every word has a role to play, irrespective of whoever uses it or what they may say about it. “What we’re left with as involved listeners,” writes Adrian Grima, “is the uncomfortable, heavy silence that follows the words.”
The One World Beat Global Music Festival is not only a collaboration of musicians united in a global effort, it also serves as a platform for the thousands of local and international non-profit organizations currently working for a better social environment to communicate their message to a world-wide audience.
Supported by the United Nations Education Consortium Organization (UNESCO), and artists such as Phil Collins, the first 2003 One World Beat Festival held in 2003 led to a global volunteer effort. As a result, the events helped raise money for a number of charities around the world like United Planet (USA), Children for Change (Canada), Source of Hope Foundation (Lithuania), Here for Life Suicide Prevention (Australia), Victims of Violence (Alaska, USA), Stir Network (Nigeria), Kids Helping Kids (USA).
The concert in Malta is being supported by the cultural organization Inizjamed and by A3FM. For more details about Walter Micallef and One World Beat visit http://inizjamed.cjb.net and http://www.oneworldbeat.org.
For donations to the Keep A Child Alive fund use the following accounts: BOV Account No 40013255336 HSBC Account No 042-061390-050
3 March, 2004 |
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Steve Borg
Thursday coming, Malta shall be participating in a global musical event being held over a four-day stretch. We shall be represented through Walter Micallef u l-Ħbieb. The noted singer songwriter explains. “We are extremely proud of our participation in One World Beat in the Keep A Child Alive Campaign. We are also pleased to be performing at The Blues Room in Buġibba. It is the right place to generate a warm feeling of well-being,” Micallef continues.
Commenting from Switzerland, Andy Treichler, One World Beat director believes that “the idea of giving musicians the possibility to be part of a humanitarian project in a direct way was a natural one to me.” One World Beat was therefore born, under the honourable patronage of the Swiss branch of UNESCO. “As of 2004 the world has lived with a general knowledge of HIV and AIDS for over twenty years. What do we know? What actions are being taken? What does the future hold? We ask ourselves: Why should we care? What can we do to help? Is the situation hopeless? What role can the arts play in addressing these diseases?”
A substantial one. Supported by Phil Collins and Mark King of Level 42, well over one hundred and forty events in forty-one countries are teaming up between 18 and 21 March with one aim – to raise funds for philanthropic organisations worldwide. All kinds of genres are featured, from pop and hip-hop to jazz, soul and world. The line up includes the Ghanaian band Osibisa. Haven’t we all jived, twisted and swivelled to their Sunshine Day and Dance the Body Music? Kahil El’ Zabar et al are performing at the Congress Hall in Warsaw on the 19th, the last date on a six-city tour of Poland. Turiya is performing in San Diego and concerts are on line in London, Sydney, Los Angeles, Paris, Tenerife, and New York.
Speaking from Nassau in the Bahamas, Andrew Jones, famous for his hit single Can’t Hurry Love, sends his greetings “to the good people of Malta. On Saturday the 20th of March at 2-6 pm Bahamian time, on par with Eastern US Standard time, we will be live webcasting our Bahamas concerts for Positive Living from Nassau harbour, with Bahamian musicians playing against the backdrop of our beautiful Bahamian waters that are connected to your own across the Atlantic Ocean. It is the ocean that separates us and unites us,” Jones exclaims.
Acoustic guitarist Jes Psaila explains his participation. 'Having been involved in a number of bands and projects, the most memorable ones were those for the love of music and a good cause.' Psaila has been playing guitar in the local scene over the past twenty years. He started by playing in rock bank named Avatar performing original music. Incidentally Avatar was the supporting act for Osibisa when they played in Malta at the MCC over twenty years ago. The Rabat-born musician has played and composed music for theatre productions and has taken part in many projects in the jazz and fusion music scene. The guitarist with Voices, he is currently with Syrup - a new rock band on the local scene playing their own songs with a single to be released shortly.
Micallef is after all a singer songwriter, and a connoisseur at that. Short-listed as Best Male Artist in Malta in the recent Malta Music Awards, Micallef shall play a number of tracks from his widely acclaimed album M’Jien Xejn (I am Nobody), and others such as Il-Kejl, soon to be performed on overseas television. All his works are original and in Maltese.
Pawlu Camilleri Il-Bibi is on harmonica, Albert Garzia on accordion and Oliver DeGabriele, of Etnika fame, on the double bass shall make up the sextet. “The Maltese people are by tradition very conscientious and we appeal to the general public to answer positively to our efforts. We have been gearing up for this concert since Christmas, and we are all out to have a good time for a good cause with our receptive followers,” Micallef sums it up. Organized by the cultural organisation Inizjamed, and also promoted by A3FM, the 18th March concert commences at 9.30pm. There is no entrance fee but donations are strongly recommended. Donations can be forwarded to BOV account 40013255336 or HSBC account 042-061390-050.
13 March, 2004 |
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CD Album |
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M’Jien Xejn – Walter Micallef | ||
Bil-Malti | ||
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Lyrics and Music by Walter Micallef Songs in Maltese with all lyrics in the CD booklet Designed by Adrian Mamo Produced by Steve Borg, supported by Adrian Mamo and Adrian Grima Also Featuring guitarists Noel Galea Bason, Eugenio Schembri, Philip Vella, René Mamo; percussionist Renzo Spiteri; Sue Bottone, Charlotte Grech, Louiselle Vassallo, Miriam Christine Borg (backing vocals); Pawlu Camilleri l-Bibi (harmonica); and others. Publication Date: 27 February, 2003 Price: Lm5.50
Official Launch: 27 February, 2003 – 8.00pm – Erin Serracino Inglott Hall, University of Malta – Featuring Walter Micallef, Renzo Spiteri, Jesmond Psaila, Pawlu Camilleri l-Bibi
Uncomfortable Silence
“Nei testi di canzone sembra si sia concentrata tutta la poesia possibile nel nostro tempo, come se essa vi esalasse l’ultimo o il penultimo respiro. D’altra parte il testo di canzone è un corpo sonoro, inscindibile dalla musica che gli è toccata in sorte.” Manlio Sgalambro (Teoria della Canzone, Bompiani, 1997)
After more than thirty years of writing songs for the festival “L-Għanja tal-Poplu” and for a rather select audience, Walter Micallef, one of Malta’s leading singer songwriters writing in Maltese, has finally taken the plunge.
Like every true singer
songwriter (what in
The CD comes complete with the lyrics of all 14 songs and short comments by Adrian Grima (in Maltese) and producer Steve Borg (in English). “In a style that is both fresh and varied,” writes Steve Borg, “Walter Micallef deals with social issues and personal experience, about love and suffering, about environmental degradation and the subtle manipulation of youth. He consciously takes up issues that many have ignored, like child abuse, machismo. He is a singer songwriter who meets the linguistic and thematic challenges of his art head on.”
Perhaps only a handful of Maltese “kantawturi” are able to play with the Maltese language in the way that Micallef does. Last year (23.3.2001), he was interviewed by Malta Today’s Miriam Dunn. “Listening to the intelligent usage he makes of the Maltese language in his work,” she wrote, “it is difficult to imagine that some years back, Walter made a conscious decision to switch his songwriting from the English language.” When he started out at about 17, it was “natural”, says Walter, to write in English. “I was really just putting words to music to amuse myself, especially when my main influences were people like Bob Dylan and Cat Stevens," he explains. "But I believe one of my other major influences - my grandfather, who sang ‘għana’ – became more important later when I made the language switch."
Singer songwriters are musicians of words; they manage to fascinate and communicate at the same time because in every word they see artistic potential and the ability to go beyond. In the world of artists (and artistes) like Walter Micallef “every word”, to borrow a phrase from Sepúlveda, “carries its own true weight”; every word has a role to play, irrespective of whoever uses it or what they may say about it. What we’re left with as involved listeners are the uncomfortable silence and the heavy silence that follow the words.
See also:
Steve Borg interviewed by maltastar.com about the L-Ahhar Sekondi concerts (June 2004)
Rosanne Zammit's article, "Songwriter takes leap into recording CD", in The Times, 5 April, 2003 http://lifestyle.timesofmalta.com/article.php?id=1050
Miriam Dunn’s article, “Words with Meaning”, in the Malta Today of Sunday, 23 March, 2001 http://www.maltatoday.com.mt/2001/0323/people.html
Ramona Depares' article, "The third degree with Walter Micallef", in the Malta Today of Sunday, 16 February, 2003 http://www.maltatoday.com.mt/2003/02/16/tw/index.html
Stanley Borg’s article, “The Chords of Justice”, at The Times 18 January, 2003, at http://lifestyle.timesofmalta.com/article.php?id=782
Adrian Grima’s article in Maltese, “Skiet Skomdu” at http://www.oocities.org/inizjamed/walter_micallef_cd.htm
Steve Borg’s article in Maltese, “Walter Micallef - L-Ikona tal-Ħajja”, (1 March, 2002) at http://www.my-malta.com//interesting/WalterMicallef.html
Adrian Grima 17 April, 2003 |
Walter Micallef Iniedi l-Ewwel CD Album | ||
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Skiet Skomdu
“Nei testi di canzone sembra si sia concentrata tutta la poesia possibile nel nostro tempo, come se essa vi esalasse l’ultimo o il penultimo respiro. D’altra parte il testo di canzone è un corpo sonoro, inscindibile dalla musica che gli è toccata in sorte.” Manlio Sgalambro (Teoria della Canzone, Bompiani, 1997)
Walter Micallef huwa kantawtur sinċier li kapaċi jirrakkonta l-esperjenzi, kultant ibsin u intimi, u jissublimahom, mingħajr ma jibbanalizzahom; jirnexxilu jesprimi l-ħsus u l-ħsibijiet ta’ nies ta’ etajiet u esperjenzi differenti. Imma l-kwalità li tagħmlu kantawtur ewlieni u pjuttost rari f’pajjiżna mhix is-sinċerità imma l-ħila li jinqeda bil-kelma biex jirrakkonta l-ħajja mill-ġdid. Micallef kapaċi jfisser l-affarijiet b’mod li jibdew jeżistu, kif jgħid Luis Sepúlveda, “skond il-piż veru tagħhom”. Bħall-poeti, il-kantawturi huma artisti tal-kliem, tas-silenzji bejn il-kliem, tal-possibbiltajiet lilhinn; u Walter jirnexxilu jgħid dak li aħna nħossu u li ma jirnexxilniex nartikulaw bil-mod sabiħ tiegħu.
F’“Tihom Widen” il-kantawtur jirrifletti fuq ir-rwol tiegħu bħala narratur tiegħu nnifsu u ta’ niesu. Il-fil soċjali li jinħass fl-għanjiet tiegħu mhuwiex libsa komda jew moda imma r-riżultat tal-ħtieġa li jħoss li jitkellem dwar dak li jinkwetah. “Sieħbi fil-Cupboard tal-Kċina” u “In-Nofsinhar” huma tnejn mill-aħjar eżempji ta’ din is-sensibbiltà personali-soċjali. Bħall-awtur ideali ta’ Sepúlveda, il-kantawtur “jinsab fil-ħajja”, u jgħid dak li jgħid mhux biss għax jarah, bħala osservatur maqtugħ, imma għax iġarrbu hu u, permezz tal-ġenju ta’ l-arti, jagħtina l-opportunità li nġarrbuh miegħu.
Il-kantawturi huma mużiċisti tal-kliem; jirnexxilhom isaħħru u jinftiehmu fl-istess ħin għax f’kull kelma jaraw potenzjal artistiku u l-ħila li jmorru lilhinn.
F’idejn artisti bħal Walter Micallef, kull kelma għandha sehem x’tagħti, ġejja minn fejn ġejja, jużaha min jużaha, jgħidu x’jgħidu fuqha. U f’idejn l-udjenza hemm is-skiet skomdu u l-mistrieħ ta’ wara l-kliem.
© Adrian Grima Frar 2003 |
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Ara wkoll dawn l-artikli:
Steve Borg interviewed by maltastar.com about the L-Ahhar Sekondi concerts (June 2004)
Rosanne Zammit, "Songwriter takes leap into recording CD", The Times, 5 April, 2003 http://lifestyle.timesofmalta.com/article.php?id=1050
Miriam Dunn, “Words with Meaning”, Malta Today, Sunday, 23 March, 2001 http://www.maltatoday.com.mt/2001/0323/people.html
Ramona Depares, "The third degree with Walter Micallef", Malta Today, Sunday, 16 February, 2003 http://www.maltatoday.com.mt/2003/02/16/tw/index.html
Stanley Borg, “The Chords of Justice”, The Times, 18 January, 2003 http://lifestyle.timesofmalta.com/article.php?id=782
Adrian Grima, “Uncomfortable Silence” http://www.oocities.org/inizjamed/walter_micallef_cd_eng.htm
Steve Borg, “Walter Micallef - L-Ikona tal-Ħajja”, (1 March, 2002) http://www.my-malta.com//interesting/WalterMicallef.html
Adrian Grima Is-17 ta' April, 2003 |
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