A black-clothed ninja passed a long, heavy bundle to the Abbot. It
was an oddly-shaped object, longer than either man was tall; wide at
both ends but narrow in the middle. It was wrapped and bound securely
in cloth bandages.
"Take care of this for us," said the ninja softly. "Keep it from
falling into the wrong hands. It's no longer safe to keep such
objects in the village... take care of it until its rightful master
reappears."
The Abbot nodded. "It will be safe here, Ohka-sama," he said
softly, holding the object tightly. "Like the others... we will
safeguard them for you, no matter what, until one comes to claim
them."
"I have no need to remind you it is of the utmost importance,"
Ohka said, and the Abbot could tell he was smiling grimly, even
though a black cloth covered the bottom half of his face. "If any of
these fall into the hands of the Oni... everything we've worked for
will be for nothing."
The Abbot nodded. "The rumors we've heard of uprisings are true,
then?"
Ohka nodded. "He's intimidated by us," he said sternly. "He's
intimidated by the superiority of our minds, and the superiority of
our weapons. He has convinced himself to exterminate us. We shall
sacrifice ourselves, if needs be, for the benefit of the world. But
he must not take a single one of our weapons in the process."
"Hopefully, he will not desecrate our peaceful monastery,"
answered the Abbot softly. "But I assure you, I and my descendants
shall safeguard your property against harm."
The tall young man moved slowly through the exhibits, carefully
examining the printed program he clutched in one hand. Every so
often, he'd stop completely, staring at a particular artifact
ensconced in its case, reading the label over several times. He was
paying extraordinarily good attention to every minute detail, noticed
Ryusaki Nanami, and it made her curious.
"You seem very interested," she remarked, in a casual
conversational tone. The young man looked startled, and grinned a
fanged grin.
"Oi, you startled me," he said apologetically, and Nanami
noticed he had a distinct Kansai accent. "But yes, it's quite
captivating." He stared intently at a broken cooking pot, dating back
500 years to the Muromachi period.
"I'm glad you like it," smiled Nanami. "I helped create this
exhibit, and I researched and dated many of these artifacts."
The young man seemed to take more interest in her now. "Did
you?" he inquired kindly. "Well, it's a job well-done. How do
you know, for instance, that this pot is 500 years old?"
"Pottery manufacturing technology, like other technologies,
evolves through time. By looking at the finished product, we're able
to tell something about its creators. This is a particularly fine
example, and the tools and techniques used were remarkably advanced
for its time. There was much care and skill put forth into this
vessel, even though it was only common cookingware." Nanami broke off
abruptly. "Ah, but I don't mean to bore you with the little
details," she amended. "I can get a little carried away on my
subject."
"Can you?" inquired the young man. "Well, it's good that
you're enthused about something. You always need to have a passion in
life to pursue." He had a strange faraway look in his eyes as he
gazed off into a corner of the ceiling. At least, Nanami had the
impression he did-- it was impossible to tell, as his eyes were
obscured by long, girlish bangs and a baseball cap he was wearing.
"Now, say, what can you tell me about this fine object?" He moved on
and indicated a small stautette.
"That slightly pre-dates the cooking pot," said Nanami. "It seems
to be some sort of Buddhist deity... from the same general area as
the cooking pot before. You can tell by examining the particles and
seeing how similar the makeup of the clay in the pot and the clay in
the statuette are. These were all unearthed in the ruins of a
Buddhist temple. I'd say by the end of the Azuchi-Momoyama Period,
the temple had been systematically destroyed. However, these objects
were buried in some underground passages. They were saved from
looting because they had been hidden in these secret chambers. It's
difficult to guess how long they had existed within the temple
itself, but our rough guess would be most of these objects range in
age from 600 to 400 years old."
"How very knowledgeable!" praised the young man. "And, if
I may ask, what is your name?"
Nanami giggled. "I was just about to ask you the same thing. I'm
Ryusaki Nanami."
"What a lovely name, Ryusaki-han. My name is Odokemono Hiroji,"
and he grinned fangedly. "Now, if you could tell me... this
fabulously entertaining object lying in this case... what is it?"
"That seems to have been some kind of ceremonial staff," said
Nanami, surveying the large, twisted, oddly-shaped object. "It's
inscribed Taishaku Kaiten."
Hiroji gazed solemnly at it. The enormous eye at the top end
seemed to bore into his very being. Something tugged at the edges of
his memory....
"Did it do anything?" he asked, almost hesitantly. He
pressed his hands down against the plexiglass barrier between him and
it.
"Fingerprints," Nanami reminded him gently, and he hastily removed
his hands. "Do anything? I don't know. It was found, like many
of the other objects here, in the ruins of an old Buddhist temple.
Perhaps it was an obscure minor sub-cult? We really don't know."
Hiroji gazed into the eye of the Taishaku Kaiten. Suddenly, he
found himself no longer gazing into the object, but rather,
looking at himself, as though through a stranger's eyes. At
the same time, he was still gazing earnestly into the eye of
the Taishaku Kaiten, listening to Nanami prattling on about what good
condition it was in for having endured what the object must have gone
through.
Nanami was completely oblivious to this second Hiroji standing
next to her. It was as though his second self was invisible...
invisible...
And suddenly, this second self was no longer staring at his first
self. His second self was suddenly... somewhere else. Someone
else. He stood on a porch, in front of an old-fashioned house, in
an old-fashioned rural village. A balding man with long, straggly
greasy hair held the strange-looking staff lovingly in his hands,
turning it, admiring the feel.
"Look here! My latest creation," the man said. He looked up into
Hiroji's face, beaming proudly like a new father. However, Hiroji
felt vaguely apprehensive as he watched him. There was a wild look in
his eye, and he showed too many teeth while smiling.
"What does it do?" Hiroji found himself inquiring in a voice
not his own.
"Tawakeru-san, surely you jest!" laughed the wild-eyed man. "I've
slaved night and day for weeks on end... hardly eating... hardly
sleeping... not until this seed from my imagination took root and
sprouted into reality. This is the Taishaku Kaiten, an Elemental
Weapon which can manipulate mass and matter within a certain range.
And I have made it specially with you in mind. It is yours."
"Kaima-san! I couldn't possibly... this is too special," objected
Hiroji. He longed to ask, How do I know your name? How do you know
me? Why do you call me Tawakeru? But somehow, he was passively
present, invading someone else's mind and body, watching a moment in
someone else's life.
Kaima shook his head firmly. "No, I insist," he said, drawing
himself up to his full height and striking the Taishaku Kaiten firmly
on the ground. "This weapon is yours. It was created for you. Long
before I had fully made this exquisite object a reality, I knew that
it was destined for your hands. It cries out for you. Long after you
and I are dead in our present forms, it shall return to your
safekeeping."
Hiroji felt his body shaking as Tawakeru laughed heartily. "What a
pleasant fairy-tale!" he laughed. Kaima handed the staff over to him,
and Tawakeru raised it up for a closer inspection. This allowed
Hiroji a better view of it. It looked about the same as it had in the
museum, only shinier and not as tarnished-looking. A result of the
age, Hiroji found himself thinking. Perhaps there's a way to
restore it to its original condition? I wonder what the Museum would
say...
Tawakeru ran his fingers lightly over the top of it, and Hiroji
could feel the gnarled, twisted metal at the top. It was pointed,
like a trident shape, with a disturbingly wide-open eye staring from
the base of the three prongs. Beneath the eye, the metal changed from
being gnarled to being two smoothly entwined components making up the
handle. The base had a blade, cerrated towards the end, and a
stabbing point.
"It looks quite deadly," grinned Tawakeru, running his hands
carefully over its surface. "And it feels sooooo right."
It does, agreed Hiroji wholeheartedly. Touching the metal
almost seemed to bring back memories... his memories? Or someone
else's? They were very hazy....
"Give it a try," suggested Kaima, smiling in wolfish
anticipation.
Tawakeru hefted the trident into the air, swinging it around
experimentally.
You handle it so awkwardly! Hiroji found himself thinking
impatiently. I could do a much better job... It took him a
moment to wonder why he felt that way.
"See that heavy black kettle over there?" suggested Kaima,
indicating with a lazy finger. "Catch the handle with one prong of
the trident. Focus your energy on it as you do so."
"That's more like a cauldron," commented Tawakeru, staring at it
dubiously. "It has to weigh at least a hundred pounds. It's cast
iron."
"More, actually," corrected Kaima. "But go ahead, give it a
try."
Tawakeru stared at the kettle, making up his mind, focussing his
energy on this new task at hand. Hiroji found himself holding his
breath-- if he had breath to hold. I don't seem to be
breathing, he thought, but the realization wasn't particularly
frightening. He seemed to be only existing, yet not actually
alive. If he had a lip to bite, Hiroji would have been gnawing on it
nervously. Waiting... waiting...
Tawakeru snagged the ring at the top of the cauldron, and a
brilliant flash of light momentarily surrounded them. They watched in
fascination as Tawakeru easily slung it halfway across the courtyard,
and it landed with a heavy, dull thump, rolling several more feet
before it finally came to a stop.
No way! Hiroji found himself thinking excitedly. Tawakeru
just flung that cast-iron pot at least thirty feet, as though it was
a mere toy! He gazed in admiration at the Taishaku Kaiten, and
suddenly wanted it for himself.
"Amazing," gasped Tawakeru, oblivious to the covetous thoughts of
the Other Presence who currently shared his mind. "Truly amazing.
Kaima-san, you have outdone yourself this time!"
"I always strive to make bigger and better weapons!" the other man
boasted. "Weapons are to kill and massacre. The Hokage will thrive
because of my work."
The Hokage, thought Hiroji absently. I wonder what they
are... are they Hokage? Maybe it's their clan
name? That seemed to make sense.
"Nonsense," said another man, who had been watching the goings-on
from a slight distance. He now approached them. "Weapons are to
protect and save people."
"Deal with the facts, Koku-san," retorted Kaima, crossing his arms
in annoyance. "I haven't seen your latest masterpiece yet. But there
can be no sugar-coating of the work we do. We create weapons. Weapons
kill. People have weapons to kill. If you do not wish for the devices
you create to be used for such purposes, you have no business
creating them."
"Ah, Kaima-san, I'm too young to retire!" laughed Koku, who was
somewhat smaller and shorter than the other creator. He had thick,
beetling eyebrows; wild, spiky hair; and pouty, frowning lips.
"Besides, if I was to give up doing what I love, you'd have no one to
keep you on your toes."
The two launched into a debate which Hiroji had a sneaking
suspicion had been verbally battled out many times before. Even
Tawakeru, after a few moments, said very softly, "I think I'll go
practice with this thing now," and scurried away into the neighboring
woods.
I want a try, thought Hiroji plainatively, but he had no
control over this person's body. And just as suddenly, he found
himself staring at glass cases through the trees. And there were
fewer and fewer trees, and more and more cases. And, with a shudder,
he returned to himself, finding the Taishaku Kaiten, looking rather
dingy and tarnished, lying in the case in front of him.
"Are you okay?" asked Nanami, looking at him in concern.
"Ah, gomen! I was just admiring that... exquisite... object.
Taishaku Kaiten, you called it?"
Nanami nodded. "Yes. Are you sure you're all right?"
"Do you know anything about the Hokage?" he asked suddenly.
"The Hokage?" Nanami scratched her head and thought. "No, not that
I can... oh, wait. To the best of my knowledge, that was a relatively
minor clan of ninja. Their village has been excavated, a few miles
from the ruins of the monastery where these objects were uncovered.
Nothing of interest was found there, but the date of the village's
destruction roughly corresponds to the date of the temple's
destruction."
Hiroji took her hands in his and smiled charmingly, "How about we
go off and find a nice place for dinner?" he suggested. "All
this museum-going has made me hungry... and you are such a font of
information! If my professor had been as brilliant as you, I
wouldn't have slept through my history classes at the
University."
Nanami laughed. "What the heck," she agreed cheerfully. "Why not?
It's kind of weird, everything happening like this, but I'm feeling
amazingly agreeable to the thought of having a nice dinner with such
a handsome man as yourself." She smiled playfully at him, and he
offered his arm. She slid her arm through his, entwining his fingers
in her own, and they walked towards the exit.
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