Birthdays: 3000 B.C., Egypt

It is customary today to celebrate a living person's birthdar.  But if one Western tradition had prevailed, we'd be observing annual postmortem celebrations of the death day, once a more significant event.  Many of our birthday customs have switched 180 degrees from what they were in the past.  Children's birthdays were never observed, nor were those of women.  And the decorated birthday cake, briefly a Greek tradition, went unbaked for centuries----though it reappeared to be topped with candles and greeted with a rousing chorus of "Happy Birthday to You".  How did we come by our many birthday customs?  In Egypt, and later in Babylonia, dates of birth were recorded and celebrated for male children of royalty.  Birthday fetes were unheard of for the lower classes, and for women of almost any rank other than queen; only a king, queen, or high-ranking nobleman even recognized the day he or she was born, let alone commemorated it annualy.  The first birthday celebrations in recorded history, around 3000 B.C., were those of the early pharaohs, kings of Egypt. The practice began after Menes united the Upper and Lower Kingdoms.  Celebrations were elaborate household feasts in which servants, slaves, and freedmen took part; often prisoners were released from the royal jails. two ancient female birthdays area documented.  From Plutarach, the 1st century Greek biographer and essayist, we know that Cleopatra IV, the last member of the Ptolemaic Dynastu to rule Egypt, threw an immense birthday celebration for her lover, Mark Anthony, at which the invited guests were themselves lavished with royal gifts.  An earlier Egyptian queen, Cleopatra II, who incestuously married her brother Ptolemy and had a son by him, received from her husband one of the most macabre birthday presents in history; the slaughtered and dismembered body of their son.  The Greeks adopted the Egyptian idea of birthday celebrations, and from the Persians, renowned among ancient confectioners, they added the custom of a sweet birthday cake as hallmark of the occasion.  The writer Philochorus tells us that worshipers of Artemis, goddess of the moon and the hunt, celebrated her birthday on the 6th day of every month by baking a large cake of flour and honey.  There is evidence of suggesting that Artemis's cake might actually have been topped with lighted candles, since candles signified moonlight, the goddess's earthward radiance.  Birthdays of Greek deities were celebrated monthly, each god hailed with twelve fetes a year.  At the other extreme, birthdays of mortal women and children were considered too unimportant to observe.  But when the birthday of the man of the house arrive, no banquet was deemed too lavish.  The Greeks called these festiveties for living males Genethlia, and the annual celebrations continued for years after a man's death, with the postmortem observances known as Genesia.
The Roman added a new twist to birthday celebrations.  Before the dawn of Christian era, the Roman senate inaugurated the custom (still practiced today) of making the birthdays of important statement national holidays.  In 44 B.C., the senate passsed a resolution makint the assassinated Caesar's birthday an annual observance----highlighted by a public parade, a circus performance, gladiatorial combats, an evening banquet, and a theatrical presentation of a dramatic play.  With the rise of Christianity, the tradition of celebrating birthdays ceased altogether.  By the 12th century, parish churches throughout Europe were recording the birth dates of women and children, and families were observing the dates with annual celebrataions.  Around this time, the birthday cake remerged, now topped with candles.
Birthday Cake and Candles: Late Middle Ages, Germany

It reemerged among German peasants in the Middle Ages, and through a new kind of celebration, a Kinderfeste, held specifically for a young child, or Kind.  In a sense, this marked the beginning of chidlren's birthday parties, and in many ways a 13th century German child received more attention and honor than his or her modern-day counterpart.  A Kinderfeste began at dawn.  The birthday child was awakened by the arival of a cake topped with lighted candles.  The candles were changed and kept lit throughout the day, until after the family meal, when the cake was eaten.  The number of candles totaled one more than the child's age, the additional one representing the "light of life".  (Belief that the candle symbolized life is found throughout history.  Macbeth speaks of life as a "brief candle", and the proverb cautions against "burning the candle at both ends").  The birthday child also received gifts and selected the menu for the family meal, requesting his or her favorite dishes.  Birthday candles were to be extinguished in a single breath, and the wish, if it was to come true, had to remain a secret.  German birthday lore has one custom we don not observe today: the Birthday Man, a bearded elf who brought well-behaved birthday chidlren additional gifts.  Although the Birthday Man never achieved the stature of a Santa Claus or an Easter Bunny, his image could still be purchased in the form of a German doll well into the early part of this century.
"Happy Birthday to You": 1893, Kentucky - USA

This melody, regarded as the most frewunetly sung music in the world, was first published in an 1893 book.  Song Stories of the Kindergarten, under the title "Good Morning to All".  Written by two sisters from Lousville, Kentucky - USA, the tune was never intended to be sung at a birthday celebration, but was a morning classroom welcome to youngsters.  Through theft, it became a birthday tradition.  Mildred Hill, who composed the song's melody, was a church organist, concert pianist, and authority on Negro spirituals.  Born in Louisville in 1859, she died in Chicago at age fifty-seven, a few years before her tune received its "happy birthday" wording.  Over the next decade, the song was published several times, often with minor alteations in its lyrics.  By 1933, its widely accepted title was "Happy Birthday to You".  A year later, when the birthday tune was belted out nightly in a Broadway musical.  As thousands cheer, a third Hill Sister, Jessica, tired of the blatant theft and toal absence of royalties, took the case to court.  She won. The Hill family owned the melody.  They were entitled to royalties every time the song was performed commercially.
(Source: Extraordinary Origins of Everyday Things by Charles Panati)