VETTA AMP MODELS |
VETTA EFFECT MODELS |
VETTA CABINET MODELS |
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Line 6 Clean |
STOMPBOXES - DISTORTION |
based on... |
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Line 6 Sparkle | Arbiter Fuzz Face | 1x6x9 | 1960's Supro S6616 | ||
Line 6 Twang | Chandler Tube Driver |
1x8 |
1961 Fender Tweed Champ | ||
Line 6 Bayou | Electro-Harmonix Big Muff Pi | 1x10 | 1959 Gibson GA-18 | ||
Line 6 JTS-45 | Ibanez TS-808 Tube Screamer | 1x10 | 1960 Gretsch 6156 | ||
Line 6 Class A | Tycobrahe Octavia | 1x12 | 1953 Fender Tweed Deluxe | ||
Line 6 Mood | ProCo Rat | 1x12 | 1964 Fender Deluxe Reverb | ||
Line 6 Spinal Puppet |
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1x12 | 2001 Line 6 Cabinet | ||
Line 6 Throttle |
STOMPBOXES - MODULATION |
1x12 | 1981 Mesa Boogie Mark IIc+ | ||
Line 6 Chemical X | A/DA Flanger | 1x12 | 1961 Vox AC-15 | ||
Line 6 Purge | Boss CE-1 Chorus Ensemble | 1x15 | Supro Thunderbolt S6420 | ||
Line 6 Insane | MXR Phase 90 | 2x2 | 1996 Fender (Mini-Twin) | ||
Line 6 Octone | Uni-Vibe | 2x12 | 2001 Budda Twinmaster | ||
Line 6 Piezacoustic1 (for acoustic) | Line 6 Lumpy Phase | 2x12 | 1966 Fender Twin Reverb | ||
Line 6 Piezacoustic2 (for solidbody) | Sine Chorus (digital chorus) | 2x12 | 2001 Line 6 Cabinet | ||
Square Chorus (digital chorus) | 2x12 | Matchless Chieftain | |||
Plus models based on... | Line 6 Expo Flanger | 2x12 | Roland Jazz Chorus 120 | ||
Budda 2001 Twinmaster | 2x12 | Silvertone Twin Twelve | |||
Fender ' 53 Tweed Deluxe |
STOMPBOXES - DELAY |
2x12 | 1967 Vox AC-30 | ||
Fender ' 58 Tweed Bassman | Boss DM-2 Delay | 4x10 | 1958 Fender Bassman | ||
Fender ' 61 Tweed Champ | Electro-Harmonix Deluxe Memoryman | 4x12 | 1973 Hiwatt Custom 100 Cabinet | ||
Fender ' 64 Deluxe Reverb | Maestro EP-1 Echoplex | 4x12 | 2001 Line 6 Cabinet | ||
Fender ' 65 Twin Reverb | Maestro EP-3 Echoplex | 4x12 | ' 67 Marshall w/Celestion Greenbacks | ||
Fender ' 96 Mini-Twin | Roland RE-101 Space Echo | 4x12 | ' 68 Marshall w/Celestion Greenbacks | ||
Gibson Explorer | Binson EchoRec | 4x12 | Marshall Cab w/Celestion G70's | ||
Gretsch 6156 | Digital Delay | 4x12 | ' 67 Marshall Cab w/Celestion V30's | ||
Hiwatt ' 73 Custom 100 | Reverse Delay | 4x12 | 2001 Mesa Boogie Cabinet | ||
Marshall ' 65 JTM-45 | Lo-Rez | 4x12 | Soldano Cabinet | ||
Marshall ' 68 Super Lead | Line 6 Phaze Eko |
A.I.R. II Mic Options |
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Marshall ' 68 Super Bass | Line 6 Sweep Echo | Shure SM-57 | |||
Marshall ' 68 Variac'd Super Ld | Line 6 Bubble Echo | Shure SM-57 Off Axis | |||
Marshall ' 68 Jumpered Super Ld | MD-421 | ||||
Marshall ' 69 Major |
STOMPBOXES - DYNAMICS |
MD-421 Off Axis | |||
Marshall ' 87 JCM 800 | Boss CS-1 Compression/Sustainer | U-67 | |||
Marshall ' 96 JMP-1 | Boss CS-1 Treble (treble boost switch) | U-67 Off Axis | |||
Matchless Chieftain | MXR DynaComp |
(A.I.R. II only affects the direct out signals) |
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Matchless DC-30 | Line6 Vetta Comp (fixed ratio 2.35:1) |
POST EFFECTS - REVERB |
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Mesa Boogie 2001 Dual Rectifier | Line6 Vetta Juice (fixed threshold -40dB) | Deluxe Spring (blackface Fender Deluxe Reverb) | |||
Mesa Boogie 2001 Triple Rectifier | Auto Swell | Twin Spring (blackface Fender Twin Reverb) | |||
Mesa Boogie Mark IIc+ | King Spring (Line 6 original) | ||||
Silvertone Twin Twelve |
POST EFFECTS - TREMOLO |
Small Room (studio reverb chamber) | |||
Soldano SLO-100 | Fender Opto | Large Room (studio/nightclub chamber) | |||
Supro ' 60's 6x9 S6616 | Vox Bias | Studio 6 (development studio at Line 6) | |||
Supro Thunderbolt | Tile Room (porcelain hall bathroom) | ||||
Vox ' 61 AC-15 |
POST EFFECTS - EQ |
Memphis Plate (similar to Sun Studios recordings) | |||
Vox ' 67 AC-30 Top Boost |
Graphic EQ - |
Foil Plate (modeled gold foil plate reverb) | |||
(4-Bands @ 80Hz, 200Hz, 800Hz, 3kHz) |
Blue Plate (Line 6 original reverb) | ||||
4-Band EQ - (High/Low Shelving EQ + |
Bingo Hall (very reflective/medium hall) | ||||
two bands of fully parametric EQ) |
Concert Hall (concert hall with lovely tail) | ||||
War Memorial (your basic stadium) | |||||
POST EFFECTS - MODULATION |
POST EFFECTS - PITCH SHIFT |
Hanger 18 (really BIG reverb) | |||
A/DA Flanger | Dual Voice Detune/Shift | Propellerverb (dark, fluttery, wooshy reverb) | |||
Boss CE-1 Chorus Ensemble | (pitch +/-12 half steps, 1 octave up/down) | Radioverb (reverb for feelings and emotions) | |||
MXR Phase 90 | (detune +/- 50 cents) | ||||
Uni-Vibe |
POST EFFECTS - DELAY |
NOISE GATE - (pre-everything) |
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Line 6 Lumpy Phase | Boss DM-2 Delay | A downward expander that "gates" the noise. | |||
Sine Chorus (digital chorus) | Electro-Harmonix Deluxe Memoryman |
POST COMPRESSOR |
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Square Chorus (digital chorus) | Maestro EP-1 Echoplex | A dual "post" compressor, one for each amp. | |||
Line 6 Expo Flanger | Maestro EP-3 Echoplex |
EFFECTS LOOP |
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Leslie 145 | Roland RE-101 Space Echo | A stereo "line-level" loop for rack mount fx. | |||
Vibratone | Binson EchoRec |
DOUBLE TRACKER |
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Digital Delay |
Since the Vetta features the ability to use two totally independent amp models at the same time, the Double Tracker provides you with the ability to "simulate" the effect of two separate guitarists playing back the same part simultaneously (through each separate amp model)...but with the inherent timing, pitch, and dynamic differences that each player would have. The effect can be more than subtle, and definitely helps increase the depth/size of your tone. |
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Special Notes: | Reverse Delay | ||||
The Vetta gives you three re-routable internal STOMPBOXES 1, 2 & 3 which can be assigned to be any of the numerous effects listed here. Any stompbox can feed AMP1, AMP2, or BOTH. |
Lo-Rez | ||||
Line 6 Phaze Eko | |||||
Line 6 Sweep Echo | |||||
Line 6 Bubble Echo | |||||
Ping Pong Delay | |||||
Vetta A.I.R. II |
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The Vetta has A.I.R. II, this
is nothing like the POD A.I.R. (which was more or less a volume control
for a few milliseconds of miked-room ambience). The A.I.R. II on the Vetta
is actual virtual modeled microphones. |
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Expression Pedals |
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As far as the assignment of
expression pedals, you can use the FBX Pedalboards two pedals...or use an
external midi foot controller that supports two "assignable"
expression pedals, (such as the Ground Control), any MIDI CC 1 message
recieved at Vetta's Midi In port will adjust the PEDAL 1 assignment, and
any MIDI CC 2 message will adjust the PEDAL 2 assignment. |
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Stompbox Routing |
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The Vetta offers three stompboxes which can be assigned to "any" of the STOMPBOX EFFECTS listed above. They can all be different, or if you so desire, you can assign each stompbox to be the same effect, such as a having three Tube Screamers, but each with different settings. Below is a diagram to show you just how many different ways you can route them. And remember, they can be placed in any particular order, not just 1>2>3, and saved differently for each patch you create. For Line 6 programmed sounds, normally stompbox 1 will be a distortion effect, stompbox 2 a modulation effect, and stompbox 3 a delay effect. |
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Patch Switching Gap |
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(listen to the above example) |
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Reverb/Delay Spill Over |
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The echo/delays and reverbs do not spill over between patches, they end immediately as you switch to another patch. However, you can create a spillover if you use an EXTERNAL DELAY/REVERB (line level, not stompbox) in the FX Loop, and the FX Loop is turned on for a series of patches. As long as the FX Loop remains turned on, switching between these FX Loop Patches will allow the external fx unit to continue sounding out. |
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Amp Toggle Overlap |
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When using the FBV (formerly named FBX) Foot Controller to toggle between Amp 1 and Amp 2, there is a time period of about 40 - 60 milliseconds in which both amps are ON at the EXACT SAME TIME. In other words, a perfectly exact toggle between the amps does not occur. Unfortunately, this results in a very unnatural and noticeable increase in volume simply because the volume of both amps are added together for that brief toggle moment. Line 6 has been made aware of this and hopefully it can be corrected through a future software update. | ||
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