Citys On Flame
BOLTS - early days

(left to right)~

Bob on Keyboards and vocals

.Mark (behind fire) Drums and vocals

Terry on Guitar and vocals

Mike on bass and vocals
Bolts (1981-1983)
    
The Bolts Band was originally conceptualized and formed by the drummer and all-time leader Mark (last name suppressed for privacy, pending permission) and was called "Billion Bolts Wide".  Seriously ~ the more familiar, abbreviated title of "Bolts" was later used  because the original name had too many letters ~ it wouldn't fit on the marquees.
       The formula for success followed being a full-time working band, with the intention of working it like a 'job' so as to earn a living.  This meant performing popular rock tunes from radio to the satisfaction of the night club audiences, supplemented by a dynamic stage show with plenty of live action and pyrotechnics.
     Bolts held one strong advantage over most of the Detroit scene competition: All four members were exceptional vocalists.  This lent an element of flexibility and enabled the band as a whole the physical endurance to withstand the demands of night-after-night repeat performances without vocal fatigue.  Furthermore, the  abundant vocal capability easily accommodated replication of the era's
Terry and Phil in Leamington Ontario
music style popularized by bands like Styx, Van Halen, Queen, and The Tubes. 
       This was the first - and only band - I'd ever worked in that had a full-time, classically trained keyboardist. At a time just before digital sampling popularity, and when analog electric "pianos" all sounded like bells, Bobby touted a Yamaha electric portable piano - which incorporated an actual cast harp and real honest to goodness piano strings - and sounded GREAT.  Bob endured the extra hour required before EVERY show to precisely tune the delicate works to produce a consistently smooth and harmonious instrumental enrichment.
Bolts- Original Titles:
The Reason        (On a) Long Journey

CLUBS / GIGS
Some of the many clubs Bolts performed at included:
USA: * Harpo's *  Main Act *  September's *  My Place * Struttin' Club * Rusty Nail *  Rudy's Uptown * Silver Bird * Canto's (Flint) * Keg-A-Brew * Viking Lanes * Blue Water Bowl * Red Light Saloon * Brickyard * Pizza Company * Top Sail * 300 Bowl *  Wildwood Inn (Ortonville)  *  The Firehouse  *
Ontario Canada:  * The Village Inn (Leamington) * Danny's Canadian Club * The Lido * Riviera  (Windsor)
* Woodstock Inn * Snowbird  (Sarnia) * The Barn (London) * Brantford Hotel *


Editor's Note: I'll try to add dates and organize these in chronological order, if and when I can sort it out.  If anybody remembers seeing Bolts someplace not listed, please e-mail me or use the feedback forum ~ my memory's not what it used to be...)
The History ~
I was hired to replace the previous guitarist ~ in the then 4 piece line-up ~ presumably because of my vocal capability and showmanship.  I'm certain the other members over-estimated my guitar capabilities.  Frankly, I suppose I was lazy when it came to learning solos that other's had recorded, and never considered it that important to duplicate what was on records...get the first few notes, fake and improvise all the middle bars, and end it right.  Mark - the bands Pubba - sat me down one afternoon with a cassette player and went note-for-note hammering me until I had the solo for "Burning for You" (Blue Oyster Cult) exactly - he operated the play/rewind/pause, listened to each phrase, then sang 'em to me - over and over until I got it to his satisfaction.

Both Mark and Mike tried to impress upon me - over and over - the importance and discipline ~ but I just never got it.

Mike was a bass guitar instructor at one of the areas top music stores, and had a strong background and understanding of music theory.  He was also an associate audio engineer and worked both sides of the glass at an area recording studio.

One day Mike walked into a band rehearsal without his bass, slapped a Mel Bay's
'Beginner's Guitar Guide Volume One' down in front of me, and stormed out.

I guess I should've taken the hint.

About 2 weeks later, we had added a second guitarist (to cover the guitar solos I was too lazy to do right), rounding us up to 5 piece.
The five member line-up did record a self-titled 45 RPM "single" at Elephant Sound in East Detroit in 1982 (???) and pressed 1000 copies (???).  These were sold at gigs, with hopes of covering the recording and pressing costs, and financing a second record.  The record featured 2 tracks: 'The Reason" on the A side, and "Long Journey" on the flip.
I personally purchased 125 copies (hey, it was my first record), which I left behind in a box one time when I moved.

Bob, the keyboardist, had a quite serious asthma problem, and the smoky bars aggravated his condition to the point where he was eventually forced to make a decision between the band and his health.  So, we became a 4 piece (2 guitar, bass, drum) band and made a conscious move toward more guitar oriented / heavier material (i.e., Judas Priest).
Bolts - Last version The 'final' BOLTS Line-Up:


Mike - Bass, Vocals                    


   
                     Terry - Guitar, Vocals




Phil - Lead Guitar, vocals       



          
              Mark - drums, vocals,
                     business management,                      creative direction
  We continued on for at least several months, maybe even a year,  as a 4 piece, and aside from a quite significant shift away from keyboard oriented material toward heavier stuff, things were going quite well...I thought. 

In a strange twist of events ~ and I'm apprehensive to write about this ~ but I'm confident everyone is sure they made the right decision ~ Mark decided to attend a "Rock music is the work of the Devil" seminar just before Halloween in 198?.  He had the intent of contesting everything they were saying about the Ozzy backward masking, etc.  Ironically,  they somehow impressed him, and he became a Born Again Christian.  Really, this is fine.  Power to anyone who finds belief in anything positive.  But this made him re-think what we - as a party promoting entity - were representing ~ especially since so many of the songs we were covering seemed to promote and advocate 'sin' and 'the way of the Devil'.

Eventually, Mark just decided Rock wasn't what Jesus would approve of, and the whole thing folded.
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