Faceless Monsters

        In dealing with terrorist and terrorism much conventional method resources the skill of understanding the mind set of the terrorists. Getting inside the mind of the terrorists to understand and hopefully out think their eventual course of action. In brief we must then assume unfortunately that there is no understanding of those who do not understand themselves. The baser effect of this is contained as a vital instrument in these acts of terrorist cells. The individual terrorists who carry out most of these suicide bombings or strikes are such individuals. They are keenly used as pawns in an elite program of both minor and major puppeteering by the organizers of the plot or program. This provides some sense of safety and security to those organizers in as much as they feel they may safely and most cowardly hide behind the mute concourse of their so called zombie or brainwashed squads. Not even missed here are the qualifiers of puppeteering with respect to the aspect that might best be described as the Pinocchio effect. This refers to ties that bind puppet to puppeteer. There are certain aspects to the relationship of puppeteers to their puppets that allow the audience of the act (the puppet show) to recognize and determine the identity of the puppeteer hiding behind the curtain or false screen of their own frailty and condition of cowardly weakness. Unique to puppeteering, depending on the method or manner of the show at hand there are instruments used that react to the slightest impulse or movement of the puppeteer’s hands. These instruments literally sing much the same as any musical instrument to the point whereby a blindfolded aficionado can easily determine who is pulling the strings as it were. It is much like watching an opera with your eyes closed. The story is well known as are the characters played out on the stage. But when you listen to the voice then you may identify the individual singers and their identities.
        The Pinocchio Effect is a keen understanding of this by the puppeteers whereby they organize their plot or plan and then cut the strings in hopes that their personal impression will thereby be removed from the final show. This is where the Sciences of Forensics and Pathology come into play. As it is understood that many a criminal has been caught or convicted by telltale signs relative to any wound, cut, or physical damage. We then only need trace the loose threads, strings, sticks, or other instruments dangling at the limbs of the puppets. The puppeteers have gone further to burn, shred, and bury all instruments at their end once the lines were cut and Pinocchio set "free". Yet Pinocchio just pulled off his strings and tossed them aside. There at one end of the string we find the marks of the cut and can easily determine the instruments used to cut the puppet’s string and even the hand that made the cut. There are many more aspects to the Pinocchio Effect that makes it easy enough to identify this particular Geppeto. One need only read the fairly tale to also identify the Blue Fairy and Jiminy Cricket.
        As we continue to draw such parallels we should extract as much from this story and remember the adventure of Pinocchio in the belly of the whale. A key turning point for the puppet and his return to Gippeto. Or further the comparison with a study of Collodi’s original story line which is more to do with a rather insubordinate block of wood that needed to learn a few lessons about the inevitable consequences of his mischievous and dishonest deeds.
        In a continuing struggle for world peace it is enough to be dealing with nations, their leaders, and assigned delegates. Isn’t the basis to have formed nations, with various orders of governing factions, to allow for ordinance over vicissitude and structure for integration. When events of global impact are being determined by rogue individuals it disrupts the natural order of global relations robbing each and every nation of its authority. No established country or state can either condone or allow this kind of activity without forfeit or violation of their own authority. Unfortunately for key players on the stage of life puppets pop up every where from time to time. Often in a seat of power - even on the throne of kings.