~Page 1~


Deleted for pacing

Scene 4 INT. MIR ONE

Lovett and Bodine jerk awake at the landing.

ANATOLY
(heavy Russian accent)
We are here.

Deleted in post for pacing

Scene 6

LOVETT

It still gets me everytime.

The image pans to the front viewport, looking over Anatoly's shoulder, to the bow railing visible in the lights beyonde. Anatoly turns.

ANATOLY

Is just your guilt because of stealing from the dead.

CUT WIDER, to show that Brock is operating the camera himself, turning it in his hand so it points at his own face.

BROCK

Thanks, Tolya. Work with me here.

Brock resumes his serious, pensive gaze out the front port, with the camer aimed at himself at arm's length.

Deleted

Scene 14

LOVETT

(to the video crew)
You rolling?

CAMERAMAN

Rolling.

Brock nods to his technicians, and they set about drilling the safe's hinges. During this operation, Brock amps the suspense, working the lens to fill the time.

LOVETT

Well, here it is, the moment of truth. Here's where
we find out if the time, the sweat, the money spent to
charter this ship and these subs, to come out here to
the middle of the North Atlantic...were worth it. If what we
think is in that safe....it will be.

Deleted in post for pacing and to soften characters

LOVETT

You send out what I tell you when I tell you.
I'm signing your paychecks, not 60 minutes.
Now get set up for the uplink.

Buell covers the phone and turns to Lovett.

BUELL

The partners want to know how it's going?

LOVETT

How's it going? It's going like a first date
in prison, whattaya think?!


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