
Deleted for pacing
Scene 17
CNN REPORTER
But it's no secret that education is not your
main purpose. You're a treasure hunter. So what
is the treasure you're hunting?
BROCK(V.O.)
I'd rather show you than tell you, and we think
we're very close to doing that.

Scene 22
BODINE
S'cuse me, I have to go check our supply of Depends.
Changed to:
"Doesn't exactly travel light, does she?"

Scene 28
BROCK
And that makes you my new best friend. I will
happily compensate you for anything you can tell us
that will lead to its recovery.
ROSE
I don't want your money, Mr. Lovett. I know how hard
it is for people who care greatly for money to give some away.
BODINE
(skeptical)
You don't want anything?
ROSE
(indicating the drawing)
You may give me this, if anything I tell you is of value.
BROCK
Deal.
(crossing the room)
Over here are a few things we've recovered from your staterooms.

Scene 28
She spies something else, a silver and moonstone art-nouveau brooch.
ROSE
My mother's brooch. She wanted to go back for it.
Caused quite a fuss.

Scene 29
It is a darkened room lined with TV monitors. IMAGES OF THE WRECK fill the screens, fed from Mir One and Two, and the two ROVs, Snoop Dog and DUNCAN.
BODINE
Live from 12,000 feet
ROSE stares raptly at the screens. She is enthralled by one in particular, an image of the bow railing. It obviously means something to her. Brock is studying her reactions carefully.
BODINE
The bow's stuck in the bottom like an axe, from the
impact. Here...I can run a simulation we worked up
on this monitor over here.
Lizzy turns the chair so Rose can see the screen of Bodine's computer. As he is calling up the file, he keeps talking.
BODINE
We've put together the world's largest database on the
Titanic. Okay, here...
BROCK
Rose might not want to see this, Lewis.
ROSE
No, no. It's fine. I'm curious.

