Mariah's mama told her she was going to hurt herself if she kept
belting out those high notes. But the girl wouldn't listen. Now she
can't rest until she takes it to the next level-wherever that is.
Dewy and still damp from the shower, Mariah Carey has put on a little powder and a
little mascara. Her big mane is wet and close to her scalp. She's in blue boxers and a
tank and is listening to old Stevie Wonder. It's midnight, and we're 40 miles north of
San Francisco. While we split a bottle of merlot and munch on Monterey Jack cheese,
Mariah seems very much like the kind of 28 year old who could sell more than 5 million
albums when she was just out of high school. Since that 1990 introduction, she's gone
on to sell more than 80 million albums. Married a mogul almost twice her age. Got
divorced before she was old enough to be too mad about it. Started and walked away
from her own record label. Dated one of the best athletes in America. Always endured
much mulatto melodrama.
Now she's recorded a big ballad with Whitney Houston as she prepares to release
her new album, tentatively titled The Ones-a collection of all 13 of her No. 1 pop
singles, plus four bonus tracks. All this to say that the best-selling female recording
artist of the decade seems confident yet slightly mystified. Ecstatic but slightly
troubled. Expansive and slightly paranoid. Bossy yet gracious.
She's fighting a copyright lawsuit, getting ready to star in films, and still singing all
the time. Miss Mariah— much dissed, much loved-makes jokes but isn't one. Like her
new single with Jermaine Dupri, she seems a big "Sweetheart." But while she floats
like a butterfly, one gets the impression she can also sting like a bee.
My doctor showed me my vocal chords and why I can hit those high notes. It's a
certain part of the chord that not many people use—the very top. My natural voice is
low. I have a raspy voice. I'm really more of an alto. But my airy voice can be high if I'm
rested.
How did you come to be using that part of your chords ?
When I was little, I'd listen to Minnie Riperton.
"Back down memory lane... "
Exactly. I used to hear it in the car sometimes. I would get her records, and I tried
but I never could do it. When I was little. I'd talk in this really high whisper, and my
mom would be like, "You're being ridiculous." I thought if I can talk like that I can sing
like that. So I started {she goes higher and higher and higher} just messing around
with it. I'd practice and practice, and she'd be like, "You're gonna hurt yourself." I'd
tell her, It doesn't hurt. If I were to try and belt two octaves lower than that, that would
be a strain.
Tell me about the new single with Jermaine.
Remember that song "Sweetheart" by Rainy Davis? It's a remake of that. I was
like, Jermaine, let's just do a remake. I was thinking of the old songs I used to listen to
when I was in school. It's a really cute record. Young girls'll like it the way I liked it
when I was growing up.
Tell me about the song you did with Whitney.
I wish I could tell you more about it, but unfortunately, Kenneth {she uses her
fingers to make quotation marks} "Babyface" Edmonds has that under wraps. We've
done our vocals, but now he's in the process of changing it around. I kinda liked it the
way it was. It's called "When You Believe," for The Prince of Egypt soundtrack.
One of those big ballads...
It's a very big ballad but in an inspirational way. The movie is about Moses. That
she and I came together on this particular song is important. It's not just like. Here we
are, Divafest '98.... I don't think we're trying to outsing each other. You really do hear
the differences in our voices.
What are the differences ?
She just has a really rich, strong mid-belt that very few people have. She sounds
really good, really strong. I guess I sound airier and lighter than her.
Was it dramatic being in the studio with her?
Not at all.
You guys are supposed to have this rivalry...
You know what's funny? When I came out, people had comments. That had a lot to
do with me being put with producers she'd worked with. When you're a young girl, you
don't have control, and you're being marketed as the New Little Diva.
And then's already a Diva. You guys never bad beef? I never even really talked to
her until this. We never had any issues between us. The media and everybody made it
an issue. Over the years, as I got more control over my music, I did my own thing. I
don't think we even do similar things at this point.
But I mean, if we were talking about the pop princesses of the late '80s and early
'70's...
I didn't come out until the '90s [laughter]. And I hope to be around past the '90s. I
don't want to just be categorized as "of this era." My goal is to have a career that
stands. Otherwise, what's the point?
You feel you have a lasting talent.
I hope that people feel that way. I know I have a lasting need and desire to sing. That's what fuels me.
Getting into acting is something I've always wanted to do. I've been studying since
I was a little girl, and now I'm looking forward to it. It'll be a completely different
emotional outlet. I'm not looking at it like. I'm Mariah Carey. Put me in a movie. I'm a
star. Of course I would love that, but I'm looking at smaller films, smaller roles.
What kind of stuff did you do as a kid?
Plays. I had the role of Maria in The Sound of Music.
Shut up!
Sixth grade. [She sings] "Doe a deer / A female deer" {laughter}.
You did "My Favorite Things"!
[Sings] "Raindrops on roses / And whiskers on kittens."
You should remake that.
Maybe for a Christmas album one year. I used to love that song...
I studied acting at, like, an actors' workshop. My mother was an opera singer and
was very supportive of everything artswise.
Did you listen to a lot of opera when you were a kid?
Nooooooooooooo. Only what my mother was singing around the house.
Movie stuff, though... what's really about to happen ?
The thing I can talk about is gonna be the one where I sing, my musical thing. I'm
gonna write the music. Kate Lanier [Set It 0ff (New Line Cinema, 1996); What's Love
Got to Do With it (Touchstone Pictures, 1993)] is going to write the screenplay. I'm
really excited about that. It's a love story. I'm going to be writing the songs or
choosing the remakes that follow along with the situation. That project's on the fast
track. I'm not going into the studio again until it's done. But that's what I said before
this number ones thing came up. But hey, everybody knows I'm a workhorse, so...
What is this with being in the studio all the time ?
I guess it's because I've always had this very...I don't want to call it ambitious, but...
anxious state of being. I always feel like if I don't do This, then maybe something will
go wrong. Like, maybe I better do This—if you know what I mean.
I do. But to call Mariah Carey prolific is an understatement. People just don't record
as much as you do. Six full albums in eight years. Whitney's new album is her first full
album in eight years.
But [Sony] would put out like only four singles from one of my albums. Where, like a
Janet, [Virgin] would put out, like, seven, and they'd be working the same album for,
like, two years. But with me it was like, "Get in the studio! More records! Sing! Sing!"
But your albums had just as many singles.
Uh-uh. Nope. Look at it from the first album on. Like on my MTV Unplugged, which
sold ten million, there was just "I'll Be There." I feel I did have many more singles on
some of those albums. ...That's why when people were like, "Oh, she's jumping on the
R&B bandwagon," I said, I wish people would just listen to some of the other cuts on
my albums that were never promoted. Then they would understand my favorite songs
were songs that never got any light...
Like?
"Underneath the Stars" on Daydream is one of my favorite songs I've ever written.
On the first album there's "Sent From up Above" that was very R&B and that was
never released. Too many for me to even name. Even with Butterfly, technically, only
two singles were released: "Honey" and "My All."
Do you have a say in all that stuff?
Everybody swung it like I didn't want to put something out because I wouldn't
accept less than a No. i Pop Single. That's not even true. Like I didn't want to "break a
streak." My streak was broken a long time ago. I don't even have a streak. I had five
number ones, then I had records that didn't go to number one. Whatever. I wanted to
put out "Breakdown" with Bone Thugs-N-Harmony. That was a no-brainer. Release it.
I'll always be upset "Breakdown" never got its shot.
Is that personal to Mariah? Or is that label bullshit?
I think that a lot of people—and I'm not saying anything personal to the label-have
had these issues.
You get signed as a kid, you grow up infront of these label execs, and they're used
to dealing with you like you're seventeen. I can only imagine that it's a struggle to
make people understand. I'm not a kid. This is my shit.
I was even saying it then. I was very precocious. The thing that allows people to
press my buttons is that they know I care. People will take advantage of the fact that I
don't want to screw things up.
You want to win.
They know that in my mind, part of winning is going to the next place. Not
statuswise, just the next place in life. I've tried to be assertive. To be like, Please tell
me what's the plan. It's difficult when there are personal relationships involved.
For a long time I was not allowed to assert myself. But I'm not all Oh, pity me, poor
little singing girl. We make our choices, and we live by them. But sometimes when you
make choices when you're really young, ..like if you have a child when you're still a
child, you raise that child; you love that child. I know people who did that, and they
would never trade that choice for the world. Like I would never trade my career-which
is my child-for the world.
No matter how it went down, it's yours.
Yes. It's mine and it's a blessing that I have it.
What's gonna happen with Crave Records?
The way that story was swung was like Sony shut the label down on me. They did
not. I don't run companies. I'm a creative person, someone there to help make
records. Like Allure with "All Cried Out." Most new labels don't have a Top Five
record their first time out. If anything I feel guilty about the artists. Seven Mile got
folded into 550/Sony. Allure are at Sony also. I'm powerful in my own way, but when
you work inside a company, you're controlled by the corporate heads. I'm not a
numbers person. This was not my idea. It was sprung on me.
Whose idea was it?
[She smiles; seems a code for her ex-husband. Sony Music chief Tommy Mottola]
Oh.
[She raises her glass] Cheers. I'm not mad at anything. I was just mad that people
thought [Sony] took it away from me because my groups didn't hit. That is not the
case.
Or they think you and Tommy had fallen out and he wasn 't with it anymore.
Well, eat, drink, dance—whatever. People are going to think what they want to
think, and I'm not going to deny or confirm that. {Smiles}
So I've been reading all about your new freedom or liberation or whatever.
Everybody's been asking you, "What's it like hanging out with Puffy?"
That stuff is all ridiculous and hoopla and hype. We were at one club one time.
Every single article is the same picture.
I know it's fun to party and you've been doing that, but I'm curious about what
lessons you learned from being mar-ried at such a young age?What would you say to
a girl who's, like, nineteen and says I'm gonna marry a guy in his forties?
I don't even know what lessons I've learned. [Long pause] I've learned.... What
have I learned? I have to think about this for a minute. This is getting into shaky
territory...but since I was a little girl I never wanted to get married. I was never going
to get married. I would tell my morn, and she'd say, "Don't say that. You're gonna get
married."
We all are.
We all do. I was like. Well, you got divorced. I had a phobia about it.
This whole [divorce] has only intensified that phobia. I guess I've been hardened
by the situation, because the hardest part about it, even during the whole marriage,
was not having... the friendship. Because the truth of the matter is—and I know he
hates it when I talk about him, but he knows it's true because I just said it to him the
other day—when he's being cool, I enjoy him as a person and as a friend. [Long
pause]
The way that I am, I get pushed to a wall and then I attack. It's a gradual process
for me because I am so cautious and so careful. But once you get me to that point, it's
over and I can't turn back. That's been my defense mechanism my whole life. I give
people a chance. I would love to have someone that I trust fully. But I guess we all
kind of re-create what we saw was wrong when we were children. I think in my own
little way, by feeling I was doing the opposite, I was doing the same thing.'
You know how common that is ? Something else that's common among female
mega-stars is this lack of trust. People feel like it's something that happens because
you get to be large. But do you get to be large...
Because you don't trust anybody? I think yes. Since I was a little girl I had this
desire to be a "star," for lack of a better term, because I felt inadequate in a lot of
ways, because I felt like an outsider in many ways, because I didn't feel pretty,
because I felt unstable...in terms of moving around a lot.
Were you at different schools all the time?
Maybe I ended up in three or four. My mother was there for me. She had a tough
time, she worked very hard, and she evolved into a better, stronger person. I admire
her a lot. But when I was growing up I was on my own a lot. That feeling has driven me
to be who I am. That's what keeps me in the studio album after album. I wish I could
have that other kind of mentality that's like. Whatever.
But I know I'll get there and it won't be right. I know this attitude comes out of a)
insecurity and b) the way I felt growing up and c) knowing it's never going to be right
unless I do it myself.
If you don't do it yourself, it's not gonna be right-where does that come from?
You're supposed to be passive and let others take control. A lot of times when I
meet people, they are surprised, like, "Oh, you know that?" I couldn't do this and not
have some degree of intelligence.
Andy on have been doing this now for eighty'ears. What makes, you extremely
happy?
These days? I've been in a depressed week, so it's hard for me to think — and I
hate saying that because...
Because then it'll be MARIAH IS DEPRESSED!
I hate that, but I also feel ungrateful when I say that. I should feel blessed. I used
to read about stars complaining, and I'm thinking... I'd kill to have one hundredth of
what you have. How dare you be unhappy?
But don't you have to allow yourself to be sad?
I know! What makes me really happy is when I'm in good voice and I go on stage
and I do my best.
ls there a life outside of your profession?
There was for a minute. And there is when I go out at night and have jokes and
have fun. I don't enjoy moping. I always have jokes. Even when I'm crying I'll make up
something stupid and laugh through it.
So, Jeter.
{Sadsmile} Mm-hmm.
Was that real?
Mm-hmm.
No longer?
Uh-uh.
So this is not a happy time.
I love his family. I think he has a beautiful family. I care about his sister a lot. We
connected because of our similar backgrounds.
How did you guys meet?
At a fund-raiser.
Celebrity meeting place. He's a nice guy?
He's a nice guy.
What do you look for in a guy?
Right now I feel so untrusting of men in general. I went from high school to
full-blown work to being in a relationship with a much much older man.
Do you have that advice I mentioned earlier? If my cousin Ahmber came to you and
said she was in love with a forty-year-old guy...
How old is she?
Nineteen.
I would say. Are you guys in the same business?
Sort of.
How much control do you have over your own stuff?
I have a lot, but I think he has a lot too.
Over your stuff?
Yes. I'm kind of in it, but he knows a lot more than me because he's forty.
I would say. Just sit back and think about every-thing before you do it. But you
know what? Love is love and life is life and circumstances are circumstances. And all
those things come into play.
Definition of independence?
Not feeling confined. Having the ability to run your own life, being responsible for
your own actions.
Definition of love?
Full and unconditional trust of another. The desire to be with them all the time, but
the knowledge that you shouldn't be with them all the time, and the ability to separate
yourself. And to come back to them.
Lust?
I don't have enough experience to answer that question.
That's pitiful.
My own experiences with love and lust? Don't have that many. Sorry, it's not that
exciting.
You know that's bananas. You know people are gonna be like, "Tommy Mottola,
Derek Jeter, Puff Daddy... "
Two people! Only two people. Hanging out with Puff Daddy-that ain't even in this.
Q:Tip? No! That does not exist. Leonardo? None of that! There are two people that
are real-that's it. If people think I'm lying, sorry. I wish I could say I was lying. I think it's
pathetic! [Laughing] I think I'm a jackass! A moron!
What's the hold'up?
First of all with diseases and stuff out there I'm not tryin' to be in everybody's bed.
Try that one.
It's not just all free love.
[Laughter] It's not all swing this way, swing that way, swing my way, shorty. I'm very
protective ot myself in that way. I've seen too many people die and be affected by
AIDS. For me to get really close to someone I have to trust them or feel a strong
connection. Everyone I start that with, somehow it gets spoiled...
Because you're Mariah Carey?
I don't want to fall back on that, but maybe so. I don't know. Maybe I'm )ust a little
ridiculous.
When would I have had time? Under the scrutiny I was under? Being married to
who I was married to? In the studio? Writing songs? Producing an album every year?
Basically, I had time to drive from my house to my morn's house, which was, like,
twenty minutes away. I've been separated for like a year and a half now, and you're
saying in that period I've been...
Buck wild!
Buck wild crazy!
With all the movie stars. All the fast guys.
No. With the "hard-partying rap posse." That's what they wrote in the New York
Post. MARIAH'S SEXCAPADES was the headline. Just the terminology is ridiculous.
I'm like. What is my life right now? Why am I waking up and seeing my face next to
SEXCAPADES on the front cover? {Laughter] And then you read it and there's no sex!
So you 'regoing to be alone for years ?
No! I hope not. I wish I could find someone tomorrow who I could trust and who
would care about me and understand me. I'm the girl next door in a lot of ways, but I'm
a lot more complex.
A little! The fact that you've probably got, like, eight trillion dollars in the bank...
No, not quite eight trillion. Don't forget I paid tor half that house. People don't
realize that. And that cost quite apretty penny. Much more than they write it cost
(reportedly $2 million]. And I lost quite a pretty penny on that. Not like I'm near broke,
but I am crazy cautious.
Do you ever still trip off the whole black/white thing?
Yesterday we were driving away from Summer Jam. There was so much love in the
air. It's a predominantly black crowd, but it's really racially mixed. People were outside
waiting to say goodbye and get autographs and stuff, and this one guy says, "Mariah,
are you black or are you white?"
That's a classic for you, no ?
Classic! And I was just like. I'm mixed, baby! But I'm not offended. The fact that they
felt comfortable enough to ask me is good. I guess I've come to terms with it. I'm
mixed. That's what it is. lf you want me to define it, I can only say my father is
African-American and Venezuelan. My mother is white; Irish from the Midwest. So I am
mixture of these things. I'm not in denial of either of them. But it's not like I'm running
around kissing a Blarney stone, thinking I'm Irish {laughter}. Anybody who's mixed
knows they're of the black race. It's all right for some reason to say Japanese and
black or Japanese and Italian or Chinese and Swedish. But the minute you say black
and white...
Dramatic
All over the place. But my family is like a potpourri of color.
So many fans are like that.
I know. But I didn't know many fams like that when I was a kid. So it made me feel
outside. But not anymore.
Vibe, Nov/98 issue - cover
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