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COSTUMES 1

Artists Corner Civil War costumes

Seven of Nine becomes a Perfect 10

Robert Blackman designs Jeri Ryan's costume

What it Took

Seemingly seamless shrink-wrap catsuit nylon and Lycra blend with darts in lieu of seams when possible. Leg inseams but no outer seams. Invisible back zipper. A small Velcro chest patch for the Combadge.

The Hook

Elastic corset with side zipper, covered in cord elastic. Underwire brassiere portion of the corset layered first with a souffle, or sheer-weave material, finally with thin fleece making edges soft and blurry. The brassiere attaches inside the suit with bar and hook closures for a perfect Borg fit.

Borgeous

Shoes worn inside, not outside the suit, which has built-in feet like a leotard. Velcro sole slits accommodate Ryan's 3 inch pumps. The bottoms of the feet have snti-slip treads.

Gadzooks

No spontaneous ladies room visits. It takes Ryan 35 minutes to get into costume, with assistance.

Civil War clothing

Q. I'm asked to make a dress for a Civil War reenactor who wants it authentic but not drab. Cotton and wool were used but what about colors?

A. Watch Gone With the Wind. Remember Scarlet's dress she made from her mother's favorite green velvet curtains (velvet was expensive) Before the war women wore hoops with lots of petticoats and ruffles. Fitted bodices showed off corseted 18" waists and full mutton sleeves. Colors were mostly naturally dyed. Red was more pink, peach, orange, blues, browns, yellows, ecru (tea dye) Study color and calico in old quilts. Turkey red was not the red we know today. Start with yards and yards of eyelet underneath. Build up to a pastel overskirt or dress with tight bodice. Homespun Patterns and Past Patterns are accurate.

Women had bright fabric colors then. Depending on residence and social class they bought bright new aniline dyes. Natural dyes, professionally done, are also bright. Depending on age she wore lighter bright colors (young) or deeper rich colors (married or older) Solid color silk and fine wool were common, as were modest plaids and small checks for silk, fine wool or cotton dresses. Unless you're familiar with prints available then (a study in itself) use a simple check or plaid. Avoid neon. Most blues, browns, reds, subdued greens are safe choices.

Norma's intentions were the best but don't use Gone With The Wind as an example of what women wore then, especially Scarlett's clothes. It's pure Hollywood. Women dressing in that style have Scarlett Fever. Before cutting dress material make a muslin mockup of the bodice. Do careful fittings until it fits snug at waist and midriff and smooth everywhere else. Make it at least 1 - 2" short-waisted. The skirt pulls it down to where it should be, at least 1/2" or more above the natural waist line. Remember she wears a hoop and a short petticoat under it and at least one or two petticoats over her hoops to hide the bones. Work dresses still need a couple of petticoats underneath, preferably at least one corded and well starched.

Curiosity Shop Glenna Jo "Obsessive Reenactor" Christen

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