THESES ON GROUCHO MARXISM
Bob Black
Theses On Groucho Marxism
1
Groucho Marxism, the theory of comedic revolution is much more than a
blueprint for crass struggle: like a red light in a window, it illuminates
humanity's inevitable destiny, the declasse society. G-Marxism is the
theory of permanent revelry. (Down boy ! There, that's a good dogma.)
2
The example of the Marx Brothers themselves shows the unity of Marxist
theory and practice (for instance, when Groucho insults somebody while
Harpo picks his pocket). Moreover, Marxism is dialectical (isn't Chico the
classic dialect comedian ?). Comedians who fail to synthesize theory and
practice (to say nothing of those who fail to sin at all) are un-Marxist.
Subsequent comedians, failing to grasp that separation is "the discrete
charm of the bourgeoisie", have lapsed into mere pratfalls on the one hand,
and mere prattle on the other.
3
Because G-Marxism is practical, its acheivements can never be reduced to
mere humor, entertainment, or even "art". (The aesthetes, after all, are
less interested in the appreciation of art than in art that appreciates.)
After a genuine Marxist sees a Marx Brothers movie, he tells himself: "If
you think that was funny, take a look at your life!"
4
Contempary G-Marxists must resolutely denounce the imitative, vulgar
"Marxism" of the Three Stooges, Monty Python, and Bugs Bunny. Instead of
vulgar Marxism, we must return to authentic Marxist vulgarity.
Rectumification is likewise in order for those deluded comrades who think
that "the correct line" is what the cop makes them walk when he pulls them
over.
5
Class-conscious Marxists (that is, Marxists who are conscious that they
have no class) must spurn the anemic, trendy, narcissistic "comedy" of
comedic revisionists like Woody Allen and Jules Feiffer. Already the
comedic revolution has superseded mere neurosis - it's ludic but not
ludicrous, discriminating but not discriminatory, militant but not
military, and adventurous but not adventurist. Marxists realise that today
you have to look into a funhouse mirror to see the way you really are.
6
Although not entirely lacking in glimmers of Marxist insight, socialist
(sur)realism must be distinguished from G-Marxism. It is true that Salvador
Dali once gave Harpo a harp made out of barbed wire; however, there is no
evidence that Harpo ever played it.
7
Above all, it is essential to renounce and revile all comedic sectarianism
such as that of the equine Trots. As is well-known, Groucho repeatedly
proposed sex but opposed sects. For Groucho, then, there was a difference
between being a Trot and being hot to trot. Further, the Trot slogan "Wages
for Horsework" smacks of reform, not revelry. Trot efforts to claim A Day
at the Races and Horsefeathers for their tendency must be indignantly
rejected; in truth National Velvet is more their style.
8
The burning issue confronting G-Marxists today is the party question, which
- naive, reductionist "Marxists" to the contrary - is more than just "Whay
wasn't I invited?" That never stopped Groucho! Marxists need their own
disciplined vanguard party, since they're rarely welcome at anybody else's.
9
Guided by the Marxist leader-dogmas of misbehaviourism and hysterical
materialism, inevitably the masses will embrace, not only G-Marxism, but
also each other.
10
Groucho Marxism, then, is the tour de farce of comedy. As Harpo is reliably
reported to have said:
" "
In other words, comedy is riotous or it is nothing ! So much to do, so many
to do it to ! On your Marx, get set - go !
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BORED AGAIN? Why not rattle your cage? I propose a dialog of the
disaffected, a conspiracy of the equals, a politics of pleasure. Ours is
the anomic power of negative thinking and corrosive laughter. The unruly
amongst the institutionalised have only themselves - and possibly each
other. Let's confer. The choice is sedition or sedation. Any number can
play.
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