The Reading Garden - Screenplay


Important notice: All excerpts have been submitted by the author.
Author: Diana Fox
*Author's note: These scenes are mid-way through the story. The logline for this story is:
When a Christmas non-believer, anal-organized, school principal,
widower learns he has to cut 20% of his school budget, plus eliminate the
school pageant, which his 10-year-old daughter just won the lead, and which
old school buddy Carole directs, he's torn between keeping his job, doing
what's right, their match-making daughters, falling in love, Santa, and an
age-old reindeer with seemingly magic powers.

EXT. FIELD - DAY - A WEEK LATER
Charlie and Carole are tramping through the grass, heading
for the pine trees in the distance ahead. The girls and
Carole are dressed for the job--jeans, hiking shoes or
sneakers, T-shirts. Charlie looks like he's ready for the
office--all that's missing is a tie and jacket.
Rainey and Lindy are romping ahead of them, pretending to
throw snowballs, giggling, chasing each other.
Carole carries a small axe and a coiled rope over her
shoulder.
The sun is shining brightly.
CHARLIE
How did I let you talk me into
this?
CAROLE
Because Christmas isn't Christmas
unless there's a tree in the
house. Where else would the
presents go? Rainey and I do this
every year.
CHARLIE
I don't know if I'm up to this.
CAROLE
You've got to. For Lindy's sake.
Look at her.
He looks ahead at his daughter, at both the girls.
CHARLIE
It's almost as if her mother never
died, as if we never went through
that dark time.
CAROLE
Usually, children are resilient.
Carole looks at Charlie from head to toe.
CAROLE
(continuing)
I would have thought you'd wear
something more appropriate.
As they talk, Carole is inspecting the trees they pass.
CHARLIE
Like what? Boots with curl-up
toes, and a funny little hat with
bells on it?
CAROLE
(laughing)
That's a start. Actually, I was
thinking of something more
durable. Like play clothes. Jeans.
CHARLIE
I don't own any jeans.
CAROLE
No jeans? You're kidding?
CHARLIE
As serious as a Roledex. You need
one by the way. Your address book
is a mess.
CAROLE
Touch my address book and die.
CHARLIE
What's so difficult about picking
out a tree?
CAROLE
Nothing.
CHARLIE
So pick one.
CAROLE
It has to be the right one. It's
what we do after we've picked it
out that's fun.
CHARLIE
I have a feeling it has something
to do with this ax. You didn't
tell me I'd be playing Paul Bunyun.
CAROLE
(smiling sweetly)
You won't be. I'll be Paulette.
EXT. IN THE PINE TREES
Charlie is kneeling in the dirt at the base of a full, medium
sized tree not much taller than he is, the ax in hand, ready
to start chopping.
CAROLE
Sure you don't want me to do that?
CHARLIE
And take me away from all this
fun? How long does it take to
chop down one itty bitty tree?
EXT. IN THE PINE TREES - LATER
Charlie pauses, resting, wiping his forehead with the back of
his hand, unaware he's rubbing a streak of dirt across this
face.
The sky has turned cloudy. We hear THUNDER. A minute later
they're in a downpour.
The two girls literally are lapping up the rain.
Carole grins at them, looking skyward herself, enjoying the
rain.
CAROLE
Let me chop for a while.
CHARLIE
No way. I want to enjoy this fun
to the fullest. Another minute or
two and it'll be toppled.
CAROLE
No one asked you to do all the
work. No need to be a hero on my
account.
Charlie is ready to take a swing at the tree, when something
in the distance, among the trees, catches his eye.
It's the reindeer, standing there facing Charlie. Then it's
gone.
He looks around. The girls are busy and didn't notice. He
knows she saw it. She arches an eyebrow at him.
Frowning, he goes back to chopping.
EXT. FIELD
Charlie stands, grimacing as he works out the kinks.
CHARLIE
(his hand cupping his
mouth)
TIMBER!
With a slight crack, the tree falls.
CAROLE
I still think we ought to get your
tree today too.
CHARLIE
No way. One a day is my limit.
Besides, we wouldn't want to
endanger the forest.
EXT. FIELD - DAY
The sun in shining again.
The two girls are dragging the tree by the rope trailing
behind Charlie and Carole.
Everyone is soaked, but Charlie looks like he's been through
the wringer. His knees are black, and he's looking totally
unkempt.
Carole looks and him and chuckles.
CHARLIE
Not one word.
Laughter fills the woods.
INT. CAROLE'S UPSTAIRS HALLWAY OUTSIDE BATHROOM DOOR
The door is opened a crack and she's pushing some dry clothes
through the crack.
CAROLE
Here's some clothes, Charlie.
Charlie's hand reaches out. The clothes disappear. His hand
reappears with his wet things.
CAROLE
(continuing)
I'll go put these in the washer.
Come on downstairs when you're
dressed. The girls are making hot
chocolate.
CHARLIE (O.S.)
Whose clothes are these?
CAROLE
The shirt's mine, the sweatpants
belonged to my ex-husband. Why?
CHARLIE
Isn't there anything else?
CAROLE
Not big enough to fit you.
A groan comes from the bathroom.
Carole walks away grinning.
INT. CAROLE'S KITCHEN
The girls are at the stove talking and taking turns stirring
the hot chocolate. Carole is getting cups out of the
cupboard.
Charlie walks in the room. All three women stop what they're
doing and study Charlie. You can tell they're all trying
real hard not to laugh, maintaining serious expressions.
Charlie looks down at his wardrobe. He's wearing a T-shirt,
while big on Carole is snug on him. Across his chest it
says: I'M SUFFERING FROM PMS AND PROUD OF IT. The sweatpants
are short.
CHARLIE
What?
LINDY
Nothing, Daddy.
RAINEY
You look good, Mr. Dickson.
CAROLE
Real good.
CHARLIE
What can I do to help?
CAROLE
There's some cookies in the
cupboard behind you.
Charlie turns. The back of Charlie's shirt reads: BITE ME.
The three woman can't hold back any more. Laughter fills the
room. ©1997
***
*About the author: I confess. I never grew up wanting to be a writer. I was twenty-eight
with two babies before I realized what I wanted to do with the rest of my
life. With no formal writing education other than high school English
classes and a love for reading, I set out to tell my stories. From a weekly
Erma-Bombeckish newspaper column, to magazines, then to books and
screenplays, I've found my niche. Heartfelt stories about real people.
They're real to me. They stand behind me, the hero behind one shoulder, the
heroine behind the other, teasing, laughing, fighting, loving, sometimes
with both of them talking at the same time. They make me laugh, they make
me cry. I'm just they're fingers on the keyboard transcribing their story.
I hope their story makes you laugh and cry too.
NEW BEGINNINGS is Diana's third book, her second for Avalon. She
has three production companies looking at her family script, CHARLIE'S
CHRISTMAS CAROLE. In addition to her writing, she teaches creative writing
at Georgia's Bainbridge College. She'd love to hear from you. Write to Diana Fox. Check out Diana Fox's website.
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